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Vision / Dance Innovations
2020 FEBRUARY PROGRAMS 02 /03 CLASSICAL (RE)VISION / DANCE INNOVATIONS The people you trust, trust City National. Top Ranked in Client Referrals* “City National helps keep my financial life in tune.” Michael Tilson Thomas Conductor, Educator and Composer Find your way up.SM Visit cnb.com *Based on interviews conducted by Greenwich Associates in 2017 with more than 30,000 executives at businesses across the country with sales of $1 million to $500 million. City National Bank results are compared to leading competitors on the following question: How likely are you to recommend (bank) to a friend or colleague? City National Bank Member FDIC. City National Bank is a subsidiary of Royal Bank of Canada. ©2018 City National Bank. All Rights Reserved. cnb.com 7275.26 PROGRAM 02 | CLASSICAL (RE)VISION PROGRAM 03 | DANCE INNOVATIONS TABLE OF CONTENTS 05 Greetings from the Artistic Director & Principal Choreographer 05 06 Board of Trustees Endowment Foundation Board 07 SF Ballet Leadership 08 Season News 10 Off Stage 13 Pointe and Counterpoint: The Story of Programs 02 and 03 14 PROGRAM 02 Classical (Re)Vision Bespoke Director's Choice Sandpaper Ballet 22 PROGRAM 03 Dance Innovations The Infinite Ocean The Big Hunger World Premiere Etudes 30 Artists of the Company 14 39 SF Ballet Orchestra 40 SF Ballet Staff 42 Donor Events and News 46 SF Ballet Donors 61 Thank You to Our Volunteers 63 For Your Information 64 Designing Sandpaper Ballet FOLLOW US BEFORE AND AFTER THE PERFORMANCE! San Francisco Ballet SFBallet youtube.com/sfballet SFBallet 42 San Francisco Ballet | Program Book | Vol. -
Don Quixote Press Release 2019
January 2019 Carlos Acosta’s celebrated production of Don Quixote returns Friday 15 February – Thursday 4 April 2019 Live Cinema relay: Tuesday 19 February 2019 #ROHDonQ Federico Bonelli and Sarah Lamb in Don Quixote, ©ROH/Johan Persson, 2013 Carlos Acosta’s vibrant dance production of Miguel de Cervante’s classic tale Don Quixote returns to the Royal Opera House this Spring. Created specially for The Royal Ballet in 2013, this stunning production tells the story of the bumbling knight Don Quixote and his ever-faithful squire Sancho Panza, and their efforts to help the young lovers Kitri and Basilio. This revival features exciting debuts from Lauren Cuthbertson, Yasmine Naghdi and Mayara Magri as Kitri and Matthew Ball, Alexander Campbell and Marcelino Sambé as Basilio. Don Quixote For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media includes a number of spectacular solos and pas de deux as well as outlandish comedy and romance as the dashing Basilio steals the heart of the beautiful Kitri. Don Quixote will be live streamed to cinemas on Tuesday 19 February as part of the ROH Live Cinema Season. Carlos Acosta previously danced the role of Basilio in many productions of Don Quixote. He was invited by Kevin O’Hare Director of The Royal Ballet, to re-stage this much-loved classic in 2013. Acosta’s vibrant production evokes sunny Spain with designs by Tim Hatley who has also created productions for the National Theatre and for musicals including Dreamgirls, The Bodyguard and Shrek. Acosta’s choreography draws on Marius Petipa’s 1869 production of this classic ballet and is set to an exuberant score by Ludwig Minkus arranged and orchestrated by Martin Yates. -
The Sleeping Beauty Untouchable Swan Lake In
