12th ICMPC - 8th ESCOM Joint Conference Thessaloniki, 23-28 July 2012

Conference Program Timetable

Monday 23 July Hall 1 - Grand Pietra Hall 2 - Crystal Hall 3 - Dock Six Hall 4 - Timber I Hall 5 - Timber II 17:00-18:00 Registration 18:00-18:30 Welcome 18:30-19:30 Keynote 1 Chair: R. Kopiez Irene DELIEGE: The cue-abstraction model: its premises, its evolution, its prospects 19:30-20:30 Keynote 2 Chair: R. Parncutt John RINK: The (F)utility of Performance Analysis 20:30-22:00 Welcome Reception

Tuesday 24 July Hall 1 - Grand Pietra Hall 2 - Crystal Hall 3 - Dock Six Hall 4 - Timber I Hall 5 - Timber II 09:00-09:30 Registration 09:30-10:30 Keynote 3 Chair: B. Pennycook Gerhard WIDMER: Computational Perception: On the Importance of Music Cognition Research for Building Musically Competent Systems 10:30-11:00 Coffee Break 11:00-11:40 Speed Poster Session 1 Speed Poster Session 2 Speed Poster Session 3 Speed Poster Session 4 Speed Poster Session 5 Musical expectation – Audio & audio-visual Composition & Emotion & communication Attention & memory tension perspectives improvisation • F. Bailes, R. T. Dean: • V. Giannouli: Optic and • G. Wiggins: An information- • T. Schäfer, M. Smukalla, S.-A. • M. Philips: Effect of a reference Changing expectations: does Acoustic Symmetry Perception theoretic model of musical Oelker: How intense experiences vs. working memory task on with music influence people’s verbal retrospective estimation of retrospection influence our • T. Yamasaki: Asymmetry of creativity way of life elapsed duration during music perceptions of melodic fit? audio-visual interaction in • A. Elowsson, A. Friberg: listening • C. A. Peebles: Closure and multimedia works Algorithmic Composition of • A. Lamont: Anxiety, flow and motivation: students’ strong and • J. Bugos: Working Memory and Expectation: Listener • S. Kanamori, R. Yoneda, M. Popular Music intense experiences of performing Cognitive Control in Aging: Segmentation of Mozart Minuets Yamada: Congruency between • O. Lartillot, M. Ayari: music Results of Three Musical • A. Brown, T. Gifford: Tracking music and motion pictures in the Comprehensive and Complex Interventions levels of closure in melodies context of video games: Effects Modeling of Structural • J. Albrecht: A Model of Perceived Musical Affect • J. D. Birchfield, J. C. Bartlett, • G. Lock, K. Kotta: Musical of emotional features in music Understanding, Studied on an Accurately Predicts Self-Report W. J. Dowling: Interfering Effects tension as a response to musical • D. Misenhelter: Complex Aural Experimental Improvisation Ratings of Musical and Non-Musical form and Visual Stimuli: Discerning • M. Raju, J. Ross: Vocal • C. Foxcroft, C. Panebianco- Stimuli in a Short-term Memory • C. Stevens, B. Tillmann, P. Meaning in Musical Experiences improvisations of Estonian Warrens: Exploring the role of Task Dunbar-Hall, J. Tardieu, C. Best: • G. Marentakis, S. McAdams: children the performer’s emotional • T. Ting, W. F. Thompson: Expectations in Culturally Interaction of Audiovisual Cues • K. Frieler, K. Lothwesen, M. engagement with music during a Musical Accents and Memory for Unfamiliar Music: Influences of in the Perception of Audio Schütz: The Ideational Flow: solo performance. Words Perceptual Filter and Timbral Trajectories Evaluating a New Method for • N. Schinkel-Bielefeld, F. Nagel: • E. Mungan, Z. Peynircioğlu, A. Characteristics • F. Lenz: Cross-modal Effects of Jazz Improvisation Analysis Coding Emotions with Sounds Halpern: Mood-Based Processing • S. M. Demorest, L. Osterhout: Musical Tempo Variation and on • M. Schütz: Improvisation in of Unfamiliar Tunes Increases ERP Responses to Cross-cultural Musical Tempo in Audiovisual Jazz: “Stream of Ideas”-Analysis • J. H. Barrow, L. Wenger, J. E. Recognition Accuracy in Melodic Expectancy Violations Media of Jazz Piano-Improvisations Bourne, C. L. Baldwin: The Effect of Musical Valence on ‘Remember’ Responses • J. P. Lindsen, M. T. Pearce, G. • K. Auer, O. Vitouch, S. • A. R. Addessi, L. Ferrari, F. Pseudoneglect in a Likert-type • A. L. Schlegel: Effects of Wiggins, J. Bhattacharya: A pilot Koreimann, G. Pesjak, G. Carugati: Observing and Rating Task Manipulating Attention during investigation on electrical brain Leitner, M. Hitz: When Music Measuring the Flow Emotional Listening on Undergraduate responses related to melodic State in Children Interacting with • S. Saarikallio, J. Vuoskoski, G. Drives Vision: Influences of Music Majors’ Error Detection in uncertainty and expectation Film Music on Viewers’ Eye the MIROR Platform Luck: Emotion perception in music is mediated by socio- Homophonic and Polyphonic • D. Omigie, M. Pearce, L. Movements • C. Anagnostopoulou, A. emotional competence Excerpts: A Pilot Study Stewart: Neural and behavioural Alexakis, A. Triantafyllaki: A • A. Rogers: Emotional Impact of • V. Giannouli: Attention and correlates of musical expectation Computational Method for the • Y. Morimoto, R. Timmers: The Musical/Visual Synchrony Music in congenital Variation in Film Analysis of Musical Effect of Repeated Listening on Improvisations by Young Pleasure and Boredom Response • K. Davidson-Kelly, N. Moran, Children and Psychiatric Patients to a Cadenza K. Overy: Learning and with No Musical Background memorisation amongst advanced piano students: a questionnaire survey 11:40-12:10 Speed Poster Session 6 Speed Poster Session 7 Speed Poster Session 8 Speed Poster Session 9 Speed Poster Session 10 Music, words, language & Temporality & rhythm I Emotional responses & Musical experience & cross-cultural studies affective experiences I preference • J. Bourne, R. Ashley: “What • D. Shanahan, D. Huron: • J. Forth, G. Wiggins: • M. Korsakova-Kreyn, W. J. • W. Brodsky, Z. Slor: We’ve Got Here is [No?] Failure Prosodic Stress, Interval Size and Conceptual spaces of metre and Dowling: Emotion in Music: As A Risk to Communicate”: How Phrase Position: A Cross- rhythm Affective Responses to Motion in Factor For Distraction Among Listeners Reconcile Music and Cultural Contrast • B. G. Schultz, G. A. Wiggins, Tonal Space Young Drivers: An IVDR Study Lyrics Mismatch in • S. Hegde, J.-J. Aucouturier, B. M. Pearce: Modeling the implicit • Y. Broze, B. Paul: Voice • R. Herbert: Conceptualizing the Interpretation Ramanujam, E. Bigand: learning of metrical and non- Multiplicity Influences the subjective experience of listening • J. Fornari: Studying the Variations in emotional metrical rhythms Perception of Musical Emotions to music in everyday life Intervenience of Lyrics Prosody experience during phases of • T. Fouloulis, E. • K. Tabei, A. Tanaka: • J. K. Mendoza, N. R. Aguiar, D. in Songs Melodies elaboration of North Indian Raga Cambouropoulos, A. Pikrakis: Multisensory Perception of Six Baldwin: The impact of structure • A. Billig, D. Müllensiefen: performance Asymmetric /tactus: Basic Emotions in Music discovery on adults’ preferences Comparing Models of Melodic • R. Raman, W. J. Dowling: Investigating the performance of • K. Mori, M. Iwanaga: New for music and dance Contour in Music and Speech Analyzing Modulation in Scales beat-tracking systems on perspective of peak emotional • H. Gürkan-Tekman, D. Boer, R. • E. Carrus, M. T. Pearce, J. (Rāgams) in South Indian traditional asymmetric rhythms response to music: The Fischer: Values, Functions of Bhattacharya: The effect of Classical (Carnātic) Music: A • M. van der Steen, P. Keller: psychophysiology of tears Music, and Musical Preferences Behavioral Study on language Meet ADAM – a model for • A. Kawakami, K. Furukawa, K. processing at different levels of • L.