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Saint Sebastian's Church SAINT SEBASTIAN’S CHURCH SERVED BY THE CANONS235 N. Ninth REGULAR St., Santa OFPaula, THE CA IMMACULATE 93060-2103 CONCEPTION (Corner of Ninth and Santa Paula Streets) SACRAMENT OF BAPTISM ——————————————– FOR CHILDREN UNDER THE AGE OF 6: Please call the Church Office at 525-2149 for requirements and information. FOR CHILDREN OVER THE AGE OF 6: Please call Ramona at 525-2149 for requirements and information. SACRAMENT OF CONFIRMATION ——————————— YOUTH CONFIRMATION: Please contact Mary Orellana at 525- 2149 for more information. ADULT CONFIRMATION: For those who are 18 years and older, have already been baptized and made First Holy Commun- ion but have not yet received the Sacrament of Confor- mation, we offer a special program that begins in January and continues for twelve (12) weeks culminating with the Sacrament of Confirmation. Please call the Church Office at Fr. Pasquale Vuoso, C.R.I.C., Pastor 525-2149 for more information. Fr. Thaddeus Haynes C.R.I.C., Assistant SACRAMENT OF MARRIAGE —————————————— Fr. Charles Lueras, C.R.I.C. in residence COUPLES PREPARING FOR MARRIAGE: Arrangements should be made with the Priest at least 6 months prior to the pro- Deacon Alfonso A. Guilin posed date of the wedding. Please contact the Parish Office at —————————————————————— 805-525-2149 for requirements and information. PARISH CENTER (Church Office) MARRIAGE COUNSELING: Please contact Fr. Pasquale Vuoso, 235 N. Ninth St., Santa Paula, CA 93060-2103 C.R.I.C. at 805-525-2149. CATHOLIC REMARRIAGE POSSIBILITY: Please contact Fr. PHONE: 805- 525-2149 Pasquale Vuoso, C.R.I.C., Deacon Al Guilin or Jo Ann Guilin Ramona Gonzalez, Parish Secretary at 805-525-2149. [email protected] RELIGIOUS EDUCATION ————————————————— CHILDREN’S PROGRAMS OFFICE HOURS RELIGIOUS EDUCATION (Grades 3-7): Please contact Marisela Favila at Monday - Friday 9:00 a.m. to 5:00 p.m. 805-509-1254 for more information. —————————————————————— ADULT RELIGIOUS EDUCATION (R.C.I.A.) (For those who are interested in becoming Catholic): For adults who are not baptized or have PARISH HALL (Rothe Hall) only received the Sacrament of Baptism and are interested 229 N. Olive St., Santa Paula, CA 93060 in the Catholic Church please contact Jo Ann Guilin at the —————————————————————— Parish Office at 805-525-2149 for more information. SAINT SEBASTIAN SCHOOL (K-8) PARISH MINISTRIES —————————————————— 325 E. Santa Barbara St., Santa Paula, CA 93060 MINISTRY TO THE SICK: To receive Holy Communion, the Sac- PHONE: 805- 525-1575 rament of Anointing of the Sick or need Confession, please contact Church Office at 805-525-2149 for arrangements. Grace Kelly, Principal MUSIC MINISTRY: Choir rehearsals are every Wednesday at 7:00 Annette Romero, Preschool: 805- 933-5518 p.m., at the Parish Center in Room 1. Please contact Kath- —————————————————————— leen Goodrich at 805-525-0959 for more information. New DOM GRÉA HOUSE voices are always welcome. (C.R.I.C. Novitiate House) PARISH ORGANIZATIONS ———————————————— SAFEGUARD THE CHILDREN COMMITTEE: Please contact Kathy [email protected] Garcia at 805-525-2149 for more information. 601 Glade Dr., Santa Paula, CA 93060-1612 ST. VINCENT DE PAUL SOCIETY: Meets the second and the 4th PHONE: 805-933-5063 Wednesday of the month at 6:00 p.m., in Room 1 at the Par- Fr. Thomas Dome, C.R.I.C., Director ish Center. HOLY MASS ST. VINCENT DE PAUL SOCIETY - FOOD PANTRY: Every 2nd & 4th Thursday from 1:00 to 4:30 p.m., at the Parish Center. Please SUNDAYS contact Tom Lugo at 805- 421-8570 for more information. YLI (A Catholic Women’s Organization) Meets the third Thursday 7:30 a.m., 9:00 a.m., 11:00 a.m. & 5:30 of the month at 7:30 p.m. at the Rothe Hall (Parish Hall). For p.m. more information about the YLI or about becoming a mem- WEEKDAYS ber, please contact Barbara Lovio at 805-525-7651. KNIGHTS OF COLUMBUS: The General Meeting is on the second 8:30 a.m. (Monday - Saturday) Thursday of the month at the Knights of Columbus Hall, 136 HOLYDAYS S. Ojai Street. Please Contact Henry Chavez at 805 625-3509 for more information. 