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Japanese Immigration History
CULTURAL ANALYSIS OF THE EARLY JAPANESE IMMIGRATION TO THE UNITED STATES DURING MEIJI TO TAISHO ERA (1868–1926) By HOSOK O Bachelor of Arts in History Colorado State University Fort Collins, Colorado 2000 Master of Arts in History University of Central Oklahoma Edmond, Oklahoma 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2010 © 2010, Hosok O ii CULTURAL ANALYSIS OF THE EARLY JAPANESE IMMIGRATION TO THE UNITED STATES DURING MEIJI TO TAISHO ERA (1868–1926) Dissertation Approved: Dr. Ronald A. Petrin Dissertation Adviser Dr. Michael F. Logan Dr. Yonglin Jiang Dr. R. Michael Bracy Dr. Jean Van Delinder Dr. Mark E. Payton Dean of the Graduate College iii ACKNOWLEDGMENTS For the completion of my dissertation, I would like to express my earnest appreciation to my advisor and mentor, Dr. Ronald A. Petrin for his dedicated supervision, encouragement, and great friendship. I would have been next to impossible to write this dissertation without Dr. Petrin’s continuous support and intellectual guidance. My sincere appreciation extends to my other committee members Dr. Michael Bracy, Dr. Michael F. Logan, and Dr. Yonglin Jiang, whose intelligent guidance, wholehearted encouragement, and friendship are invaluable. I also would like to make a special reference to Dr. Jean Van Delinder from the Department of Sociology who gave me inspiration for the immigration study. Furthermore, I would like to give my sincere appreciation to Dr. Xiaobing Li for his thorough assistance, encouragement, and friendship since the day I started working on my MA degree to the completion of my doctoral dissertation. -
1986 Journal
OCTOBER TERM, 1986 Reference Index Contents: page Statistics n General in Appeals in Arguments iv Attorneys iv Briefs iv Certiorari v Costs v Judgments and Opinions v Original Cases vi Parties vii Stays vn Conclusion vn (i) II STATISTICS AS OF JUNE 26, 1987 In Forma Paid Original Pauperis Total Cases Cases Number of cases on docket 12 2,547 2,564 5,123 Cases disposed of 1 2,104 2,241 4,349 Remaining on docket 11 440 323 774 Cases docketed during term: Paid cases 2,071 In forma pauperis cases 2, 165 Original cases 4 Total 4,240 Cases remaining from last term 883 Total cases on docket 5, 123 Cases disposed of 4,349 Number of remaining on docket 774 Petitions for certiorari granted: In paid cases 121 In in forma pauperis cases............... 14 Appeals granted: In paid cases 31 In in forma pauperis cases 1 Total cases granted plenary review 167 Cases argued during term 175 Number disposed of by full opinions 164 Number disposed of by per curiam opinions 10 Number set for reargument next term 1 Cases available for argument at beginning of term 101 Disposed of summarily after review was granted 4 Original cases set for argument 0 Cases reviewed and decided without oral argument 109 Total cases available for argument at start of next term 91 Number of written opinions of the Court 145 Opinions per curiam in argued cases 9 Number of lawyers admitted to practice as of October 4, 1987: On written motion 3,679 On oral motion...... 1,081 Total............................... -
PRELIMINARY WORKING DRAFT – Work-In-Progress IV.C Visual Resources
IV. ENVIRONMENTAL IMPACT ANALYSIS C. VISUAL RESOURCES 1. INTRODUCTION New development can affect the aesthetic quality of a community. This section will address the potential impacts that could result from the proposed Project with regard to aesthetics, views, light and glare, and shade/shadow. Aesthetics refers to the overall visual qualities of an area or within a given field of view. Aesthetics includes aspects such as size, shape, color, texture, and general composition, as well as the relationships between these elements. Aesthetic features often consist of unique or prominent natural or man-made attributes or several small features that, when viewed together, create a whole that is visually interesting or appealing. The degree of visual access to an aesthetic resource contributes to the value of aesthetic features. The analysis of aesthetics as presented below addresses the Project's visual relationship with existing and future known land uses in the surrounding area, as well as consistency of the proposed Project with the applicable regulatory environment (e.g., West Los Angeles Community Plan). The analysis of views focuses on the extent to which the Project may interfere with visual access to aesthetic features. Viewsheds are those areas that can be seen from a particular location. Existing views may be partially obstructed or entirely blocked by modifications to the environment. Conversely, modifications to the natural or man-made landscape of an area may create or enhance view opportunities. In general, visual access is closely tied to topography and distance from a visual resource (i.e., something that someone wants to look at). Light impacts are typically associated with the use of artificial light during the evening and nighttime hours. -
