Babbittlew00lewi.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
Blossom Dearie My Gentleman Friend Mp3, Flac, Wma
Blossom Dearie My Gentleman Friend mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: My Gentleman Friend Country: US Released: 1959 Style: Bop MP3 version RAR size: 1500 mb FLAC version RAR size: 1563 mb WMA version RAR size: 1421 mb Rating: 4.1 Votes: 144 Other Formats: MP1 FLAC DXD MIDI AHX AC3 XM Tracklist A1 Little Jazz Bird 3:40 A2 Gentleman Friend 3:46 A3 It's Too Good To Talk About Now 3:07 A4 Chez Moi 3:06 A5 You Fascinate Me So 3:31 B1 You've Got Something I Want 2:34 B2 Boum 2:08 B3 L'Etang 2:23 B4 Hello Love 2:49 B5 Someone To Watch Over Me 5:57 Credits Artwork [Cover Photo] – Garrett-Howard Bass – Ray Brown Drums – Ed Thigpen Flute, Tenor Saxophone – Bobby Jaspar (tracks: A4, B2, B3) Guitar – Kenny Burrell Producer – Norman Granz Vocals, Piano – Blossom Dearie Other versions Category Artist Title (Format) Label Category Country Year My Gentleman Blossom Verve MG V-2125 Friend (LP, MG V-2125 US 1959 Dearie Records Album) Verve My Gentleman POCJ-2653, MGV Blossom Records, POCJ-2653, MGV Friend (CD, Japan 1998 2125 Dearie Verve 2125 Album, RE, RM) Records My Gentleman Blossom Verve 23MJ 3193 Friend (LP, 23MJ 3193 Japan 1982 Dearie Records Album, RE) My Gentleman Verve POJJ-1551, MG Blossom Friend (LP, Records, POJJ-1551, MG Japan 1993 V-2125 Dearie Album, Mono, Verve V-2125 RE) Records Verve My Gentleman Records, MG VS-6112, MG VS-6112, Blossom Friend (CD, Verve 0731451990526, 0731451990526, Europe 2003 Dearie Album, Ltd, RE, Records, MG V-2125 MG V-2125 RM, Pap) Verve Records Related Music albums to My Gentleman Friend by Blossom Dearie Benny Carter - A Gentleman And His Music Sonny James The Southern Gentleman - Dear Love Cole Porter - I Get A Kick Out Of You - The Cole Porter Songbook Volume II Ahu Presents Blossom Dearie - OHM Dedication Series #3 Blossom Dearie - My New Celebrity Is You Will Osborne And His Orchestra - Tell Me Pretty Maiden / The Gentleman Awaits The Prunes - Blossom And Blood Gentleman Jesse & His Men - You've Got The Wrong Man. -
Gerry Mulligan Discography
GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”. -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 112 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 112 CONGRESS, FIRST SESSION Vol. 157 WASHINGTON, FRIDAY, JANUARY 7, 2011 No. 3 Senate The Senate was not in session today. Its next meeting will be held on Tuesday, January 25, 2011, at 10 a.m. House of Representatives FRIDAY, JANUARY 7, 2011 The House met at 9 a.m. and was PLEDGE OF ALLEGIANCE GRESSIONAL RECORD daily, and I will called to order by the Speaker pro tem- The SPEAKER pro tempore. Will the continue to do so until Washington pore (Mrs. MILLER of Michigan). gentleman from Illinois (Mr. JACKSON) takes responsibility and ends its reck- less spending addiction. f come forward and lead the House in the Pledge of Allegiance. f DESIGNATION OF THE SPEAKER Mr. JACKSON of Illinois led the PRO TEMPORE Pledge of Allegiance as follows: SEND YOUR RESUMES The SPEAKER pro tempore laid be- I pledge allegiance to the Flag of the (Mr. JACKSON of Illinois asked and fore the House the following commu- United States of America, and to the Repub- was given permission to address the nication from the Speaker: lic for which it stands, one nation under God, House for 1 minute and to revise and indivisible, with liberty and justice for all. WASHINGTON, DC, extend his remarks.) January 7, 2011. f Mr. JACKSON of Illinois. Madam I hereby appoint the Honorable CANDICE S. ANNOUNCEMENT BY THE SPEAKER Speaker, as we enter 2011, we find our- MILLER to act as Speaker pro tempore on selves in the same jobs situation as in this day. -
The Outcast Manufacturers By