8:30 a.m. 5:30 p.m. & 7:00 p.m. LEGION OF MARY: Mondays @ 5:15 p.m., in the parish office. VIGIL MASS Please contact Brad Jewett at 805-625-3559 for more infor- 5:30 p.m. (Saturday Vigil Mass) mation. THE BLUE ARMY: Meets after the Thursday, morning Mass. Please contact Gene Wallace at 805-525-2440 for more information. EUCHARISTIC ADORATION MEN’S BIBLE STUDY: Meets Thursday Evenings From 5:00-6:30 9:00 a.m. Friday — to — 8:00 a.m., Saturday pm at the Parish Center. All men 18 and over are invited. with Solemn Benediction Call Trini Carranco at 805-525-9565 for more information. RESPECT LIFE ST. SEBASTIAN: Discerning concrete actions to CONFESSIONS serve and to build the Culture of Life at St. Sebastian Parish 4:00 to 5:00 p.m. & 7:30 to 8:00 p.m. (Saturday) Coordinators: Miriam and Gabriel Zamora [email protected] Thirteenth Sunday in Ordinary Time June 28, 2020 Think of yourselves as dead to sin and living for God in Christ Jesus. — Romans 6:11 PRAY FOR THE SICK NEW WEBSITE Stephen Pacheco, Luke Smiley, Terri Dillon, St. Sebasan Church now has a new website. Michelle Crilly, Susan Beryl, Patti Cooper, Keshaun The web address is www.stsebasansp.org, You Mata, Bob Dugas, Khloe Porter, Lydia Garcia, may check the website during the week as we Marie Negrete, George Garnica, Richard Ferrier, will be updang informaon, there is a donate Lori Garcia, Brianna Rojo, Rachel Avila, Donaciana buon that lets you give online as well as a Saldivar de Jauregui, JoAnn Seeley, Mary N. Reyes, Norma Geis, Ruben & Debbie Cruz, Abby Vasquez, seang chart and how to get a seat. You may also Gabriel Lopez, Kathleen & Gene Wallace, Michelle Contact the parish office at 805-525-2149 x 0 Castaneda, Michael Hurtado, Tiffany Arista, Kathe- rine Swars, Justin Burton, Robert Magdaleno, Sr. CHRISTIAN HOSPITALITY Emelia Gutierrez, Barbara Valenzuela, Julia Romero, Day in and day out, we are required to make Mary Sandoval, Serouhy Maronian, Adela Perez, judgment calls informed by tough, durable, Quincy Masteller, Irene Genet, Paul Andres, Anita serviceable Christian love. We do what we can Ramirez, Delores Olney, Isaiah Curiel. do, and God takes notice. God is in charge of rewards, and a glass of water will do when that is what we have to offer with a glad and open SUNDAY COLLECTION 6/21/2020 heart. First Collection $ 3,543.00 Paul gives us a clear theology for the mission- Seond Collection $ 358.00 ary work we do whenever anybody is close at Others $ 125.00 hand. He reminds us that our work, our minis- try, is carried on in concert with Christ. We Total $ 4,053.00 have been baptized into his death and life. In Needed $ 7,907.00 any given moment both life and death are there, a kind of play of shadow and light. Favorable (Un Favorable) $ (3,854.00) Sometimes it’s difficult to tell where shadow leaves off and light begins. God will take care of that, too. SAINTS AND SPECIAL OBSERVANCES Sunday: Thirteenth Sunday in Ordinary Time Monday: Ss. Peter and Paul, Apostles Tuesday: The First Martyrs of the Holy Roman Church Wednesday: St. Junípero Serra; Canada Day Friday: St. Thomas; First Friday THE CROSS AND HOPE Saturday: Independence Day; First Saturday; The cross of Christ is the true ground and chief Blessed Virgin Mary cause of Christian hope. —Pope St. Leo I SAINT JUNÍPERO SERRA (1713-1784) July 1 No one who has stood before the quiet majesty of Mass Intentions Mission San Juan Capistrano, or the altogether differ- MONDAY, JUNE 29 ent but no less lovely Mission Dolores in San Francis- 8:30 am–Father’s Day Novena co, or any of the missions from San Diego to Sonoma TUESDAY, JUNE 30 can fail to bless the Franciscan padre who, while not 8:30 am–Mrs. Mary Stehly (RIP) founder of each, was inspiration for them all, Saint Junípero Serra. Abandoning the comfortable academ- WEDNESDAY, JULY 1 8:30 am–Alfred Villalobos ic life to which his doctorate in theology entitled him, Serra journeyed to the New World where his tireless THURSDAY, JULY 2 traveling, dramatic preaching, and penitential austeri- 8:30 am–Chris Leon ty converted thousands of native peoples. Saving FRIDAY, JULY 3 souls and celebrating the sacraments were Padre Ser- 8:30 am–Rob & Mary Bagdazian ra’s primary mission but not his only one. Education in letters and crafts, trades and agriculture trans- SATURDAY, JULY 4 formed the people, while roads and irrigation systems 8:30 am–William Baumgartner transfigured the landscape. His more than thirty years 8:00 pm–Salvador Melendez III of ministry were not free from conflict with authori- SUNDAY, JULY 5 ties or without controversy in the retrospectively criti- 7:30 am–Marilyn Reardon (RIP) cal eye of history. But when John Paul II beatified 9:00 am–Minnie Ramirez (RIP) him in 1988, he praised Padre Serra for assisting his 11:00 am–MISSA PRO POPULO converts to use their new faith to advance their true 12:30 pm–Alfred Villalobos human development. 