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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Derrick Adams / Narcissister $1,000+ Continued $250+ May 14 and 15, 2010 Caroline & Rod Keating Laura Ruth Abel Tonya Bonakdar Gallery Kenneth S
THE KITCHEN GRATEFULLY ACKNOWLEDGES THE The Kitchen presents FOLLOWING INDIVIDUALS, FOUNDATIONS, CORPORATIONS AND GOVERNMENT AGENCIES FOR THEIR SUPPORT as of 3/6/2010 Derrick Adams / Narcissister $1,000+ continued $250+ May 14 and 15, 2010 Caroline & Rod Keating Laura Ruth Abel Tonya Bonakdar Gallery Kenneth S. Kuchin Curated by Rashida Bumbray Rachel & Jean-Pierre Lehmann Joseph Ehrlich and Katherine Rosman Dorothy Lichtenstein David Fanger & Martin Wechsler Lehmann Maupin Gallery Spencer Finch Patricia Lizarraga Gisela & David Gamper Derrick Adams: Go Stand Next To The Mountain Serena & John Moon David Gordon & Valda Setterfield Barbara & Howard Morse David Herskovitz Eve & Dennis Mykytyn Rene Hofstede Original Music by Philippe Treuille Anne & William Palmer Brian Kish Performers: Derrick Adams, Kenya Robinson, and Philippe Treuille Stacey & Douglas Polley Zsuzsanna Karasz & John Lipsky Dr. Elisa Rush Port Gregory R. Miller Special Appearances by: Nancy & Fred Poses Gifford Miller David Moodey Yancey Richardson "Diva Dutch" by Aisha Cousins Beth Rudin DeWoody Michael Rengers Astrid & Cristian SabellaRosa Andrea Rosen Gallery Jumpers: Aisha Cousins & Kenya Robinson Lexy Schmertz Nusbaum & John Nusbaum Frederieke Sanders Taylor Debra & Dennis Scholl Sikkema Jenkins & Co. Turners: Alicia Dellimore & Alisun Dellimore Ryan Trecartin Jonathan Schorr Suzanne Vielmetter Lea Simonds Amanda Weil "Do You Wanna Go" Written & Performed by Art For Money recording artists: Lisa Singer Moran & Charles Moran Gail & Biddle Worthington Momar Clemons -
PDF (1.47 Mib)
M M M M M M M M M M M M M M M M M M M M M M M M セ M M M M M M M M M M M M M M M セ M M M M M M セ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at. -
Supervision and Ethics
periodical for professional exchange and networking European Journal for Supervision and Coaching Supervision and Ethics Role of ethics in creating supervision a safe place Maca Cicak & Kristina Urbanc How to develop supervisors’ ethical reasoning? Liisa Raudsepp & Helena Ehrenbusch Work clothes of a supervisor Attila Szarka Volume 4 - 2020 - Issue 2 Index Page Sijtze de Roos Autumn 2020 3 Column Gerian Dijkhuizen Hers not mine 5 Articles Maca Cicak & Kristina Urbanc Role of ethics in creating supervision a safe place 6 Jean-Paul Munsch Towards Mastery 14 Liisa Raudsepp & Helena Ehrenbusch How to develop supervisors’ ethical reasoning? 17 Hans Bennink Multiple loyalties of professionals in organizations 21 Daniel Trepsdorf Supervision with ‘far right-wing individuals in a group setting’ 28 Christof Arn Ethics of Consultancy 34 A Practical Overview Attila Szarka Work clothes of a supervisor 38 Ineke Riezebos Playful Professional 42 The use of a visual work form in supervision and coaching Ulrike Mathias-Wiedemann Book review: supervision put to the test 46 Gerian Dijkhuizen Interview Ioseba Guillermo 51 ANSE JOURNAL 2 VOLUME 4 - 2020 - ISSUE 2 Autumn 2020 ■ Sijtze de Roos Trust, it would appear, is no longer self-evident. In the measure their own codes of conduct, ethical guideli- past, so they say, people ‘knew their place’ and more or nes and general moral principles. Its main purpose is to less blindly trusted and followed the leaders of their parti- challenge supervisors and their professional associations cular social group, class or political party. Nowadays trust all over Europe to always act according to moral require- seems to have turned into work. -
The Philosophy of Loyalty
