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Les Chaleurs Du Festival Burning Man
LES CHALEURS DU FESTIVAL BURNING MAN LE 6 SEPTEMBRE 2011 CLÉMENT BAUDET Sur la côte Ouest des États-Unis, le festival Burning Man, le plus dingue de la planète, s'est achevé la nuit dernière. Récit tout en longueur de ces folles nuits dans la ville éphémère de Black Rock City. MAJ : Le Burning man dans une (belle) vidéo ? C’est comme si vous y étiez et c’est ici. Tous les ans, au début du mois de septembre, se déroule dans le désert du Nevada le fameux festival Burning Man [en]. Projet collectif un peu fou qui existe depuis plus de vingt ans. La dernière édition s’est achevée la nuit dernière. Cette gigantesque fête collaborative qui prend sa source sur la côte Ouest des États Unis est liée à l’émergence des industries du web dans la Silicon Valley. Une fois cher payée l’entrée, économie du don et culture jamming et Do It Yoursef (DIY, fais-le toi-même) sont joyeusement pratiquées pendant sept jours dédiés à la création. La ville éphémère de Black Rock City attire aujourd’hui de plus en plus de geeks et autres fous de nouvelles technologies. Exemple parfait des liens qui existent entre les hippies de San Francisco et les dirigeants de Google… Burning Man c’est un peu une incarnation de la Zone d’Autonomie Temporaire d’Hakim Bey, avec couleurs, costumes excentriques, installations artistiques, numériques et pyrotechniques hors du commun, voitures mutantes (art cars ) tout droit sorties de MadMax errant dans un décor post-apocalyptique, interdiction de pratiquer toute transaction commerciale pendant le rassemblement… Black Rock City [en] est un « espace autre », recréé ex-nihilo par des milliers de « burners » qui forment cette ville qui devient alors la troisième plus grande du Nevada. -
Burning Man Journal All the News That’S Fit to Burn H Summer 2006
BURNING MAN JOURNAL ALL THE NEWS THAT’S FIT TO BURN H SUMMER 2006 By Tom COMMERCE & COMMUNITY Why I’m Here P r i c e DIStILLIng PHILOSOPHY FROM A CUP OF COffEE Last year at Burning Man, immediately following news of Hurricane By Larry Harvey Katrina, our community began to spontaneously organize a response. A relief fund was collected at the event, initially totaling $35,000, but during the ensuing weeks this soon swelled into many thousands more. One of the largest and longest lasting of ometimes AN Exception to A rule can deepen these efforts eventually became what is known as Burners Without Borders, providing disaster relief with a decidedly playa flair a philosophy. For example, some critics of the Burning Man – learn about their work at www.burnerswithoutborders.org. Project insist that by allowing coffee sales in our city’s Center Below is a dispatch from the field written earlier this year by Tom S Price, a part-time Burning Man Project staff member. Camp Cafe we violate a tenet of our non-commercial ideology. They (Late February, PearLington, Mississippi) say that this is evidence of deep naiveté or demonstrates hypocrisy. y leather gloves sag with sopped up diesel, sweat, and the black water that oozes off rotting garbage. My reply is that we’ve never espoused a non-commercial ideology. To MUnder the cypress trees in the swamp out back, an be against commerce is to oppose the very existence of civilized life. oily sheen coats the water, smothering the snapping turtles, but having no impact on the clouds of gnats and mosquitoes. -
The Performance Culture of Burning Man
ABSTRACT Title of Document: THE PERFORMANCE CULTURE OF BURNING MAN Wendy Ann Clupper, PhD, 2007 Directed By: Dr. Franklin J. Hildy, Department of Theatre and Performance Studies Theatre in the United States for the last twenty years has been evolving in scope by way of a cultural phenomenon known as Burning Man. In 2006, this festival attracted over forty thousand participants to the Black Rock Desert in Northwestern Nevada to a flat dusty Playa surrounded by mountain ranges. While the natural environment there is hostile, the creative atmosphere is welcoming and invites a broad scope of performative behaviors and genres to be exhibited there, the entire week the festival takes place. Make-shift stages and theme camps, as well as large- scale interactive art pieces play host to participants who dress up in fanciful costumes to perform in all manner of imagining. This dissertation maps out the cultural terrain of Burning Man in order to explain how performing there is form of identity-making and cultural commodity. As one of a handful of North American festivals which expressly discourage commercialism and commodification, theatricality takes the place of significance for entertainment and communication. Performance forms of all kinds historically are represented at Burning Man and this dissertation will investigate and theorize how a new performance culture has emerged from the festival itself and by its presence as a theatrical event, has exposed and expanded performance and theatre forms. This dissertation offers a critical framework through which to consider performance and performers within the Burning Man community as applied to Mikhail Bakhtin’s concept of Carnival and the Schema for Theatrical Eventness proposed by the International Federation for Theatre Research Theatrical Events Working Group. -