5:30 pm–Special Intention DID YOU KNOW? Practice safe social distancing this summer EUCHARISTIC ADORATION As our churches, parks, and stores reopen to the Adoration of the Blessed Sacrament begins eve- public, it’s still important that we maintain good ry Friday following the 8:30 a.m. Mass and contin- hygiene and practice safe social distancing.
Recommended publications
  • Saint Sebastian
    SAINT SEBASTIAN In his semi-autobiographical novel Confessions of a Mask, the Japanese writer Yukio Mishima described his sexual awakening as a young boy when he came upon a reproduction of the martyrdom of Saint Sebastian, a painting by the late Renaissance artist Guido Reni. The event is transferred to the fictional narrator, but recalled the actual event that had proved so formative for Mishima. A remarkably handsome youth was bound naked to the trunk of a tree. His crossed hands were raised high, and the thongs binding his wrists were tied to the tree. No other bonds were visible, and the only covering for the youth's nakedness was a coarse white cloth knotted loosely about his loins... Were it not for the arrows with their shafts deeply sunk into his left armpit and right side, he would seem more a Roman athlete resting from fatigue... The arrows have eaten into the tense, fragrant, youthful flesh, and are about to consume his body from within with flames of supreme agony and ecstasy.' The boy's hands embarked on a motion of which he had no experience; he played with his 'toy': "Suddenly it burst forth, bringing with it a blinding intoxication... Some time passed, and then, with miserable feelings I looked around the desk I was facing... There were cloud-splashes about... Some objects were dripping lazily, leadenly, and others gleamed dully, like the eyes of a dead fish. Fortunately, a reflex motion of my hand to protect the picture had saved the book from being soiled. The martyrdom of Saint Sebastian would prove to be a pivotal theme in Mishima’s life and art to which he would return time and time again.
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  • Saint Sebastian of Rome
    Saint Sebastian of Rome This weekly bulletin insert complements the curriculum published by the Department of Christian Education of the Orthodox Church in America. This and many other Christian Education resources are available at http://dce.oca.org. The Orthodox Church commemorates a martyr-saint we have in common with the Western Church. Most tourists in Rome, especially religious pilgrims, will visit a church or basilica named for Saint Sebastian, either the one on the Palatine Hill or the earlier fourth-century one built outside the Aurelian Walls. Sebastian, raised in Milan, was an ardent Christian from an early age. Though completely disinclined to military life, he knew that Christians were being persecuted, especially those in military service. He joined the army in about the year 283, intending to comfort and encourage his brothers in the faith. His help was soon needed by two brothers, Marcus and Marcellianus, who had been sentenced to death. Their faith was wavering, both from fear and because of the tearful pleadings of friends that they should not squander their lives. Sebastian gently but eloquently urged them not to exchange heavenly crowns for a longer earthly life. He spoke so powerfully that the jailer and many others who overheard were converted. The Roman governor learned of this and also was told that a man had been cured of gout while being instructed and prepared for baptism. The governor, who suffered greatly from gout, humbly asked the saint to cure him as well. After receiving healing and Christian instruction he not only was baptized with his son Tiburtius, but liberated the Christian prisoners, freed his own slaves and gave up his government position.