The Outcast Manufacturers by Charles Hoy Fort CHAPTER I TO THE west, the street-wide Palisades, dull-gray as a block of lead; a streak of North River gleaming like bright, clean metal melted from the base. Windows of tenement houses black with the inside pall of dark homes, unclean children, seeming dirtier because of their pallor, playing ball, with a banana stalk for a bat, in the middle of the street. A dead horse lying in the southside gutter; boys jumping on it, enjoying the elasticity of its ribs; a greasy old man prying off the horseshoes. On the sidewalk, stained where passing epicures had thrown out stale beer before having pails and pitchers filled up again, stood a young man -- very young man; light clothes, straw hat, suit-case in hand -- tall young man with half-closed eyelids and wide, irregular, heavy lips; lids and lips like a fleeting impression of the stubby nails of fingers idly dropping a skein of worsted; young man standing irresolutely between the dead horse and the low stoop of a house. On the stoop's first step, a young woman, in a sleeveless wrapper, making her form serpentine, bulging out a hip to support an infant under her arm. On the top step, a burly woman, her hair gray with ashes that she had been sifting. "Scabs! scabs!" she shouted back into the house. "The boss inspector!" jeeringly from a woman, darkened in the front hall. "Union men for me!" from her of the powdered coiffure. "Union men who ain't afraid to go out of doors nights! "You can't stand out on the stoop with them, if things keeps up!" she said plaintively to the serpentine young woman, who budged some more, giggled, and, giggling, turned her face away. -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
VOLUNTARY HOUSING TRANSITIONS of OLDER ADULTS AS GIFT GIVING PRACTICES in the MIDWESTERN UNITED STATES by Tam Elisabeth Perry
LEAVING HOME IN LATE LIFE: VOLUNTARY HOUSING TRANSITIONS OF OLDER ADULTS AS GIFT GIVING PRACTICES IN THE MIDWESTERN UNITED STATES by Tam Elisabeth Perry A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Social Work and Anthropology) in the University of Michigan 2012 Doctoral Committee: Professor Ruth Dunkle, Co-Chair Professor Judith T. Irvine, Co-Chair Professor Berit Ingersoll-Dayton Professor Webb Keane Lecturer IV Holly Peters-Golden © Tam Elisabeth Perry 2012 DEDICATION For MKC, whose family and friends, local and non-local, gather to support her. This study on families, however defined, teaches us that in times of crisis, kindness and love reign. For my parents, Merle and Jeanne Perry, who prepared me for a path that could never be foreseen. For my husband, Richard Cooper, who has only ever wanted the best for me. To my daughter, Emma, who will always be my travelling companion. To my son, Ben, who makes us all laugh. ii ACKNOWLEDGEMENTS A heartfelt thanks to all the professors, friends, neighbors and family who helped support this project both intellectually and emotionally. I would like to thank my co- chairs, Ruth Dunkle and Judith Irvine, for their support through the project. I would also like to thank Berit Ingersoll-Dayton and other mentors in the School of Social Work such as Letha Chadiha and Michael Reisch. Only as I leave the School of Social Work at Michigan am I truly amazed at the training and resources available. Job Club particularly has been a wonderful experience in professionalization and I have appreciated the comradery there. -
Willa Cather's Modern Sentimentalism
UNIVERSITY OF CALIFORNIA Los Angeles Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Lisa Anne Mendelman 2015 © Copyright by Lisa Anne Mendelman 2015 ABSTRACT OF THE DISSERTATION Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America by Lisa Anne Mendelman Doctor of Philosophy in English University of California, Los Angeles, 2015 Professor Michael A. North, Chair “Modern Sentimentalism” chronicles the myriad ways in which sentimentalism evolves as modernism emerges. I demonstrate that sentimental aesthetics are more complex than we have thought and that these aesthetics participate in modern literary innovation. I likewise demonstrate that modernity, and the American interwar period in particular, enjoys a more complex relation to the sentimental than we have understood, and that twentieth-century constructs of gender and emotion equally revise and restyle sentimental precedent. Finally, I demonstrate that, when it comes to analyzing historical cultures of feeling, contemporary theories of affect have much to gain from archival methods. Synthesizing these claims, I identify a new form of feeling in modern aesthetic experience. Neither an idealized lapse into the past nor a naïve vision of the future, what I call “modern sentimentalism” most often registers the ironic consciousness of an enduring sentimental impulse. ii “Modern Sentimentalism” thus overturns -