-C. Wang, C.-G. Tsai: investigating the effects of Okanoya: Musical Emotions: task difficulty and working Embodiment of Metrical adaptation and anticipatory Perceived Emotion and Felt memory load Structure: Motor Patterns mechanisms on sensorimotor Emotion in Relation to Musical • B. Raposo de Medeiros: Associated with Taiwanese synchronization Structures Music Towards a in • T. Mitsudo, Y. Nakajima, G. B. • R. Yoneda, K. Matsumoto, S. the Perspective of Music as a • R. Li, Y. Ding, W. Li, M. Bi: Remijn, H. Takeichi, Y. Goto, S. Kanamori, M. Yamada: Dynamical System Literarily Dependent Chinese Tobimatsu: Electrophysiological Emotional features of musical • S. Hamann, M. Exter, J. Music: A Cross-Culture Research Substrates of Auditory Temporal pieces for a series of survival- Pfeifer, M. Krause-Burmester: of Chinese and Western Musical Assimilation Between Two horror games Perceiving Differences in Score Based on Automatically Neighboring Time Intervals Linguistic and Non-Linguistic Interpretation Pitch: A Pilot Study With German Congenital Amusics 12:10-13:00 Poster Presentation 13:00-14:30 Lunch Break 14:30-15:30 Paper Session 1 Paper Session 2 Paper Session 3 Paper Session 4 Paper Session 5 Music & language Musical tension Motion & Gesture I Voice & performance Neurocognitive approaches development Chair: P. Toiviainen Chair: C. Wöllner Chair: J. Louhivuori Chair: R. Schaefer Chair: M. Adachi • E. Costa-Giomi: Categorization • M. Lehne, M. Rohrmeier, D. • A. Erdemir, E. Bingham, S. • E. Prem, R. Parncutt, A. • M. Tervaniemi: Neurocognitive

in music and language: Timbral Gollmann, S. Koelsch: The Beck, J. Rieser: The Coupling of Giesriegl, H. J. Stigler: The Ideal profile of musicians variability interferes with infant influence of structural features on Gesture and Sound: Vocalizing to Jazz Voice Sound: A Qualitative categorization of melodies perceived musical tension Match Flicks, Punches, Floats and Interview Study Glides of Conducting Gestures • E. Hannon, C. Vanden Bosch: • J. Hjortkjær: The semantics of • D. Kohn, Z. Eitan: Seeing • R. Israel-Kolatt, R. Granot: • P. Loui, A. Zamm, G. Schlaug: Music, Language, and Domain- musical tension Sound Moving: Congruence of Inaccurate singing as a dynamic and Synesthesia: specificity: Effects of native Pitch and Loudness with Human phenomenon: Interval matching a Two Sides of the Same Coin? language on melodic pattern- Movement and Visual Shape live vocal model improves Shared and Distinct Neural learning accuracy levels of inaccurate Substrates of Music Listening singers 15:30-16:00 Speed Poster Session 11 Speed Poster Session 12 Speed Poster Session 13 Speed Poster Session 14 Speed Poster Session 15 Language perspectives Melodic similarity Motion & timing Performance studies I Neuroscience & emotion • J. Liu: Perceiving meaningful • A. Wolf, D. Müllensiefen: • F. Manning, M. Schutz: Using • H. M. Prior: Methods for • T.Quarto, G.Blasi, L.Fazio, discourse structure in music and Implicit and explicit judgements Body Movement to Enhance exploring interview data in a P.Taurisano, B.Bogert, B.Gold, language on the melodic similarity of cases Timekeeping study of musical shaping A.Bertolino, E.Brattico: Effect of • T. H. Morrill, J. D. McAuley, of plagiarism and the role of • J. Sowinski, N. Farrugia, M. • S. M. Chang, T. C. Handy: The sound-induced affective states on L. C. Dilley, D. Z. Hambrick: computational models Berkowska, S. Dalla Bella: Effect effects of music playing on brain activity during implicit Domain-generality of pitch • A. Volk, W. B. de Haas, P. van of stimulus isochrony on cognitive task performance processing of emotional faces. processing: the perception of Kranenburg: Towards Modelling movement kinematics in a child • C. Ohsawa, T. Hirano, S. Obata, • K. Kamiyama, D. Abla, K. melodic contours and pitch Variation in Music as Foundation drummer prodigy T. Ito, H. Kinoshita: Accuracy of Iwanaga, K. Okanoya: Musical accent timing in speech for Similarity • L. van Noorden, M. Franěk: The reaching a target key by trained emotion and facial expression: • E. Harding, D. Sammler, S. • A. Marsden: Melodic influence of Spontaneous pianists. mode of interaction as measured by an ERP. Kotz: Expertise vs. inter- Similarity: A Re-examination of Synchronisation and Motivational • A. Nonogaki, N. Emura, M. individual differences: New the MIREX2005 Data Music on Walking Speed Miura, S. Akinaga, M. Yanagida: • B. Gold, M. Frank, E. Brattico: evidence on the perception of • P. van Kranenburg, A. Volk, F. • B. Burger, M. R. Thompson, Evaluation parameters for Experiential effects of and rhythm in language Wiering: On Identifying Folk Geoff Luck, S. Saarikallio, P. proficiency estimation of piano pleasure on dopaminergic and music Song Melodies Employing Toiviainen: Music Moves Us: based on tendency of moderate learning • L. M. Thompson, M. J. Recurring Motifs Beat-Related Musical Features performance • V. C. da Rocha, P. S. Boggio: Yankeelov: Music and the • N. N. Vempala, F. A. Russo: A Influence Regularity of Music- • M. Berkowska, S. Dalla Bella: Melodies without Words: Validity Phonological Loop Melodic Similarity Measure Induced Movement The Sung Performance Battery of Happy/Sad Musical Excerpts Based on Human Similarity (SPB) for Use in ERP Studies Judgments 16:00-16:30 Poster Presentation 16:30-17:00 Coffee Break 17:00-18:30 Symposium 1 Paper Session 6 Paper Session 7 Paper Session 8 Paper Session 9 Replication and ‘truth’ in Analysing historical styles Technology-enhanced Measuring emotional Coordination & Chair: D. Temperley learning & improvisation response synchronization Convener: T. Fischinger Chair: L. Custodero Chair: W. Brodsky Chair: W. Goebl Discussants: H. Honing, D. • J. Albrecht, D. Huron: On the • S. Young, V. Rowe: Young • M. Goodchild, J. Wild, S. • P. Keller, N. Pecenka, M. Deutsch emergence of the major-minor children’s improvisations on a McAdams: The Role of Fairhurst, B. Repp: Relations • R. Kopiez: The role of system: Cluster analysis suggests keyboard: How might reflexive Orchestral Gestures on between temporal error correction replication studies and meta- the late 16th century collapse of technologies support the Continuous Ratings of Emotional processes and the quality of analyses in the search of