2005 Burning Man Journal
BURNING MAN JOURNAL ALL THE NEWS THA T ’ S F I T T O B U R N SUMMER 2005 A N D LIFE, LIBERTY THE Dirty Dishes PURSUIT OF HAPPINESSS The Coyote Knows ✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪ bY Larry Harvey ✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪ ✪ by Tony Perez (Coyote) E MAKE HUNDREDS OF DECISIONS EVERY DAY. SOME OF THESE ARE PASSIVE OR IRTY DISHES: THAT’S ONE HABITUAL, others we may feel we have to make, and many of these choices may of those things there will not even rise to consciousness. But thoughtful people know that each of these always be more of, like decisions has a history and a set of consequences. What we are and what we do combine laundry. One of those things that will in life like fruit and seed. Back in what Burners call the default world we frequently loose always be the cause of fussing among sight of this. Yesterday’s actions carelessly sown spring up around us. They take the form our closest relations. I wonder how of consequences that appear to thrive and grow quite independently of what we do. We many divorces have been caused by find ourselves encompassed that perpetual cereal bowl left in the sink, its by a thicket. We say that we’d contents encrusted and hardened, or by a stack of food-caked plates that no one even bothers to rinse off. With all this talk do this, that we’d be that: we of dirty dishes you might guess that I’m a bachelor just now, but I am also the City Superintendent of Black Rock City. -
Art of Burning Man 2013 Art of Burning Man 2013
Art of Burning Man 2013 Art of Burning Man 2013 The playa is a tabula rasa, a blank canvas upon which many a fantastic vision has been realized. Submarines, gigantic ducks, swimmers, fire-breathing thistles, serpents, chan- deliers, grandfather clocks and balsa wood temples have emerged from the playa. The projects featured in this guide were selected as Honorarium projects for 2013. Ev- ery year Burning Man allocates a percentage of its revenue from ticket sales to funding select art projects that are collaborative, community-oriented and interactive. We do this in order to support the Burning Man art community, and to facilitate the creation of outstanding art for Black Rock City. The vast majority of art installations on the pla- ya, however, are not funded. In 2013, a percentage of your hard-earned ticket money BLACK ROCK CITY helped to fund the following art installations, for all Burning Man participants to enjoy. GO CU This guide was put together using availble information on the web and references ma- CAR LT terials that origninate from the artists’ websites, fundraising projects and press. Photos used are also from these sources and may not credit the original photographer (please forgive us for that!). We hope this guide will illuminate the artists’ vision, and illustrate the immense amount of work that goes into bringing their magic cargo to the playa. 2013 Come visit the Artery in BRC at 6:30 and Esplanade to pick up self-guided tour maps that make a great companion to this guide. Cover and design by LoopyLou. Guide compiled by the ARTery. -
Connie Cahlil: Burning Man Ephemera Collection CAE1415
Connie Cahlil: Burning Man Ephemera Collection CAE1415 Introduction/Abstract Connie Cahlil was a Burning Man participant from 2004 through 2014, as well as one of the organization’s critical financial advisors. This archive consists of personal memorabilia from her times on the playa. Materials include Black Rock City maps, What When Where Guides, Survival Guides, BRC Tip Sheets, stickers, decals and other Burning Man ephemera. Biographical Note: Connie Cahlil Connie K. Cahlil is a Bay Area CPA and financial advisor who was instrumental in helping Burning Man survive severe financial stress during the 2000s, and to make its transition into non-profit status. She served as Chief Financial Officer of Catch.com, Inc. and as a Partner of Tatum CFO Partners, LLP in Northern California. She is a Co-Founder and Principal of FLG Partners, LLC (formerly Financial Leadership Group, LLC). She has over twenty-five years of finance and business experience, including serving as Chief Financial Officer, Vice President of Finance, and Treasurer for a variety of organizations during her career. Prior to joining Tatum, Ms. Cahlil assisted various companies by providing Chief Financial Officer financial expertise in diverse situations. Ms. Cahlil served as Chief Financial Officer of San Jose Medical Management (SJMM). Prior to SJMM, she served as Treasurer/Chief Financial Officer of System Industries Inc. Prior to that, she served as Assistant Treasurer of Seagate Technology, where she participated in negotiating Seagate's purchase of Imprimis. Prior to Seagate Technology, Ms. Cahlil consulted to real estate investment firms, and prior to that she held various accounting and audit positions in manufacturing companies. -
