WGLT Program Guide, April, 1980
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NPR Mideast Coverage April - June 2012
NPR Mideast Coverage April - June 2012 This report covers NPR's reporting on events and trends related to the conflict between Israel and the Palestinians during the second quarter of 2012. The report begins with an assessment of the 37 stories and interviews, covered by this review, that aired from April through June on radio shows produced by NPR. The 37 radio items is just one more than the lowest number for any quarter (in July-September 2008) during the past ten years. Over that period, NPR programs have carried an average of nearly 100 items per quarter related to Israel, the Palestinians, or both. I also reviewed 20 news stories, blogs and other items carried exclusively on NPR's website. All of the radio and website-only items covered by this review are shown on the "Israel-Palestinian coverage" page of the website. The opinions expressed in this report are mine alone. Accuracy I carefully reviewed all items for factual accuracy, with special attention to the radio stories, interviews and website postings produced by NPR staffers. NPR's coverage of the region continues to be remarkably accurate for a news organization with very tight deadlines. NPR has posted no corrections on its website for stories that originated during the April-June quarter; two corrections were posted in April concerning items dealt with in my report for the January-March quarter. I found no outright inaccuracies during the period, but I will point out two instances of misleading use of language. Freelance correspondent Sheera Frenkel reported for All Things Considered on May 8 about the status of a hunger strike among Palestinian prisoners. -
Thesis a Uses and Gratification Study of Public Radio Audiences
THESIS A USES AND GRATIFICATION STUDY OF PUBLIC RADIO AUDIENCES Submitted by Scott D. Bluebond Speech and Theatre Arts Department In partial fulfillment of the requirements for the Degree of Master of Arts Colorado State University Fort Collins, Colorado Spring, 1982 COLORADO STATE UNIVERSITY April 8, 1982 WE HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER OUR SUPERVISION BY Scott David Bluebond ENTITLED A USES AND GRATIFICATIONS STUDY OF PUBLIC RADIO AUDIENCES BE ACCEPTED AS FULFILLING IN PART REQUIREMENTS FOR THE DEGREE OF Master of Arts Committee on Graduate Work ABSTRACT OF THESIS A USES AND GRATIFICATION STUDY OF PUBLIC RADIO AUDIENCES This thesis sought to find out why people listen to public radio. The uses and gratifications data gathering approach was implemented for public radio audiences. Questionnaires were sent out to 389 listener/contrib utors of public radio in northern Colorado. KCSU-FM in Fort Collins and KUNC-FM in Greeley agreed to provide such lists of listener/contributors. One hundred ninety-two completed questionnaires were returned and provided the sample base for the study. The respondents indicated they used public radio primarily for its news, its special programming, and/or because it is entertaining. Her/his least likely reasons for using public radio are for diversion and/or to trans mit culture from one generation to the next. The remain ing uses and gratifications categories included in the study indicate moderate reasons for using public radio. Various limitations of the study possibly tempered the results. These included the sample used and the method used to analyze the data. Conducting the research necessary for completion of this study made evident the fact that more i i i research needs to be done to improve the uses and gratifica- tions approach to audience analysis. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
Firstchoice Wusf
firstchoice wusf for information, education and entertainment • decemBer 2009 André Rieu Live in Dresden: Wedding at the Opera Recorded at Dresden’s Semper Opera House in 2008, this musical confection from André Rieu is both a concert and a real wedding party in one of the world’s most beautiful opera houses. The charming bride and groom, part of the famous “Vienna Debutantes,” are joined by 40 pairs of dancers from the Elmayer Dance School in Vienna, as well as sopranos Mirusia Louwerse and Carmen Monarcha, the Platinum Tenors, baritone Morschi Franz, and the Johann Strauss Orchestra and Choir. Airs Tuesday, December 1 at 8 p.m. from the wusf gm Season’s As you plan your year-end Greetings charitable giving, please consider a contribution to HE HOLIDAYS CAME EARLY THIS YEAR WUSF. It’s tax-deductible, T at WUSF Public Broadcasting. Thanks to you, WUSF 89.7’s Fall Membership Campaign it’s easy and it will make a was an unqualified success. We welcomed difference in your community. 1,050 new members to our family and raised more than $400,000 from new and renewing Just call Cathy Coccia at members. Bravo to everyone involved! 813-974-8624 or go online Speaking about our loyal supporters, we recently celebrated our Cornerstone Society to wusf.org and click members during the second annual Corner- on the Give Now button. stone Appreciation event. This year’s guest was the witty and insightful Susan Stamberg, Make a gift that gives back – an NPR special correspondent. She touched to you and your neighbors. -
