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Tanglewood on Parade

TUESDAY AUGUST 4 1998

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Seiji Ozawa, Music Director, Boston Symphony Orchestra Mark Volpe, Managing Director, Boston Symphony Orchestra Ellen Highstein, Director, Tanglewood Music Center

Boston Symphony Orchestra

Members of each section of the Boston Symphony, including both principal and section players, are participating in the daily activities of the Tanglewood Music Center, giving master classes, sectional rehearsals, repertoire classes, and chamber music coachings.

1998 Additional Artist Faculty & Guest Artists

Juilliard String Quartet Bonnie Hampton, cello Conducting

Joel Smirnoff, violin Robert Mann, violin Seiji Ozawa Ronald Copes, violin Dr. and Mrs. Edward L. Bowles Red Lion Inn Master Teacher Samuel Rhodes, viola Master Teacher Chair Chair Peter Joel Krosnick, cello Serkin, piano Jorma Panula Manan Douglas Martin Chan; Surdna Foundation Chair endowed by Marilyn Brachman Andre Previn , violin Hoffman Stephen and Dorothy Weber , violin Roger Voisin, trumpet Artist-in-Residence , viola Berkshire Chair Robert Spano , cello Vocal Composition Arditti String Quartet Phyllis Curtin Michael Gandolfi Country Curtains Master Teacher Irvine Arditti, violin Osvaldo Golijov Chair Graeme Jennings, violin Henri Dutilleux Kenneth Griffiths Dov Scheindlin, viola Housatonic Curtain Company Dennis Heimlich Rohan de Saram, cello Master Teacher Chair Kayo Iwama Mauricio Kagel Chamber Music Karl Paulnack Sana H. Sabbagh and HasibJ. , piano Lucy Shelton Sabbagh Master Teacher Chair Charles E. Culpeper Foundation Renee Longy Chair, a gift ofJane John Williams Chair and John Goodwin Contemporary Music Norman Fischer, cello Alan Smith Barbara LaMont Master Teacher Pierre Vallet Reinbert de Leeuw, Director, Chair Festival of Contemporary Music Raphael Hillyer, viola A grant from the Velmans Richard Burgin Chair Foundation helps to underwrite Andrew Jennings, violin Mr. de Leeuw 's residency. Beatrice Sterling Proctor Master Stefan Asbury, Coordinator of Teacher Chair New Music Activities

Tanglewood Music Center Funds and Prizes • Henry Cabot Award • Gino B. Cioffi Memorial Prize • Eleanor Naylor Dana Visiting Artist Fund • Fromm Award • The Ann and Gordon Getty Foundation Fund • Ralph Gomberg Award • Mickey L. Hooten Memorial Prize • Grace B.Jackson Prize • Paul Jacobs Memorial Commissioning Fund • Henri Kohn Memorial Award • Louis Krasner Fund for Inspirational Teaching and Performance, established by Marilyn Brachman Hoffman • Pierre Mayer Award • Samuel Mayes Memorial Prize • Jules C. Reiner Violin Prize • Harry Shapiro Award • Voisin Award • Karl Zeise Memorial Prize • Tanglewood Music Center Endowed Funds Tanglewood Music Center Staff Leslie Wu Foley, Associate Director • Katherine A. Lempert, Manager of Student Affairs • Timothy Tsukamoto, Operations Coordinator

Tanglewood Development • Tracy Wilson, Director Tanglewood Music Center Orchestra • Harry Shapiro, orchestra manager • John Perkel and John Grande, librarians • Keith Elder, stage manager (Ozawa Hall)

1998 Summer Staff • Vytas Baksys • Thomas Biddlecombe • Jonathan Boehr • Gregg Brighenti • Jennifer Bilbie • Fredric Cohen • Ryan K. Darling • Susan Deering • Holly Fey • Michael Keams • Jacob Moerschel • John P Morin • Barbara Perkel • Marijke Reuvers • Philip Rothman • Nicki Schantz • Dirk Schoute • Jessica Happel • Stephanie Yu

The Tanglewood Music Center is funded in part by grants from the National Endowmentfor the Arts and the

J Helen E Whitaker Fund. Tanglewood on Parade Tanglew<©d August 1998 Tuesday, 4, Music For the benefit of the Tanglewood Music Center Center

2:00 Gates Open 5:00 Alpine Horn Demonstation (Lawn in front of Chamber Music 2:00 Hall; inside in case of rain) Tanglewood Institute: Fanfares at Main Gate Drive 5:30 Balloon Ascension (Rear of Shed in (Lawn near Lion Gate, case of rain) weather permitting)

2:30 Boston University 6:00 Tanglewood Music Center Tanglewood Institute: Fellowship Wind Music Chamber Music Concert (Tanglewood Manor House (Chamber Music Hall) porch; Chamber Music Hall in case of rain) 2:45 Tanglewood Music Center Fellowship Chamber and 7:00 Berkshire Highlanders Vocal Music (Lion Gate; rear of

(Seiji Ozawa Hall and Shed in case of rain) Theatre-Concert Hall) 8:00 Tanglewood Music Center 3:45 Boston University Fellowship Brass, Tanglewood Institute Roger Voisin conducting: Young Artists Orchestra Fanfares and Chorus (Koussevitzky Music Shed) (Koussevitzky Music Shed) 8:30 Gala Concert (Koussevitzky Music Shed)

Hot air balloon courtesy of Mr. and Mrs. Charles Joseph of Lebanon, New Jersey Alpine horns courtesy of BSO horn player Daniel Katzen Artillery and cannon supplied by Eastover, Inc. Scottish folk music courtesy of the Berkshire Highlanders Fireworks over the Stockbrige Bowl following the Gala Concert

!l A Message from Seiji Ozawa

Welcome to Tanglewood on Parade, our hard to earn a place in these programs. annual celebration of Tanglewood and the This freedom from financial concern allows

Tanglewood Music Center. Tanglewood on them to focus all their attention on music-

Parade is a festive celebration with a special making. There is no other place in the purpose—to provide funds to support the world like Tanglewood, where young musi- Tanglewood Music Center, one of the most cians are inspired by the Boston Symphony influential centers for advanced musical Orchestra, the TMC Faculty, the guest study in the world. In fulfillment of Serge artists who perform here, and the unique Koussevitzky's dream, young musicians Tanglewood landscape. come to this beautiful setting to work The Tanglewood Music Center has held under the supervision of outstanding artist- a special place in my heart since I arrived teachers, all in daily contact with the life of here in 1960. Making others feel welcome the Boston Symphony Orchestra. This year, here has also become an important part of in a way Koussevitzky particularly envi- my life. For two months each year we live sioned, members from each section of the and work together. This is the spirit that

BSO are participating more fully in the welcomed me when I first arrived, and which daily activities of the Tanglewood Music 1 hope to pass on to others. Just as I found

Center, with an expanded schedule of a home in music at Tanglewood, so do master classes, sectional rehearsals, reper- hundreds of aspiring young musicians who toire sessions, and chamber music coach- come here each summer. We all thank you ings. In tonight's concert the BSO and TMC for helping to make this possible.