D.I.Y. OR DIE: How to Survive As an Independent Artist | Laug
D.I.Y. OR DIE: How To Survive As An Independent Artist | Laughing Squidhttp://laughingsquid.com/diy-or-die-how-to-survive-as-an-independent-ar... Laughing Squid Sponsors text ads on Laughing Squid Upcoming Events 1 of 17 11/13/2007 8:52 AM D.I.Y. OR DIE: How To Survive As An Independent Artist | Laughing Squidhttp://laughingsquid.com/diy-or-die-how-to-survive-as-an-independent-ar... San Francisco Nursing Career and training info for Nurses Schools, scholarships, advice, more www.NursingLink.com/Careers Artist San Francisco Professional art restoration in San Francisco. Search our guide. sanfrancisco.citysearch.com Massari Original Artwork Award-Winning Artist, SF Bay Area. Oils, Collages, Mixed-Media. www.AllisonMassari.com San Fran Wedding Video For your perfect Bay Area wedding. View our Award-Winning work online! www.jensenvideo.com Scratchboard illustration Icons, maps, portraits, narrative, conceptual art for print and web. Billustration.com Advertise on this site Books & Video Recomendations Co-Conspirators 111 Minna Street Gallery 12 Galaxies 21 Grand 23five 43 Folders Ace Auto Alternative Tentacles Arse Elektronika Ars Subterranea Art of Bleeding The Art of the Prank ArtCar Fest Artists' Television Access Ask A Ninja Ask Dr. Hal Show 2 of 17 11/13/2007 8:52 AM D.I.Y. OR DIE: How To Survive As An Independent Artist | Laughing Squidhttp://laughingsquid.com/diy-or-die-how-to-survive-as-an-independent-ar... b5 media Banana Bag & Bodice BarCamp Because We Can Billboard Liberation Front Black Rock Arts Foundation blasthaus blip.tv Boing Boing The Brides of March Brainwash Movie Festival bub.blicio.us Burning Man The Cacophony Society Cafe Racer Crew Cardhouse The Center For Sex & Culture Chez Poulet Margaret Cho Church of the SubGenius Citizen Agency COOP craigslist Craft Magazine Creative Commons The Crucible Cyclecide Hugh D'Andrade Dark Passage The Dark Room Daring Fireball Deuce of Clubs Defenestration Devil-Ettes 3 of 17 11/13/2007 8:52 AM D.I.Y. -
In Dust We Trust
In Dust We Trust A Narrative Journey into the Communal Heart of Public Art at the Burning Man Festival Karen Ann Stewart Arizona State University PLEASE DO NOT REPRODUCE WITHOUT EXPRESSED PERMISSION FROM THE AUTHOR Dedication I dedicate this project to those whose endless love, patience, encouragement, and Eric Margolis – for grounding me in the realm of visual studies, and for constantly support made this narrative come alive. My heartfelt thanks to each of you: introducing me to creative and exciting people who share a love for images and art. You have a knack for being there just when I need you most. Thank you for being a part of Dissertation Kitty – for sitting with me at the computer, for months, helping me write my committee and for being you. my story. H.L. (Bud) Goodall, Jr. – for being my mentor and my friend, and for your faith in this Aaron Hess – my grad school buddy! – for teaching me what it means to be a student work. You do the very best thing a mentor could ever do – inspire me with your own of human communication and for keeping me sane throughout the process. voice to seek out a voice of my own. Thank you for your always open door. I have learned so much from you… Tamara Christensen – for being an explorer with me in the land of visual narratives. Russell Atkinson and Stephanie SaintCyr – my Burning Man family. Thank you for Chad Wolfe and Will Smythe – for your enthusiasm for the project and your making our time together in the desert so incredibly special. -
2007 Burning Man Journal
aallll TheThe nneeWWss ThaThaTT’s’s ffiiTT TToo BurnBurn bburninurninGG ManMan JournalJournal ssummerummer 20072007 TheThe DefaulDefaulTT WorlWorlDD ByBy LarryLarry HarveyHarvey hE road That funnElS TrAffic InTo Black rock City is lIned with A Tseries of CloselY spaced signS. Like floatinG strAnds of ThouGhT, They spell ouT sentences against ThE Void of ThE SurroundinG Plain. ThE fIrst SuCh message Always reads: WElCome… To ThE VacanT HearT… of ThE WIlD West. This is Intended as An Invitation To Create ThE WorlD Anew. Last year, In 2006, participants EnCounTEred AnoThEr, even MorE ProminEnT, series of signS WhIlE ExitinG our city. AMonG These, was A GreetinG AnD A quErY: WElCome… To ThE DEfAulT WorlD: … Whose fAulT… is That? I.T. by Michael Christian, photo by Anthony Petersen chose to volunteer their aid in the This ad hoc crew of burners imme- volunteers cycled through the radical Self-Expression. This, more disaster zone. diately set to work. over the ranks of what came to be called than anything, distinguished BWB one group, in particular, stood course of the next three months, Burners Without Borders. This from other relief groups. At the end out. It included members of Black they reconstructed the shattered exercise of radical Inclusion also of each working day, the crew began rock City’s Department of Public temple. In doing this, the group played its part in other ways. The to fashion art from the appalling Works, known as the DPW, and was guided by the culture they’d members of BWB behaved as they sprawl of storm debris. Every volunteers who had helped build absorbed at Burning Man. -