Cokie Roberts Passed Away. It's a Simple News Fact, Anticipated By
Cokie Roberts passed away. It’s a simple news fact, anticipated by those near her and in the industry, but deeply saddening nonetheless. Cokie was one of the three NPR “founding mothers,” along with Linda Wertheimer and Susan Stamberg. Their courage, spunk, and insistence were legendary. Cokie was a giant among public radio reporters and commercial television announcers, and an inspiration to many women in public radio today. Her voice will continue to be heard in the work of generations of journalists who learned their craft from listening to her on their public radio stations. Here’s an excerpt from NPR’s official statement, written by departing CEO Jarl Mohn: “The public radio family has lost a founding mother, a journalist whose vigorous mind, boundless curiosity, and commitment to NPR have helped make us what we are today. Cokie’s contributions to public radio – and all of journalism – are many. At NPR she was part of the team that built the foundation for our newsroom and led the way for women in journalism at NPR and across the industry. A student of American politics throughout her decades-long career, she brought insight and perspective to countless elections, debates, and policy decisions great and small for NPR audiences. Through Cokie’s voice, the twists and turns in American democracy came to life. A natural storyteller, she could vividly connect the events of today with the people and policies of the past, helping all of us better understand their significance and who we are as Americans.” In closing, I’ll follow Cokie’s advice to listeners and encourage you to support your public radio station. -
The Voices of NPR
Episode 11 – Michael Goldfarb – All Along the Watchtower The Voices of NPR And now a personal word, Michael Goldfarb has the voice of a journalist who has witnessed important events. He speaks with weariness and authority. His voice evokes a chorus of NPR announcers who report from near and distant places. Writer Dierdre Mask noted in an article in the Atlantic magazine, “We can’t see NPR reporters, so we have to picture them. And because they are with us in our most private moments—alone in the car, half-asleep in bed—we start to think we know them.” And we do think we know them. Their voices are iconic: distinct, informative, comforting, familiar. Their voices are the sounds of our better selves when we are bright and learned and engaged in the affairs of the world. No matter the day’s events, they give us hope that in a crazy world, sense and sensibility will prevail. Here are a few names I grew up with: Susan Stamberg, Bob Edwards, Carl Kasell, Noah Adams, Linda Wertheimer, Robert Siegel, Scott Simon, Cokie Roberts, and Bob Mondello. Each name evokes a voice, a style, a beat, that is the news soundtrack of our lives and shared imagination. We hear their stories as they report from bureaus from foreign capitals: Eleanor Beardsley, Paris; Rob Gifford, London; Ofiebea Quist-Arcton, Dakar; and, of course, Sylvia Poggioli, Rome. We hear war correspondents in the thick of battle: Michael Golfarb in Northern Ireland and Bosnia; Kelly McEvers in the midst of death and kidnapping in the Arab Spring, Tom Bowman among the fire and mortars of Helmand Province, and David Gilkey ambushed and killed by the Taliban. -
Newsletter 1
The Newsletter of the Dialogue: Oral History Section Volume 6, Issue 1 Winter 2010 Society of American Archivists FROM THE CHAIR Mark Cave, The Historic New Orleans Collection Our section meeting in Austin anniversary. She is planning for on-site interviews to was a great success. 