29 The Philosophy of Loyalty I. The Nature and the Need of Loyalty One of the most familiar traits of our time is the tendency to revise tradition, to reconsider the foundations of old beliefs, and some times mercilessly to destroy what once seemed indispensable. This disposition, as we all know, is especially prominent in the realms of social theory and of religious belief. But even the exact sciences do not escape from the influence of those who are fond of the reexamination of dogmas. And the modern tendency in question has, of late years, been very notable in the field of Ethics. Conven tional morality has been required, in company with religion, and also in company with exact science, to endure the fire of criticism. And although, in all ages, the moral law has indeed been exposed to the assaults of the wayward, the peculiar moral situation of our time is this, that it is no longer either the flippant or the vicious who are the most pronounced or the most dangerous opponents of our moral traditions. Devoted reformers, earnest public servants, ardent prophets of a coming spiritual order,-all these types of lovers of humanity are represented amongst those who to-day demand great and deep changes in the moral standards by which our lives are [The complete text of The P!Jilosopby of Loyalty is reprinted here from PL.] 8 )6 MORAL AND RELIGIOUS EXPERIENCE to be governed. We have become accustomed, during the past few generations,-during the period of Socialism and of Individualism, of Karl Marx, of Henry George, of Ibsen, of Nietzsche, of Tolstoi, -to hear unquestionably sincere lovers of humanity sometimes de claring our traditions regarding the rights of property to be im moral, and sometimes assailing, in the name of virtue, our present family ties as essentially unworthy of the highest ideals. -
Wellesley News
Wellesley College fleuus Eniered as second-class matter November 17, 1916, at the post office at Framingham, Mass., under the uct of March 3, 1879. VOL. XXIV FRAMINGHAM AND WELLESLEY, MASS., MAY 3, 1917 No. 27 COLLEGE CALENDAR. Thursday, May 3. 7.15 P. M. Christian 'Associa- tion Meetings. Village. The Elms. Mary Boomer. Subject, Christianity in Relation to College Lite. Billings. Dr. James A. Richard. Subject, The College Girl and the Church. Friday, M;iy Ith. Debating Club Business Meet- ing. 8 P. M. Billings. .Mrs. Beatrice Forbes Robertson Hale. "Drama as a Social Force." College Lecture Course. Saturday, .May 5. May Day. 7.00 P. M. Step-Singing. 7.30 P. M. Open House. Alpha Kappa Chi, Phi Sigma, Shakespeare. Sunday, May (>. 11 A. M. Chapel. Rev. G. A. Johnston Ross. 7 P. M. Vespers. Dr. Cornelius Woelfkin. Monday. May 7. Alternate date for May Day. Tuesday, May 8. 4.1.5 P. M. Vocational guidance lecture. Thursday, May 10. 8 P. M. Billings. Spanish Lecture. Mr. Ramon Jaen 7.15 P. M. Christian Association Meetings. Axxa F. Paton, '18, Billings, Miss Bates. Subject, The Reli- Katharine Timbeeman, '1H, President of Christian Association, 1917-18 gious Message of Christina Rossetti. President of Student Government, 1911-18 St. Andrew's Church. Dorothea Bliedung. Subject, So fight not as one that beateth WELLESLEY SEES A "REEL" SHOW. Much credit for the success of the operetta is the air. due to Dorothea Blieburg and the song committee, Friday, May II. 8 P. M. Billings. Orchestra Mid to Mary FJournoy and her chairmen. -
Transform Westside Summit Convene | Communicate | Collaborate
Transform Westside Summit Convene | Communicate | Collaborate Westside Future Fund Friday, June 5, 2020 TABLE OF CONTENTS About Westside Future Fund ... 3-7 Today's Summit ... 8-12 Agenda ... 8 Featured Participants ... 9-12 "Where Do We Go From Here?" ... 13-14 Excerpts from Dr. King's 1967 Speech Announcements ... 15-20 Free COVID-19 Testing ... 15 Westside Connect Hotline ... 16-17 JUNE 9th ELECTION: District 3 Voting Info ... 18 City of Atlanta: MOST Ballot Question ... 19-21 Creating the Beloved Community ... 22 - end Flashback: Remarks by Joan Vernon ... 23 "Fulfilling our vision of the beloved community" ... 24 by D. Makeda Johnson "Use Your Power and Influence" ... 