2004 Burning Man Journal
Burning man ������������������������������� ���������������� Kids have always been a part of Burning Man. When Jerry James and Larry Harvey first burned a Man in 1986, they included their sons, Trey ars & and Robin. Trey was six. Robin was seven years old. On that afternoon the boys worked alongside their fathers. With a little help and the aid Culture of a glue gun, they produced the Burning Dog: the Man’s best friend. Since then, children have always partici- n 1997, Black Rock City underwent a transforma- pated in our community. Burning Man has become a gigantic playground for children as well as adults. Seen tion. After a participant was severely injured in an I auto accident in 1996, we created new rules. First, through a child’s eyes, Burning Man can be a wondrous experience. Playing alongside grownups and freely we designed a new network of streets, then we told expressing one’s self in a world that’s so receptive is not only healthy—it is healing. Viewed in contrast with a folks to park their cars at their campsites—and leave them there. Instead of driving, people walked or rode world where children are routinely segregated from adults and parked in front of television sets, Burning Man bicycles. Getting from one place to another in our can be revelation. city now became a story of immediate encounter; However, it is equally true that chil- this from happening in 2004, spontaneous social interactions multiplied, and a dren have needs that are different we encourage parents to equip true community began to coalesce. -
2019-Self-Guided-Tour-Map.Pdf
METAMORPHOSES BURNING MANSelf-Guided 2019Art Tour Black Rock City Art & Locations location location 1 Awful's Gas & Snack ............................................................12:15 7000' 50 Pieuvre .....................................................................................7:11 1370' 2 elevation ..................................................................................12:10 6000' 51 Mariposita ...............................................................................7:15 1100' 3 Desert WAVE ..........................................................................12:20 5700' 52 La Métamorphose des Animaux Extraordinaires ......7:04 935' 4 Metamorphatoad .................................................................12:15 5500' 53 The Bard's Branch ...............................................................7:35 870' 5 The Shrine of Sympathetic Resonance ......................12:00 5300' 6:00 - 9:00 54 Critonium Clock...................................................................7:35 1400' 6 Expansion Pavilion .............................................................12:12 4810' 55 Portal .........................................................................................7:30 1700' 7 The Folly ...................................................................................12:38 5000' 56 Carousel Zarya ......................................................................7:20 2100' 8 Night Light Tree ...................................................................12:53 5200' 57 Cone Down -
Temple of Dead Trees There Goes the Gayborhood!
OUT / IN There goes the Gayborhood! How to get laid at Burning Man LINGO by CYNDI NOPANTS Headquarters, to find out why we felt by DUSTY POET buyer a taste of what they can expect The banned homoerotic the need to self-segregate, and what with purchase. Someone’s bound to acute Reno failure when your alcohol high grade MDMA art from 2001’s savory summer sausage or more than a decade, burn- else might be driving camps to our et’s be real. If you’re coming to the buy your or health diagnosis is so bad that medical “the Jiffy Lube camp delicious pink taco all new looks last year’s hoodie, ers have gotten to explore enclave. The Placement Team tried to playa and you’re single, it would after all that sam- Ramparts has to send you to Reno not even washed F Gayborhood” around the streets at proclaim that “we are all one,” even cit- L be nice to get laid. You’re in one pling. Amber Alerts knowing where yr 7:30 – an unsanctioned neighborhood ing 2015 BRC Census data that showed of the most beautiful, most bizarre, AirBnBurn another term for turnkey fucking kids are in Black Rock City teeming with LGBTQ BRC citizens identifying as LGBTQ+ at most butt-naked places on the planet. Be honest or plug-and-play camps, where one’s baby wipes cucumber wipes camps. What most BRC citizens don’t a rate of 5 times that of queer mecca San Getting booty here would be a beauti- The Burn is a pretty wild environ- camp is set up for them in advance by know, however, is the quiet debate Francisco.