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Early Cultural and Historical Seascape of the Pacific Remote Islands Marine National Monument
Early Cultural and Historical Seascape of the Pacific Remote Islands Marine National Monument Archival and Literary Research Report Jesi Quan Bautista Savannah Smith Honolulu, Hawai’i 2018 Early Cultural and Historical Seascape of the Pacific Remote Islands Marine National Monument Archival and Literary Research Report Jesi Quan Bautista Savannah Smith Honolulu, Hawai’i 2018 For additional information, please contact Malia Chow at [email protected]. This document may be referenced as Pacific Islands Regional Office [PIRO]. 2019. Early Cultural & Historical Seascape of the Pacific Remote Islands Marine National Monument. NOAA Fisheries Pacific Islands Fisheries Science Center, PIRO Special Publication, SP-19-005, 57 p. doi:10.25923/fb5w-jw23 Table of Contents Preface................................................................................................................................. 1 Use as a Reference Tool ..................................................................................................... 1 Acknowledgments............................................................................................................... 1 Cultural-Historical Connectivity Within the Monument .................................................... 2 WAKE ATOLL || ENEEN-KIO ..................................................................................... 4 JOHNSTON ATOLL || KALAMA & CORNWALLIS ................................................. 7 PALMYRA ATOLL || HONUAIĀKEA ..................................................................... -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
February 15 of Odd Years, Send Central Office Acknowl Ternational Dues and $6.50 for Bound Crescents and Subscrip Edgement of Bound Crescents
CfNT Of GAMMA PHI BtTA FEBKCARY � 1946 t M 4 V W.- 4v mm1 ffl^ i- .' \ .iLJ-lui ip �^^ il^-iyiK 'JaoTM iL1- uties Greekf^Letter Chapters PRESIDENT: Due Central Office by December 1: first installment ol In By February 15 of odd years, send Central Office acknowl ternational dues and $6.50 for bound Crescents and subscrip edgement of bound Crescents. Use postal card in volume. tions to Banta's Greek Exchange and Fraternity Month. Due Central Office March 1: second installment of In CORRESPONDING SECRETARY: by ternational dues. By August 1, send 6 rushing calendars to Central *.)ffice Fiscal year begins August 1, ends July 31. All dues paid and 1 each to Province Director and Traveling Secretary. between those dates cover the period between and caiuiot By September 15, send 6 college calendars to Central Office apply to the next fiscal year no matter how late they aie and 1 each to Province Director and Traveling Secretary. paid. By October 1, send Grand President business for considera SCHOLARSHIP CHAIRMAN: tion at fall coimcil meeting, include business for con for sideration of convention in fall preceding convention. Comparative rating of NPC sororities on campus preceding Immediately after pledging (immediately after opening of year due in Central Office immediately after reported, if pos sible Nov. 1. college if pledging is deferred), send lists of chapter mem by bers and pledges (new and holdovers) to Central Office PLEDGE TRAINER: and Province Director. Inmiediately alter pledging, order pledge manuals (50^ each) send lists of members and By February 15, chapter pledges and song books (|i.oo each) from Central Office. -
National Morgan Horse Show July ?6, 27
he ULY 9 8 MORGAN HORSE NATIONAL MORGAN HORSE SHOW JULY ?6, 27 THE MORGAN HORSE Oldest and Most Highly Esteemed of American Horses MORGAN HORSES are owned the nation over and used in every kind of service where good saddle horses are a must. Each year finds many new owners of Morgans — each owner a great booster who won- ders why he didn't get wise to the best all-purpose saddle horse sooner. Keystone, the champion Morgan stallion owned by the Keystone Ranch, Entiat, Washington, was winner of the stock horse class at Wash- ington State Horse Show. Mabel Owen of Merrylegs Farm wanted to breed and raise hunters and jumpers. She planned on thoroughbreds until she discovered the Morgan could do everything the thoroughbred could do and the Morgan is calmer and more manageable. So the Morgan is her choice. The excellent Morgan stallion, Mickey Finn, owned by the Mar-La •antt Farms, Northville, Michigan, is another consistent winner in Western LITTLE FLY classes. A Morgan Horse on Western Range. Spring Hope, the young Morgan mare owned by Caven-Glo Farm Westmont, Illinois, competed and won many western classes throughout the middle-west shows the past couple of years, leaving the popular Quar- ter horse behind in many instances. The several Morgan horses owned by Frances and Wilma Reichow of Lenore, Idaho, usually win the western classes wherever they show. J. C. Jackson & Sons operate Pleasant View Ranch, Harrison, Mon- tana. Their Morgan stallion, Fleetfield, is a many-times champion in western stock horse classes. They raise and sell many fine Morgan horses each year. -