THE ROYAL BALLET Director KEVIN O’HARE CBE Founder DAME NINETTE DE VALOIS OM CH DBE Founder Choreographer SIR FREDERICK ASHTON OM CH CBE Founder Music Director CONSTANT LAMBERT Prima Ballerina Assoluta DAME MARGOT FONTEYN DBE THE ROYAL BALLET: BACK ON STAGE Conductor JONATHAN LO ELITE SYNCOPATIONS Piano Conductor ROBERT CLARK ORCHESTRA OF THE ROYAL OPERA HOUSE Concert Master VASKO VASSILEV Introduced by ANITA RANI FRIDAY 9 OCTOBER 2020 This performance is dedicated to the late Ian Taylor, former Chair of the Board of Trustees, in grateful recognition of his exceptional service and philanthropy. Generous philanthropic support from AUD JEBSEN THE SLEEPING BEAUTY OVERTURE Music PYOTR IL’YICH TCHAIKOVSKY ORCHESTRA OF THE ROYAL OPERA HOUSE UNTOUCHABLE EXCERPT Choreography HOFESH SHECHTER Music HOFESH SHECHTER and NELL CATCHPOLE Dancers LUCA ACRI, MICA BRADBURY, ANNETTE BUVOLI, HARRY CHURCHES, ASHLEY DEAN, LEO DIXON, TÉO DUBREUIL, BENJAMIN ELLA, ISABELLA GASPARINI, HANNAH GRENNELL, JAMES HAY, JOSHUA JUNKER, PAUL KAY, ISABEL LUBACH, KRISTEN MCNALLY, AIDEN O’BRIEN, ROMANY PAJDAK, CALVIN RICHARDSON, FRANCISCO SERRANO and DAVID YUDES SWAN LAKE ACT II PAS DE DEUX Choreography LEV IVANOV Music PYOTR IL’YICH TCHAIKOVSKY Costume designer JOHN MACFARLANE ODETTE AKANE TAKADA PRINCE SIEGFRIED FEDERICO BONELLI IN OUR WISHES Choreography CATHY MARSTON Music SERGEY RACHMANINOFF Costume designer ROKSANDA Dancers FUMI KANEKO and REECE CLARKE Solo piano KATE SHIPWAY JEWELS ‘DIAMONDS’ PAS DE DEUX Choreography GEORGE BALANCHINE Music PYOTR IL’YICH TCHAIKOVSKY -
RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet
RELEASE DATE SEPTEMBET 2020 Essential Royal Ballet The Royal Ballet Delve into the archive of The Royal Ballet in this special collection full of clips and interviews Katie Derham introduces highlights from the past ten years at the Royal Ballet in this special, extended edition of Essential Royal Ballet. Presented on location in Covent Garden at the iconic Royal Opera House, Katie weaves the history of ballet through carefully curated excerpts from the past decade of performances and goes behind the scenes to see what it takes to be a dancer in the company of The Royal Ballet as they prepare to take to the stage. From the great classics of The Sleeping Beauty and The Nutcracker to the exciting frontiers of contemporary dance, Katie takes us on a romp through the repertory, showcasing the diversity of the UK’s biggest ballet company. With stunning solos, passionate pas de deux and jaw-dropping numbers for the corps de ballet, it is a chance to see your favourite dancers up close, including Carlos Acosta, Marianela Nuñez, Natalia Osipova and Steven McRae, alongside rising stars like Francesca Hayward and Matthew Ball, who will introduce their favourite ballets and share stories of their life on the stage. The ballets featured include the classics Giselle, La Bayadère, Swan Lake, The Sleeping Beauty and The Nutcracker while the 20th-century heritage of the Royal Ballet is explored in works by Frederick Ashton and Kenneth MacMillan. The contemporary life of the company is showcased in works by Christopher Wheeldon, and Wayne McGregor, along side recent productions of classic works. -
The Royal Ballet Present Romeo and Juliet, Kenneth Macmillan's
February 2019 The Royal Ballet present Romeo and Juliet, Kenneth MacMillan’s dramatic masterpiece at the Royal Opera House Tuesday 26 March – Tuesday 11 June 2019 | roh.org.uk | #ROHromeo Matthew Ball and Yasmine Naghdi in Romeo and Juliet. © ROH, 2015. Photographed by Alice Pennefather Revival features a host of debuts from across the Company, including Akane Takada, Beatriz Stix-Brunell, Anna Rose O’Sullivan, William Bracewell, Marcelino Sambé and Reece Clarke. Principal dancer with American Ballet Theater, David Hallberg makes his debut in this production as Romeo opposite Natalia Osipova as Juliet. Production relayed live to cinemas and on Tuesday 11 June 2019. This Spring, The Royal Ballet revives Kenneth MacMillan’s 20th-century dramatic masterpiece, Romeo and Juliet. Set to Sergey Prokofiev’s seminal score, the