Joseph Heco and the Origin of Japanese Journalism*
Journalism and Mass Communication, Mar.-Apr. 2020, Vol. 10, No. 2, 89-101 doi: 10.17265/2160-6579/2020.02.003 D DAVID PUBLISHING Joseph Heco and the Origin of Japanese Journalism* WANG Hai, YU Qian, LIANG Wei-ping Guangdong University of Foreign Studies, Guangzhou, China Joseph Heco, with the original Japanese name of Hamada Hikozo, played an active role in the diplomatic, economic, trade, and cultural interactions between the United States and Japan in the 1850s and 1860s. Being rescued from a shipwreck by an American freighter and taken to San Francisco in the 1850s, Heco had the chance to experience the advanced industrial civilization. After returning to Japan, he followed the example of the U.S. newspapers to start the first Japanese newspaper Kaigai Shimbun (Overseas News), introducing Western ideas into Japan and enabling Japanese people under the rule of the Edo bakufu/shogunate to learn about the great changes taking place outside the island. In the light of the historical background of the United States forcing Japan to open up, this paper expounds on Joseph Heco’s life experience and Kaigai Shimbun, the newspaper he founded, aiming to explain how Heco, as the “father of Japanese journalism”, promoted the development of Japanese newspaper industry. Keywords: Joseph Heco (Hamada Hikozo), Kaigai Shimbun, origin of Japanese journalism Early Japanese newspapers originated from the “kawaraban” (瓦版) at the beginning of the 17th century. In 1615, this embryonic form of newspapers first appeared in the streets of Osaka. This single-sided leaflet-like thing was printed irregularly and was made by printing on paper with tiles which was carved with pictures and words and then fired and shaped. -
Archived Thesis/Research Paper/Faculty Publication from The
Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ “Do it for your grandchildren” A Missed Opportunity: the Legacy of the Redress Movement’s Divide Dustin Eric Williams Senior Thesis for the Department of History Tracey Rizzo University of North Carolina Asheville 1 On December 7th, 1941, the Empire of Japan attacked Pearl Harbor, an act which resulted in the death of 2,335 Navy Servicemen and 55 civilians. These immediate casualties became a rallying point for the United States entry into the Pacific Theater and World War II. However, the 2,335 Navy serviceman and 55 American civilians were not the only casualties of that day. Shortly after the attack in Pearl Harbor, two-thousand Japanese Americans were rounded up and incarcerated under suspicion of being possible Japanese sympathizers.1 They were followed within the next few weeks by around 120,000 others, only because their lineage traced back to the enemy. These citizens and their families would remain incarcerated until 1946, when the relocation camps were officially closed.2 From the camps they emerged fundamentally changed, becoming silent about their experiences. The culture of silence that followed was so prevalent that many of their children knew little to nothing about incarceration and internment.3 They felt that this silence was necessary in order to protect their children and their grandchildren from the shame of what had happened.4 Yet, as the memory of internment slowly crept back into the community, it birthed what we come to call today the Japanese Redress Movement; this protective nature toward their children later compelled around 750 Japanese Americans to testify about their experiences.5 The goals of the Redress movement included: A quest to absolve themselves of the accusations made against them during the war, an attempt to gain monetary reparations for 1 Mitchell T. -
Printmgr File
bridgebuildermutualfunds.com BRIDGE BUILDER SCHEDULE OF INVESTMENTS DISCLOSURES Schedule of Investments are shown as of the date indicated and are unaudited. Since market conditions fluctuate suddenly and frequently, the Schedule of Investments may change and this list is not indicative of the current or future portfolio composition. These Schedule of Investments are not intended to be and do not constitute recommendations that others buy, sell, or hold any of the securities listed. You should consider the investment objectives, risks, and charges and expenses carefully before investing. The prospectus and summary prospectus contain this and other information. Edward Jones owns directly or indirectly 100% of the investment adviser to the