"Theater and Empire: a History of Assumptions in the English-Speaking Atlantic World, 1700-1860"
"THEATER AND EMPIRE: A HISTORY OF ASSUMPTIONS IN THE ENGLISH-SPEAKING ATLANTIC WORLD, 1700-1860" BY ©2008 Douglas S. Harvey Submitted to the graduate degree program in History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ____________________________________ Chairperson Committee Members* ___________________________________* ___________________________________* ___________________________________* ___________________________________* Date Defended: April 7, 2008 The Dissertation Committee for Douglas S. Harvey certifies that this is the approved version of the following dissertation: "THEATER AND EMPIRE: A HISTORY OF ASSUMPTIONS IN THE ENGLISH-SPEAKING ATLANTIC WORLD, 1700-1860" Committee ____________________________________ Chairperson ___________________________________* ___________________________________* ___________________________________* ___________________________________* Date Approved: April 7, 2008 ii Abstract It was no coincidence that commercial theater, a market society, the British middle class, and the “first” British Empire arose more or less simultaneously. In the seventeenth century, the new market economic paradigm became increasingly dominant, replacing the old feudal economy. Theater functioned to “explain” this arrangement to the general populace and gradually it became part of what I call a “culture of empire” – a culture built up around the search for resources and markets that characterized imperial expansion. It also rationalized the depredations the Empire brought to those whose resources and labor were coveted by expansionists. This process intensified with the independence of the thirteen North American colonies, and theater began representing Native Americans and African American populations in ways that rationalized the dominant society’s behavior toward them. By utilizing an interdisciplinary approach, this research attempts to advance a more nuanced and realistic narrative of empire in the early modern and early republic periods. -
JOURNAL. Necting Us with San Francisco, Perhaps with Iu This City
"if'.: w, . , 'taM cs, 6; stove, I; shot, kegs, S ; sashes, bdls, 5; shooks.bdls, ' we can see, is as satisfictory as could possibly be look- of marines, bluejackets," &c, was acccrdinly sent 199. Cmttwiu Iloaw Return. Iater from Australia. staves, cak, 1; sugar, bxa,25; sugar, hbls,5o; twine, pk, j." ed for. In brief, by Article 9, British subjects may for; but before it arrived the braves walked away tongs, pairs, tobacco, box, IX i windows, pkgs, 44; officers we make the By the arrival of the clipper ship Glimpse, Capt. i; wuiel TEE POLYNESIAN. By the courtesy of the proper travel for pleasure or trade to all parts of the interior. with their tents. The next day the troops, having boats, u. following summary of the quarterly Custom Houe Re Dayton from Melbourne, and the politeness of Captain By Articles 10 and 11, four ports in the Yang-ts- e Ki-an- g, taken up a position opposite a village where the FROM LIVERPOOL. we have received Austra- in Gulf ef Pecheli, one The usual Bark Portena, Ovt. 15. SATURDAY. OCTOBER 1G. ports for the quarter ending Sept. 30, this year. H. S. Rowland of this place, one in Manchoria, one the braves were, proceeded to attack it. Per and another on the coast The hills ; bbls, 500; beer, hhds, 50 ; lian dates to Aug. 2d. We learn from the Mclbwtrne on Formosa, one in Hainan, style of Chinese fighting took place. Feer. c, ?50 beer, biscuits, cs, 54. Received, of China, in all nine, are added to the present five with braves and their flags. -
Change Not Charity: Essays on Oxfam America's First 40 Years