verified the Dorian and Aeolian modes processes of learning to Intensity interpersonal coordination knowledge improvise? • M. Oehler, C. Reuter, H, • R. Parncutt, F. Kaiser, C. Sapp: • A. Triantafyllaki, C. • J. K. Vuoskoski, T. Eerola: • M. Uhlig, T. Schroeder, P. Shandara, M. Kecht: Aspects of Estimating historical changes in Anagnostopoulou, A. Alexakis: Empathy contributes to the Keller: Knowing too much or too handedness in Deutsch's octave consonance by counting prepared An exploratory study of young intensity of music-induced little: The effects of familiarity of illusion - a replication study and unprepared dissonances in children’s technology-enabled emotions a co-performer’s part on • K. B. Schlemmer, T. musical scores improvisations interpersonal coordination in Fischinger, K. Frieler, D. piano duos Müllensiefen, K. S. Lothwesen, • K. Horn, D. Huron: Major and • A.R.Addessi: From Eco to the • D. Wang: Music Preferences in • S. Sun, T. Mallikarjuna, G. K. Jakubowski: Absolute Minor: An Empirical Study of Mirror Neurons: Founding a the Early Years: Infants' Weinberg: Effect of Visual Cues memory for music: Comparative the Transition between Systematic Perspective of the Emotional Responses to Various in Synchronization of rhythmic replication studies of the Classicism and Romanticism Reflexive Interaction Paradigm Auditory Stimulations patterns “Levitin effect” in six European laboratories 18:30-19:30 ESCOM General Assembly

Wednesday 25 July Hall 1 - Grand Pietra Hall 2 - Crystal Hall 3 - Dock Six Hall 4 - Timber I Hall 5 - Timber II 09:00-10:00 Keynote 4 Chair: A. Halpern Barbara TILLMAN: and memory in nonmusicians and amusics: To be (or not to be) musical? 10:00-10:30 Young Researcher Award 1 C.-J. TSAY: The Impact of Visual Cues on the Judgment and Perceptions of Music Performance 10:30-11:00 Coffee Break 11:00-11:40 Speed Poster Session 16 Speed Poster Session 17 Speed Poster Session 18 Speed Poster Session 19 Speed Poster Session 20 – Harmony Musical Development & Neuroscience studies Singing & Voice Health & well-being Education I • J. Yust: Testing Schenkerian • L. Aufegger, O. Vitouch: Tales • C. Ioannou, J. Bhattacharya: • P. Larrouy-Maestri, Y. Lévêque, • R. Tamar, D. Armin, J. Sergi: theory: An experiment on the of Talent: Rapid Learning of Neural Oscillatory Responses to A. Giovanni, D. Schön, D. Sonic Feedback to Movement – perception of key distances Acoustic Instrument Recognition Binaural Beats: Differences Morsomme: A comparison Learned Auditory-Proprioceptive Between Musicians and Non- between subjective and objective Sensory Integration • M. M. Farbood, O. Ghitza, J. • J. A. Russell: Important musicians methods for evaluating the vocal Rowland, G. Marcus, D. Poeppel: Experiences and Interactions in • Z. Gao, N. Rickard: Music use accuracy of a popular song How Fast Can Music and Speech the Occupational Identity • E. Paraskevopoulos, A. patterns and coping strategies as Be Perceived? Key Identification Development of Music Educators Kuchenbuch, S. C. Herholz, C. • R. Ambrazevičius, R. Budrys: predictors of student anxiety levels in Time-Compressed Music with • M. Chmurzynska: Cognitive and Pantev: MEG evidence for music Pitch Evaluations in Traditional Periodic Insertions of Silence emotional aspects of pupils’ training induced effects on Solo Singing: Comparison of • M. Wammes, D. Müllensiefen, multisensory plasticity Methods • L. VanHandel, M. Callahan: attitudes towards piano teachers V. Williamson: Schizotypal The Role of Phrase Location in and piano lessons • S. Hadjidimitriou, L. • J. M. Geringer, R. B. MacLeod, Influences on Musical Imagery Experience Key Identification by • J.C.R. Cunha, S. Carvalho: Hadjileontiadis: EEG-based C. K. Madsen, J. Napoles: Distribution Experienced Emotions through discrimination of music appraisal Musicians' Perception of Melodic • C.E. Benoit, N. Farrugia, S. judgments using ZAM time- Intonation in Performances with • F. Stolzenburg: Harmony the Orff-Schulwerk Approach in Kotz, S. Dalla Bella: Music aids distribution and without Vibrato Perception by Periodicity and - A Case Study gait rehabilitation in Parkinson’s Granularity Detection Based on Flow Theory • R. Randall, G. Sudre, Y. Xu, A. • A. Vurma: The timbre of the disease Bagic: Effects of Short-Term voice as perceived by the singer • G. Yim: Affordant Harmony in • I. Roden, D. Grube, S. Bongard, • J. McAuley, B. Syzek, K. Nave, Experience on Music-Related him-/herself Popular Music: Do Physical G. Kreutz: Benefits of a B. Mastay, J. Walters: ERAN Attributes of the Guitar Influence classroom-based instrumental • Y. Lévêque, D. Schön: Brain Discrimination of slow rhythms Chord Sequences? training program on working • D. Cameron, J. Lindsen, M. rhythm changes during singing mimics beat perception Pearce, G. Wiggins, K. Potter, J. voice perception impairments observed in • B. Hughes: Harmonic memory of primary school Bhattacharya: Entrainment of Parkinson’s disease Expectation in Twelve-Bar Blues children: A longitudinal study • D. Wang, N. Yan, M. L. Ng: Premotor Cortex Activity by Progressions • A. C. Lehmann, J. Hasselhorn: Effect of Augmented Auditory • F.T. van Vugt, W. Kuhn, J.D. Ambiguity in Musical Metre Feedback on Pitch Production Rollnik, E. Altenmüller: Random • E. Cambouropoulos: A Assessing children’s voices using • A. Foltyn: Neuroscientific Accuracy in Singing delay boosts musical fine motor Directional Interval Class Hornbach and Taggart’s (2005) Measure of Consonance recovery after stroke Representation of Chord rubric • N. Yan, M. L. Ng , E. K. Chan, Transitions • I. Vujović, B. Bogunović: • A. Kuchenbuch, E. C. Liao: Vocal tract dimensional • R. Moura, G. Bortz, P. Aguiar: Paraskevopoulos, S. Herholz, C. characteristics of professional Proposal for Treatment of Focal • M. Woolhouse: Wagner in the Cognitive Strategies in Sight- Pantev: Effects of musical male singers with different Dystonia in a Guitar Player: A Round: Using Interval Cycles to singing training and standard probabilities singing voice types Case Study Model Chromatic Harmony • J. Tafuri: Influence of Music Education on Expressive Singing on encoding of complex tone • N. Yan, M. L. Ng, E. K. Chan, • X. Dakovanou, C. of Preschool Children patterns D. Wang , C. Liao: Vocal Fold Anagnostopoulou, A. • M. Lense, R. Gordon, A. Key, Vibratory Differences in Triantafyllaki: The Reflexion of E. Dykens: Neural Correlates of Different Registers of Psychiatric Semiology on Musical Musical Timbre Perception in Professional Male Singers with Improvisation: A case study of a Williams Syndrome Different Singing Voice Types patient diagnosed with Obsessive Compulsive Disorder 11:40-12:10 Speed Poster Session 21 Speed Poster Session 22 Speed Poster Session 23 Speed Poster Session 24 Speed Poster Session 25 Cognitive modeling & Musical development & Rhythm & synchronization Instruments & Motion Musical experience and representation education II communication • A. Friberg, A. Hedblad, M. • F. Olbertz: Sibling influences on • H.