ballet contrasts romantic pas de deux with a series For all Royal Opera House press releases visit www.roh.org.uk/for/press-and-media of vibrant ensemble scenes, set against the backdrop of 16th-century Verona as evoked by Nicholas Georgiadis’s designs. A work which has been performed by The Royal Ballet more than 400 times since it was premiered at Covent Garden in 1965, Romeo and Juliet is a classic of the 20th-century ballet repertory, and showcases the dramatic ability of the Company, as well as incorporating a plethora of MacMillan’s signature challenging choreography. During the course of this revival, Akane Takada, Beatriz Stix-Brunell and Anna Rose O’Sullivan debut as Juliet. Also performing the role during this run are Principal dancers Francesca Hayward, Sarah Lamb and Marianela Nuñez. -
An Evening with Natalia Osipova Valse Triste, Qutb & Ave Maria
Friday 24 April Sadler’s Wells Digital Stage An Evening with Natalia Osipova Valse Triste, Qutb & Ave Maria Natalia Osipova is a major star in the dance world. She started formal ballet training at age 8, joining the Bolshoi Ballet at age 18 and dancing many of the art form’s biggest roles. After leaving the Bolshoi in 2011, she joined American Ballet Theatre as a guest dancer and later the Mikhailovsky Ballet. She joined The Royal Ballet as a principal in 2013 after her guest appearance in Swan Lake. This showcase comprises of three of Natalia’s most captivating appearances on the Sadler’s Wells stage. Featuring Valse Triste, specially created for Natalia and American Ballet Theatre principal David Hallberg by Alexei Ratmansky, and the beautifully emotive Ave Maria by Japanese choreographer Yuka Oishi set to the music of Schubert, both of which premiered in 2018 at Sadler’s Wells’ as part of Pure Dance. The programme will also feature Qutb, a uniquely complex and intimate work by Sadler’s Wells Associate Artist Sidi Larbi Cherkaoui, which premiered in 2016 as part of Natalia’s first commission alongside works by Arthur Pita and fellow Associate Artist Russell Maliphant. VALSE TRISTE, PURE DANCE 2018 Natalia Osipova Russian dancer Natalia Osipova is a Principal of The Royal Ballet. She joined the Company as a Principal in autumn 2013, after appearing as a Guest Artist the previous Season as Odette/Odile (Swan Lake) with Carlos Acosta. Her roles with the Company include Giselle, Kitri (Don Quixote), Sugar Plum Fairy (The Nutcracker), Princess Aurora (The Sleeping Beauty), Lise (La Fille mal gardée), Titania (The Dream), Marguerite (Marguerite and Armand), Juliet, Tatiana (Onegin), Manon, Sylvia, Mary Vetsera (Mayerling), Natalia Petrovna (A Month in the Country), Anastasia, Gamzatti and Nikiya (La Bayadère) and roles in Rhapsody, Serenade, Raymonda Act III, DGV: Danse à grande vitesse and Tchaikovsky Pas de deux. -
Throw Together a Night of Performances by International
Throw together a night of performances by international dancers, sprinkle in some teenage competition winners’ solos, and call it something cute: That would seem to be the recipe for Youth America Grand Prix’s “Stars of Today Meet the Stars of Tomorrow” gala, happening this Thursday and Friday at the Brooklyn Academy of Music. Except, the name of this annual program is eerily prescient. When you look back at the lists of YAGP medalists from the past 15 years, that “Stars of Tomorrow” moniker is spot-on. They read like something of a Who’s Who of ballet—including several top names who’ve been highlighted in Dance Magazine. Back in 2002, Sarah Lane nabbed the senior bronze medal with an unforgettable performance: After her music stopped 20 seconds into her Paquita variation, she finished the rest in silence. In the audience (which erupted into a spontaneous standing ovation) was American Ballet Theatre