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  • The Powers of Horror in “The Love Song of St. Sebastian”
    THE POWERS OF HORROR IN “THE LOVE SONG OF ST. SEBASTIAN” AND “THE DEATH OF SAINT NARCISSUS”: A STUDY OF ABJECTION AND JOUISSANCE IN T. S. ELIOT’S EARLY MARTYR POEMS A Thesis Presented to the faculty of the Department of English California State University Sacramento Submitted in partial satisfaction of the requirements for the degree of MASTER OF ARTS in English (Literature) by Brendan Michael Johnston SPRING 2012 ©2012 Brendan Michael Johnston ALL RIGHTS RESERVED ii THE POWERS OF HORROR IN “THE LOVE SONG OF ST. SEBASTIAN” AND “THE DEATH OF SAINT NARCISSUS”: A STUDY OF ABJECTION AND JOUISSANCE IN T. S. ELIOT’S EARLY MARTYR POEMS A Thesis by Brendan Michael Johnston Approved by: _______________________________, Committee Chair Dr. Joshua McKinney _______________________________, Second Reader Dr. Bradley Buchanan ______________________________ Date iii Student: Brendan Michael Johnston I certify that this student has met the requirements for format contained in the University format manual, and that this thesis is suitable for shelving in the Library and credit is to be awarded for the thesis. ________________________, Graduate Coordinator ____________________ Dr. David Toise Date Department of English iv Abstract of THE POWERS OF HORROR IN “THE LOVE SONG OF ST. SEBASTIAN” AND “THE DEATH OF SAINT NARCISSUS”: A STUDY OF ABJECTION AND JOUISSANCE IN T. S. ELIOT’S EARLY MARTYR POEMS by Brendan Michael Johnston The purpose of this essay is to perform a close examination of two of T. S. Eliot’s early, uncollected poems, entitled “The Love Song of St. Sebastian” and “The Death of Saint Narcissus.” One of the problems that arises in an appraisal of these poems is that they rest uneasily alongside his more prominent texts.
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  • Saint Sebastian
    Saint Sebastian This article is about the Christian saint and martyr. For the United States Navy ship, see USS St. Sebastian (SP-470). “Saint Sebastien” redirects here. For other uses, see Saint-Sébastien (disambiguation). Saint Sebastian (died c. 288) was an early Christian saint and martyr. He was killed during the Roman em- peror Diocletian's persecution of Christians. He is com- monly depicted in art and literature tied to a post or tree and shot with arrows. Despite this being the most com- mon artistic depiction of Sebastian, he was, according to legend, rescued and healed by Irene of Rome. Shortly af- terwards he criticized Diocletian in person and as a result was clubbed to death.[1] He is venerated in the Catholic and Orthodox Churches. The details of Saint Sebastian’s martyrdom were first spoken of by 4th-century bishop Ambrose of Milan (Saint Ambrose), in his sermon (number 22) on Psalm 118. Ambrose stated that Sebastian came from Milan and that he was already venerated there at that time. Saint Sebastian is a popular male saint, especially among soldiers.[2][3] 1 Life Saint Sebastian Interceding for the Plague Stricken,[4] Josse Lieferinxe, 1497–1499, The Walters Art Museum According to Sebastian’s 18th century entry in Acta Sanc- torum,[5] still attributed to Ambrose by the 17th century hagiographer Jean Bolland, and the briefer account in the then brought the rest of the prisoners; these 16 persons 14th century Legenda Aurea, he was a man of Gallia Nar- were also converted by Sebastian.[6] bonensis who was taught in Milan and appointed a captain Chromatius and Tiburtius converted; Chromatius set all of the Praetorian Guard under Diocletian and Maximian, of his prisoners free from jail, resigned his position, and who were unaware that he was a Christian.