-S. Kim, B. Kaneshiro, J. • M. Miura, Y. Mito, H. • N. Govindsamy, C. Patel: Fabiani: Evaluation of perceptual musical development Berger: Tap-It: An iOS App for Kawakami: A Motion Analysis Songs, words and music videos: Adolescent girls' responses music features • B. E. Nichols, S. M. Demorest: Sensori-Motor Synchronization Method for emotional • D. P. Biró, P. Van Kranenburg, The Impact of Focused Experiments performance on the snare drums • A. Ivaldi: Specialist adolescent S. Ness, G. Tzanetakis, A. Volk: Instruction on Kindergarteners’ • J. Launay, R. T. Dean, F. Bailes: • T. Hirano, S. Obata, C. Ohsawa, musicians’ role models: Whom do Stability and Variation in Singing Accuracy Anti-phase synchronisation: Does K. Kudo, T. Ohtsuki, H. they admire and why? Cadence Formulas in Oral and • L. Custodero, C. Cali: Musical ‘error correction’ really occur? Kinoshita: Embouchure-related • C. Cohrdes, R. Kopiez: Semi-Oral Chant Traditions - a “Train”ing: Children’s • R. Bååth, G. Madison: The muscular activity and Typicality and its influence on Computational Approach Spontaneous Behaviors as Subjective Difficulty of Tapping accompanying skin movement adolescents’ musical appreciation for the production of tone on the • T. Collins, B. Tillmann, C. Strategies for Meaningful to a Slow Beat • J. Matsumoto, S. Aoki, M. French horn Delbé, F. S. Barrett, P. Janata: Engagement • N. Spiro, T. Himberg: Watanabe: Positive Psychological Modeling Response Times in • I. Sulkin, W. Brodsky: Para- Musicians and Non-musicians • A. Nakamura, T. Goda, H. and Interpersonal Effects by Tonal Priming Experiments language songs as alternative Adapting to Tempo Differences Miwa, N. Nagata, S. Furuya: Karaoke Effect of short-term piano • J. Musil, B. Gingras, L. Stewart, musical stimuli for devices and in Cooperative Tapping Tasks • G. Luck, S. Saarikallio, M. practice on fine control of finger D. Müllensiefen: Optimising playthings to enhance caregiver Thompson, B. Burger, P. • E. Aiba, K. Kazai, T. Matsui, movements short tests of beat perception and interaction with babies and M. Tsuzaki, N. Nagata: Toiviainen: Hips don't lie: Multi- melodic memory. toddlers Difference in synchrony • H. Kinoshita, S. Obata, T. dimensional ratings of opposite • T. Selchenkova, M. R. Jones, B. • S. Fujii, H. Watanabe, H. judgment accuracy of two pulses Hirano, C. Ohsawa, T. Ito: sex dancers’ perceived Tillmann: The influence of Oohashi, M. Hirashima, D. depending on musical Expert-novice difference in string attractiveness clamping force in violin playing temporal regularities on the Nozaki, G. Taga: Precursors of experiences and its relation to the implicit learning of pitch Dancing and Singing to Music in cochlear delays • S. Obata, T. Hirano, C. Ohsawa, structures Three- to Four-Months-Old H. Kinoshita: Expert-novice • S. Cucchi, C. Lega, Z. Cattaneo, Infants difference in string clamping T. Vecchi: The effect of musical force when performing violin expertise on the representation of vibrato space • I. Wollman, C. Fritz, S. McAdams: The role of auditory and tactile modalities in violin quality evaluation 12:10-13:00 Poster Presentation 13:00-14:30 Lunch Break 14:30-15:30 Paper Session 10 Paper Session 11 Paper Session 12 Paper Session 13 Paper Session 14 Listener perspectives Communication & musical Rhythm analysis & Visual cues in performance Tonal Cognition Chair: A. Lamont preference in childhood perception Chair: O. Vitouch Chair: P. Mavromatis Chair: E. Costa-Giomi Chair: H. Honning

• J. Sloboda, M. Dobson: How • A.L. Creighton, M. Atherton, C. • D. Cameron, K. Potter, G. • H. Mitchell, R. MacDonald: • E. Gómez, C. Guastavino, F. was it for you? Obtaining artist- Kitamura: Playsongs and Wiggins, M. Pearce: Perception Audiovisual integration in music Gómez, J. Bonada: Analyzing directed feedback from audiences lullabies: features of emotional of Rhythmic Similarity in Reich’s performer recognition: Do you Melodic Similarity Judgements in at live musical events communication and developing Clapping Music: Factors and need to see me to hear me? Flamenco a Cappella Singing mother-infant attachment Models • A. E. Krause, A. C. North: • M. Schurig, V. Busch, J. Strauß: • G. T. Toussaint: The Pairwise • F. Platz, R. Kopiez: "The types • A. Martorell, P. Toiviainen, E. Everyday Listening Experiences Effects of Structural and Personal Variability Index as a Tool in of ViPES": A typology of Gómez: Temporal multi-scale musicians’ stage entrance considerations in the modeling of Variables on Children’s Musical Rhythm Analysis Development of Music behavior tonal cognition from continuous Preference rating experiments 15:30-16:00 Speed Poster Session 26 Speed Poster Session 27 Speed Poster Session 28 Speed Poster Session 29 Speed Poster Session 30 Identity & personality Music, language & learning Temporality & rhythm II Visualization of sound Experiencing new music • S. Koreimann, O. Vitouch: • H. J. Kang, V. J. Williamson: • R. Kopiez, F. Platz, A. Wolf: • M. Petrovic, M. Antovic: • H. Innes-Brown, A. Au, C. Individual differences in The Effect of Background Music Fade-out in popular music and the Interplay of Tone and Color: Stevens, E. Schubert, Jeremy inattentional deafness with music: on Second Language Learning Pulse Continuity Illusion Absolute Pitch and Synesthesia Marozeau: New music for the An exploratory study • M. Adachi, S. Falk: Does Native • B. Paul, P. B. Sederberg, L. L. • K. Orlandatou: The Role of Bionic Ear: An assessment of the • B. Bogunović: Personality of Language Influence the Mother’s Feth: The influence of imposed Pitch and Timbre in the enjoyment of six new works Musicians: Age, Gender, and Interpretation of an Infant’s meter on temporal order acuity in Synaesthetic Experience composed for cochlear implant recipients Instrumental Group Differences Musical and Linguistic rhythmic sequences • L. Akiva-Kabiri, A. Henik: • M. Chmurzynska: Personality Babblings? • J. Prince: Pitch and time Musical Synesthesia: the role of • P. Lindborg: How fun is this? A Conditions of Pianists’ • K. M. Ludke: Teachers’ salience in metrical grouping absolute pitch in different types pilot questionnaire study to Achievements Opinions of Integrated Musical of pitch tone synesthesia investigate visitors’ experience of • L. Hadley, M. Phillips: How is an interactive sound installation • S. Brown, R. MacDonald: and Language Learning Activities the Production of Rhythmic • M. B. Küssner, H. M. Prior, N. Attitudes towards music piracy: • L. Verga, S.A. Kotz: Timing Variations Influenced by E. Gold, D. Leech-Wilkinson: • R. Glover: The experience of The impact of positive anti-piracy Introducing ECOLE: a language – the Use of Mensural Symbols and Getting the shapes “right” at the sustained tone music messages and contribution of music bridging paradigm to study Spatial Positioning in Musical expense of creativity? How • B. Sobe, O. Vitouch: “Just Riff personality the role of Expectancy and Notation? musicians’ and non-musicians’ Off”: What determines the COntext in social LEarning visualizations of sound differ subjectively perceived quality of “hit riffs”? 