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Half a Century in Ethnomusicology [6] Barbara B Volume 47, Number 1 January 2013 Ethnomusicologists x Ethnomusicologists Features Barbara B. Smith, ethnomusicologist and Professor Emerita at the University of Hawaiʻi, Ethnomusicologists x is one of the pioneers in the field. With degrees in music from Pomona College (CA) and Ethnomusicologists: the Eastman School of Music (NY), she was called to the University of Hawaiʻi in 1949 to Ricardo Trimillos interviews teach piano and music theory. Realizing the disjuncture between the musical identities of Barbara Smith. her Hawaiʻi students and the music of the academy, in the 1950s she turned to ethno- Harris M. Berger, Theory musicology and became involved in the Hawaiian, Pacific, and Asian musics practiced in and Practice: 2012 SEM the community. Notably, she was the first non-Japanese and female Iwakuni-style drum- President’s Report [3] mer for Obon festivals in Honolulu and the first foreigner to study with koto master Miyagi Michio in Japan. Beginning in the 1960s, she undertook one of the first systematic field Daniel Party, A Brief research and music collection efforts among cultures in Micronesia. Her current project History of the Latin Ameri- repatriates sound recordings collected a half century ago to cultural institutions in can and Caribbean Music Micronesia for local use. In 1972, she developed and edited a signal education resource Section [4] for world music—an entire issue of the Journal of the Music Educators National Conference which reached K-12 educators and classroom teachers nationwide. She is News the recipient of many honors, including the prestigious 21st Annual Koizumi Fumio Prize SEM Announcements: (2009) and the 1986 SEM Charles Seeger Lecture. Bruno Nettl. William Kay Archer, Memorial Citation Half a Century in Ethnomusicology [6] Barbara B. Smith by Ricardo D. Trimillos SEM Position Announce- RDT: Barbara, Gordon (Thompson) has asked us to talk about the field of ethnomusi- ment on Anti-discrimination cology from your perspective of over a half century, especially where you see the field [9] going. SEM Prizes [10] BBS: I trust ethnomusicologists younger than I far Section & Chapter Prizes more than I trust myself for where ethnomusicol- [12-13] ogy should go. Honorary Members: Hmm. I hope—which is still evading your ques- Regula Qureshi, Lorraine tion—that some aspects of ethnomusicology will Sakata, and Robert Garfias find a meaningful place in more sub-disciplines [15-17] of music. For example, I’m very happy that the University of Washington, members of the composition faculty of the Univer- Ethnomusiology Pro- sity of Hawai‘i have recently made composition for gram’s 50th [17] some traditional Asian musical instruments, alone Journal Online Access or in combination with some Western ones, a spe- [18] cial feature of their program. In relation to music history and historical musicology, I believe that a People and Places: Patricia Shehan world history of music—or a history of the world’s Photo by Cho Ning Gwendoline Kam musics if that would be a better designation—is Campbell, Kate Galloway, not only appropriate but needed for today’s globalized world. To me, for example, it Bruno Nettl, Matt Rahaim, seems logical that music students should study the development of both European and Tamara Roberts, and Hugo Chinese opera and what led to them and hope that ethnomusicologists will take the lead Zemp [18] in creating this more globalized approach to music history. In Memoriam: Michael But to try to directly answer your question, though the IT [Information Technology] Marcuzzi and Anne Dhu has already contributed to making a huge amount of recorded material conveniently McLucas [19-20] available, I think its impact on how ethnomusicology is studied, taught and learned has only begun. Incidentally, I hope that the availability of so much packaged music will not Our Back Pages reduce support for live performance that, to me at least, whether as performer or audi- Conference Calendar ence, is a meaningful experience that a recorded one cannot fully match. But back to [21-22] your question, I think that in the not too distant future there will be a major impact from Ethnomusicology neuroscience. [Cont. 5.] Internet Resources [24] The Society for Ethnomusicology, SEM Newsletter Gordon Ross Thompson, Editor, SEM Newsletter SEM Membership Department of Music, Skidmore College The object of the Society for Ethnomusicology is the ad- Saratoga Springs, New York 12866 USA vancement of research and study in the field of ethnomu- (Tel.) 518-580-5322, (fax) 518-580-5340 sicology, for which purpose all interested persons, regard- [email protected] less of race, ethnicity, religion, gender, sexual orientation, The SEM Newsletter is a vehicle for the exchange of or physical ability are encouraged to become members. ideas, news, and information among the Society’s mem- Its aims include serving the membership and society at bers. Readers’ contributions are welcome and should be large through the dissemination of knowledge concerning sent to the editor. See the guidelines for contributions on the music of the world’s peoples. The Society, incorporat- this page. ed in the United States, has an international membership. The Society for Ethnomusicology publishes the SEM Members receive free copies of the journal and the Newsletter four times annually in January, March, May, newsletter and have the right to vote and participate in the and September, and distributes issues free to members of activities of the Society. the Society. _______________ Back issues, 1981-present [vols. 14-18 (1981-1984), 3 Student (full-time only) (one year) ................................