Orchestra join together for what is always a very special highlight of our summer. By joining us here today you are sup- porting the important work of the Tangle- wood Music Center's extraordinary young musicians, young professionals and conser- Seiji Ozawa vatory or post-graduate level students of exceptional accomplishment. Each year generous patrons provide financial support that makes it possible to maintain the TMC year after year. Without this help, and the support of music lovers like yourselves, the Tanglewood Music Center could not sur- vive. The Boston University Tanglewood

Institute offers similar advanced training to musicians of high school age. Their partici- pation reflects more than thirty years of partnership with the Boston Symphony.

Every ticket sold today helps us con- tinue to offer tuition-free Fellowships to young musicians who have worked very — 1

The Tanglewood Music Center

Since its start as the Berkshire Music Center tor, Seiji Ozawa became head of the BSO's in 1940, the Tanglewood Music Center has programs at Tanglewood, with Gunther become one of the world's most influential Schuller leading the TMC and Leonard centers for advanced musical study. Serge Bernstein as general advisor. Leon Fleisher Koussevitzky, the Boston Symphony Orches- served as the TMC's Artistic Director from

tra's music director from 1924 to 1949, 1985 to 1997. In 1994, with the opening

founded the school with the intention of of Seiji Ozawa Hall, the TMC centralized its creating a premier music academy where, activities on the Campus, with the resources of a great symphony which also includes the Aaron Copland

orchestra at their disposal, young instru- Library, chamber music studios, administra-

mentalists, vocalists, conductors, and com- tive offices, and the Leonard Bernstein

posers would sharpen their skills under the Performers Pavilion adjacent to Ozawa Hall. tutelage of Boston Symphony Orchestra In 1997, Ellen Highs tein was appointed

musicians and other specially invited artists. Director of the Tanglewood Music Center,

The school opened formally on July 8, operating under the artistic supervision of

1940, with speeches and music. "If ever Seiji Ozawa.

there was a time to speak of music, it is The Tanglewood Music Center Fellow- now in the New World," said Koussevitzky, ship Program offers an intensive schedule alluding to the war then raging in Europe. of study and performance for advanced Randall Thompson's Alleluia for unaccom- instrumentalists, singers, conductors, and panied chorus, specially written for the cer- composers who have completed most of emony, arrived less than an hour before the their formal training in music. In 1998, event began but made such an impression new TMC offerings led by BSO members

that it continues to be performed at the include a Concertmaster Seminar, double opening ceremonies each summer. The TMC bass, wind, brass, and percussion programs, was Koussevitzky's pride and joy for the and a seminar on audition techniques. Dur-

rest of his life. He assembled an extraordi- ing their special residencies at Tanglewood nary faculty in composition, operatic and this summer, three acclaimed ensembles choral activities, and instrumental perform- ance; he himself taught the most gifted conductors.

Koussevitzky continued to develop the Tanglewood Music Center until 1950, a year after his retirement as the BSO's music director. Charles Munch, his successor in that position, ran the Tanglewood Music Center from 1951 through 1962, working with Leonard Bernstein and Aaron Copland to shape the school's programs. In 1963, new BSO Music Director Erich Leinsdorf

took over the school's reins, returning to Koussevitzky's hands-on leadership approach while restoring a renewed emphasis on contemporary music. In 1970, three years before his appointment as BSO music direc-

Serge Koussevitzky the Juilliard, Guarneri, and Arditti string TMC. Besides Seiji Ozawa, prominent quartets—are offering master classes and alumni of the Tanglewood Music Center coaching sessions on the string quartet include Claudio Abbado, Luciano Berio, literature. As part of a newly created "Lives the late Leonard Bernstein, David Del in Music" program, Tanglewood Artist- Tredici, Christoph von Dohnanyi, the in-Residence John Williams leads a three- late Jacob Druckman, Lukas Foss, John week Film Composition Seminar for Com- Harbison, Gilbert Kalish (who headed position Fellows. The TMC continues to the TMC faculty for many years), Oliver offer two special seminars—the Phyllis Knussen, Lorin Maazel, Wynton Marsalis, Curtin Seminar for Singers, and the Con- Zubin Mehta, Sherrill Milnes, Leontyne ducting Class—both open to a limited Price, Ned Rorem, Sanford Sylvan, Cheryl number of experienced young musicians Studer, Michael Tilson Thomas, Dawn of outstanding promise, and there are mas- Upshaw, Shirley Verrett, and David Zinman.

ter classes and coachings led by a number Today, alumni of the Tanglewood Music of guest artists present at Tanglewood to Center play a vital role in the musical life appear with the Boston Symphony. Also of the nation. Tanglewood and the Tangle- at Tanglewood each summer, the Boston wood Music Center, projects with which University Tanglewood Institute sponsors Serge Koussevitzky was involved until his a variety of programs that offer individual death, have become a fitting shrine to his and ensemble instruction to talented young- memory, a living embodiment of the vital, er students, mostly of high-school age. humanistic tradition that was his legacy.

It would be impossible to list all the At the same time, the Tanglewood Music distinguished musicians who have studied Center maintains its commitment to the at the Tanglewood Music Center. According future as one of the world's most impor-

to recent estimates, 20% of the members tant training grounds for the composers, of American symphony orchestras, and conductors, instrumentalists, and vocalists

30% of all first-chair players, studied at the of tomorrow.

Please note that this concert is being videotaped by NHK for future telecast in , and that occasional pictures of the audience may be used. Gala Concert

TANGLEWOOD ON PARADE Tanglew(©d Tuesday, August 4, at 8:30 Music CO-SPONSORED BY FILENE'S AND GE PLASTICS Center For the benefit of the Tanglewood Music Center TANGLEWOOD MUSIC CENTER ORCHESTRA BOSTON SYMPHONY ORCHESTRA BOSTON POPS ORCHESTRA SEIJI OZAWA, KEITH LOCKHART, and JOHN WILLIAMS, conductors TANGLEWOOD FESTIVAL CHORUS, JOHN OLIVER, conductor

BEETHOVEN Leonore Overture No. 3, Opus 73a TANGLEWOOD MUSIC CENTER ORCHESTRA, SEIJI OZAWA conducting

GERSHWIN Lullaby, for string orchestra

BERNSTEIN Three Dance Episodes from On the Town The Great Lovers Lonely Town: Pas de deux Times Square: 1944 BOSTON POPS ORCHESTRA, KEITH LOCKHART conducting

INTERMISSION

WILLIAMS "Hymn to the Fallen" from Saving Private Ryan with the TANGLEWOOD FESTIVAL CHORUS Three pieces from Hook The Banquet The Face of Pan Flight to Neverland BOSTON SYMPHONY ORCHESTRA, JOHN WILLIAMS conducting