100 people take place at the annual conference in Washington. enjoyed the live interview conducted by Jim Fogerty Thank you to those of you who replied to our query with David Gracy. Jim did a to the section membership in October. We received wonderful job in conducting the really helpful information related to the interests and interview, and it was such a great needs of the section membership. This information way to honor Mr. Gracy for his will be helpful in the creation of an online survey, contributions to our profession. which will be a part of our website, and continually Our next section meeting promises to be equally gather information about the section’s membership. engaging. It is being planned by Vice Chair/Chair Past Chair Al Stein along with Nominating Committee Elect Joel Minor and will be devoted to oral history members Doug Boyd and Herman Trojanowski will be and human rights. looking for candidates for Vice Chair and two Steering Committee members for our next election, and will Lauren Kata has been busy since the Austin meeting also be reviewing our current bylaws. developing our SAA 75th Anniversary Oral History Project. Lauren has been named as the section’s A special thanks to Jennifer Eidson for preparing this representative on the 75th Anniversary Task Force, issue of Dialogue and for maintaining the section’s which is coordinating all the events surrounding the website. -
Nina Totenberg
When it Mattered Episode 8: Nina Totenberg Chitra Ragavan: Hello, and welcome to When It Mattered. I'm Chitra Ragavan. On this episode, we will be talking to Nina Totenberg, National Public Radio's award-winning legal affairs correspondent. Totenberg's coverage of the Supreme Court and legal affairs have won her widespread recognition and acclaim and earned many awards. She's often featured in Supreme Court documentaries, most recently in RBG. As Newsweek put it, quote, "The mainstays of NPR are Morning Edition and All Things Considered. But the créme del la créme is Nina Totenberg." Nina, welcome to the podcast. Nina Totenberg: It's my pleasure, Chitra. Chitra Ragavan: What was your path to becoming a reporter? Nina Totenberg: Well, when I was a girl, really a girl girl, I was a great fan of Nancy Drew, and Nancy could do everything. And, of course, she had no mother. Her mother was dead, so she didn't even have to compete for her father's affections. And she had a boyfriend, Ned, and a roadster, and she solved all kinds of mysteries and could do a jackknife dive. And I wanted to be Nancy Drew, and I thought the mystery part was something that I could do. And so I think that that made me, at first, interested in journalism. Nina Totenberg: And then later, when I was teenager, I read Theodore White's, The Making of a President, 1960, and I thought, "That's really what I want to do. I want to be ... " The elegant way of saying it is, "A witness to history." The inelegant way of saying it is, "I want to be a gossip," in the most regal sense. -
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg
THE FIRST FORTY YEARS INTRODUCTION by Susan Stamberg Shiny little platters. Not even five inches across. How could they possibly contain the soundtrack of four decades? How could the phone calls, the encounters, the danger, the desperation, the exhilaration and big, big laughs from two score years be compressed onto a handful of CDs? If you’ve lived with NPR, as so many of us have for so many years, you’ll be astonished at how many of these reports and conversations and reveries you remember—or how many come back to you (like familiar songs) after hearing just a few seconds of sound. And you’ll be amazed by how much you’ve missed—loyal as you are, you were too busy that day, or too distracted, or out of town, or giving birth (guess that falls under the “too distracted” category). Many of you have integrated NPR into your daily lives; you feel personally connected with it. NPR has gotten you through some fairly dramatic moments. Not just important historical events, but personal moments as well. I’ve been told that a woman’s terror during a CAT scan was tamed by the voice of Ira Flatow on Science Friday being piped into the dreaded scanner tube. So much of life is here. War, from the horrors of Vietnam to the brutalities that evanescent medium—they came to life, then disappeared. Now, of Iraq. Politics, from the intrigue of Watergate to the drama of the Anita on these CDs, all the extraordinary people and places and sounds Hill-Clarence Thomas controversy. -
Red River Radio Ascertainment Files April 2016 – June 2016 Red River Radio News Stories
Red River Radio Ascertainment Files April 2016 – June 2016 Red River Radio News Stories 2,247 LSU AgCenter: Cantaloupe flood crop study could yield new insights on contaminated produce (1:48) Aired: April 4, 2016 Interview: Wennie Xu, AgCenter food safety specialist; Melanie Lewis Ivey, plant pathologist, LSU AgCenter Type: Newscast wrap 2,248 Horticulturist: Act on flooded landscapes and protect surviving plants (1:25) Aired: April 5, 2016 Interview: Dan Gill, horticulturist, LSU AgCenter Type: Newscast wrap 2,249 Bossier Parish Community College in Bossier City hosts 'Day of Action' ceremony (1:43) Aired: April 6, 2016 Interview: Karen Recchia, vice chancellor for student services, Bossier Parish Community College; Jeremy Meche, nursing