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Repertoire 2017
CHRSTIAN MERINGOLO - REPERTOIRE 2017 Italo Pop Adriano Celentano - Confessa Adriano Celentano - Pregherò Adriano Celentano – Carezza in un pugno Adriano Celentano – Storia D’amore Adriano Celentano – L’emozione non ha voce Adriano Celentano - il ragazzo della via Gluck Adriano Celentano - Soli Adriano Celentano – Il tempo se ne va Adriano Celentano – Una festa sui prati Adriano Celentano – Azzurro Albano e Romina Power – Felicità Albano e Romina Power – Sharazan Albano e Romina Power – Ci sarà Alan Sorrenti – L’unica donna per me Alex Britti – Una su un millione Angelo Fabiani – Una canzone italiana Biagio Antonacci – Se io se lei Biagio Antonacci – Pazzo di Lei Biagio Antonacci – Quanto tempo é ancora Biagio Antonacci – Sognami Domenico Modugno – Volare Drupi – Piccola e Fragile Eros Ramazzotti – Aquila e il condor Eros Ramazzotti – Alla Fine del mondo Eros Ramazzotti – Cose della vita Eros Ramazzotti – L’aurora Eros Ramazzotti – Terra Promessa Eros Ramazzotti – Più bella cosa Eros Ramazzotti – Quanto amore sei Eros Ramazzotti – Se bastasse una canzone Eros Ramazzotti – Un altra te Eros Ramazzotti – Fuoco nel Fuoco Eros Ramazzotti – L’uragano Meri Eros Ramazzotti – un Angelo disteso al sole Eros Ramazzotti – Stella Gemella Eros Ramazzotti – Dove c’é musica Eros Ramazzotti – Un emozione per sempre Eros Ramazzotti – Occhi di Speranza Gianna Nannini – Meravigliosa creatura Gianna Nannini – un estate italiana Jovanotti – mi fido di te Laura Pausini – Tra te e il mare Laura Puasini – E ritorno da te Luciano Pavarotti – O sole mio Lucio Battisti -
Der Nussknacker Weihnachtskonzert Musik Von Peter I
Medienlisten der Stadtbücherei Augsburg Der Nussknacker Weihnachtskonzert Musik von Peter I. Tschaikowsky Mittwoch, 23.12.2020 17:00 Uhr, martini-Park Info, Tickets (Staatstheater Augsburg) >> EG: Kinderbücherei Besucherservice des Staatstheaters Augsburg 1. OG: Erwachsenenabteilung in der Bürger- und Tourist-Information 2. OG: Musikbücherei, relax am Rathausplatz 1 Ernst-Reuter-Platz 1 86150 Augsburg 86150 Augsburg Mo-Fr 9.00-17.30 Uhr / Sa 10.00-17.00 Uhr Mo-Fr 10.00-19.00 Uhr / Sa 10.00-15.00 Uhr (Nov. - März: Mo, Di, Mi, Fr nur bis 17.00 Uhr) Telefon 0821 324 2756 Telefon 0821 324 4900 stadtbuecherei.augsburg.de/ staatstheater-augsburg.de/karten [email protected] [email protected] Medienlisten der Stadtbücherei Augsburg – Der Nussknacker Medien für Kinder Märchenvorlage Zum Ballett Zum Komponisten CDs DVDs Bücher Werkeinführung Tschaikowsky : Werkverzeichnisse Tschaikowsky : Quellen und Zeitzeugnisse Tschaikowsky : Biographien (Auswahl) Tschaikowsky : Belletristische Darstellung Noten Partituren Klavierauszüge Arrangements Medien für Kinder Märchenvorlage Nussknacker / E. T. A. Hoffmann. Mit Bildern von EG, Kinderbücherei Lisbeth Zwerger. Neu erzählt von Susanne Koppe. - 2/Nus Gossau, Zürich : Neugebauer, 2003 (mit CD) 30307120 Nussknacker und Mausekönig / E. T. A. Hoffmann. EG, Kinderbücherei Neu erzählt von Wolfgang Knape. Mit Bildern von 2/Nus Petra Probst. – Würzburg : Arena, 2008 30805141 Hoffmann, Ernst T. A.: EG, Kinderbücherei Nussknacker und Mausekönig / E. T. A. Hoffmann. Märchen/Hörbuch Gelesen von Ulrich Noethen. Textbearb. und Regie : 31001484 Annelie Knobloch. Musik : Otto Lechner. - München : Der Hörverl., 2009 Hoffmann, Ernst T. A.: Zweigstelle Haunstetten Nussknacker und Mausekönig. - Stuttgart,Wien : 2/Hof Thienemann, 2006 60601408 Nussknacker und Mausekönig / E. T. A. Hoffmann ; Zweigstelle Göggingen Regina Kehn. -
Cesare Pugni: Esmeralda and Le Violon Du Diable
Cesare Pugni: Esmeralda and Le Violon du diable Cesare Pugni: Esmeralda and Le Violon du diable Edited and Introduced by Robert Ignatius Letellier Cesare Pugni: Esmeralda and Le Violon du diable, Edited by Edited and Introducted by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Edited and Introducted by Robert Ignatius Letellier and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3608-7, ISBN (13): 978-1-4438-3608-1 Cesare Pugni in London (c. 1845) TABLE OF CONTENTS Introduction ............................................................................................................................... ix Esmeralda Italian Version La corte del miracoli (Introduzione) .......................................................................................... 2 Allegro giusto............................................................................................................................. 5 Sposalizio di Esmeralda ............................................................................................................. 6 Allegro giusto............................................................................................................................ -
