Can Colored Mat Board Be Made to Meet Museum Standards? Yes, but Not Easily

Total Page:16

File Type:pdf, Size:1020Kb

Can Colored Mat Board Be Made to Meet Museum Standards? Yes, but Not Easily PAPER AND PRESERVATION: Can colored mat board be made No. 3 Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/44/1/77/2746762/aarc_44_1_d61p521j26255415.pdf by guest on 02 October 2021 in a series to meet museum standards? of discussions on paper products in conservation Yes, but not easily. The overriding requirement in ever, are direct dyestuffs and remain longer and stronger than any mat board selected for pigments, both of which elimi- refined wood pulp fibers. archival use is freedom from nate or minimize the use of acid acid. Not only must the front mordants. Pigments bond to the and back facings be acid-free, fibers physically, rather than We offer 100 per cent cotton but the center of the board as chemically, requiring the use of fiber Archivart* Museum Board well, to avert any possibility of retention aids and surface sizing. in a range of ten carefully acid migration. selected shades and tones, For lasting protection against colored all the way through to Colored mat board represents acid contamination from the eliminate the problem of a some special problems, both environment or adjacent contrasting color, which would technical and esthetic. Clearly, materials, we include in our mat otherwise appear when a bevel the colors should complement boards an alkaline buffering window is cut. the work being framed, rather agent, providing an alkaline than offer an independent reserve which neutralizes any Also available, for those statement. Often a subtle color tendency for the cellulose fibers applications when even a small will accomplish this better than to be weakened, over time, by economy is significant, is our white. And achieving color in acid from any source, internal acid-free Archivart Conservation an acid-free board requires the or external. Board, made of highly refined strictest controls, not only of wood pulp. It is offered in four the original fibers and sizings These protective measures do colors; again, colored all the way but of the dyes themselves. add to cost. It has therefore through. seemed sensible, to us, to Most paper dyes require concentrate primarily on mat We invite you to write us for chemical additives (called boards of premium grade, made samples of these boards, and mordants) to affix them of 100 per cent cotton fibers. for our catalogue of archival- permanently to the paper fibers. These, being almost pure cellu- standard conservation products. The mordants used in lose, without the lignin found in We welcome your comments on papermaking, more often than wood fibers, require less cook- the information and the products not, are acid. Thus, most colored ing, bleaching and refining. They discussed in this series. papers (including, unfortunately, •Archivart is a trademark of Lindenmeyr Paper Corporation. most mat boards used in commercial framing) lean distinctly to the acid side. There are alkaline dyes, but they PROCESS MATERIALS CORPORATION are fugitive: they lack light- A LINDENMEYR COMPANY fastness. Also available, how- I 301 Veterans Boulevard, Rutherford, NJ 07070 (201) 935-2900 Products for the critical eye ARCHIVAL SUPPLIES Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/44/1/77/2746762/aarc_44_1_d61p521j26255415.pdf by guest on 02 October 2021 FREE 64 page We specialize in Archival Supplies products and services for the archival Catalog available on storage, framing and display of request. photographic materials and works Write us. on paper. Acid Free Portfolio Boxes Acid Free Linen Tape Print File Storage Sleeves Acid Free Print & Negative Framing Tools & Supplies Slide Storage Supplies Storage Envelopes Custom Matting Service Fiberbilt Print Shipping Cases Polyester Folders Aluminum Section Frames Canvas Portfolio Bags Encapsulation Materials Teak Slide Frames Custom Cut UF-3 plexiglass Dry mounting Supplies Interleaving Tissue Photographic Accessories Kodak & 3M Products LIGHT IMPRESSIONS CORPORATION 131 Gould Street Rochester, NY 14610 Tel. (716) 271-8960 Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/44/1/77/2746762/aarc_44_1_d61p521j26255415.pdf by guest on 02 October 2021 /5/580 f 9 LS What can you do about rotting paper? Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/44/1/77/2746762/aarc_44_1_d61p521j26255415.pdf by guest on 02 October 2021 A lot. Demand books printed on a perfectly permanent paper. Howard Permalife is the world's standard for archival grade paper. It carries an alkaline pH of 8 to 8.5 to counter atmospheric acidity. It is free from trace metals. It is strong enough to withstand flexing and folding. For books, contracts and permanent records, Howard Permalife is the permanent / durable paper of choice. And now it's watermarked with the year of manufacture. If a page were stored under archival conditions, an archivist of 2480 should be able to hold this paper up to the light and say, "1980. That was a very good year for Permalife." Swatch books are available from your Howard Paper Merchant or by writing direct to Permalife, at the address below. Illinium THE NATIONS PRINTING PAPERS HOMflRD HOWARD PAPER MILLS, INC. 115 Columbia Street, P.O. Box 982 Dayton, Ohio 45401 • For managers, administrators, analysts and others Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/44/1/77/2746762/aarc_44_1_d61p521j26255415.pdf by guest on 02 October 2021 concerned with office systems improvement. Records Retention & Files Management Microfilm Systems Design & Management Monday - Tuesday Wednesday - Thursday Inventorying Records Microform Types Drafting Retention Schedules Micrographic Equipment Making Retention Decisions Selecting a Reader Legal Considerations Generating the Microfilm Writing Retention Manuals Quality Control Implementing the Program Microfilm Standards Data Processing Records Microfilm Retrieval Manual Filing Systems Developing a System Storage, Protection, Archives Computer Based Systems Microfilm Interface Computer Output Microfilm Word Processing Interface Satellite Microform Files MODERTOR: Thomas Wilds is President of Thomas Wilds MODERATOR: Hanley L. Riess is Document Control Associates Inc, a management consulting firm, and was Supervisor with Burns & Roe, Inc., and was formerly Direc- formerly in management positions at Union Carbide Corpo- tor of Design Standards and Documentation Services at ration and in government. He has a BA and two MA degrees Western Union Headquarters. He has also served in engineer- ing and management positions with Avien, Inc., Litton from the University of Michigan, was an Adjunct Professor Industries and Sperry Rand. He is President of the New of Management at New York University, was President of York Chapter of the National Micrographics Association, the Association of Records Executives and Administrators, and past chairman of the Metropolitan New York Section of and is now President of the International Records Manage- the Standards Engineers Society. He is a Certified Records ment Federation. He is a Certified Records Manager and a Manager, and has presented seminars on microfilming and Certified Management Consultant. related areas for seventeen years. Accredited by the Council for Noncollegiate Continuing Education Participants Receive 1.4 Continuing Education Units for Each Seminar TO Thomas Wilds Associates Inc, 516 Fifth Avenue, New York NY 10036 Please enroll the following in.the seminar(s) checked. Participant Name Participant Name Company Name Telephone Address City State Zip Code RETENTION MICROFILMING LOS ANGELES: LA Bonaventure • 17-18 Nov 80 • 19-20 Nov 80 Enclosed is a check for $ HOUSTON: Hyatt Regency Houston P01-02 Dec 80 D03-04 Dec 80 ($425 for each attendee at each MIAMI: Inter-Continental D26-27Jan81 D28-29Jan81 two-day seminar). DENVER: Brown Palace Hotel • 23-24 Feb 81 Not Offered SAN FRANCISCO: St Francis D09-10Mar81 P 11-12 Mar 81 PHILADELPHIA: Warwick P06-07Apr81 P08-09Apr81 Sign© BOSTON: 57 Park Plaza P11-12 May81 P13-14 May81 TORONTO: Harbour Castle Di5-16Jun81 Pi7-18Jun81 SEATTLE: Seattle Hilton D13-14 Jul 81 P15-16 Jul 81 Seminar handouts separately available at $60 per seminar. FOR MORE INFORMATION CALL THOMAS WILDS AT (212) 986-2515 IDENTIFICATION NO. 06-0945945 Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/44/1/77/2746762/aarc_44_1_d61p521j26255415.pdf by guest on 02 October 2021 Photofile Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/44/1/77/2746762/aarc_44_1_d61p521j26255415.pdf by guest on 02 October 2021 the ultimate in archival ,! record preservation Acid-Free Envelopes Rare manuscripts and documents can be stored and preserved indefinitely in these high qualify acid-free envelopes. Stock is completely free of any contaminating or deteriorating chemical agents. Available in ivory only, with or without flap. Acid-free adhesive secures binding seams. 