TCHAIKOVSKY Ceremonial Overture, 1812 with the TANGLEWOOD FESTIVAL CHORUS TANGLEWOOD MUSIC CENTER ORCHESTRA and BOSTON SYMPHONY ORCHESTRA, SEIJI OZAWA conducting

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Notes

Ludwig van Beethoven's (1770-1827) struggles with musical drama in his single completed opera are well documented not only in the different versions of the opera itself (the earliest of which can now be heard on records as Leonore, along with the definitive Fidelio) but also in the overtures—no fewer than four! —that he composed for his work. Of these, three are

called "Leonore Overtures," according to the title Beethoven preferred (though it was not, in the end, used in performance since another composer, Giovanni Simone Mayr, had recently

written an opera with the same title); the fourth is called simply the Fidelio Overture. Bee- thoven wrote what we now call the Leonore Overture No. 3 for a revised version of the opera

given in March 1806. But the problem with that overture when connected to the opera is

that it is too powerful, utterly overwhelming the light opening scenes. In fact, it remains one

of the most dramatic and exciting overtures ever written. It begins with a slow introduction in which Beethoven quotes the hero Florestan's main aria "In des Lebens Friihlingstagen"

("In the spring days of my life"), which appears again later, in another version stated by clar- inet, as the secondary theme of the main body of the overture. The taut, exciting develop- ment climaxes in a gesture borrowed from the opera itself—an offstage trumpet signalling the arrival of help and the downfall of the villainous Don Pizarro's murderous intentions.

George Gershwin (1898-1937) came out of Tin Pan Alley and made his first income in music as a "song plugger," tirelessly sitting at a piano in a publisher's music shop, demon- strating the latest hit songs to customers who might be persuaded to buy the sheet music

themselves—though it is a good bet that none of them ever played the typical hack pop tune with anything like the keyboard flair Gershwin brought to his improvisations. Gradually he had an opportunity to demonstrate some of his own tunes, and before too long he was contributing songs to reviews, then writing the scores of entire shows. But Gershwin also aspired to serious musical respectability. Even after becoming wealthy and successful, he continued to study music with the best teachers he could find, even undertaking extensive work in orchestration (which few Broadway composers wanted to trouble themselves with since there was never time for the composer to orchestrate a show anyway). But in addition to his Broadway shows, Gershwin wanted to write for the concert hall and the opera house, to which end he undertook work in many of the standard "classical" genres. His Lullaby for strings (playable by string quartet or a full orchestral string section), composed about 1919

A Message to Our Patrons

This summer, following upon our initial experiments last year, Tanglewood is continu- ing to explore the use of large-screen video projections from the stage to screens positioned on the rear colonnade of the Koussevitzky Music Shed and this year in the rear of the Shed, as a means of enhancing the Tanglewood concert experience for our patrons. The screens are being used this summer for the July 31 Boston Symphony concert, the Leonard Bernstein Memorial Concert on August 1 , Tanglewood on Parade on August 4, and the BSO concerts of August 7 and 8. Please note that this

is still being done on an experimental basis, and is being examined not only with regard to the technology, but also with regard to cost implications. Surveys will be distributed to members of the audience on some of these evenings; we appreciate hearing from you as we continue to experiment with the use of these screens. The surveys may be returned by dropping them in the designated boxes as you exit the grounds, or by handing them to one of our volunteer collectors. Thank you very much for your assistance; we value your input. or 1920, is one of the earliest examples of this aspiration to write for a standard classical en- semble. It is a far more delicate work than the bouncy show tunes he was writing at the same time, but that probably reflects his own understanding of the dichotomy between popular and classical. In any case, he still imbues his Lullaby with a subtle touch of syncopation. Soon after making a splash as a dramatic last-minute stand-in for Bruno Walter with the New York Philharmonic on November 14, 1943, and conducting the premiere of his Sym- phony No. I, Jeremiah, in Pittsburgh, Leonard Bernstein (1919-1990) composed his first Broadway show, On the Town, a story of three sailors stationed at the Brooklyn Navy Yard during World War II who have a twenty-four-hour shore leave in Manhattan, a city new to them all. The simple but effective plot—borrowed from his ballet Fancy Free—follows the three young men as they sightsee and look for love in Gotham. The hectic pace of their day is wonderfully captured in the first of the Three Dance Episodes, depicting "The Great Lover" searching for that perfect girl. One of Bernstein's most beautiful and poignant melodies, "Lonely Town," underlies the pas de deux. The lively depiction of Times Square that ends the

Three Dance Episodes was also the finale of the show's first act. In the concert version, the dance episodes are dedicated to the three women who played the principal roles in the origi- nal show: Sono Osato, Betty Comden, and Nancy Walker. The long-lasting collaboration between John Williams (b.1932) and film director Steven Spielberg has involved works ranging from the pure entertainment of F.T or Home Alone to the thrills of Jaws and the sobering and touching Schindler's List. Their latest collaboration,

Saving Private Ryan, which opened on July 24, revisits World War II for a moving story, sug- gested by one widely reported at the time, of the Ryan family, all four of whose sons had gone to fight. When three of them died in the space of a few days, the Army decided that the last remaining son must be returned alive to his family, and sent out a team to rescue him from a dangerous advanced position. "Hymn to the Fallen" is part of the score for the film. At first, Steven Spielberg's 1990 film Hook, an updated sequel to the Peter Pan story, was intended as a full-fledged musical with a score by John Williams. By the time the film was released, the songs had been jettisoned, but the orchestral score inherited some of the

Seiji Ozawa in rehearsal with the TMC Orchestra in Ozawa Hall tunes originally planned as songs, and the resulting background score to Hook proved to be John William's most lavish since E.T (1840-1893) composed the overture formally entitled The Year

1812 for the Silver Jubilee of Tsar Alexander II, the "Tsar-Liberator," who had ascended the throne in 1855 and six years later issued the Edict of Emancipation freeing the serfs, who com- prised one-third of the population of Russia. To any Russian the date 1812 instantly conjured up the image of Napoleon's invasion of Russia, his conquest of Moscow, and his devastating, ignominious retreat with only a tiny percentage of his army, most of which had been destroyed by extremes of winter weather and lack of food. Tchaikovsky finished the overture on Octo- ber 18 and wrote soon afterward to his patroness, Nadezhda von Meek, with news of his

latest compositions: "The Overture will be very loud and noisy, but I wrote it with little warmth

or love; therefore it will probably have small artistic worth." Clearly Tchaikovsky wrote the piece as a potboiler, aimed at popular success. Without question he achieved his goal. The quotation of familiar tunes (familiar, at any rate, to his Russian audience in the 1880s) guar-

anteed a patriotic response as it reminded them of the historical events: the hymn "God Pre- serve the Tsar" at the beginning, the appearance of the "Marseillaise" symbolizing the invading French army, the musical battle between the two sides and the gradual overwhelming of the "Marseillaise" by the Russian music, and finally the Imperial anthem, reinforced by bells

and cannon. And of course all of this has made the overture a popular showpiece from its

very first performance.