16:00-16:30 Poster Presentation 16:30-17:00 Coffee Break 17:00-18:30 Paper Session 15 Paper Session 16 Paper Session 17 Paper Session 18 Paper Session 19 Group creativity & Emotion perception Popular music & music in Phenomenology & Learning and Skills improvisation Chair: R. Timmers the media hermeneutics assessment I Chair: R. Parncutt Chair: N. Dibben Chair: J. Rink Chair: A. Lehmann • A. Goldman: What Does One • : Understanding • R. Ashley: Music in political • J. Judge: Mind the gap: Towards • C. Louven: The "Open- Know When One Knows How to Music-Related Emotion: Lessons commercials: A study of its use as a phenomenological cognitive Earedness" After Primary School: Improvise? from Ethology affective priming science of music Results of a New Approach Based on Voluntary Listening Durations • E. Clarke, M. Doffman, L. Lim: • M. Marin, W. Thompson, S. • G. Luck, S. Saarikallio, M. • P. Hinds: A • E.G. Schellenberg, M. Distributed creativity in Tongue Lauren: Emotion perception of Thompson, B. Burger, P. Nonrepresentationalist Argument Mankarious: Music lessons, of the Invisible dyads and triads in congenital Toiviainen: Do Opposites for Music emotion comprehension, and IQ amusia Attract? Personality and Seduction on the Dance Floor • C. Canonne, N. B. Garnier: • Z. Eitan, M. S. Ben-Haim, E. • R. Kopiez, F. Platz, A. Wolf: • E. Huovinen, A.-K. Kaila: • D. Müllensiefen, B. Gingras, J. Cognition and Segmentation in Chajut: Rare pitch-classes are Doubtful effects of background Topical Interpretations of Musil, L. Stewart: Introducing a Collective Free Improvisation: larger and stronger: implicit music in television news Production Music new test battery and self-report An Exploratory Study absolute pitch, exposure effects, magazines inventory for measuring musical and qualia of harmonic intervals sophistication: The Goldsmiths Musical Sophistication Index 18:30-19:30 ICMPC General Assembly 20:30-22:00 CONCERT - Contemporary and Traditional Greek Music (OLYMPION Theatre, Aristotelous Square)

Thursday 26 July Hall 1 - Grand Pietra Hall 2 - Crystal Hall 3 - Dock Six Hall 4 - Timber I Hall 5 - Timber II 09:00-11:00 Symposium 2 Paper Session 20 Paper Session 21 Paper Session 22 Paper Session 23 Involuntary Musical Applications & everyday Learning and skills Neuroscience Perspectives Μotion and coordination in Imagery: Exploring contexts assessment II Chair: J. Grahn performance ‘’ Chair: N. Ziv Chair: S. Demorest Chair: P. Keller Convener: V. Williamson • S. Bramley, N. Dibben and R. • I. Roden, S. Bongard, B. • S. Schmidt, T. A. Troge, D. • W. Goebl, C. Palmer: Discussant: A. Halpern Rowe: The influence of music on Kreutz: Effects of a class-room Lorrain: Abductive Reasoning, Examining finger-wrist joint- gambling: The role of arousal based music program on verbal Brain Mechanisms and Creative angle structure in piano playing • L. Liikkanen: New Directions memory of primary school Cognition: Three Perspectives with motion-capture technology for Understanding Involuntary children within a longitudinal Leading to the Assumption that Musical Imagery design Perception of Music Starts from the Insight of Listeners • V. J. Williamson, D. • R. Hallett, A. Lamont: The • K. M. Einarson, K. A. Corrigall, • E. Carrus, M. T. Pearce, J. • A. Hofmann, W. Goebl, M. Müllensiefen: Earworms from influence of age and music on L. J. Trainor: Assessing young Bhattacharya: Interaction Weilguni, A. Mayer, W. Three Angles: Situational ergogenic outcomes, energy and children’s musical enculturation: between melodic expectation and Smetana: Measuring tongue and Antecedents, Personality affect in gym-based exercise A novel method for testing syntactical/semantic processes on finger coordination in saxophone Predisposition and a Musical sessions sensitivity to key membership, evoked and oscillatory neural performance Formula harmony, and musical metre responses • F. Bailes: Arousal, Valence and • W. Brodsky, M. Kizner: A • F. Degé, G. Schwarzer: • N. Farrugia, C.-E. Benoit, E. • J. Stoklasa, C. Liebermann, T. the Involuntary Musical Image Viable Alternative Music Investigating the associations Harding, S. A. Kotz, S. Dalla Fischinger: Timing and Background As Mediated between musical abilities and Bella: BAASTA: Battery for the synchronization of professional • J. Hemming, E. Altenmüller: Intervention For Increased precursors of literacy in Assessment of Auditory musicians: A comparison When an everyday-phenomenon Drivers Safety preschool children Sensorimotor and Timing between orchestral brass and becomes clinical: The case of Abilities string players long-term ‘earworms’ • J. Oh, G. Wang: Evaluating • D. Koniari, C. Tsougras: The • K. Trochidis, E. Bigand: EEG- • D. Moelants: Conveying Crowdsourcing through Amazon cognition of Grouping Structure based emotion perception during Syncopation in Music Mechanical Turk as a Technique in real-time listening of music. A music listening Performance for Conducting Music Perception GTTM-based empirical research Experiments on 6 and 8-year-old children 11:00-11:30 Coffee Break 11:30-13:30 Paper Session 24 Paper Session 25 Paper Session 26 Symposium 3 Paper Session 27 Performer perspectives Music in the classroom Music - Identity - Emotion regulation through Interpreting & predicting Chair: E. Huovinen Chair: A.-R. Addessi Community music: understanding the listener responses Chair: J. Sloboda mechanisms, individual Chair: B. Tillmann differences, and situational • V. Hawes: An ecological • S. Kaczmarek: Differences in • N. Ziv, A. Rahal: Music and • V. Alluri, P. Toiviainen, T. approach to score-familiarity: Mental Strategies and Practice Identity: The Effect of influences Lund, M. Wallentin, P. Vuust, E. representing a performer’s Behavior of Musically Average Background Music on Israeli Convener: S. Saarikallio Brattico: From Vivaldi to Beatles developing relationship with her and Highly Gifted Adolescents in Palestinians' Salience of Ethnic Discussant: D. Västfjäll and back: predicting brain score Germany Identity responses to music in real time • A. J. M. Van den Tol, J. • P. Toiviainen, V. Alluri, E. • B. Gingras, M. Goodchild, R. • A. Wolf, F. Platz, R. Kopiez: • R. Leadbeater: Identity Edwards: A self-regulatory Brattico, A. H. Nielsen, A. Dohn, Dean, M. Pearce, G. Wiggins, S. Competencies and model-based Dimensions and Age as perspective on choosing ‘sad’ McAdams: Predicting expressive items in and aural Predictors of Adult Music music to enhance mood M. Wallentin, P. Vuust: I can timing and perceived tension in training in preparation for Preferences read your mind: Inverse inference performances of an unmeasured entrance exams • M. Helsing: Everyday music in musical neuroinformatics prelude using the IDyOM model listening: The importance of individual and situational factors • M. Adachi, K. Takiuchi, H. • A. Lamont: Why not knitting? • J. P. Lindsen, M. T. Pearce, M. • R. Granot, T. Yovel: The for musical emotions and stress Shoda: Effects of Melodic Amateur music-making across Doyne, G. Wiggins, J. influence of the visual reduction Structure and Meter on the Sight- representation of the notation the lifespan Bhattacharya: Implicit Brain Responses During Fulfillment of reading Performances of system on the experience of time • W. Randall, N. Rickard: Beginners and Advanced Pianists among young music players Emotion Regulation Through Melodic Expectations