CALL for PAPERS MLADA-MSHA International Network CLARE-ARTES Research Center (Bordeaux) Organize an International Symposium Оn
CALL FOR PAPERS MLADA-MSHA International Network CLARE-ARTES Research Center (Bordeaux) Organize an international symposium оn 21-22-23 October, 2015 At Bordeaux Grand Theatre FROM BORDEAUX TO SAINT PETERSBURG, MARIUS PETIPA (1818-1910) AND THE « RUSSIAN » BALLET The great academic ballet, known as « Russian ballet », is the product of a historical process initiated in 18th century in Russia and completed in the second part of 19th century by Victor-Marius-Alphonse Petipa (1818-1910), principal ballet master of the Saint Petersburg Imperial Theatres from 1869 to his death. Born in Marseilles in a family of dancers and actors, Marius Petipa, after short- term contracts in several theatres, including Bordeaux Grand Theatre, pursued a more than 50 years long carreer in Russia, when he became « Marius Ivanovitch ». He layed down the rules of the great academic ballet and left for posterity over 60 creations, among which the most famous are still presented on stages all around the world. Petipa’s name has become a synonym of classical ballet. His work has been denigrated, parodied, or reinterpreted ; however, its meaning remains central in the reflection of contemporary choreographers, as we can see from young South African choreographer Dada Masilo’s recent new version of Swan Lake. Moreover, Petipa’s work still fosters controversies as evidenced by the reconstructions of his ballets by S.G. Vikharev at the Mariinsky theatre or Teatro alla Scala, and by Iu. P. Burlaka at the Bolchoï. Given the world-famous name of Petitpa one might expect his œuvre, as a common set of fundamental values for international choreographic culture, to be widely known. -
I Promessi Sposi
Cap 1_Promessi Sposi.qxp:Layout 1 21-12-2009 9:31 Pagina 1 ALESSANDRO MANZONI I PROMESSI SPOSI Laboratorio online EDITORE ULRICO HOEPLI MILANO Copyright © Ulrico Hoepli Editore S.p.A. 2009 Cap 1_Promessi Sposi.qxp:Layout 1 21-12-2009 9:31 Pagina 2 Copyright © Ulrico Hoepli Editore S.p.A 2009 via Hoepli 5, 20121 Milano (Italy) tel. +39 02 864871 – fax +39 02 8052886 e-mail [email protected] www.hoepli.it Tutti i diritti sono riservati a norma di legge e a norma delle convenzioni internazionali Cap 1_Promessi Sposi.qxp:Layout 1 21-12-2009 9:31 Pagina 3 INDICE Capitolo I • Strumenti di lavoro 7 ANALIZZARE IL TESTO: NOZIONI DI NARRATOLOGIA 8 1. Il tempo 8 2. La narrazione come comunicazione 9 3. Il narratore 12 4. La focalizzazione o punto di vista 13 5. Lo spazio 14 6. I personaggi 17 7. Rappresentazione delle parole e dei pensieri dei personaggi 21 COMMENTARE IL TESTO: LINGUA E STILE 23 1. Lo stile 23 2. I livelli della lingua 23 3. I registri linguistici 23 4. Il lessico: la polisemia della parola 24 5. La connotazione del lessico attraverso figure retoriche 24 6. Coordinazione e subordinazione 27 7. Principali caratteristiche dello stile giornalistico 27 INTERPRETARE IL TESTO: I LIVELLI DELLA COMPRENSIONE 28 1. Comprensione di I livello: la lettura 28 2. Comprensione di II livello: analisi e commento 28 3. Comprensione di III livello: la contestualizzazione e l’interpretazione 28 Capitolo II • Tipologie testuali 31 1. Il testo narrativo 32 2. Il testo descrittivo 32 3. -
Miguel Blanco Director General De Swiss Medical Group