—Steven Ledbetter

Artists

Seiji Ozawa is Music Director of the Boston Symphony Orchestra.

Keith Lockhart is Conductor of the Boston Pops Orchestra.

John Williams is Laureate Conductor of the Boston Pops and Artist-in-Residence at Tanglewood.

The official chorus of the Boston Symphony Orchestra, the all-volunteer Tanglewood Festival Chorus was founded in the spring of 1970 when founding conductor John Oliver became director of vocal and choral activities at the Tanglewood Music Center.

Tanglewood Festival Chorus, John Oliver, Conductor

Sopranos Michele Abadia* Barbara Berry -Sarah Brannen •Patricia Cox*Ann Dwelley Martha Golub* Eileen Katis -Nancy Kurtz 'Jane Morfill 'Jenifer Munson 'Pamela Schweppe 'Suzanne Schwing'Lynn Shane 'Joan Sherman Mezzo-sopranos Debra BasilcMaisy Bennett 'Betty BlumcAbbe Dalton Clark* Barbara Clemens 'Paula Folkman 'Debra Swartz Foote 'Roberta Hewitt 'Donna Hewitt-Didham 'Diane

Hoffman-Kim 'Annie Lee 'Gale Livingston 'Barbara Puder 'Marian Rambelk'Ada Snider 'Julie Steinhilber* Jennifer Walker 'Christina Wallace 'Marguerite Weidknecht Tenors Paul Allen 'Brad Amidon 'John Ban'Richard Bissell'Tom Dinger-Steve Groff'Michael Healan'Stan Hudson 'Jim Kauffman»Ron Lloyd* Henry Lussier»Brian Robinson 'Steve Rowan»Peter Smith'L. Daniel VincenfKurt Walker 'Benjamin Youngman Basses Christopher Austin 'Steve Bloom 'Mark Gianino 'Jeramie Hammond 'Michael Healy David Kirri'Youngmoo Kim 'Steve Ledbetter 'David Lones 'David Mazzotta 'Robin McClellan* Liam Moran 'Steve Owades'Karl Schoellkopf* Frank Sherman 'Peter Strickland 'Brad Turner 'Torn Wang« Teny Ward 'Peter Wender

Felicia A. Burrey, Manager Frank Corliss, Rehearsal Pianist Tanglewood Music Center 1998 Fellowship Program

Violin Olivier Thouin, Joliette, Quebec, Canada Alexandra Adkins, Denton, IX Lia and William Poorvu Fellowship/ William R. Housholder Fellowship/ Shirley and Sam Zemsky Fellowship Mu Phi Epsilon Claudette Sorel Scholarship Elbert Tsai, Berkeley, CA Shin-Young Ahn, Taegu, Korea Housatonic Curtain Company Fellowship

Harold G. Colt, Jr. Memorial Fellowship Jana Vander Schaaf, St. Louis, MO John Andersen, Milwaukee, WI Jerome Zipkin Fellowship Edward G. Shufro Fellowship Viola Jeremy Caplan, Brookline, MA Cecile Brossard, Paris, Carolyn and George Rowland Fellowship Florence Gould Foundation Fellowship in Honor of Eleanor Panasevich Andrew Duckies, Corvallis, Daniel Carlson, , IL OR Red Lion Inn Fellowship Edwin and Elaine London Family Fellowship Christine Grossman, Norwalk, CT Annette Chang, Atlanta, GA Dan and Shirlee Cohen Freed Fellowship Harry and Marion Dubbs Fellowship/ Wilma Hos, Calgary, Alberta, Canada Gerald Gelbloom Memorial Fellowship Berkshire Life Insurance Company Fellowship/ Marlena Chow, St. Paul, MN Sue and David Rudd Fellowship Jane W Bancroft Fellowship Dmitry Kustanovich, Worcester, Sara DeCorso, Fairbanks, AK MA Theodore Edson Parker Foundation Fellowship/ Surdna Foundation Fellowship Lucy Lowell (1860-1949) Fellowship Anna Elashvili, , MD Catherine Lynn, Birmingham, AL Morris A. Schapiro Fellowship Gloria Narramore Moody Foundation Fellowship William Fedkenheuer, Calgary, Alberta, Canada Christopher McKay, Cincinnati, OH Stokes Fellowship Tappan Dixey Brooks Fellowship Rebecca Fischer, Houston, TX Mai Motobuchi, Nara, Japan William F and Juliana W Thompson Fellowship Stanley Chappie Fellowship Angela Fuller, Seattle, WA Soung-Hee Park, Seoul, Korea Ann and Gordon Getty Foundation Fellowship Meesun Hong, Moore, SC Bristol-Myers Squibb Foundation Fellowship Courtney Sedgwick, Minneapolis, MN Merrill Lynch Fellowship William Randolph Hearst Foundation Fellowship Colleen Jennings, Ann Arbor, MI Amir Van der Hal, Jerusalem, Israel Mr. and Mrs. Jay Marks Fellowship American Friends the Israel Philharmonic Blair Johnston, Okemos, MI of Orchestra Fellowship Max Winder Violin Fellowship Emmanuel Witzthum, Mevaseret, Israel Yeojin Jung, Seoul, Korea James A. Macdonald Foundation Fellowship Ruth S. Morse Fellowship Sophia Kessinger, Berkeley, CA Cello Northern California Fund Fellowship Kathleen Balfe, Sunnyvale, CA David Ling, Canton, OH Mr. and Mrs. Allen Z. Kluchman Memorial Lenore and Alan Sagner Fellowship Fellowship Bin Lu, Zhe Jiang, Gregory Beaver, East Lansing, MI Starr Foundation Fellowship Miriam and Sidney Stoneman Fellowship Sayaka Nakayama, Yokohama, Japan Pei-An Chao, Taipei, Taiwan Hon. and Mrs. Peter H. B. Frelinghuysen Northern California Audition Fellowship Scholarship/Aso and Arlene Tavitian Fellowship Mihailjojatu, Bucharest, Patrick Neal, New Haven, CT Mr. and Mrs. Renke Thye Fellowship Donald Law Fellowship Ludmila Konstantinova, Sofia, Bulgaria Machiko Ozawa, Kanagawa, Japan Mr. and Mrs. David B. Arnold, Jr. Fellowship Harry and Mildred Remis Fellowship Julia Kostenko, Kiev, Ukraine Susan Perelman, , PA Sylvia and Arnold Golber Fellowship Renee Rapaporte Fellowship Ruti Machnai, Haifa, Israel Antonio Rincon, Santo Domingo, Dominican Bessie Pappas Fellowship Republic Matthew Millar, Madison, WI Omar Del Carlo Tanglewood Fellowship Clowes Fund Fellowship Jennifer Thompson, Buffalo, NY Philip and Bernice Krupp Fellowship Rafael Popper-Keizer, Santa Cruz, CA Bass Clarinet Naomi and Philip Kruvant Fellowship/ Michelle Montone, Burke, VA Jerry and Nancy Straus Fellowship Country Curtains Fellowship Dana Putnam, Houston, TX Luke B. Hancock Foundation Fellowship Patricia Dusold, Glenn Dale, Carina Reeves, Vancouver, British Columbia, MD Canada Sherman Walt Memorial Fellowship Nathaniel B. Hale, Madison, Robert and Luise Weinberg Fellowship WI Daphne Brooks Prout Fellowship Jeffrey Zeigler, Fremont, CA Christopher Marshall, Hurst, Channing and Ursula Dichter Fellowship TX Helene R. and Norman L. Cahners Fellowship/ Bass Mr. and Mrs. Belvin Friedson Fellowship Vincent Gendron, St. Hyacinthe, Quebec, Canada Sandra Nikolajevs, Millbury, MA