artistic director Kevin McKenzie. We ended up putting Lane onDance Magazine‘s cover in June 2007 just before he promoted her to soloist. Jim Nowakowski won the Youth Grand Prix in 2002 before joining Houston Ballet, then took a star turn on “So You Think You Can Dance.” We named him one of Dance Magazine‘s “25 to Watch” this year. That same year, Brooklyn Mack placed third in the classical dance category for senior men. Today, he’s a standout dancer at The Washington Ballet, and partnered Misty Copeland in her first U.S. performance of Swan Lake. Hee Seo took the Grand Prix in 2003. -
Press Kit 2018-2019 Season
PRESS KIT 2018-2019 SEASON Shelby Colona and Chris Bloom in CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival MISSION & HISTORY Ballet Hispánico, America’s leading Latino dance organization, has been bringing individuals and communities together to celebrate and explore Latino cultures through dance for nearly 50 years. Whether dancing on stage, in school, or in the street, Ballet Hispánico creates a space where few institutions are breaking ground. The organization’s founder, National Medal of Arts recipient Tina Ramirez, sought to give voice to the Hispanic experience and break through stereotypes. Today, Ballet Hispánico is led by Eduardo Vilaro, an acclaimed choreographer and former member of the Company, whose vision of social equity, cultural identity, and quality arts education for all drives its programs. Ballet Hispánico, a role model in and for the Latino community, is inspiring creativity and social awareness in our neighborhoods and across the country by providing access to arts education. CARMEN.maquia | Photo by Marius Fiskum/ Northern Lights Festival 2 ABOUT EDUARDO VILARO Artistic Director & CEO EDUARDO VILARO joined Ballet Hispánico as Artistic Director in August 2009, becoming only the second person to Photo by Paula Lobo Paula Photo by head the company since it was founded in 1970. In 2015, Mr. Vilaro took on the additional role of Chief Executive Officer of Ballet Hispánico. He has been part of the Ballet Hispánico family since 1985 as a dancer and educator, after which he began a ten-year record of achievement as founder and Artistic Director of Luna Negra Dance Theater in Chicago. Mr. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
Houston Ballet Revives Artistic Director Stanton Welch AM's Epic
FOR IMMEDIATE RELEASE MEDIA CONTACT: Christian Brown Public Relations Director [email protected] [email protected] HOUSTON BALLET REVIVES ARTISTIC DIRECTOR STANTON WELCH AM’S EPIC MADAME BUTTERFLY HOUSTON, TEXAS [September 2016] From September 22 - October 2, Houston Ballet will revive artistic director Stanton Welch AM’s signature work Madame Butterfly in a program with his one-act ballet Son of Chamber Symphony. Set to Puccini’s memorable score, in an arrangement by John Lanchbery, Madame Butterfly chronicles the love story of the beautiful geisha Cio-Cio San who is betrothed to marry the handsome American, Lieutenant Pinkerton. The production unfolds dramatically on Peter Farmer’s picturesque sets, which beautifully evoke the mystery and languor of 19th century Japan. Opening the program is the company premiere of Mr. Welch’s Son of Chamber Symphony, set to music by John Adams. Houston Ballet will give seven performances of Madame Butterfly with Son of Chamber Symphony at Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713-227-2787 or by visiting www.houstonballet.org. Houston Ballet’s Son of Chamber Symphony and Madame Butterfly program is generously sponsored by: The Wortham Foundation, Inc. INTERNATIONAL ACCLAIM FOR MADAME BUTTERFLY Premiered by The Australian Ballet in 1995, Madame Butterfly was Mr. Welch’s first full-length ballet. The two-act work tells the story of the beautiful geisha Cio-Cio San who renounces her faith and her family to wed Lieutenant Pinkerton, the U.S. Naval officer who is betrothed to another woman back in the States. The centerpiece of the work is a ravishing wedding night pas de deux between Pinkerton and Cio-Cio San, which closes the first act. -