Personal Music Listening: The • A.G.W. van Zijl, P. Toiviainen, • A. Ivaldi: When students are • R. Herbert: Young People's Use MuPsych App • M. Witek, E. Clarke, M. G. Luck: The Sound of Emotion: learning and when they are and Subjective Experience of Kringelbach, M. Wallentin, M. • S. Saarikallio, T. Vattulainen, The Effect of Performers’ performing in instrumental lesson Music Outside School Hansen, P. Vuust: "...and I Feel M. Tervaniemi: Age differences Emotions on Auditory interactions: A conversational Good!" Ratings, fMRI-recordings in music-related emotion Performance Characteristics analysis approach and motion-capture regulation measurements of body- movements and pleasure in response to groove 14:00-22:00 Excursions

Friday 27 July Hall 1 - Grand Pietra Hall 2 - Crystal Hall 3 - Dock Six Hall 4 - Timber I Hall 5 - Timber II 09:00-10:00 Keynote 5 Chair: A. Marsden David TEMPERLEY: Mode and emotion: Experimental, computational, and corpus perspectives 10:00-10:30 Young Researcher Award 2 B. BURGER, S. Saarikallio, G. Luck, M. R. Thompson, P. Toiviainen: Emotions Move Us: Basic Emotions in Music Influence People’s Movement to Music 10:30-11:00 Coffee Break 11:00-11:40 Speed Poster Session 31 Speed Poster Session 32 Speed Poster Session 33 Speed Poster Session 34 Speed Poster Session 35 Cognitive modeling & Emotion & affect Learning & education Motion & gesture Acoustics & timbre musical structure perception • N. Büdenbender, G. Kreutz: • P. Atkinson: ‘What’s That • N. Rogers: Engaging Musical • K. Katahira: Interpersonal • K. Siedenburg, C. Reuter: Long-term representations in Coming Over The Hill?’ The Expectation Research in influence of nonverbal body- Beyond Helmholtz: 150 Years of melody cognition: Influences of Role Of Music On Response Pedagogy of Musical Form and movement interaction in an Timbral Paradigms musical expertise and tempo Latency For Emotional Words Phrase Structure ensemble situation • J. Hjortkjær, S. McAdams: • M. Rohrmeier, T. Graepel: Why • K. Zacharopoulou, E. Lapidaki: • J. B. Mailman: Interactive • S. J. Morrison, J. D. Selvey: Ecological factors in timbre Elephants Are Less Surprised: On Diabolus in musica: towards an Computer Simulation for The Effect of Conductor perception Context-free Contexts, Trees understanding of the emotional Kinesthetic Learning to Perceive Expressivity on Choral Ensemble • S.-A. Lembke, S. McAdams: without Branches and perception of musical dissonance Unconventional Emergent Form- Evaluation Establishing a spectral theory for Probabilistic Models of Long- • E. H. Margulis, Z. Eitan: bearing Qualities in Music by • L. Hadley, D. Tidhar, M. perceptual timbre blending based distance Dependencies Tonality and Affective Crawford Seeger, Carter, Ligeti, Woolhouse: Effects of Observed on spectral-envelope • Z. Nagy: Derivation of Pitch Experience: What the Probe Tone and Others Music-Gesture Synchronicity on characteristics Constructs from the Principles of Method Reveals • C. Dittmar, J. Abeßer, S. Gaze and Memory • M. Proscia, P. Riera, M. C. Tone Perception • J. Plazak, D. Huron: “Lower Grollmisch, A. Lehmann, J. • K. Nymoen, A. Chandra, M. Eguia: Comparative study of • B. Pennycook: Musical phrase than average” spectral centroid Hasselhorn: Automatic Singing Kozak, R. I. Godøy, J. Torresen, saxophone multiphonic tones. A extraction from performed blues and the subjective ability of a Assessment of Pupil Performance A. Voldsund: Extracting Action possible perceptual categorization solos musical instrument to express • M. Chmurzynska: Competences Symbols From Continuous • K. Ueda, Y. Nakajima: • A. Katsiavalos, E. sadness. of piano teachers and the attitudes Motion Data Comparison of Factors Extracted Cambouropoulos: An Interactive • P. Saari, T. Eerola: Genre- of their pupils • C. Williams: Embodied musical from Power Fluctuations in Computational System for the related Dynamics of Affects in • R. Orlando, C. Speelman: The gestures as a game controller Critical-Band-Filtered Exploration of Music Music Effect of Music Teaching Method • A. Erdemir, E. Erdemir, E. Homophonic Choral Music Voice/Stream Segregation • M. Poon, M. Schutz: Romantic on Music Reading Skills and Bingham, S. Beck, J. Rieser: The • A. Zacharakis, K. Pastiadis, J. Processes changes: Exploring historical Music Participation: An Online Coupling of Gesture and Sound: D. Reiss, G. Papadelis: Analysis • N. Diminakis, C. Tsougras: differences in the use of Study The Kinematics of Cross-Modal of Musical Timbre Semantics Timbral & Textural Evolution as articulation rate in major and • E. Schellenberg, K. Corrigall: Matching for Hand Conducting through Metric and Non-Metric Determinant Factors of Auditory minor keys Music training, personality, and Gestures and Accompanying Data Reduction Techniques Streaming Segregation in • D. Knox, G. Cassidy: Acoustic IQ Vocal Sounds • V. Chatziioannou, M. van Christian Lauba's “Stan” variables in the communication • G. Cassidy, A. Paisley: Music- • S. Saarikallio, G. Luck, B. Walstijn: A physical modelling • M. Buchler: Understanding of composer emotional intent Games: Supporting New Burger, M. R. Thompson, P. approach to estimate clarinet Ornamentation in Atonal Music • A. Almoguera, M. J. Eguilaz, J. Opportunities for Music Toiviainen: Intelligent dance control parameters • M. Giorgio, M. Imberty, M. A. Ordoñana, A. Laucirica: Education moves: rhythmically complex • C. Saitis, C. Fritz, C. Olivetti-Belardinelli: Perceiving Experienced emotional intensity • A. Paisley, G. Cassidy: and attractive dance movements Guastavino, B. L. Giordano, G. and categorizing atonal music: when learning an atonal piece of Attitudes Towards Game-Based are perceived to reflect higher P. Scavone: Investigating the role of redundancy and music. A case study Music Technologies in intelligence consistency in verbal descriptions performance Education: A Survey • E. van Dyck, P.-J. Maes, J. of violin preference by Investigation Hargreaves, M. Lesaffre, M. experienced players Leman: The Impact of Induced Emotions on Free Movement 11:40-12:10 Speed Poster Session 36 Speed Poster Session 37 Speed Poster Session 38 Speed Poster Session 39 Speed Poster Session 40 Social perspectives Emotional responses & Listening & Meaning Performance studies II affective experiences II • A. Lamont: Dancing with death: • C.