Bridge Builder Funds. Please refer to the Funds’ prospectus for further information. Your Edward Jones financial advisor can provide a prospectus or summary prospectus, which should be read carefully before investing. You may also obtain a prospectus by going to http://www.bridgebuildermutualfunds.com/literature/. You could lose money by investing in a Fund. Past performance does not guarantee future results. BRIDGE BUILDER MUTUAL FUNDS The Bridge Builder Funds are distributed by ALPS Distributors, Inc. There is no affiliation between ALPS Distributors, Inc. and Bridge Builder Trust and any of its affiliates and subsidiaries. Copyright © 2021 Bridge Builder Trust. All rights reserved. BBT000154 7/31/2023 ˆ200FP6pK@1!=xVtGSŠ 200FP6pK@1!=xVtGS VDI-W7-PF3-0355 BRIDGE BUILDER MUTUA Donnelley Financial14.4.13.0 -
Loyalty and Betrayal Reconsidered: the Tule Lake Pilgrimage
University of New Mexico UNM Digital Repository History ETDs Electronic Theses and Dissertations 6-9-2016 "Yes, No, Maybe": Loyalty and Betrayal Reconsidered: The uleT Lake Pilgrimage Ella-Kari Loftfield Follow this and additional works at: https://digitalrepository.unm.edu/hist_etds Recommended Citation Loftfield, Ella-Kari. ""Yes, No, Maybe": Loyalty and Betrayal Reconsidered: The uleT Lake Pilgrimage." (2016). https://digitalrepository.unm.edu/hist_etds/47 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Ella-Kari Loftfield Candidate History Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Professor Melissa Bokovoy, Chairperson Professor Jason Scott Smith Professor Barbara Reyes i “YES, NO, MAYBE−” LOYALTY AND BETRAYAL RECONSIDERED: THE TULE LAKE PILGRIMAGE By Ella-Kari Loftfield B.A., Social Anthropology, Haverford College, 1985 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts History The University of New Mexico Albuquerque, New Mexico May, 2016 ii Dedication This thesis is dedicated to my father, Robert Loftfield whose enthusiasm for learning and scholarship knew no bounds. iii Acknowledgements This thesis would not have been possible without the support and encouragement of many people. Thanks to Peter Reed who has been by my side and kept me well fed during the entire experience. Thanks to the Japanese American National Museum for inviting me to participate in curriculum writing that lit a fire in my belly. -
Jack and Aiko Herzig Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c83r0rm6 No online items Finding Aid for the Jack and Aiko Herzig papers, ca. 1940-2000 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Finding Aid for the Jack and Aiko Herzig 451 1 papers, ca. 1940-2000 Descriptive Summary Title: Jack and Aiko Herzig papers Date (inclusive): ca. 1940-2000 Collection number: 451 Creator: Herzig, Jack. Extent: 219 boxes (109.5 linear feet)22 oversize boxes.1 map folder. Abstract: Jack and Aiko amassed a great deal of research material, mostly from the National Archives, on Japanese Americans. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Sohei (John) Hohri and Harold Landon Letters
http://oac.cdlib.org/findaid/ark:/13030/c85q537k No online items Sohei (John) Hohri and Harold Landon Letters Finding aid created by Jose Quirarte. Japanese American National Museum 100 North Central Avenue Los Angeles, CA 90012 Email: [email protected] URL: http://www.janm.org/ © 2020 Japanese American National Museum. All rights reserved. Sohei (John) Hohri and Harold 2019.13 1 Landon Letters Finding aid for the Sohei (John) Hohri and Harold Landon Letters Collection number: 2019.13 Descriptive Summary Title: Sohei (John) Hohri and Harold Landon letters Dates (inclusive): 1941-2011 Dates (bulk): 1941-1943 Collection number: 2019.13 Collection Size: .4 linear feet (1 box) Repository: Japanese American National Museum (Los Angeles, Calif.) Los Angeles, California 90012 Creator: Hohri, Sohei John Creator: Landon, Harold Abstract: This collection primarily consists of handwritten, illustrated letters with the exception of a few postcards and one photograph. Sohei Hohri wrote the letters while incarcerated at Manzanar to his friend, Harold Landon. The bulk of the documents are dated from 1941 to 1943. A smaller portion of the collection is from the post-camp years, ranging from 1972 to 1982 and 1997 to 2011. Physical location: Japanese American National Museum. 100 North Central Avenue, Los Angeles, CA 90012. Access By appointment only. Please contact the Collections Management and Access Unit ([email protected]). Advanced notice is required. Publication Rights All requests for permission to publish, reproduce, or quote from materials in this collection must be submitted to the Collections Management and Access Unit at the Japanese American National Museum ([email protected]). Preferred Citation [Identification of item], Sohei (John) Hohri and Harold Landon Papers. -