25-26 by Dan Cathy VISION A community Dr. King would be proud to call home. MISSION To advance a compassionate approach to neighborhood revitalization that creates a diverse, mixed-income community, improves the quality of life for current and future residents and elevates the Historic Westside’s unique history and culture. VALUES Do with the Community, not to the Community We know that residents are the real experts on the challenges in their community. Therefore, we learn from residents and involve them in all we do. Be Compassionate We meet residents where they are in a spirit of empathy and respect. Have Integrity in Everything We stand behind all we say and do. We are open, honest, and courageous. Be Creative We bring high energy and fresh ideas to tackling the long-standing challenges on the Westside. We’re dedicated to trying different approaches to get different results. Deliver Results We’re committed to driving transformation in the long term, with a focus on measurable outcomes today. -
Accept Albums Metal Blast from the Past DVD / CD
Subba-Cultcha Page 1 of 3 *HOME *CONTACT To view all DVD reviews click h PODCAST FESTIVALS Homepage Accept Albums Metal Blast From The Past DVD / CD Singles & EPs Breeze Music / Drakkar Entertainment / BMG Live Features “The ultimate DVD / CD package from the epitome of Germ metal…” Demos Homepage Film In 1985, I was introduced to a band that would change my life. They made me rethink everything I knew about metal, made me realise that whilst metal may have been born DVD in the UK, and may have become the staple diet of teenage Americans, it’s real home Games and future lay in Germany. The band was Accept, and the record that changed Books everything for me went by the name of “Metal Heart”. It was, and is, everything that I thought metal should always be - overblown and dramatic, crammed full of incredible songs played by some of the greatest metal musicians that Satan ever created, and th voice….Damn, Udo Dirkschneider still has the BEST voice in metal. “Metal Heart” was and is, perfect, in every sense of the word. Thus began my continuous obsession with both German metal and to a lesser extent, Accept, and twenty one years later, it still Homepage consumes me, fills my waking thoughts and drives me ever onwards in my quest to fin Forum a metal record equal to “Metal Heart”… Competiton Subba -games Enough of me though, and on to “Metal Blast From The Past”…It’s like handing a fix t a addict entering withdrawal, presenting fresh virgins to Genghis Khan and handing a oil filed to George Dubya Bush. -
ACCEPT Release Date Pre-Order Start Symphonic Terror - Live at Wacken 2017 Uu 23/11/2018 Uu 21/09/2018 Territory: World
New Release Information uu November ACCEPT Release Date Pre-Order Start Symphonic Terror - Live At Wacken 2017 uu 23/11/2018 uu 21/09/2018 Territory: World uu 05.10. digital 2-track single Balls To The Wall (live) uu a dvertising in many important music magazines SEP/OCT/NOV 2018 uu album reviews, interviews in all important Metal magazines in Europe’s SEP/OCT/NOV 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu Facebook, YouTube, Twitter, Google+ organic promotion uu Facebook ads and promoted posts + Google ads in both the search and display networks, bing ads and gmail ads uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids uu banners, featured items at the shop, header images and a background on nuclearblast.de and nuclearblast.com uu features and banners in newsletters, as well as special mailings to targeted audiences in support of the release Price Code: DVD01 Price Code: DVD02 Price Code: CD15 Price Code: CD02 Price Code: CD15 NB 4499-0 BluRay+2CD-Digi NB 4499-2 DVD+2CD-Digi NB 4499-4 Earbook NB 4573-0 2CD-Digi NB 4499-1 3LP BOX BluRay + DVD + 2CD black incl. booklet and poster uu Tracklists: Blu-ray / DVD (Blu-ray+2CD, DVD+2CD, Earbook) CD1 (Blu-ray+2CD, DVD+2CD, 2CD-Digi, Earbook) 3LP (33 rpm) Part 1: Accept 01. -
URMC V117n78 20081204.Pdf (5.186Mb)