eye to eye Número 15 Cómo innovan las empresas argentinas Un estudio de PwC Strategy& Argentina Los jóvenes y el sistema financiero: una ecuación desafiante La visión de los consumidores argentinos más jóvenes La confianza, esa insospechada gema de la era digital 20° Encuesta Anual Global de CEOs Mujeres protagonistas Desafíos y aportes de la diversidad y el liderazgo femenino El nuevo orden mundial en 2050 Principales desafíos de un cambio económico global Miguel Blanco Director General de Swiss Medical Group En busca de la convergencia Nuestra encuesta anual global de CEOs cumplió veinte En lo que respecta a innovación, también la confianza años y en esta edición les contamos las principales entre la organización y sus stakeholders es vital. Según conclusiones. Dos fuerzas atraviesan los grandes los datos que arroja el estudio realizado por PwC cambios de las últimas décadas: globalización Strategy& Argentina, la mayoría de las empresas del y tecnología, combinadas, han contribuido país buscan innovar como respuesta a la demanda de significativamente en el desarrollo de la humanidad digitalización. e instalado nuevos desafíos. Uno de ellos es obtener y Si de diversidad se trata, realizamos el tercer ciclo sobre mantener la confianza de los stakeholders, una tarea “Mujeres protagonistas”. Cada una de ellas, desde sus nada fácil, pero que los CEOs la han diferentes roles, también son fuente de considerado vital para sostener el inspiración y confianza para otros. crecimiento de sus organizaciones en eye En esta edición, para el placer, nos to el largo plazo. eye detenemos en una visita por los Justamente, es momento de analizar | principales teatros de ópera del globo, 15 Número qué entendemos por largo plazo así como en una breve reseña sobre o cómo hacemos para pensar en golf en la sección Etiquette & Style, que cuestiones comunes de cara al futuro bien podría ser un homenaje al maestro sin que pesen más las necesidades Roberto De Vicenzo, quien nos dejara en urgentes al momento de la toma estos días. -
Historie a Vývoj Baletní Scény Mariinského Divadla
Univerzita Hradec Králové Pedagogická fakulta Katedra ruského jazyka a literatury Historie a vývoj baletní scény Mariinského divadla Diplomová práce Autor: Bc. Andrea Plecháčová Studijní program: N7504 – Učitelství pro střední školy Studijní obor: Učitelství pro střední školy – základy společenských věd Učitelství pro střední školy – ruský jazyk a literatura Vedoucí práce: Mgr. Jaroslav Sommer Oponent práce: prof. PhDr. Ivo Pospíšil, DrSc. Hradec Králové 2020 Prohlášení Prohlašuji, že jsem tuto diplomovou práci vypracovala (pod vedením vedoucího diplomové práce) samostatně a uvedla jsem všechny použité prameny a literaturu. V Hradci Králové dne … ………………………… Bc. Andrea Plecháčová Poděkování Ráda bych poděkovala svému vedoucímu panu Mgr. Jaroslavu Sommerovi za odborné vedení a cenné rady při vypracovávání diplomové práce. Dále děkuji paní Mgr. Jarmile Havlové za pomoc při korektuře gramatické stránky práce. Anotace PLECHÁČOVÁ, Andrea. Historie a vývoj baletní scény Mariinského divadla. Hradec Králové: Pedagogická fakulta Univerzity Hradec Králové, 2020. 66 s. Diplomová práce. Práce se zaměřuje na historii a vývoj baletní scény Mariinského divadla po současnost. Věnuje se také nejslavnějším osobnostem a inscenacím baletní scény Mariinského divadla v Petrohradě. Klíčová slova: balet, divadlo, Petrohrad, umění, Leningrad, Kirovovo divadlo opery a baletu, Mariinské divadlo. Annotation PLECHÁČOVÁ, Andrea. History and Development of the Mariinsky Ballet. Hradec Králové: Faculty of Education, University of Hradec Králové, 2020. 66 pp. Diploma Dissertation Degree Thesis. The thesis focuses on the history and development of the ballet stage of the Mariinsky Theatre up to the present. It is also dedicated to the most outstanding personalities and stagings of the Mariinsky Theatre in Petersburg. Keywords: ballet, theatre, Saint Petersburg, art, Leningrad, Kirov Theatre, The Mariinsky Theatre. -
(With) Shakespeare (/783437/Show) (Pdf) Elizabeth (/783437/Pdf) Klett
11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation ISSN 1554-6985 V O L U M E X · N U M B E R 2 (/current) S P R I N G 2 0 1 7 (/previous) S h a k e s p e a r e a n d D a n c e E D I T E D B Y (/about) E l i z a b e t h K l e t t (/archive) C O N T E N T S Introduction: Dancing (With) Shakespeare (/783437/show) (pdf) Elizabeth (/783437/pdf) Klett "We'll measure them a measure, and be gone": Renaissance Dance Emily Practices and Shakespeare’s Romeo and Juliet (/783478/show) (pdf) Winerock (/783478/pdf) Creation Myths: Inspiration, Collaboration, and the Genesis of Amy Romeo and Juliet (/783458/show) (pdf) (/783458/pdf) Rodgers "A hall, a hall! Give room, and foot it, girls": Realizing the