$40 times a year; vols. 19-32 (1985-1998), 4 times a year] are available and may be ordered at $2 each. Add $2.50/order Individual/Emeritus (one year) for postage. • income $25,000 or less ............................................$60 • income $25,000-$40,000 .........................................$75 Address changes, orders for back issues of the SEM • income $40,000-$60,000 ......................................... $85 Newsletter, and all other non-editorial inquires should be • income $60,000-$80,000 ......................................... $95 sent to the Business Office, Society for Ethnomusicol- • income $80,000 and above .................................. $105 ogy, Indiana University, Morrison Hall 005, 1165 East 3rd Street, Bloomington, IN, 47405-3700; (tel) 812-855-6672; Spouse/Partner Individual (one year) ...........................$35 (fax) 812-855-6673; (email) [email protected]. Life membership .......................................................$1400 Spouse/Partner Life ................................................. $1600 Editor’s Note Sponsored (one year, including postage) ..................... $49 Welcome to the first issue of Volume 47 and of 2013. January brings reports from our annual conference (New Overseas postage (one year) .......................................$14 Orleans, 31 October to 4 November), an interview by Ricardo Trimillos with Barbara Smith, Harris Berger’s For institutional memberships, please visit the University president’s column, an introduction to the Latin American of Illinois Press website at and Carribean Music Section of the Society, and the first http://www.press.uillinois.edu/journals/ethno.html memorial citation: a remembrance of William Kay Archer by Bruno Nettl. We also feature a new banner at the top of the first page (see President Berger’s column) that I will Guidelines for Contributors be tweaking over the next year. Send articles and shorter entries for consideration to the As I reported at the business meeting and in my con- editor by email. ference with the Board, I see the SEM Newsletter as a Copy deadlines: record of what we are thinking and what we hold for the March Issue (15 Feb.) September Issue (15 Aug.) future. Tim Rice has pointed out that we devote consider- June Issue (15 May) January Issue (15 Dec.) able attention to issues of identity in our research. To that end, our recognitions of this year’s honorary members— Advertising Rates Robert Garfias, Regula Qureshi, and Lorraine Sakata— The Newsletter is again accepting advertising. Digital hold a special place that I hope to see expanded in future files (e.g., jpg) only, please. issues. Also, along with announcements of prizes, promo- Full page: $200 1/3 page: $60 tions, grants, and publications, we also remember some 2/3 page: $145 1/6 page: $40 of those whom we lost this last year. 1/2 page: $110 As always, I welcome your comments, contributions, and suggestions. The survival of this publication depends on your goodwill and intellectual generosity. GRT Ethnomusicology: Back Issues Ethnomusicology, the Society’s journal, is currently published three times a year. Back issues are available through the SEM Business Office, Indiana University East 3rd Street, Bloomington, IN 47405-3700; (tel.) 812-855- 6672; (fax) 812-855-6673; (email) [email protected]. ISSN 0036-1291 2 Theory and Practice: 2012 SEM President’s Report Harris M. Berger, SEM President he last year has been an exciting one for the Society Ethnomusicology Source will allow SEM members to Tfor Ethnomusicology, and it is a pleasure and a privi- search for citations, contribute citations to the database, lege to stand before everyone today and talk about the create annotated lists of sources, post media, and more. work that has taken place in our organization over the last The site will also have social features that will allow users twelve months. to discuss individual works, making ES a First and foremost is the establishment space for productive intellectual exchange of the Diversity Action Plan Committee. among ethnomusicologists. A call for edi- Diversity is an essential issue for SEM tors for these two projects was circulated and all scholarly organizations. While our in the early summer. Many fine applica- field is founded on an inclusive vision of tions were received, and I am delighted to music and social life, it is not immune to announce the names of the new editors. the forms of power and domination that James Cowdery will serve as editor-in-chief exist in the social worlds around us.
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