CSU StUdent StrUCk by Sliding Car | Collegian.Com THE ROCKY MOUNTAIN Fort Collins, Colorado COLLEGIAN Volume 117 | No. 78 Thursday, December 4, 2008 www.collegian.com THE STUDENT VOICE OF COLORADO STATE UNIVERSITY SINCE 1891 WHITE WEDNESDAY Johnson tops all-Conference list By aDam Bohlmeyer for the Rams, achieving first- The Rocky Mountain Collegian team status for the first time during his college career. The If a potential bowl berth senior rolled for 1,191 yards wasn’t enough, the CSU Rams rushing, 205 yards receiving now have further proof of just and 10 touchdowns this sea- how far the team has come son. He is the only Ram to this season. earn first-team recognition Nine Rams were named to since 2005 and the first CSU the Mountain West All-Con- running back since Cecil Sapp ference list, released Wednes- in 2002. Johnson said that day afternoon. JohnSon Running back Gartrell Johnson earned top honors See FBall on Page 3 BranDon iwamoTo | COLLEGIAN CU free safety Ryan Walters (15) loses his grip on CSU running back Gartrell Johnson (5) during their 38-17 victory over the Rams at Invesco Field on Aug. 31. ASCSU seeks BOG support for student voting rights By aaron heDge There are currently two student mem- The Rocky Mountain Collegian bers on the BOG, the presidents of the CaiTlin KinneTT | COLLEGIAN CSU-Fort Collins and CSU-Pueblo stu- Ashley Vought, a sophomore majoring in natural resource management, walks by the Clark Build- Following a national trend that’s seen dent governments, but neither have voting ing through one of the first snowfalls in Fort Collins on Wednesday. -
Grizzly Bear Rock Free Download
GRIZZLY BEAR ROCK FREE DOWNLOAD Lesley Sims,Andrew Roland | 32 pages | 17 May 2010 | Usborne Publishing Ltd | 9781409507079 | English | London, United Kingdom Grizzly Bear Members Are Indie-Rock Royalty, But What Does That Buy Them in 2012? Just let this thing develop on its own, in a more casual way. Ajwa Imran rated it really liked it Sep 29, The song is featured in the film as Bella sees Grizzly Bear Rock illusion of Edward underwater. Resources for this book Video clip of Peter Usborne talking about Very First Reading Visit the Very First Reading mini site Find information about synthetic phonics and the structure of the series, along with downloadable puzzles for each title. Daniel Rossen Grizzly Bear Rock Presentation April 28 It's horribly scary to me. Cute story about how sometimes you may not have skills you hoped for but that doesn't mean you have to sit out altogether. Help Learn to edit Community portal Recent changes Upload file. Iain Abbott rated it liked it Oct 27, A lively story to inspire very beginner readers. Ed Droste talks to Larry Fitzmaurice about his band's upcoming fourth album: "It's not as dreamy and pastoral as past efforts, and there's a lot of raw vocal takes-- you can hear the cracks and the moments where it's not perfect. The award's aim is Grizzly Bear Rock identify and reward excellence in educational products that have been designed for children in Key Stage 1. To ask other readers questions about Grizzly Bear Rockplease sign up. -
THE GARY MOORE DISCOGRAPHY (The GM Bible)
THE GARY MOORE DISCOGRAPHY (The GM Bible) THE COMPLETE RECORDING SESSIONS 1969 - 1994 Compiled by DDGMS 1995 1 IDEX ABOUT GARY MOORE’s CAREER Page 4 ABOUT THE BOOK Page 8 THE GARY MOORE BAND INDEX Page 10 GARY MOORE IN THE CHARTS Page 20 THE COMPLETE RECORDING SESSIONS - THE BEGINNING Page 23 1969 Page 27 1970 Page 29 1971 Page 33 1973 Page 35 1974 Page 37 1975 Page 41 1976 Page 43 1977 Page 45 1978 Page 49 1979 Page 60 1980 Page 70 1981 Page 74 1982 Page 79 1983 Page 85 1984 Page 97 1985 Page 107 1986 Page 118 1987 Page 125 1988 Page 138 1989 Page 141 1990 Page 152 1991 Page 168 1992 Page 172 1993 Page 182 1994 Page 185 1995 Page 189 THE RECORDS Page 192 1969 Page 193 1970 Page 194 1971 Page 196 1973 Page 197 1974 Page 198 1975 Page 199 1976 Page 200 1977 Page 201 1978 Page 202 1979 Page 205 1980 Page 209 1981 Page 211 1982 Page 214 1983 Page 216 1984 Page 221 1985 Page 226 2 1986 Page 231 1987 Page 234 1988 Page 242 1989 Page 245 1990 Page 250 1991 Page 257 1992 Page 261 1993 Page 272 1994 Page 278 1995 Page 284 INDEX OF SONGS Page 287 INDEX OF TOUR DATES Page 336 INDEX OF MUSICIANS Page 357 INDEX TO DISCOGRAPHY – Record “types” in alfabethically order Page 370 3 ABOUT GARY MOORE’s CAREER Full name: Robert William Gary Moore. Born: April 4, 1952 in Belfast, Northern Ireland and sadly died Feb.