Marion Callanan Memorial Fellowship Robert G. McClellan, Jr. and Susan Hagen, Peabody, MA IBM Matching Grant Fellowship Mr. and Mrs. Robert F. Remis Fellowship Horn Eric Larson, Olympia, WA Shelagh Abate, York, Ginger and George Flvin Fellowship New NY Trauber Fellowship David Molina, Detroit, MI Susan Kaplan/Ami Bradley Gemeinhardt, Coradora, Arthur Fiedler/Leo Wasserman Fellowship TN George Speed, Spartanburg, SC Albert L. and Elizabeth P Nickerson Fellowship Karr, Brookline, Darling Family Fellowship Andrew MA Brookline Youth Concerts Awards Committee Irving Steinberg, Willingboro, NJ Fellowship BayBank/BankBoston Fellowship Hsueh-fen Wei, Kaohsiung, Taiwan Mollie Pate, New Orleans, LA Frelinghuysen Foundation Fellowship David R. and Muriel K. Pokross Fellowship Kimberly Penrod, Washington, DC Flute Judy Gardiner Fellowship Alyce Johnson, Fayville, MA Kevin Reid, Orlando, FL Alfred F. Chase Fellowship Haskell Gordon Memorial Fellowship Boaz Meirovitch, Tel Aviv, Israel Trumpet Lola and Edwin Jaffe Fellowship Francesca Staderini, Rome, Italy David Gordon, Narragansett, RI Tanglewood Ushers-Programmers Harry Stedman Ann and Gordon Getty Foundation Fellowship Fellowship/Olivetti Foundation Fellowship Matthew Harding, Dartmouth, MA Julie Thacker, Cary, NC Andre Come Memorial Fellowship Selma Pearl and Susan and Richard Grausman Billy Hunter, Jr., Austin, TX Fellowship Wynton Marsalis Fellowship Michael Mergen, Lebanon Township, NJ Oboe Armando A. Ghitalla Fellowship Michael Austin, New York, NY F. Alex Schmauk, Philadelphia, PA Dr. John H. Knowles Memorial Fellowship Athena and James Garivaltis Fellowship Carolyn Banham, Philadelphia, PA Morningstar Family Fellowship Trombone Ariana Ghez, New York, NY David Begnoche, Mystic, CT

Charles E. Culpeper Foundation Fellowship Anonymous Fellowship/Leo L. Beranek Fellowship Allison Kreiling, Rochester, NY James Nova, South Windsor, CT Augustus Thorndike Fellowship/ Caroline Grosvenor Congdon Memorial Fellowship Sigma Alpha lota Fund Mark Salatino, Syracuse, NY Kandell Family Fellowship Clarinet Tad Calcara, Oceanside, CA Bass Trombone Betsey and David McKearnan Fellowship/ Norbert Laczko, Budapest, National Federation of Music Clubs Scholarship Dr. and Mrs. Arthur Kravitz Fellowship/ Matthew Ernest, Poughkeepsie, NY Steve and Nan Kay Fellowship Rita Meyer Fellowship Alexander Laing, Washington, DC Tuba Raymond H. Schneider Fellowship, Paul Beauchesne, Powell River, British Columbia,

honored by his friends on his 80th Birthday Canada Kenneth Long, Buffalo, NY Anonymous Fellowship Miriam and Sidney Stoneman Fellowship Timpani/Percussion Conducting Class Marc Damoulakis, Westboro, MA Sascha Goetzel, Vienna, Frederic and Juliette Brandi Fellowship Maurice Abravanel Scholarship/ Michael LaMattina, Oberlin, OH Fvelyn and Phil Spitalny Conductor Scholarship Mr. and Mrs. Murray S. Katz Fellowship Lawrence Golan, Chicago, IL Michael Laven, Shaker Heights, OH William and Mary Greve Foundation Scholarship Charlotte Palmer Phillips Foundation Wilson Hermanto, Jakarta, Indonesia Jesse Monkman, Syracuse, NY Fdward and Joyce Linde Fellowship Rosamond Sturgis Brooks Memorial Fellowship John Spinas, Chapel Hill, NC Voice Raymond H. Schneider Fellowship, Robert Avrett, Albany, GA

honored by his friends on his 80th Birthday Juliet Fsselborn Geier Memorial Fellowship/ Angela Zator, Elmhurst, IL Dr. and Mrs. Donald B. Giddon Fellowship