-G. Tsai: From ‘Wanting’ to • S. Kaczmarek, N. Kieslich: • L. Hofmann-Engl: Towards a • M. Penttinen, E. Huovinen, A.- music festivals, healthy and ‘Liking’: Listeners’ Emotional Psychosomatic patient’s Cognitive Music Aesthetics K. Ylitalo: Unexpected Melodic unhealthy behaviour Responses to Musical Cadences satisfaction from the music • A. Friberg: Music listening Events during Music Reading: • R. Ferrer, T. Eerola: Deriving as Revealed by Skin Conductance therapy treatment from an ecological perspective Exploring the Eye-Movement Responses Approach Musical Preference Profiles from • P. Vaiouli: Promoting Social • A. Schiavio: On musical Liked and Disliked Artists • F. Upham: Limits on the Engagement for Young Children intentionality: Motor knowledge • S. Kawase: Mutual Gaze • J. Plazak: You get what you pay Application of Statistical with Autism: a Music Therapy and the development of musical Facilitates Synchronization for: pitch and tempo alterations in Correlations to Continuous Approach expertise during Piano Duo Performances Response Data user-posted YouTube videos. • D. Psaltopoulou, M. Micheli: • T. Vroegh: Transported to • H. Tamir-Ostrover, Z. Eitan, E. • J. Launay, R. T. Dean, F. • M. Trkulja, D. Janković: Music Therapy enhances Narrative Worlds: The Effects of F. Clarke: The Embodied Effect Bailes: The attribution of agency Towards Three-Dimensional perceptive and cognitive A Narrative Mode of Listening of Facial Expressions on Pianists’ to sound can affect social Model of Affective Experience of development in people with on Music Perception Performance Interpretation engagement Music disabilities. A quantitative • E. Bisesi, J. MacRitchie, R. research. • K. Bronner, K. Frieler, H. • R. Bento-Allpress, J. Allpress: • J.P. Lindsen, J. Bhattacharya: Bruhn, R. Hirt, D. Piper: What is Parncutt: Recorded Surveying attitudes towards How music can brighten our • J. Fachner, J. Erkkilä: Finding the Sound of Citrus? Research on interpretations of Chopin singing and their impact on world: emotions induced by the right tone for right words? the Correspondences between the Preludes: Performer’s choice of engagement with this musical music affect brightness Music therapy EEG and fronto- Perception of Sound and Flavour score events for emphasis and activity perception temporal processing in depressed emotional communication clients • M. Sandgren: Work attitudes, • A. Sinico, F. Gualda, L. Winter: Role Stress and Health among Coping Strategies for Music Professional Singers and Call Performance Anxiety: a Study on Center Employees Flute Players 12:10-13:00 Poster Presentation 13:00-14:30 Lunch Break 14:30-15:30 Paper Session 28 Paper Session 29 Paper Session 30 Paper Session 31 Paper Session 32 Cross-cultural studies Music style & schemata Rhythm & time perception Timbre Singing voice - speech Chair: J. Ross Chair: M.M. Farbood Chair: D. Moelants Chair: M. Oehler Chair: A. Vurma • S. M. Demorest, S. J. Morrison, • D. Shanahan, Y. Broze: A • B. G. Schultz, C. J. Stevens, P. • S.H. Chon, S. McAdams: • Y. Nakajima, H. Takeichi, S. V. Q. Nguyen, E. Bodnar: The Diachronic Analysis of Harmonic E. Keller, B. Tillmann: The Exploring Instrument Blending Kidera, K. Ueda: Multivariate Effect of Context on Cross- Schemata in Jazz implicit learning of metrical and as a Function of Timbre Saliency analyses of speech signals in Cultural Music Memory non-metrical rhythms in a serial singing and non-singing voices Performance recall task • H. Egermann, N. Fernando, L. • J.J. Musil, B. Gingras, D. • S. Teki, T. D. Griffiths: A • D. Klonari, K. Pastiadis, G. • M. Suzuki, T. Kagomiya, M. Chuen, S. McAdams: Cross- Müllensiefen: Optimising a short Unified Model for the Neural Papadelis, G. Papanikolaou: A Kouzaki, S. Nakagawa: Effects of Cultural Emotional and test of musical style grouping Bases of Auditory Time study of confusions in identifying background sound on the volume Psychophysiological Responses Perception concurrently sounding wind and fundamental frequency of a to Music: Comparing Western instruments singing voice Listeners to Congolese Pygmies 15:30-16:00 Speed Poster Session 41 Speed Poster Session 42 Speed Poster Session 43 Speed Poster Session 44 Listening context – Memory & Earworms Rhythm & time perception Absolute pitch & tone listening experience perception • H. Shoda, M. Adachi: Effects of • M. Weiss, E. Schellenberg, S. • J. Sowinski, S. Dalla Bella: • K. Bittrich, J. K. Heller, S. the Listening Context on the Trehub: Effect of timbre change Rhythm deafness in absence of Blankenberger: Absolute Pitch – Audience’s Perceptions of on memory for vocal and perceptual disorders Simple Pair-Association? Artistry, Expressiveness, and instrumental melodies • K. M. Einarson, L. J. Trainor: • L. Akiva-Kabiri, T. Leibovich, Affective Qualities in the Piano • K. Horn, D. Shanahan: The Young children’s musical G. Azaria, A. Henik: A unique Performance Effect of Singing on Lexical enculturation: Developing a test pattern of ratio effect in • F. Upham: Many Ways of Memory of young children’s metre musicians that are absolute pitch : Clustering Continuous • S. Blankenberger, K. Bittrich: processing skills possessors Responses to Music The Impact of Trace Decay, • G. P. Háden, H. Honing, I. • W. F. Thompson, V. Peter, K. • P. Lindborg: Correlations Interference, and Confusion in a Winkler: Newborn infants are Olsen, C. J. Stevens: The effect Between Acoustic Features, Span Task sensitive to sound timing of intensity on Personality Traits and Perception • G. A. Floridou, V. J. • L. K. Cirelli, K. M. Einarson, L. • C. Zarras, K. Pastiadis, G. of Soundscapes Williamson, D. Müllensiefen: J. Trainor: Bouncing babies to the Papanikolaou, G. Papadelis: • D. A. Mauro, F. Vitale: Contracting Earworms: The beat: Music and helping Frequency and Pitch Influence of the listening context Roles of Personality and behaviour in infancy Representation Using Self- on the perceived realism of Musicality Organized Maps binaural recordings • S. Finkel, D. Müllensiefen: • L. Vaes, D. Moelants: Involuntary musical imagery and Detecting degrees of density in musical structure – do we get aggregates: when can we hear a earworms only for certain tunes? cluster? 16:00-16:30 Poster Presentation 16:30-17:00 Coffee Break 17:00-19:00 Symposium 4 Paper Session 33 Paper Session 34 Paper Session 35 Paper Session 36 Cognition in Musical Motion & Gesture II Structure, Performance, Group singing Beat & time perception Composition: Chair: G. Luck Interaction Chair: S. Demorest Chair: Y. Nakajima Methodologies, Results, Chair: G. Wiggins Challenges • S. Gill, M. R. Thompson, T. • O. Nieto, M. M. Farbood: • J. Louhivuori: Why do people • H. Honing, H. Merchant, G. Convener: N. Donin Discussants: Himberg: Body Rhythmic Perceptual Evaluation of sing in a choir? Social, emotional Háden, L. Prado, R. Bartolo: I. Deliège, J. Sloboda Entrainment and Pragmatics in Automatically Extracted Musical and well-being effects of choir Probing Beat Induction in Rhesus • D. Collins: Studying the act of Musical and Linguistic Motives singing Monkeys: Is Beat Induction in real-time Improvisation Tasks Species-Specific? • R. I. Godøy, A. R. Jensenius, A. • Y. Broze, D. Huron: Does • A. Pawley, D. Müllensiefen: An • H. Takeichi, T. Mitsudo, Y. • N. Donin, F.