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  • Learn About the Saint Sebastian
    Saint of the Week Series Feast Day: January 20 Symbol: arrows Patronage: Athletes, Soldiers, and Plague Victims Death: 288 CE Saint Sebastian Not much known about Sebastian’s birth or early childhood. What we do know about Sebastian comes from Saint Ambrose of Milan, the city that he allegedly came from, whether that be by birth or in his military training. He was recorded as joining the Roman Army from there in 283 CE as a practicing, but secret, Christian, as Christianity was illegal at this time. He served in the Proletarian Guard under Emperor Diocletian, a notorious anti-Christian. In his time serving in the army, Sebastian helped many Christians who were being persecuted. Notably, during his time serving on the Proletarian Guard, Marcus and Marcellian were revealed to be Christian deacons when they refused to make sacrifices to the Roman Gods. Their parents came to visit them as they awaited execution to convince them to renounce their Christian God in order to save their own lives. Rather than the two giving into temptation, Sebastian converted the parents to Christianity. Three years into his service in the military, Sebastian was discovered to be a Christian by the Emperor. Emperor Diocletian immediately ordered his arrest and for him to be murdered by being tied to a stake and used for target practice. Though he was hit with many, many arrows and assumed to be dead, he was covered by Irene of Rome, who hid him while he recovered from his many wounds. Eventually, Sebastian was well enough to leave, and he set out to find the Emperor in order to criticize him for his anti-Christian practices.
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  • Saint Sebastian SAINT SEBASTIAN PARISH CENTER Clergy Woodside, New York Mr
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  • CLASSROOM RESOURCE SHEET Allen Memorial Art Museum
    CLASSROOM RESOURCE SHEET Allen Memorial Art Museum wrap and softly draping robes cleans his wounds and prepares his body for burial, while another woman works to untie him. The man’s body is thin and haggard, tinged a grey-green color, implying his suffering and near-death state. Ter Brugghen has paid particular attention to the anatomy of Saint Sebastian, using heavy shadows to emphasize details like his ribs, musculature, and gaunt cheeks. He slumps over with clear weight, yet Saint Irene seems to keep him upright effortlessly. Her delicate touch holds the dead saint, and gently begins to remove an arrow from his side. The artist also visually connects Sebastian and Irene, by unifying their skin tone. Irene’s empathy seems so intense that she adopts the pallor of Sebastian. This unifi ed skin tone also serves to focus the narrative—the central fi gures in the story stand out, while the remaining fi gure fades into the background. FUNCTION/FORM & STYLE The arrangement of the fi gures is the central theme of the composition. The work is united by the strong diagonal movement from the man’s outstretched arm down to his head, past his half- closed eyes, to his lower left foot. Saint Sebastian Tended By Irene, 1625 This line is paralleled in the diagonal of the two women’s heads above Hendrick ter Brugghen (Dutch, 1588-1629) his own. The viewer’s low, close-up Oil on canvas | 58 15/16 x 47 ¼ in. (149.5 x 120 cm) perspective contributes to the emotion and immediacy.
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  • 19669 Saint Sebastian France, Lorraine 1450 – 75
    19669 Saint Sebastian France, Lorraine 1450 – 75 60.1 x 19.7 x 18.2 cm; limestone, the figure has lost its arms and legs, its face and torso suffered from damage, which reveals that this figure was violently separated from its original context, probably as a result of iconoclasm. A figure of Saint Sebastian depicted with pudding-bowl haircut, a melancholic face and youthful features. He stands nude, covered only by a loincloth, and his body scarred with empty holes left by arrows the resultant wounds bleeding from the effects of the thick wooden darts. Original polychromy is still found throughout the sculpture, most notably below the wound on the left side of his torso, which spews red blood. The figure is bound by rope to a trunk of a tree, which survives in good condition behind the figure. The style of the figure is related to sculptures from Lorraine from the second half of the fifteenth century, where there was a fusion of late French Gothic art with that of German art. It relates in style to an Entombment group in the Chapel of Saint-Nicholas, Neufchâteau or to the head of Mary Magdalene, now in the Louvre (fig. 1). The small eyes, with a lowered gaze, and the smooth straight hair find close analogies with our sculpture. Sebastian can also be compared to sculpture from Pont- Saint-Vincent in Lorrainesuch as the angel from the church of Saint Julien (fig. 2). Here the figure is rendered with the same degree of realism and with a similar sense of solemnity befitting of the subjects they depict.