Dance Linda Scene in Romeo and Juliet on Film (/783440/show) (pdf) McJannet (/783440/pdf) Prokofiev’s Romeo and Juliet: Some Consequences of the “Happy Nona Ending” (/783442/show) (pdf) (/783442/pdf) Monahin Scotch Jig or Rope Dance? Choreographic Dramaturgy and Much Emma Ado About Nothing (/783439/show) (pdf) (/783439/pdf) Atwood A "Merry War": Synetic's Much Ado About Nothing and American Sheila T. Post-war Iconography (/783480/show) (pdf) (/783480/pdf) Cavanagh "Light your Cigarette with my Heart's Fire, My Love": Raunchy Madhavi Dances and a Golden-hearted Prostitute in Bhardwaj's Omkara Biswas (2006) (/783482/show) (pdf) (/783482/pdf) www.borrowers.uga.edu/7165/toc 1/2 11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation The Concord of This Discord: Adapting the Late Romances for Elizabeth the -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Svetlana Zakharova Amore Il Nuovo Spettacolo Di Svetlana Zakharova Palazzo Mauro De André 30 Giugno, Ore 21.30
Svetlana Zakharova Amore Il nuovo spettacolo di Svetlana Zakharova Palazzo Mauro de André 30 giugno, ore 21.30 Svetlana Zakharova Amore Il nuovo spettacolo di Svetlana Zakharova In collaborazione con ATER - Associazione Teatrale Emilia Romagna ringrazia Sotto l’Alto Patronato del Presidente della Repubblica Italiana con il patrocinio di Associazione Amici di Ravenna Festival Senato della Repubblica Camera dei Deputati Apt Servizi Emilia Romagna Presidenza del Consiglio dei Ministri Autorità Portuale di Ravenna Ministero per i Beni e le Attività Culturali BPER Banca Ministero degli Affari Esteri Cassa dei Risparmi di Forlì e della Romagna Cassa di Risparmio di Ravenna Classica HD con il sostegno di Cmc Ravenna Cna Ravenna Comune di Comacchio Comune di Forlì Comune di Ravenna Comune di Russi Comune di Ravenna Confartigianato Ravenna Confindustria Ravenna COOP Alleanza 3.0 Credito Cooperativo Ravennate e Imolese Eni Federazione Cooperative Provincia di Ravenna Fondazione Cassa dei Risparmi di Forlì Fondazione Cassa di Risparmio di Ravenna con il contributo di Fondazione del Monte di Bologna e Ravenna Gruppo Hera Gruppo Mediaset Publitalia ’80 Hormoz Vasfi ITway Koichi Suzuki Legacoop Romagna Micoperi Ministero dei beni e delle attività culturali e del turismo Mirabilandia Comune di Forlì Comune di Comacchio Comune di Russi Poderi dal Nespoli PubbliSOLE Publimedia Italia Quotidiano Nazionale Koichi Suzuki Rai Uno Hormoz Vasfi Rai Radio Tre Reclam Regione Emilia Romagna Romagna Acque Società delle Fonti partner principale Sapir Setteserequi -
The History of Russian Ballet
Pet’ko Ludmyla, Ph.D., Associate Professor, Dragomanov National Pedagogical University Savina Kateryna Dragomanov National Pedagogical University Institute of Arts, student THE HISTORY OF RUSSIAN BALLET Петько Людмила к.пед.н., доцент НПУ имени М.П.Драгоманова (Украина, г.Киев) Савина Екатерина Национальный педагогический университет имени М.П.Драгоманова (Украина, г.Киев), Інститут искусствб студентка Annotation This article is devoted to describing of history of Russian ballet. The aim of the article is to provide the reader some materials on developing of ballet in Russia, its influence on the development of ballet schools in the world and its leading role in the world ballet art. The authors characterize the main periods of history of Russian ballet and its famous representatives. Key words: Russian ballet, choreographers, dancers, classical ballet, ballet techniques. 1. Introduction. Russian ballet is a form of ballet characteristic of or originating from Russia. In the early 19th century, the theatres were opened up to anyone who could afford a ticket. There was a seating section called a rayok, or «paradise gallery», which consisted of simple wooden benches. This allowed non- wealthy people access to the ballet, because tickets in this section were inexpensive. It is considered one of the most rigorous dance schools and it came to Russia from France. The specific cultural traits of this country allowed to this technique to evolve very fast reach his most perfect state of beauty and performing [4; 22]. II. The aim of work is to investigate theoretical material and to study ballet works on this theme. To achieve the aim we have defined such tasks: 1. -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939