-X. Féron: Stefano Voldsund, K. Glette, M. Høvin, Higher Music Tend to Move empirical field study on sing- Nakajima, S. Tobimatsu: Gervasoni’s Cognition Through K. Nymoen, S. Skogstad, J. Faster? Evidence For A Pitch- along behaviour in the North of Electrophysiological correlates of the Compositional Process of Tørresen: Classifying Music- Speed Relationship England subjective equality and inequality Gramigna. Methodology, Results Related Actions between neighboring time Samples, Issues intervals • M. Gratier, R. Evans & K. • C. Wöllner, F. Deconinck: • P. Papiotis, M. Marchini, E. • R. Bento Allpress, S. Clift, L. • J. A. Grahn: Comparisons Stevanovic: Negotiation in a jazz Movement Expertise Influences Maestre: Computational Analysis Legg: Effects of Group Singing between chunking and beat ensemble: Sound and speech in Gender Recognition in Point- of Solo versus Ensemble on Psychological States and perception in auditory short-term the making of a commercial Light Displays of Musical Performance in String Quartets: Cortisol memory record Gestures Intonation and Dynamics • P. Salembier, M.-C. Legout: Analysing the design process of • İ. A. Öztürel, C. Bozşahin: an interactive music installation Musical Agreement via Social in the urban space : constraints as Dynamics Can Self-Organize a resources and resources as Closed Community of Music: A constraints Computational Model 20:30-23:00 BANQUET DINNER

Saturday 28 July Hall 1 - Grand Pietra Hall 2 - Crystal Hall 3 - Dock Six Hall 4 - Timber I Hall 5 - Timber II 09:00-11:00 Paper Session 37 Symposium 5 Paper Session 38 Paper Session 39 Paper Session 40 Emotion recognition & Classification as a tool in Musical Expectation and Perspectives on world Communicating intention in response probing neural mechanisms Predictability performance Chair: F. Nagel of music perception, Chair: C. Anagnostopoulou Chair: R. Ambrazevičius Chair: E. Clarke • S. Beveridge, D. Knox, R. cognition, and performance • N. C. Hansen, M. T. Pearce: • X. Hascher: In Search of a • K. Kochman, M. Demoucron, MacDonald: Emotion Convener: R. Schaefer, S. Furuya Shannon entropy predicts Generative and Analytical Model D. Moelants, M. Leman: Recognition in Western Popular Discussant: P. Toiviainen perceptual uncertainty in the for the Traditional Music of Embodied Communication Music: The Role of Melodic generation of melodic pitch North Africa Strategies in Accompanied Vocal Structure • L. Smith, S. Pope, J. Leboeuf, S. expectations Performance Tjoa: Automated Classification of • R. Timmers, H. L. Crook, Y. Music Genre, Sound Objects, and • D. Omigie, M. Pearce, L. • M. Rohrmeier, R. Widdess: • M. R. Thompson, M. M. Morimoto: Emotional Influences Speech by Machine Learning Stewart: Evidence for implicit Incidental Learning of Modal Wanderley, G. Luck: Deadpan on Attention to Auditory Streams tracking of pitch probabilities Features of North Indian Music and immobile performance • B. Kaneshiro, J. Berger, M. during musical listening intentions share movement Perreau-Guimaraes, P. Suppes: An features but not expressive Exploration of Tonal Expectation parameters Using Single-Trial EEG • M. Yamada, R. Yoneda, N. • P. Vouvaris: Structural • G. Athanasopoulos, N. Moran: Classification • J. MacRitchie, M. Zicari: The Emura: Quantitative Estimation Conditions of Predictability in Pictorial Notations of Pitch, Intentions of Piano Touch of Effects of Musical Parameters • R. Vlek, R. Schaefer, J. Farquhar, Post-Tonal Music: The Duration and Tempo: A Musical on Emotional Features P. Desain: Exploring the Compound Melodic Structures Approach to the Cultural mechanisms of subjective of Nikos Skalkottas’s Octet Relativity of Shape accenting through multivariate • E. Coutinho, K. R. Scherer: • C. Tsougras: Musical • S. Hegde, B. Ramanujam, N. • R. Fulford, J. Ginsborg, J. decoding Towards a brief domain-specific Expectation and paths in Tonal Santosh: Socio-Cultural Factors Goldbart: Functions and Uses of self-report scale for the rapid • S. Furuya, E. Altenmüller: Pitch Space - Integration of Associated with Expertise in Auditory and Visual Feedback: assessment of musically induced Classification of movement concepts/models and an Indian Classical Music: An Exploring the Possible Effects of emotions repertoire within and across application on the analysis of Interview Based Study a Hearing Impairment on Music pianists Chopin' s Prelude in A minor Performance 11:00-11:30 Coffee Break 11:30-13:00 Paper Session 41 Paper Session 42 Paper Session 43 Paper Session 44 Paper Session 45 Rhythm & beat Pitch, tonality & memory Brain imaging & Phenomenology & meaning Music psychology & music Chair: L. van Noorden Chair: A. Marsden perception Chair: P. Vouvaris therapy Chair: P. Loui Chair: S. Kaczmarek • A.D. Boasson, R. Granot: • M. Farbood: Memory of a Prior • S.C. Herholz, E. Coffey, C. • M. Tsetsos: The Specificity of • J. Erkkilä, J. Fachner: A Melodic Direction’s Effect on Key after Modulation Pantev, R.J. Zatorre: Short-term Musical Meaning in Helmuth randomized controlled trail on Tapping piano training changes the neural Plessner’s Philosophical improvisational psychodynamic correlates of musical imagery Anthropology of the Senses music therapy in depression and perception - a longitudinal treatment fMRI study • D. Rose, D. Müllensiefen, L. • P. Mavromatis, M. Farbood: The • E. Coffey, S.C. Herholz, R.J. • I. Giannopoulos: Vers une • A. Chiofalo, A. Bordin, A. Stewart, C. Lee: The relationship Effect of Tonal Context on Short- Zatorre: Long-term musical musicologie anti- Mazzeschi, R. Aglieri: Active between the human body, motor Term Memory for Pitch training changes the neural phénomènologique Music Therapy and Williams tasks, mood and musicality: How correlates of musical imagery Syndrome: a Possible Method for do you feel the beat? and perception - a cross-sectional the Visual-Motor and Praxis MRI study Rehabilitation? • F. Bouwer, H. Honing: • C.P. Speelman, S. Sibma, S. • R.S. Schaefer, J. Farquhar, P. • P. Vlagopoulos: Is It All • J. Fachner: Reframing time and Rhythmic Regularity MacLachlan: Memory for Desain: Common Components in Autographic? Samples from the space – Drugs and musical Revisited: Is Beat Induction Sequence Order in Songs. Perception and Imagery of Musical Avant-Garde of the 60s consciousness Indeed Pre-attentive? Music: an EEG study 13:00-14:30 Lunch Break 14:30-16:30 Post-Conference Social Session: Global crises and their implications for research Chairs: & Mayumi Adachi