Barbara Lee/Raymond F. Lee Foundation Fellowship Janna Baty, Lexington, MA Funice Cohen Fellowship Harp Daniel Brenna, Eau Claire, Wisconsin Yu-Hsin Huang, Tainan, Taiwan Wilmer and Douglas Thomas Fund Fellowship Kathleen Hall Banks Fellowship/ Maartje de Lint, Eelde, Holland John and Susanne Grandin Fellowship Velmans Foundation Fellowship Heather Kellgreen, Salt Lake City, UT Annalise Eberhart, Dallas, TX Janet Adams Fellowship Francis and Caiyn Powers Fellowship/ Pearl and Alvin Schottenfeld Fellowship Piano S hang-Chen Fu, Taipei, Taiwan Emma Covill, London, England Fdward G. Shufro Fellowship Paul Jacobs Memorial Fellowship/ Elizabeth Granados, New York, NY Fnglish Speaking Union Fellowship Mr: and Mrs. Vincent Lesunaitis Scholarship/ Simone Dinnerstein Brooklyn, NY J. Maurice Schwartz Fndowed Seminar Scholarship Ruth and Jerome Sherman Memorial Fellowship Daniel Gurvich, Leningrad, USSR Martha Locker, Pittsburgh, PA Dorothy and Montgomery Crane Scholarship/ Peggy Rockefeller Memorial Fellowship Fthel Barber Eno Scholarship Heather O'Donnell, New York, NY Tracy Rhodus, Seattle, WA Baldwin Piano and Organ Company Fellowship Susan Morse Hilles Fellowship Aimee Tsuchiya, Minneapolis, MN Jennifer Rivera, Santa Rosa, CA Wilhelmina Sandwen Memorial Fellowship Bernice and Lizbeth Krupp Fellowship Shai Wosner, Moshav Batsra, Israel Scott Toperzer, Pittsburgh, PA Billy Joel Keyboard Fellowship Eugene Cook Scholarship/ Composition Patricia Plum Wylde Fellowship Krista Wozniak, St. Paul, MN Marita Bolles, Allendale, NJ Dale and Anne Fowler Fellowship/ Margaret Lee Crofts Fellowship Ann Sternberg-Clara Marum Fellowship Matthew Guerrieri, Niles, IL Aaron Copland Fund for Music Fellowship Phyllis Curtin Seminar for Singers Hiroko Ito, Tokyo, Japan Eudora Brown, Santa Barbara, CA Otto Fckstein Family Fellowship Andrall and Joanne Pearson Scholarship Kenneth Lampl, Trenton, NJ Angela Dilkey, Slidell, LA Hannah and Raymond Schneider Fellowship Harold and Thelma Fisher Fellowship Gregory Mertl, New Milford, CT Eric Lawrence, Westbury, NY DeWitt Wallace-Reader's Digest Fund Fellowship Tanglewood Ushers-Programmers Endowed Richard Whalley, Hertfordshire, England Scholarship Benjamin Brittm Memorial Fellowship William Murray, Auburn, NY Dr. Marshall N. Fulton Memorial Fellowship Conducting Erika Rauer, Dover, DE Kari Kropsu, Jyvaskyla, Finland Tisch Foundation Scholarship/ Leonard Bernstein Fellowship Leah Jansizian Memorial Scholarship Andrew Robinson, Sydney, Australia Gabrielle Rubinstein, Cleveland, OH Seiji Ozawa Fellowship Richard F Gold Memorial Scholarship Bundit Ungrangsee, Bangkok, Thailand Geoffrey Scott, Houston, TX Leonard Bernstein Fellowship June Ugelow Scholarship * Emily Sinclair, Ann Arbor, MI Vocal Pianist Cynthia L Spark Scholarship Daniel Hobbs, Gordon, NE Heather Steckler, Spokane, WA Stephanie Morris Marryott and Franklin Millard Pryor Scholarship Claire and J. Marryott Fellowship Amie Victoria Thompson, New York, NY Akiko Hosaki, Osaka, Japan Charles L Read Foundation Fellowship Felicia Montealegre Bernstein Fellowship/ Jeffrey Thompson, Rochester, NY Mrs. Peter LB. Lavan Scholarship Miriam Ann Kenner Memorial Scholarship Kenjohansen, Denmark Alison Trainer, San Diego, CA R. Amory Thorndike Fellowship Mary H. Smith Scholarship Djordje Nesic, Belgrade, Yugoslavia

Alison Tupay, Buffalo, NY Fdward S. Brackett, Jr. Fellowship Stuart Haupt Scholarship Elvia Puccinelli, , CA Wim Hein Voorsluis, The Hague, Clarice Neumann Fellowship The Netherlands The Netherland-America Foundation Fellowship Elizabeth Wiles, Houston, TX

William E. Crojut Family Scholarship Avid Williams, New York, NY Nat Cole Memorial Fellowship

A Musical Partnership

The Boston Symphony Orchestra salutes the Baldwin Piano Company, which has provided pianos for young musicians and professional artists at Tanglewood for more than a half-century.