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  • 127-San Pietro in Vaticano.Pages
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  • Building & Grounds Update>>>
    May 2021 >>> Contents − Buildings & Grounds Update – p.1-2 − Human Concerns – p. 2-5 − Prayer & Worship – p. 5-6 − Liturgy – p. 7 − Faith Formation – p. 7-8 − Finance Council – p. 8 − Cabaret – p. 8 − School – p. 9 − Athletics – p. 9-12 www.SaintSebestianOnline.net 5400 West Washington Boulevard, Milwaukee, WI 53208 (414) 453-1061 Building & Grounds Update>>> Holly Rutenbeck Progress on Needed School and Church Upgrades In November and December 2020, Best Electric retrofitted the existing light fixtures in the cafeteria of the school with LED bulbs to reduce energy consumption. The lighting levels in the cafeteria remain the same with the added benefit of dimming the lights as needed for events. The cafeteria lighting upgrades were funded through the Sustainability Committee's 2019 Winter Boutique fundraiser. Thank you everyone for making the Boutique a success! At the same time as the cafeteria lighting upgrades, through the help of anonymous donors, all lighting fixtures were replaced with higher lumen LED lighting in the church hall. The new lights use significantly less energy and are much brighter, which has allowed the church hall to be used by the 8th Grade class every day for instruction due to social distancing needs. An additional outlet was also added to the church hall that can be used for events but is currently used for charging Chromebooks and Smartboard use. The 2017 Stop the Auction Project to 'Light the Bell Tower' is underway! Staff Electric installed conduit, pulled new wire, and installed an electrical circuit subpanel at the base of the bell tower. This subpanel was an addition to the original scope of work and will provide extra power to the church hall during Parish events and will allow future expansion of lighting the church.
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  • Saint Sebastian and the Black Death, Vesalius, IV, 1, 23 - 30,1998
    Saint Sebastian and the Black Death, Vesalius, IV, 1, 23 - 30,1998 Saint Sebastian and the Black Death Summary The martyrdom of Saint Sebastian is one of the most enduring themes in Western religious art. The execution scene so often portrayed - with the Saint transfixed with arrows - is based on the legend about his life and death during the reign of the Roman emperor, Diocletian. However, it is the symbolic association of arrows with the Black Death - during the Middle Ages and during the Renaissance - which identifies Sebastian as the patron saint of plague victims. After more than four centuries of recurrent epidemics, the plague died out in Europe; but the image of St Sebastian continued to inspire artists until the end of the 19th century. Résumé Le martyre de Saint Sébastien est un des thèmes les plus dominants et persistants de l'art religieux de la civilisation occidentale. Cette scène si souvent reproduite, montrant Saint Sébastien percé de flèches, est basée sur la légende de sa vie et de sa mort pendant le règne de l'empereur romain Diocletien. C'est l'association symbolique des flèches avec la grande peste du Moyen Age et de la Renaissance qui identifie Saint Sébastien comme patron des victimes de la peste. Après quatre siècles d'épidémies cycliques, la peste disparut du continent Européen, mais l'image de Saint Sebastien continua à inspirer les artistes jusqu'à la fin du XIX siècle. Almost every major art gallery, world-wide, Sebastian: Iconography has at least one painting of St Sebastian. He is usually depicted as a martyr, bound to a stake, The earliest representation of Sebastian is column, or tree - and pierced with arrows (note thought to be a bas relief in the crypt of the 1).
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  • Pestilence and Prayer Saints and the Art of the Plague in Italy from 1370 - 1600
    University of Central Florida STARS HIM 1990-2015 2012 Pestilence and prayer saints and the art of the plague in italy from 1370 - 1600 Jessica Ortega University of Central Florida Part of the Art and Design Commons Find similar works at: https://stars.library.ucf.edu/honorstheses1990-2015 University of Central Florida Libraries http://library.ucf.edu This Open Access is brought to you for free and open access by STARS. It has been accepted for inclusion in HIM 1990-2015 by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation Ortega, Jessica, "Pestilence and prayer saints and the art of the plague in italy from 1370 - 1600" (2012). HIM 1990-2015. 1367. https://stars.library.ucf.edu/honorstheses1990-2015/1367 PESTILENCE AND PRAYER: SAINTS AND THE ART OF THE PLAGUE IN ITALY FROM 1370 - 1600 by JESSICA MARIE ORTEGA A thesis submitted in partial fulfillment of the requirements for the Honors in the Major Program in Art History in the College of Arts and Humanities and in The Burnett Honors College at the University of Central Florida Orlando, Florida Fall Term 2012 Thesis Chair: Dr. Margaret Zaho ABSTRACT Stemming from a lack of scholarship on minor plague saints, this study focuses on the saints that were invoked against the plague but did not receive the honorary title of plague patron. Patron saints are believed to transcend geographic limitations and are charged as the sole reliever of a human aliment or worry. Modern scholarship focuses on St. Sebastian and St. Roch, the two universal plague saints, but neglects other important saints invoked during the late Medieval and early Renaissance periods.
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