5 Manuscript Sizes. 6 Photographic Negative Sizes. Manuscript and Photograph Protectors Clear see-thru polyester binders. Inside binding edge grips manuscript firmly in place. Completely protects contents from fingerprints and out- side contamination while document is being read or copied for referral purposes. Available in 5 sizes. Transparent Mylar Sleeves, Negative protection with ample space for indexing. Negatives can be easily viewed without removal from envelope. 1^. Send for Free Brochure. PHOTOFILE 2000 Lewis Avenue • Zion, Illinois 60099 DIVISION OF DATA SYSTEMS SUPPLY CO. * (3 I 2) 872"755 / The American Archivist
Recommended publications
  • Graphic Arts: Book Three
    DOCUMENT RESUME. ED 219 652 CE 033 509 AUTHOR Farajollahi, Karim; And Others 'TITLEN, Graphic Arts: Book Three. The Press and Related Processes. INSTITUTION Mid-America Vocational Cureiculum Consortium, Stillwater Okla. 4 PUB DATE 82 NOTE 294p.; _For related documents see CE 033 507-508. AVAILABLE FROMMid-America Vocational Curriculum Consortium, 1515 West Sixth Avenue, Stillwater, OK 74074. EpRS PRICE MF01 Plus Postage. PC Not Available from EDRS. IIESCRIPTORS Competency Based Education; Criterion Referenced Tests; *Equipment Maintenance; *Graphic Arts; Instructional Materials; Learningittivities; laper (Material); Postsecondary Education; *Printing;* *Production Techniques; *Reprography; Supplies; *Technical Education IDENTIFIERS *Printing Presses ABSTRACT The third of a three-iolume set of instructional materials for a graphic arts course, this manual consists of nine instructional units dealing with presses and related erocesselA Covered in the unitS are basic press fundamentals, offset presir 'syitems, offset press operating procedures, offset inks and dampening chemistry, preventive Maintenance and trouble shooting, 'other printing processes,.cost awareness, binding and finishing, and calculating paper cutting. Each unit contains some or all of the following: performanCe objecti4es, suggested activities for.teachers, information sheetS, assignment sheets, job sheets; visual aids, tests, and test,answers. Instructional materials in thepublication are written in terms of student performanceusing measurable objectives. (MN) *********i')i************************************************************
    [Show full text]
  • Final Paper Products Recovered Materials Advisory Notice Response to Public Comments
    FINAL PAPER PRODUCTS RECOVERED MATERIALS ADVISORY NOTICE Response to Public Comments Office of Solid Waste U.S. Environmental Protection Agency April 1996 CONTENTS I. Introduction . 1 A. The Draft Paper Products Recovered Materials Advisory Notice . 1 B. Overview of the RCRA Requirements . 1 C. Overview of the Executive Order Provisions for Paper . 3 II. Applicability . 5 A. Background. 5 B. Comments and Agency Response. 5 III. EPA's Objectives . 7 A. Background. 7 B. Comments and Agency Response. 7 IV. EPA's Approach to Recommendations. 11 A. Background . 11 B. Comments and Agency Response . 11 V. EPA's Methodology . 14 A. Background . 14 B. Comments and Agency Response . 14 VI. Recommendations for Printing and Writing Papers. 15 A. Background . 15 B. Comments and Agency Response . 19 VII. Recommendations for Newsprint . 27 A. Background . 27 B. Comments and Agency Response . 27 VIII. Recommendations for Tissue Products. 31 A. Background . 31 B. Comments and Agency Response . 32 IX. Recommendations for Paperboard and Packaging Products . 36 A. Background . 36 B. Comments and Agency Response . 38 X. Recommendations for Miscellaneous Paper Products. 45 A. Background . 45 B. Comments and Agency Response . 45 XI. Recommendations for Measurement. 46 A. Background . 46 B. Comments and Agency Response . 46 XII. Recommendations for Specifications. 48 A. Background . 48 B. Comments and Agency Response . 48 XIII. Recommendations for Recyclability. 49 A. Background . 49 B. Comments and Agency Response . 49 XIV. Definitions . 51 A. Background . 51 B. Comments and Agency Response . 51 XV. Certification and Verification . 54 A. Background . 55 B. Comments and Agency Response . 55 XVI. Sawdust as Recovered Fiber.