Make Mine Manhattan
MAKE MINE MANHATTAN Sketches and Lyrics by ARNOLD B. HORWITT Music by RICHARD LEWINE Directed by BEN WEST Final Draft Mar. 4, 2012 UnsungMusicalsCo. Inc. P.O. Box 722 New York, New York 10159 © Horwitt/Lewine www.unsungmusicals.org CHARACTERS Boy 1 (Nicolas Dromard) Boy 2 (Dennis O’Bannion) Boy 3 (Bret Shuford) Boy 4 (Greg Reuter) Girl 1 (Gabrielle Ruiz) Girl 2 (Nadine Isenegger) Girl 3 (Kristen J. Smith) Girl 4 (LaQuet Sharnell) SKETCHES AND MUSICAL NUMBERS “Anything Can Happen in New York” .................... B1 & Company “My Brudder and Me” ....................................... G1 & B2 Stage Door Fifi ............................... B1, B2, B4, G2 & G4 “Old Fashioned Girl” ........................................... B1 “Manhattan in the Spring” ............................. G2, G1 & G3 Hollywood Heads East .................. B2, B3, B4, G1, G2, G3 & G4 “Movie House in Manhattan” ..................................... G4 “I Don’t Know His Name” ................................... G3 & B3 “Talk to Me” .............................................. B4 & G4 “Anything Can Happen in New York” ..................... B1, G2 & G3 “Subway Song” .................................................. B3 “Gentleman Friend” ........................................ G3 & B3 “Saturday Night in Central Park” ................. G2, B2 & Company “Schrafft’s” ................................................... G4 “New York Gal” ................................................. G1 “I Gotta Have You” ........................................ B1 & G1 “I Fell in -
Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Erna SACK: Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded August 30, 1934 in Berlin 107685 WENN SICH EINE SCHÖNE FRAU VERLIEBT 3.30 19991-1 Tel A1676 Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded October 1934 in Berlin 107121 ICH BIN VERLIEBT 3.32 19990 --- aus der Operette "Clivia" Erna Sack war eine der bedeutendsten Sopranistinnen Deutschlands im 20. -
Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (With P
Chicago-Kent College of Law Scholarly Commons @ IIT Chicago-Kent College of Law All Faculty Scholarship Faculty Scholarship January 2012 Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (with P. Heald) Christopher J. Buccafusco IIT Chicago-Kent College of Law, [email protected] Follow this and additional works at: https://scholarship.kentlaw.iit.edu/fac_schol Part of the Evidence Commons, and the Intellectual Property Law Commons Recommended Citation Christopher J. Buccafusco, Do Bad Things Happen When Works Enter the Public Domain?: Empirical Tests of Copyright Term Extension (with P. Heald), 28 Berkeley Tech. L.J. 1 (2012). Available at: https://scholarship.kentlaw.iit.edu/fac_schol/148 This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons @ IIT Chicago-Kent College of Law. It has been accepted for inclusion in All Faculty Scholarship by an authorized administrator of Scholarly Commons @ IIT Chicago-Kent College of Law. For more information, please contact [email protected], [email protected]. DO BAD THINGS HAPPEN WHEN WORKS ENTER THE PUBLIC DOMAIN?: EMPIRICAL TESTS OF COPYRIGHT TERM EXTENSION Christopher Buccafusco. & Paul J. Heald ABSTRACT According to the current copyright statute, in 2018, copyrighted works of music, film, and literature will begin to transition into the public domain. While this will prove a boon for users and creators, it could be disastrous for the owners of these valuable copyrights. Accordingly, the next few years will witness another round of aggressive lobbying by the film, music, and publishing industries to extend the terms of already-existing works.