Tanglewaod Music Center Boston Symphony Orchestra 1997-98

BOSTON SYMPHONY ORCHESTRA

Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor, LaCroix Family Fund

First Violins Second Violins Cellos Malcolm Lowe Marylou Speaker Churchill Jules Eskin Concertmaster Principal Principal Charles Munch chair, Carl Schoenhof Family chair, Philip R. Allen chair, fully funded in perpetuity fully funded in perpetuity endowed in perpetuity in 1 969 Tamara Smirnova Vyacheslav Uritsky Martha Babcock Associate Concertmaster Assistant Principal Assistant Principal Helen Horner Mclntyre chair, Charlotte and Irving W Rabb chair, Vernon and Marion Alden chair, endowed in perpetuity in 1976 endowed in perpetuity in 1977 endowed in perpetuity in 1977 Ronald Knudsen Sato Knudsen Assistant Concertmaster Edgar and Shirley Grossman chair Esther S. and Joseph M. Shapiro chair Robert L. Beal, and Joseph McGauley Joel Moerschel Enid L. and Bruce A. Beal chair, Shirley and J. Richard Fennell chair Sandra and David Bakalar chair endowed in perpetuity in 1 980 Ronan Lefkowitz Luis Leguia Assistant Concertmaster David H. and Edith C. Howie chair, Robert Bradford Newman chair, Edward and Bertha C. Rose chair fully funded in perpetuity fully funded in perpetuity Bo Youp Hwang * Nancy Bracken Carol Procter John and Dorothy Wilson chair, *Aza Raykhtsaum Lillian and Nathan R. Miller chair fully funded in perpetuity * Bonnie Bewick Ronald Feldman Lucia Lin *James Cooke Richard C. and Ellen E. Paine chair, funded in perpetuity Eorrest Foster Collier chair *Victor Romanul fully *Jerome Patterson Alfred Schneider Bessie Pappas chair Charles andJoAnne Dickinson chair Carolyn and George Rowland chair * Catherine French Ikuko Mizuno *Jonathan Miller * Kelly Ban chair Dorothy Q. and David B. Arnold, Jr., Rosemary and Donald Hudson * Elita Kang chair, fully funded in perpetuity *Owen Young § Gerald Elias Amnon Levy John F Coganjr., and §Abraham Appleman Muriel C. Kasdon Mary L. Cornille chair, and Marjorie C. Paley chair §Ann Leathers fully funded in perpetuity *Jerome Rosen * Andrew Pearce Violas Ruth and Carl J.Shapiro chair, Gordon and Mary Ford Kingsley Steven Ansell fully funded in perpetuity Family chair Principal * Sheila Fiekowsky Charles S. Dana chair, Basses David and Ingrid Kosowsky chair endowed in perpetuity in 1970 Edwin Barker *Jennie Shames Principal Evelyn Berenson Theodore W and Assistant Principal Harold D. Hodgkinson chair, Family chair Anne Stoneman chair, endowed in perpetuity in 1974 *Valeria Vilker Kuchment fully funded in perpetuity Lawrence Wolfe Stephanie Morris Marryott and Ronald Wilkison Assistant Principal Franklin Marryott chair J. Lois Harlan Anderson chair and Maria Nistazos Stata chair, *Tatiana Dimitriades Robert Barnes fully funded in perpetuity Catherine and Paul Buttenwieser chair Burton Fine Joseph Heame *Si-Jing Huang Joseph Pietropaolo Leith Family chair, * Nicole Monahan Michael Zaretsky fully funded in perpetuity *Wendy Putnam Marc Jeanneret John Salkowski *Mark Ludwig Joseph and Jan Brett Hearne chair * Helene R. Cahners-Kaplan and Robert Olson Carol R. Goldberg chair *James Orleans * Seeber *Panicipating in a system of rotated Rachel Fagerburg *Todd seating * Edward Gazouleas *John Stovall tOn sabbatical leave *Kazuko Matsusaka * Dennis Roy ^Substituting, Tanglewood 1998 §Joseph Holt Flutes Contrabassoon Percussion Jacques Zoon Gregg Henegar Thomas Gauger Principal Helen Rand Thayer chair Peter and Anne Brooke chair, chair, fully funded in perpetuity Horns endowed in perpetuity in 1970 Frank Epstein Fenwick Smith? James Sommerville Peter Andrew Lurie chair, Myra and Robert Kraft chair, Principal fully funded in perpetuity perpetuity in Helen Sagoff Slosberg/ endowed in 1981 J. William Hudgins Elizabeth Ostling Edna S. Kalman chair, Timothy Genis endowed in perpetuity in 1974 Associate Principal Assistant Timpanist Marian Gray Lewis chair, Richard Sebring fully funded in perpetuity Associate Principal Harps § Marianne Gedigian Margaret Andersen Congleton chair, Ann Hobson Pilot perpetuity fully funded in Principal Piccolo Daniel Katzen Willona Henderson Sinclair chair Geralyn Coticone Elizabeth B. Storer chair Sarah Schuster Ericsson Evelyn and C. Charles Marran Jay Wadenpfuhl chair, endowed in perpetuity in 1979 Richard Mackey Librarians Menkis Marshall Burlingame Oboes Jonathan Principal Alfred Genovese Trumpets Lia and William Poorvu chair Principal Charles Schlueter William Shisler Mildred B. Remis chair, Principal Sandra Pearson endowed in perpetuity in 1975 Roger Louis Voisin chair, Mark McEwen endowed in perpetuity in 1977 Assistant Conductor Keisuke Wakao Peter Chapman Richard Westerfield Assistant Principal Ford H. Cooper chair Anna E. Finnerty chair Elaine and Jerome Rosenfeld chair Associate Principal Personnel Managers English Horn Nina L. and Eugene B. Lynn G. Larsen Robert Sheena Doggett chair Bruce M. Creditor Beranek chair, Thomas Rolfs fully funded in perpetuity Stage Manager Trombones Position endowed by Clarinets Ronald Barron Angelica L. Russell William R. Hudgins Principal Peter Riley Pfitzinger Principal j.P. and Mary B. Barger chair, Ann S.M. Banks chair, fully funded in perpetuity Stage Assistant endowed in perpetuity in 1977 Norman Bolter Gabriel Orenic Scott Andrews Thomas and Dola Sternberg chair Bass Trombone Thomas Martin Douglas Yeo Associate Principal & E-flat clarinet John Moors Cabot chair, Stanton W and Elisabeth K. Davis fully funded in perpetuity chair, fully funded in perpetuity Tuba Bass Clarinet Chester Schmitz Craig Nordstrom Margaret and William Earla and Harvey Chet C. Rousseau chair, Krentzman chair, fully funded in perpetuity fully funded in perpetuity Timpani Everett Firth Richard Svoboda Sylvia Shippen Wells chair, Principal endowed in perpetuity in 1974 Edward A. Taft chair, endowed in perpetuity in 1974 Roland Small Richard Ranti Associate Principal W l

Boston University Tanglewood Institute

Bruce MacCombie, Dean, Boston University School for the Arts Phyllis Hoffman, Director, Music Division Cynthia Plumb, Administrator