    [Show full text]
  • Government Paper Specification Standards
    Government March 2011 No. 12 Government March 2011 No. 12 Printed on recycled paper For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 F1ax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-000 ISBN 978-0-16-088382-8 U.S. GOVERNMENT PRINTING OFFICE WILLIAM J. BOARMAN Keeping America Informed I www.gpo.gov Public Printer of the United States March 16, 2011 The Honorable Joseph R. Biden The President of the Senate The Honorable John A. Boehner The Speaker of the House of Representatives Sirs: I have the honor to transmit herewith the Annual Report of the U.S. Government Printing Office (GPO) for the fiscal year ending September 30, 2010. The report contains the results of an audit of GPO’s financial statements conducted by an independent accounting firm. Respectfully submitted, WILLIAM J. BOARMAN Public Printer 732 North Capitol Street, NW, Washington, DC 20401-0001 I [email protected] TABLE OF CONTENTS Advisory Council on Paper Specifications ………………………………………… v Introduction …………………………………………………………………………. vii Recycled Fiber Content and Permanent Paper Standards ………...……….…………. ix Part 1. Specifications ………………...……………………………………………... 1 Runnability Requirements for Paper Used in a Federal Printing Plant ………………. 3 Printing Papers ………………………………………………………………………. 5 JCP A10: Newsprint JCP A25: Heat-Set Web Offset Machine-Finish Book JCP A50: Machine-Finish Book End JCP A55: Heat-Set Web Offset Book JCP A60: Offset Book JCP A61: No. 1 Offset
    [Show full text]
  • Pastel Framing Tips Here Are Some Tips on Framing Pastels That Will Help You Frame Your Pastel Paintings Properly and Easily
    tips & ideas Pastel Framing Tips Here are some tips on framing pastels that will help you frame your pastel paintings properly and easily. by Greg Fremstad Backing Backing Backing Backing Framing with mats or Pastel Pastel Pastel without (matless) Pastel Let’s Start with with the Second Mat Second Mat Second Mat Second Mat matted version first. Front Mat Front Mat Front Mat Front Mat Mats provide airspace Foam Board Foam Board between the glass and Glass Lifter Lifter the face of the art. They Glass Glass promote air circulation Glass that prevents mold growth and moisture that buckles the art. Mats with a standard bevel as shown in the cross sections in Fig 1 Fig 2 Fig 3 Fig 4 Figure 1 creates problems. Standard Bevel Standard Bevel Reverse Bevel Reverse Bevel Pastel dust that falls off Double Mat Double Mat Double Mat Double Mat the painting settles on With Lifter With Lifter the bevel of the mat(s). You can lessen this situation by lifting the mat(s) up off the painting by inserting strips of mat board or foam board behind the mats to make a generous space for the dust to fall into. Make sure the lifters go all the way to the outside edge of the mats to support the backing. (See Figure 2) The dust will settle on the mat bevels and every time the frame is jostled the dust will filter down between the mat and the glass. Another good remedy uses “reverse bevel” mat(s) as shown in Figures 3 and 4.