CF 2019-CF3 Mortgage Trust
Presale: CF 2019-CF3 Mortgage Trust December 3, 2019 PRIMARY CREDIT ANALYST Preliminary Ratings Andy A White, CFA Centennial Class(i) Preliminary rating Preliminary amount ($)(ii) Credit enhancement (%) (1) 303-721-4890 A-1 AAA (sf) 15,390,000 30.000 andy.white @spglobal.com A-2 AAA (sf) 58,585,000 30.000 SECONDARY CONTACT A-SB AAA (sf) 21,534,000 30.000 Della Cheung A-3 AAA (sf) TBD(iii) 30.000 New York A-4 AAA (sf) TBD(iii) 30.000 (1) 212-438-3691 della.cheung X-A(iv) AAA (sf) 537,303,000 N/A @spglobal.com X-B(iv) A- (sf) 146,800,000 N/A A-S AAA (sf) 84,434,000 19.000 B AA (sf) 31,663,000 14.875 C A- (sf) 30,703,000 10.875 X-D(iv)(v) NR 34,541,000 N/A D(v) BBB- (sf) 19,189,000 8.375 E(v) NR 15,352,000 6.375 F-RR(v) NR 7,675,000 5.375 G-RR(v) NR 7,676,000 4.375 H-RR(v) NR 8,635,000 3.250 J-RR(v) NR 24,947,113 0.000 VRR Interest(vi) NR 21,551,091 N/A Note: This presale report is based on information as of Dec. 3, 2019. The ratings shown are preliminary. Subsequent information may result in the assignment of final ratings that differ from the preliminary ratings. Accordingly, the preliminary ratings should not be construed as evidence of final ratings. This report does not constitute a recommendation to buy, hold, or sell securities. -
Selected Criticism, Jeffery Jullich
Selected Criticism Jeffrey Jullich Publishing the Unpublishable 017 ©2007 /ubu editions Series Editor: Kenneth Goldsmith /ubu editions www.ubu.com 2 TABLE OF CONTENTS Aaron Shurin: The Paradise of Forms 5 Standard Schaefer: Nova 9 Leslie Scalapino: New Time 12 Cole Swensen: Try 15 Susan Howe / Susan Bee: Bed Hangings I 17 Graham Foust: As in Every Deafness 24 Rae Armantrout: Up to Speed 25 Michael Scharf: Verité 26 Drew Gardner: Sugar Pill 29 SELECTED BUFFALO POETICS LISTSERV POSTS Class and poetry 39 Lyn Hejinian's 'deen' 41 D=E=E=N 42 A Barnard report: Hannah Weiner 45 Spaced-out 47 Questions on a HOW TO value 49 Submission crucible 52 $3.50 Summer vacation in Scandinavia 54 Alternative 56 Farm implements and rutabagas in a landscape 58 Polyverse by Lee Ann Brown 60 Cut-ups and homosexualization of the New York School (I) 63 Cut-ups and homosexualization of the New York School (II) 65 Simon Perchik 67 Marilyn Monroe - the Emma Lazarus of her day 69 classical meter in contemporary "free verse" poetry Meter Anthology Cola 70 New Formalist Language Poetry 72 Language Prosody - ex. 2: Dochmiacs 74 Language Prosody - ex. 3: hypodochmiacs in Susan Howe's Pierce Arrow 76 Language Prosody - ex. 4: adonics 78 Language Prosody - ex. 5: H.D., Helen in Egypt 85 Timothy McVeigh's face 89 Hannah Weiner's hallucinations and schizophrenia in poetry Hannah's visions 93 Hannah's visions - Barrett Watten's 'Autobiography Simplex' 95 Hannah's visions 99 eulogy for Tove Janesson (Finnish author of the Mummintroll books) 103 3 creative writing pedagogy 104 -
Photographs Written Historical and Descriptive
1350 ALA MOANA BUILDING HABS HI-584 1350 Ala Moana Boulevard HABS HI-584 Honolulu Honolulu County Hawaii PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA FIELD RECORDS HISTORIC AMERICAN BUILDINGS SURVEY PACIFIC WEST REGIONAL OFFICE National Park Service U.S. Department of the Interior 333 Bush Street San Francisco, CA 94104 HISTORIC AMERICAN BUILDINGS SURVEY 1350 ALA MOANA BUILDING HABS No. HI-584 Location: 1350 Ala Manoa is situated at the corner of Ala Moana Boulevard and Pi`ikoi Street in downtown Honolulu, Honolulu County, on the island of Oah`u, Hawai`i. The ocean front property is located approximately 500’ from the southern coastline of Oah`u between Kaka`ako and Waikiki, adjacent to Ala Moana Regional Park and Ala Moana Shopping Center. The area surrounding the building is dominated by residential high rise and commercial structures. The building is part of the commercial, retail, and residential district of Ala Moana, which is south of Makiki, east of Kaka`ako, and west of Waikīkī. 21.291794, -157.848113 (4N) Significance: 1350 Ala Moana, together with its site features, is historically significant under National Register of Historic Places (NRHP) Criterion A for its association with the expansion of Hawai`i’s post-Statehood population and the emergence of the high rise apartment as a pervasive building type in the Modern period in Honolulu architecture (1955-1979). At the time of construction in 1968, 1350 Ala Moana became the state’s tallest building at 33 stories, surpassing the previous record holder, the Ala Moana Building. It remained the tallest building in the state until 1970, and is also significant under Criterion C as an excellent example of Hawai`i Modernism and the work of a master, architect Minoru Yamasaki.