State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios
Utah Dance Education Organization State High School Dance Festival 2014 – BYU Adjudicator and Master Class Teacher Bios Kay Andersen received his Master of Arts degree at New York University. He resided in NYC for 15 years. From 1985-1997 he was a soloist with the Nikolais Dance Theatre and the Murray Louis Dance Company. He performed worldwide, participated in the creation of important roles, taught at the Nikolais/Louis Dance Lab in NYC and presented workshops throughout the world. At Southern Utah University he choreographs, teaches improvisation, composition, modern dance technique, tap dance technique, is the advisor of the Orchesis Modern Dance Club, and serves as Chair of the Department of Theatre Arts and Dance. He has choreographed for the Utah Shakespearean Festival and recently taught and choreographed in China, the Netherlands, Mexico, North Carolina School of the Arts, and others. Kay Andersen (SUU) Ashley Anderson is a choreographer based in Salt Lake City. Her recent work has been presented locally at the Rose Wagner Performing Arts Center, the Rio Gallery, the BYU Museum of Art, Finch Lane Gallery, the City Library, the Utah Heritage Foundation’s Ladies’ Literary Club, the Masonic Temple and Urban Lounge as well as national venues including DraftWork at Danspace Project, BodyBlend at Dixon Place, Performance Mix at Joyce SOHO (NY); Mascher Space Cooperative, Crane Arts Gallery, the Arts Bank (PA); and the Taubman Museum of Art (VA), among others. Her work was also presented by the HU/ADF MFA program at the American Dance Festival (NC) and the Kitchen (NY). She has recently performed in dances by Ishmael Houston-Jones, Regina Rocke & Dawn Springer. -
Singapore Dance Theatre Presents Passages Contemporary Season 2019 1 – 3 November 2019 | Esplanade Theatre Studio
FOR IMMEDIATE RELEASE Singapore Dance Theatre presents Passages Contemporary Season 2019 1 – 3 November 2019 | Esplanade Theatre Studio World Premiere by Lucas Jervis Bittersweet by Natalie Weir Swipe by Val Caniparoli Blue Snow by Toru Shimazaki 05 August 2019 Blue Snow by Toru Shimazaki | Photo: Bernie Ng Singapore Dance Theatre (SDT) will be presenting its annual full contemporary season of the year, Passages, from 1 – 3 November at the Esplanade Theatre Studio. From electrifying to soulful works, this Season is set to grip you with its captivating line-up and leave you at the edge of your seats. Come and be inspired by these compelling and moving masterpieces. “Passages Contemporary Season has always had its unique personality and profile within the SDT performance calendar. It had most often been used to introduce choreographers that are new to our audiences and for the presentation of either world premieres or company premieres. It is a place that fills the spirit of the initial concept of SDT perfectly. Many of the ballets from Passages become significant parts of our permanent repertoire and we present them on tour or in future seasons. This year, we have two works that were previously made especially for SDT, with Natalie Weir’s Bittersweet and Toru Shimazaki’s Blue Snow, as well as Val Caniparoli’s Swipe. We also have a world premiere from an exciting Australian choreographer, Lucas Jervies, working with SDT for the first time. It is very exciting to have him represented within our repertoire with his new creation for our dancers.” says Artistic Director Janek Schergen.