    [Show full text]
  • JOURNAL of the PROCEEDINGS of the CITY COUNCIL of the CITY of CHICAGO, ILLINOIS
    (Published by the Authority of the City Council of the City of Chicago) COPY JOURNAL of the PROCEEDINGS of the CITY COUNCIL of the CITY of CHICAGO, ILLINOIS Regular Meeting-Friday, November 5, 1993 at 10:00 A. M. (Council Chamber-City Hall-Chicago, Illinois) OFFICIAL RECORD. RICHARD M. DALEY ERNEST R. WISH Mayor City Clerk 11/5/93 COMMUNICATIONS, ETC. 39839 Attendance At Meeting. Present - The Honorable Richard M. Daley, Mayor, and Aldermen Mazola, Haithcock, Tillman, Preckwinkle, Bloom, Steele, Beavers, Dixon, Shaw, Buchanan, Huels, Fary, Burke, Jones, Streeter, Murphy, Rugai, Troutman, Evans, Munoz, Laski, Miller, Medrano, Ocasio, Watson, E. Smith, Burrell, Bialczak, Suarez, Gabinski, Mell, Austin, Wojcik, Banks, Giles, Allen, Laurino, O'Connor, Doherty, Natarus, Eisendrath, Hansen, Levar, Shiller, Schulter, M. Smith, Moore, Stone. Absent — Aldermen Madrzyk, Coleman. Call To Order. On Friday, November 5, 1993 at 10:00 A.M., The Honorable Richard M. Daley, Mayor, called the City Council to order. The clerk called the roll of members and it was found that there were present at that time: Aldermen Mazola, Beavers, Dixon, Buchanan, Huels, Fary, Burke, Streeter, Rugai, Evans, Munoz, Laski, Medrano, Ocasio, Burrell, Bialczak, Suarez, Wojcik, Banks, Laurino, Doherty, Eisendrath, Hansen, Levar, Schulter, M. Smith, Stone - 27. Quorum present. Alderman Burke informed the City Council that Alderman Coleman was absent due to the death of her mother, Ms. Ophelia Turner. Invocation. Reverend Daniel O'Neill, Pastor of Saint Gelasius Catholic Church, opened the meeting with prayer. 39840 JOURNAL-CHY COUNCIL-CHICAGO 11/5/93 REPORTS AND COMMUNICATIONS FROM CITY OFFICERS. Referred-AMENDMENT OF THLE 2, CHAPTER 120 OF MUNICIPAL CODE OF CHICAGO TO ESTABLISH BOARD OF UNDERGROUND.
    [Show full text]
  • Caring for Your Prints, Drawings and Watercolours
    The text of this leaflet was originally prepared by Catherine Rickman ACR MIPC for the Museums & Galleries Commission, now MLA: The Museums, Libraries and Archives Council for its publication Ours for Keeps, and adapted for this publication. Suppliers of conservation quality storage and mounting materials Conservation by Design Ltd. Timecare Works, 5 Singer Way, Woburn Road Industrial Estate, Bedford MK42 7ATelephone 01234 853555 Website: www.conservation-by-design.co.uk Conservation Resources (UK) Ltd. Unit 2 Ashville Way, Oxford OX4 6TU Telephone 01865 747755 Website: www.conservationresources.com Caring for your Falkiner Fine Papers 76 Southhampton Row London WC1B 4AR Telephone 020 7831 1151 John Purcell Paper 15 Rumsey Road, London SW9 OTR Telephone: 0207 737 5199 www.johnpurcell.net prints, drawings Photograph copyright – the Trustees of the British Museum and watercolours Works of art on paper appear in almost every private or public collection and cover a vast range, both in subject matter and value. For further information contact IPC email:[email protected] www.ipc.org.uk In Europe, paper has been in common use as a picture support since the mid-fifteenth century and is still the material on which the majority of artists’ images are produced. Contact the Preservation Department Phone: +44 (0)20 8392 5200 email: [email protected] www.nationalarchives.gov.uk The National Archives Kew Richmond Surrey TW9 4DU The materials When handling the work of art, you should touch the paper as little as possible What you can’t do From old master drawings to contemporary prints, the paper is fundamentally and keep your fingers away from the image.
    [Show full text]
  • The Fine Art Trade Guild Standards for Mountboard (Mat Board) and Other Boards Used in Framing
    The Fine Art Trade Guild Standards for Mountboard (Mat Board) and other boards used in framing. Amended 10th June 2004 Copyright C Sumner, Fine Art Trade Guild Introduction These standards are directed to the composition, combinations, and characteristics of papers and paper-boards used in the framing of artwork, keepsakes and memorabilia. They help to give material categorisation of these to fit into the five levels of framing specified by the Fine Art Trade Guild. The objective of each level of framing is stated, with examples of the kinds of things for which that level is suitable. At present, all board that does not meet either the Cotton Museum Board standard or the Conservation Board standard will be deemed to be Standard Board and suitable for Commended, Budget and Minimum levels of framing only. The specifications for Standard Board may be further refined in due course as the quality of boards in this category vary greatly. Conservation Board is deemed to be acceptable for all levels except Museum level framing. Museum Board is deemed to be acceptable for all levels of framing. It is a prerequisite that the type of surface and texture must be specified relating to any board purporting to meet Guild Standards. If the surface is designed to accept decoration and embellishments, as in the case of Mountboard unless otherwise stipulated, it should be fit for the purpose. (FACTS Institute, USA, Test No. 6-97). International – Note that in some markets no distinction is made between Museum and Conservation Framing. In others, the terminology is reversed, i.e.