Change not Charity: Essays on Oxfam America’s first 40 years Change not Charity: Essays on Oxfam America’s first 40 years Edited by Laura Roper Contents Acknowledgements 7 Author Bios 9 Introduction 15 The Early Years (1970-1977): Founding and Early Fruition 1. The Founding of Oxfam America, John W. Thomas 23 2. From Church Basement to the Board Room: Early Governance and Organizational Development, Robert C. Terry 28 3. Launching Oxfam’s Educational Mission, Nathan Gray 48 4. Humanitarian Response in Oxfam America’s Development: From Ambivalence to Full Commitment, Judith van Raalten and Laura Roper 57 5. Perspectives on Oxfam’s Partnership Model, Barbara Thomas-Slayter 74 The Short Years: Establishing an Institutional Identity and Ways of Working 6. Acting Strategically: Memories of Oxfam, 1977–1984, Joe Short 91 7. The Origins of Advocacy at Oxfam America, Laurence R. Simon 114 8. Humanitarian Aid Experiences at Home and Abroad: An Oxfam America Memoir, Michael Scott 140 9. Oxfam’s Cambodia Response and Effective Approaches to Humanitarian Action, Joel R. Charny 165 10. Women’s Empowerment in South Asia: Oxfam America’s First Gender Program, Martha Chen 175 11. Lessons from Lebanon, 1982–83, Dan Connell 186 The Hammock Years (1984–1995): Organizational Evolution in an Ever-Changing World 12. Walking the Talk: Development, Humanitarian Aid, and Organizational Development John Hammock 203 13. The 1984 Ethiopia Famine: A Turning Point for Oxfam America, Bernie Beaudreau 229 14. Finding My Feet: Reflections of a Program Officer on Her Work in Africa in the 1980s, Deborah Toler 236 15. Reflections on Working with Rebel Movements in the Horn of Africa, Rob Buchanan 251 16. -
Newport Historical Society, Manuscripts and Archives Collection Inventory Please Note These Collections Are Largely Unprocessed
Newport Historical Society, Manuscripts and Archives Collection Inventory Please note these collections are largely unprocessed. The data presented here is to aid scholar and researcher access, while formal processing is underway. For processed collections, visit the Manuscripts and Archives Collection on the NHS Online Catalog at http://j.mp/nhsarchives, or locate our finding aids on RIAMCO, Rhode Island Archives and Manuscripts Collections Online, at http://j.mp/nhsriamco. For more information about the items here or to make an appointment, please contact NHS. 440: Series Note 245: Title Statement 035: Local 691: Local Subject 691: Local Subject 100: Main Entry - Personal Name 110: Main Entry - Corporate 300: Physical 500: General Note 541: Immediate Source of 600: Subject Added Entry - 610: Subject Added 650: Subject Lookup (1) 700: Added Entry - Personal System Control Added Entry - Date Added Entry - Date Name Description Acquisition Personal Name (1) Entry - Corporate Name (1) Number Name (1) Acoco Series Selected Stories, What Hetty Learned at School; One Thing Hetty Learned Ladies Home Journal Ladies Home Journal bound printed material; 20 Children's stories no. 23 at School pp.; illus. Allen family papers, 1728-1732 Deed for land on Ferry Wharf, August 5, 1728, recorded 1728 1732 Carr, Samuel ms Jeremiah Child listed as Cooper, Carr, Mary; Child, Jeremiah December 8, 1732 Copied by William Coddington, 1766 Almy papers Plate of farm (near mile corner) Cranston, Samuel mss Xerox copies of paper originals Loaned by George A. Thurston of Union St., Portsmouth, March 1984 Barbara (Norman) Cooke papers Concert in Newport, 1962 1962 Goodman, Benny ms Barbara Ladd Cooke papers Horse Racing Association, Portsmouth, papers, 1935 1935 Jones, Dan. -
Sandlapper Corner Offers the Fair
When we were children, we would climb in our green and golden castle until the sky said stop. Our dreams filled the summer air to overflow ing, and the future was a far-off land a million promises away. Today, the dreams of our own children must be cherished as never before. Forifwe believe in them, they will come to believe in themselves. And out of their dreams, they will finish the castle we once began - this time for keeps. Then thedreamerwill become the doer. And the child, the father of the man. NIETRONIONT NIATERIALS Greenville Division Box 2486 Greenvi lle, S.C. 29602 803/ 269-4664 Spartanburg Division Box 1292 Spartanburg, S.C. 29301 803/ 585-4241 Charlotte Division Box 16262 Charlotte, N.C. 28216 704/597-8255 Campfires & Sandcastles start with C&S Whatever your vacation dreams -camping in the mountains, fishing at the lake, or soaking up sun at the beach-C&S Bank can start you on your way. We'll make you a low cost loan for that new camper. Or the boat you've been promising your family. Or maybe some extra cash so you can just get away from it all. We want this to be your best vacation ever. So plan something special. Then see C&S. We're the action bank.™ We'll make it happen. NOBODY WILL BE HAPPIER THAN US WHEN SCE&G IS FINALLY OUT OF SIGHT. It'd be great if all SCE&G overhead power But we're working on the problems. Looking lines could go underground. -
Colonial Families and Their Descendants