student, Bossier Parish Community College Type: Newscast wrap 2,250 LSU Shreveport to measure biking and walking flow in Shreveport (1:50) Aired: April 7, 2016 Interview: Karen Hawkins, associate professor, kinesiology and health science, LSU Shreveport Type: Newscast wrap 2,251 Lost 'stuffies' live on in Shreveport author's new children's novel (1:41) Aired: April 8, 2016 Interview: William Joyce, cofounder, Moonbot Studios Type: Newscast wrap 2,252 Louisiana Tech's urban concept cars in Ruston take to Detroit streets in fuel- efficiency test (1:56) Aired: April 11, 2016 Interview: Michael Swanbom, senior lecturer of mechanical engineering, Louisiana Tech University; Timothy Parker, mechanical engineering major, Louisiana Tech University Type: Newscast wrap 2,253 LSU Shreveport draws international students -
ARSC Journal, Vol
NATIONAL PUBLIC RADIO ARTS AND PERFORMANCE PROGRAMS By Frederica Kushner Definition and Scope For those who may be more familiar with commercial than with non-commercial radio and television, it may help to know that National Public Radio (NPR) is a non commercial radio network funded in major part through the Corporation for Public Broadcasting and through its member stations. NPR is not the direct recipient of government funds. Its staff are not government employees. NPR produces programming of its own and also uses programming supplied by member stations; by other non commercial networks outside the U.S., such as the British Broadcasting Corporation (BBC) and the Canadian Broadcasting Corporation (CBC); by independent producers, and occasionally by commercial networks. The NPR offices and studios are located on M Street in Washington, D.C. Programming is distributed via satellite. The radio programs included in the following listing are "arts and performance." These programs were produced or distributed by the Arts Programming Department of NPR. The majority of the other programming produced by NPR comes from the News and Information Department. The names of the departments may change from time to time, but there always has been a dichotomy between news and arts programs. This introduction is not the proper place for a detailed history of National Public Radio, thus further explanation of the structure of the network can be dispensed with here. What does interest us are the varied types of programming under the arts and performance umbrella. They include jazz festivals recorded live, orchestra concerts from Europe as well as the U.S., drama of all sorts, folk music concerts, bluegrass, chamber music, radio game shows, interviews with authors and composers, choral music, programs illustrating the history of jazz, of popular music, of gospel music, and much, much more. -
The Guide Name(S) ______Your Connection to Spokane Public Radio Volume 41 / No
Spokane Public Radio Membership and Donation Form Annual or additional contributions to Spokane Public Radio are always welcome. Mail to: Spokane Public Radio,1229 N. Monroe St., Spokane, WA 99201 THANK YOU FOR YOUR SUPPORT The Guide Name(s) ___________________________________________________________________ Your Connection to Spokane Public Radio Volume 41 / No. 1 January to March 2021 Address ___________________________________________________________________ Day Phone ( ) __________________ Evening Phone ( ) _____________________ Goodbye 2020, Hello 2021 A note from Cary Boyce, SPR General Manager and President E-Mail ____________________________________________________________________ Dear Listeners, Type of Gift/Pledge As an eventful 2020 draws its final curtain, the Spokane Public Radio □ New membership □ Extra Gift □ Renewing Member □ Payment on Existing Pledge staff, board, and community advisory board would like to thank you □ Challenge Grantor Donation Amount $ ____________________________ for listening to SPR and for your support over the last tumultuous year. Many organizations and people are struggling, and we’ve been honored Payment Option by your gifts of time, treasure, and talent. Community producers have □ Sustaining Membership - ongoing monthly gift with automatic membership renewal given so much in their production of superb local programs. Many staff arranged ways to work from home, including setting up home studios. □ Credit/Debit card (see below) □ Auto Bill Pay from my bank We’ve developed several work-arounds to record programs, concerts, and □ Full payment enclosed □ First payment of $ ________________ enclosed Part of the NPR network events to bring you fresh content. Many individuals and organizations □ Monthly: __________ months for $ ________________ per month have provided extra help to keep our service strong in our communities, our region, and our state at a time when it’s most needed.