    [Show full text]
  • Transformation Begins Here
    1 EXTENDED LEARNING Transformation begins here. Schedule of Remote Classes WINTER 2021 | LBCC EXTENDED LEARNING Click here to register or call 541-917-4840 M = Monday; T = Tuesday; W = Wednesday; R = Thursday; F = Friday; S = Saturday; U = Sunday 2 t Table of Contents Get to know us! How to Attend a Zoom Class........................................03 Meet Tatiana and Tina, multi-talented Instructors Tell Us About Themselves........................04 gurus who provide essential support to our LBCC Extended Learning programs. Community Education Arts & Crafts......................................................................05 Computer Skills & Technology......................................07 My role provides opera- Consumer Education......................................................08 tional support across the team to align short and Fitness & Dance...............................................................10 long-term goals – a dream Food & Drink.....................................................................12 job for me! Grounding my life are two amazing men Garden, Nature & Outdoor.............................................13 (my husband and son), as Health & Wellness............................................................13 well as living in the coun- History, Culture, Religion & Ethics................................15 try and gardening. I like a strong cup of black tea Home & DIY.......................................................................16 Tatiana Wicke and I make the best grilled Language...........................................................................16
    [Show full text]
  • MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY Edited by John C
    KELLEY MINOR HISTORIES Statements, Conversations, Proposals MIKE KELLEY edited by John C. Welchman What John C. Welchman calls the “blazing network of focused conflations” from which Mike Kelley’s styles are generated is on display in all its diversity in this second volume of his writings. The first volume, Foul Perfection, contained thematic essays and writings about other artists; this collection concentrates on Kelley’s own work, ranging from texts in “voices” that grew out of scripts for performance pieces to expository critical and autobiographical writings. Minor Histories organizes Kelley’s writings into five sections. “Statements” consists of twenty pieces produced MINOR between 1984 and 2002 (most of which were written to accompany exhibitions), including “Ajax,” which draws on MIKE KELLEY Homeric epic, Colgate-Palmolive advertising, and Longinus to present its eponymous hero; “Some Aesthetic High Points,” an exercise in autobiography that counters the standard artist bio included in catalogs and press releases; and a sequence of “creative writings” that use mass cultural tropes in concert with high art mannerisms—approximating in prose the visu- MINOR HISTORIES al styles that characterize Kelley’s artwork. “Video Statements and Proposals” are introductions to videos made by Kelley and other artists, including Paul McCarthy and Bob Flanagan and Sheree Rose. “Image-Texts” offers writings that accom- Statements, Conversations, Proposals pany or are part of artworks and installations. This section includes “A Stopgap Measure,” Kelley’s zestful millennial essay in social satire, and “Meet John Doe,” a collage of appropriated texts. The section “Architecture” features a discussion of Kelley’s Educational Complex (1995) and an interview in which he reflects on the role of architecture in his work.