M= w= VI= Z^r (A in Id v o>i ff (9 VV- I I = IL S o 0 00= a iv a «o = I] S !? v 0. X »*E **E *»= 6» = »*5= COLONIAL FAMILIES AND THEIR DESCENDANTS . BY ONE OF THE OLDEST GRADUATES OF ST. MARY'S HALL/BURLI^G-TiON-K.NlfJ.fl*f.'< " The first female Church-School established In '*>fOn|tSe<|;, rSJatesi-, which has reached its sixty-firstyear, and canj'pwß^vwffit-^'" pride to nearly one thousand graduates. ; founder being the great Bishop "ofBishop's^, ¦* -¦ ; ;% : GEORGE WASHINGTON .DOANE;-D^D];:)a:i-B?':i^| BALTIMORE: * PRESS :OF THE.SUN PRINTING OFFICE, ¦ -:- - -"- '-** - '__. -1900. -_ COLONIAL FAMILIES AND THEIR DESCENDANTS , BY ONE OF THE OLDEST GRADUATES OF - ST. MARY'S HALL, BURLINGTON, N. J. " The first female Church-School established in the United.States, which has reached its sixty-first year, and can point with ; pride to nearly one thousand graduates. Its.noble „* _ founder being the great Bishop ofBishops," GEORGE WASHINGTON DOANE, D.D., LL.D: :l BALTIMORE: PRESS "OF THE SUN PRINTING OFFICE, igOO. Dedication, .*«•« CTHIS BOOK is affectionately and respectfully dedicated to the memory of the Wright family of Maryland and South America, and to their descendants now livingwho inherit the noble virtues of their forefathers, and are a bright example to "all"for the same purity of character "they"possessed. Those noble men and women are now in sweet repose, their example a beacon light to those who "survive" them, guiding them on in the path of "usefulness and honor," " 'Tis mine the withered floweret most to prize, To mourn the -
Public Parks in Maine Maine Department of Economic Development
Maine State Library Digital Maine Economic and Community Development Economic and Community Development Documents 1958 Public Parks in Maine Maine Department of Economic Development Follow this and additional works at: https://digitalmaine.com/decd_docs Recommended Citation Maine Department of Economic Development, "Public Parks in Maine" (1958). Economic and Community Development Documents. 161. https://digitalmaine.com/decd_docs/161 This Text is brought to you for free and open access by the Economic and Community Development at Digital Maine. It has been accepted for inclusion in Economic and Community Development Documents by an authorized administrator of Digital Maine. For more information, please contact [email protected]. ~ v1; y . <7'0 * ~t * * * * * * * * * C-1: * ~~. Y.J>,,. * * * * * * "</' 7'0e * * * * * * * * * "~ ~ * * * * * * * ,,. * '"' * * * * <:/' * * >)f * * * * * * * * * * >)f ': I State Park Commission RULES AND REGULATIONS The State Park rules and regulations are designed to protect you and your property. You can help protect the natural beauty of State Parks by warning the careless visitor and by reporting infractions of the regulations. Complete rules and regulations may be seen at the office of the Custodian. Park rangers are prepared to render assistance to visitors. When in doubt, ask a ranger. Hours: The area will be open to the public between the hours of 10.00 a.m. and 9.00 p.m. and at other times by written permis• sion of the Custodian. Reasonable quiet must be observed at all times. Traffic: All vehicles shall be left in areas designated for the purpose. No person shall operate any vehicle in recreational areas in a reckless manner or while under the influence of intoxicating liquor or drugs, or at a speed in excess of 15 miles per hour, or in a manner so as to endanger any person or property. -
Anne Yeats Gift, 1996 (Fonds)
Anne Yeats gift (1996) National Gallery of Ireland: Yeats Archive IE/NGI/Y1 Anne Yeats gift, 1996 (fonds) 1. Identity statement area ................................................................................................ 6 2. Context area ................................................................................................................ 6 3. Content and structure area ........................................................................................... 7 4. Conditions of access and use ........................................................................................ 8 5. Allied materials area .................................................................................................... 8 6. Description control area ............................................................................................... 8 1. Anne Yeats’s catalogues to the collection .......................................................................... 10 Jack Butler Yeats archives (sub-fonds) 1. Identity statement area .............................................................................................. 12 2. Context area .............................................................................................................. 12 3. Content and structure area ......................................................................................... 14 4. Allied materials area .................................................................................................. 15 1. Original art by Jack Butler