    [Show full text]
  • STP60-B-EB/Jul. 1963
    STP60-B-EB/Jul. 1963 INDEX A Blotting paper, 1, 11 Absorbency, 51, 52 Boards, 28 Acidity (see also pH Value) types, 29 determination of, 59 uses, 29 of bond papers, 20 Bogus bristol, 22 Adhesives in paper, 70 Bond inks, 47 Aging, accelerated test for, 82 Bond papers, 18, 41 Air permeability, 61 Bonding strength, surface, I10 Alkalinity (see also pH Value), 59 Book inks, 47 Alpha-cellulose, 62, 76 Book papers, 40, 121 Aniline sulfate stain for groundwood, 78 Boxboards, 34 Antique finish, 41 Bright fiber stain, 77 Apparent density, 121, 122 Brightness, 4, 73, 101 Asbestos paper, 39 Bristol board, 35 Ash content Bristols, 21, 42 determination of, 63 Brush surface analyzer, 113 examination of, 63 Buffer action, 60 of bond papers, 20 Building boards, 36 related to other properties, 64 Building papers, 23, 36 significance of, 63 Bursting strength, 68 Asphalt impregnated papers, 24, 90 determination of, 69 ASTM methods, vii of bond papers, 19 Automotive panel boards, 37 of envelope papers, 28 significance of, 69 B C Bag papers, 17 "C" stain for fibers, 77 Basis weight Calender cuts, 86 paper, 65 Caliper (see also Thickness) paperboard, 67 bond paper, 19 wedding bristols, 22 paperboard, 33 Beach puncture test, 103 Capacitor paper, thickness of, 121 Beating of fibers, 1, 76 Cardboard, 35 Bekk smoothness tester, 113 Cards, thickness of, 121 Bending board, 34 Casein, 71, 97 Bending chip, 80 Castor oil test, 88 Ben&sen smoothness tester, 113 Cellulose, 2, 62, 92, 100 Beta-cellulose, 62 Chapman smoothness tester, 113 Binders board, 36 Chipboard, 33
    [Show full text]
  • Government Paper Specification Standards | September 2019 | No.13
    GOVERNMENT SEPTEMBER 2019 | NO. 13 September 2019 TO: HEADS OF DEPARTMENTS AND AGENCIES The U.S. Government Publishing Office (GPO) provides Federal agencies with highly valuable advice and assistance in obtaining their printing needs. One of the ways in which we provide this assistance is in the development and issuance of Government paper standards. The purpose of these standards is to (1) achieve compliance with relevant statutes regarding printing papers; (2) address environmental, workplace safety, and paper longevity issues; and (3) maximize savings in the Government’s paper purchases and ultimately your print projects. These standards are available for use by all departments of the Government and their field offices. Some standards are specialty grades with limited availability and have been designated within the standard. Generally these stocks are procured as mill run quantities. There is maximum flexibility in specifying color, texture, and recycled content. The use of these standards will achieve the greatest possible savings in paper stocks for your agency’s printing needs. If you have any questions about unique substrates such as paper manufactured with security features, please contact your National Accounts Manager. Please do not hesitate to contact your GPO customer service representative with any suggestions you may have to improve this publication. Sincerely, Government Publishing Office Government Paper Specification Standards | September 2019 | No.13 TABLE OF CONTENTS Part 1. Specifications 1 Runnability Requirements for Paper Used in a Federal Printing Plant 3 Text Papers 5 JCP A15: Newsprint JCP A25: Uncoated Heat-Set Machine-Finish Web Text JCP A50: Uncoated Machine-Finish Book End JCP A55: Heat-Set Web Text JCP A60: Uncoated Text JCP A61: No.
    [Show full text]
  • TAPPI Standards: Regulations and Style Guidelines
    TAPPI Standards: Regulations and Style Guidelines REVISED January 2018 1 Preface This manual contains the TAPPI regulations and style guidelines for TAPPI Standards. The regulations and guidelines are developed and approved by the Quality and Standards Management Committee with the advice and consent of the TAPPI Board of Directors. NOTE: Throughout this manual, “Standards” used alone as a noun refers to ALL categories of Standards. For specific types, the word “Standard” is used as an adjective, e.g., “Standard Test Method,” “Standard Specification,” “Standard Glossary,” or “Standard Guideline.” If you are a Working Group Chairman preparing a Standard or reviewing an existing Standard, you will find the following important information in this manual: • How to write a Standard Test Method using proper terminology and format (Section 7) • How to write TAPPI Standard Specifications, Glossaries, and Guidelines using proper terminology and format (Section 8) • What requirements exist for precision statements in Official and Provisional Test Methods (Sections 4.1.1.1, 4.1.1.2, 6.4.5, 7.4.17). • Use of a checklist to make sure that all required sections have been included in a Standard draft (Appendix 4). • How Working Group Chairman, Working Groups, and Standard-Specific Interest Groups fit into the process of preparing a Standard (Section 6.3, 6.4.1, 6.4.2, 6.4.3, 6.4.4, 6.4.6, 6.4.7). • How the balloting process works (Sections 6.4.6, 6.4.7, 6.4.8, 6.4.9) • How to resolve comments and negative votes (Sections 9.5, 9.6, 9.7) NOTE: This document covers only the regulations for TAPPI Standards, which may include Test Methods or other types of Standards as defined in these regulations.
    [Show full text]