Young Artists Orchestra and Helena Likwomik, Toronto, Ontario Young Artists Vocal Program Laura Siegel, Bedford, MA Chamber Music Program Soprano Double Bass Violin Bethany Joy Ackeret, Plover, Wl Joseph Conyers, Savannah, GA Michelle Adessa, Cheshire, CT Emily Ho, Porterville, CA Ira Gold, Houston, TX Aubrey Baker, Knoxville, TN Katherine Collins, Florissant, MO Mike Williams, Elizabeth, CO Alisa Baxter, Eagle, ID Eugenia Sozzi, Burke, VA Akil Marshall, Jamaica Plain, MA Mauri Bell, Calgary, Canada Rob Weisberger, West Stockbridge, MA Benjamin Levy, Englewood, CO Emily Bradof, Spartanburg, SC Erik Rynearson, Malibu, CA Eileen Hwang, Princeton Junction, NJ Buencello, Victoria, TX Anna Bulbrook, Weston, MA Jennifer Kristen Underhill, Glastonbury, CT Kirstin Chen, Concord, NH Monica Jang, Weston, MA Randall Wong, Kailua, HI Elizabeth Cornwall, Concord, MA Hannaha Lee, Sorrento, FL Leah Standard, Williamsville, NY Karoun Demirjian, Lexington, MA Natalya Weinstein-Roberts, Leverett, MA Stephanie Harrington, Altamont, NY Allison Ewoldt, Pleasanfville, NY Alison Stein, Hamden, CT Beth Rachel Satkin, Westfield, NJ Deborah Grausman, New York, NY Elana Arian, Larchmont, NY Adrian Rhodes, Thibodaux, LA Daniel Chen, Andover, MA Flute Milena Grubor, Troy, MI Heather Wittels, Brookline, MA Daniel Stein, Palm Beach Gardens, FL Caedmon Haas, Chapel Hill, NC Ana Ilieva Pedeva, Sofia, Bulgaria Shawn Wyckoff, Ashton, MD Maeve Hoglund, Olympia, WA Joshua Kaye, Wilton, CT Nicole Newman, Great Neck, NY Brooke Lieberman, Sudbury, MA Yevgeny Kutik, Pittsfield, MA Julietta Curenton, Alexandria, VA Ashley Harris Logan, Princeton, NJ Megan Prado, Arlington, MA Joelle Lurie, Weston, MA Whitney Friedrich, Newport, Rl Oboe Marlee MacArthur, Plymouth Meeting, PA Marya Vrba, Flagstaff, AZ Amanda Dusold, Glenn Dale, MD Clarice Mazanec, Chesterland, OH Matthew Cataldi, Worthington, OH Michael Dressier, Manhattan, KS Sarah Miller, New York, NY Julie Lee, Sorrento, FL Sarah Schram, Milton, MA Sarah Moulton, Southampton, NY Robert Redman, Fort Worth, TX Michael Daniels, Randolph, NJ Ana Munoz, Baltimore, MD Jared Joyce-Schleimer, Clarinet Valerie Parks, Dallas, TX Mount Pleasant, SC Matthew Spivey, Mt. Pleasant, SC Kristen Riley, No. Attleboro, MA Laura Colgate, Cordova, TN Wilfredo Figueroa, Bronx, NY Leighanne Saltsman, Rhinehech, NY Ben Hellman, Larchmont, NY Daniel Lano, Ellicott City, MD Jessica Searle, Herndon, VA Alice Wang, Bedminster, N] Stephen Charette, Novi, Ml Martha Shershin, Roswell, GA Noah Geller, Oak Park, 11 Valerie Silvis, Winchester, VA Kate Roberts, Andover, MA Bassoon Annandale, VA RI Debra Stanley, Bo-Kyung Song, Providence, Sarah Williams, Berkeley, Hts., NJ Jennifer Stratton,* Corner Brook, David Lebel, Auburn, MA James Marshall, Jackson, Ml Longmeadow, Newfoundland Samuel Chang, MA Isaac Gruber, Fairfield, CT Sarah Vogel, Weston, CT Yuko Shimokawa, Shrewsbury, MA David Neway, Rockville Ctr, NY Megan Weber, Bar Harbor, ME Caitlin Gracey, Newport News, VA Kathryn Studley, Fust Falmouth, MA Horn Mezzo-soprano Cambridge, MA Angela Bagnetto, Endwell, NY Amy Baughman, Dawn Anderson, Cedar Falls, 1A Jean-Paul Bjorlin, West Palm Beach, FL Viola Meryl Amy Atlas, Orange, CT Mollie McDougall, Syracuse, NY Fleur Barron, New York, NY Mark Holloway, Oceanside, NY Anneka Zuehkle, Vienna, VA Andrea Carey, Canton, MA Leandro Vargas, Dallas, TX Patrick Carlson, Vashon, WA Elizabeth DeShong, Port Trevorton, PA Beth Guterman, Belmont, MA Christina Guarino, Pleasanfville, NY Roxann Ferguson, Gurnee, IL Molly Gebrian, W Hartford, CT Nora Graham-Smith, Pittsford, NY Caroline Johnston, Acton, MA Trumpet Amy Heifer, Cheshire, CT Katie Concra, Ballston Lake, NY Jenny Ruzow, Clifton Park, NY Emily Liotta, Oceanside, NY Elizabeth Dinwiddie, Poughkeepsie, NY Gareth Flowers, Arlington, VA Annabeth Loveys, Newfoundland, Canada Cori Tolda, Ridgefield, CT Ryan Gardner, Santa Monica, CA Melissa Mazzoli,+ Lansdale, PA Edward Klorman, Rochester, NY Lisa Edelman, Egg Harbor Township, NJ Jennifer Meggitt, Temperance, MI Elizabeth Holub, Tucson, AZ Trombone Andrea Metz,* Portland, OR Brian Chow, Burke, VA Peter Sohn, Suffern, NY Melina Packer, Warwick, RI Andrea Spencer, Woodbridge, CT Julia Cowden, Trumansburg, NY Vanessa Palo, New Canaan, CT Kirk Johnson, Mattapan, MA Dana Landis, Longmeadow, MA Adrienne Sass, White RiverJunction, VT Cello Sherman, Wilton, CT Tuba Faith Darwin Chen, Fllicott City, MD Sarah Stone, Schenectady, NY Daniel Bradley, Fairfax, VA Benjamin Kalb, Wading River, NY Hanan Tarabay, Gulf Breeze, FL Jason Colgate, Cordova, TN Percussion Emmy Thomas, Montgomery, AL Tidemand-Johannessen, Jessica Andrew, Glendale, AZ Ian Antonio, Loudonville, NY Penelope Derek Chen, Taipei, Taiwan Matthew Beck, Millbury, OH Nyack, NY Florence Wong, Los Angeles, CA Jeff Luft, Coral Springs, FL Tenor Cecilia Kwok, Randolph, N] Wallstein, Newfane, VT Adam Vincent Capaldi, Chepachet, Rl Katherine Kennedy Dixfield, ME Henry Wan, Quincy, MA Terry Doe, Bronx, NY Ian Mok, Black Hills, Esher; England Michael Gerber, Sharon, MA Meredith Hickey-Schiapp, Cheshire, CT Claude LaBelle, Assistant Director, YAPP Karon Graham, New York, NY John Hoyt, Millbrook, NY Tetyana Ryabchikova, Assistant, YAPP Eric Hachikian,+ Lake Forest, IL Jennifer Hudson, Birmingham, AL Charles Fussell, Director, YACP Lawrence Jones, Amherst, MA Aaron Korn, East Meadow, NY Alex Freeman, Assistant, YACP Dan Kircher, Westborough, MA Adam Light, Los Alamos, NM Lucille Lawrence, Director, Harp Seminar Brett Mayo, Antioch, TN Cecily Rose, Scarsdale, NY Atlantic Brass Quintet Daisuke Nagaki, Tokyo, Japan Trombones Foley, trumpet Eric Stinson, West Linn, OR Joseph Christopher Belk, Crestview, FL Luke, trumpet Charles Thomas, New York, NY Jeff Andrew Branch, Highland, Juan Tinch, Jamaica, NY UT Seth Orgel, horn Caroline Cardiasmenos, Carlisle, Faieta, Gabriel Wildau, Atlanta, GA MA John trombone Justin Friedman, Delmar, NY John Manning, tuba Baritone David Grigsby, Santa Fe, NM Artaria String Quartet Robert Accordino, BriardijJ Manor, NY Josephine Ichikawa, Cupertino, CA Ray Shows, violin William Barclay, Weston, MA Graham Middle ton, Oxford, MD Richard Brickman, Norwell, MA Arthur Zuehkle, Vienna, VA Nancy Oliveros, violin Renee Moore-Skerik, viola Cacchione, Erie, PA Joshua Tuba David Cohen, Atlanta, GA Laura Thielke, cello Seth Cook, Middleboro, MA William Frazier, Cleveland, OH YAO Staff Chris Murray, + Decorah, LA Stephen Dombrowski, Shrewsbury, MA Rachel Hertzberg, Keith Elder, manager Joseph Quinones, Stamford, CT Montvale, NJ Amy Dombach, librarian Douglas Roach, Herndon, VA David Hodgson, Los Alamos, NM Nick Hymes, Oaks, Molly Eastman, staff assistant Eric Von Kohom, Weston, CT Thousand CA Kai-Yun Lu, wind assistant David Rabinowitz, Cherry Hill, Raley Wiggins, Tuscaloosa, AL NJ Adrian Rhodes, Thibodaux, Pooh Merritt, brass assistant Enoch Wu, Taipei, Taiwan LA Price, wind assistant Eric Snitzer, Bristol, RI Andrew Atlantic Brass Quintet Seminar Steven Truckenbrod, Durham, NC Vocal Program Staff Trumpet Boston University Phyllis Hoffman, director Thomas Bergeron, South Hadley, MA Administration Ann Howard Jones, choral conductor William Buck, Wethersfield, CT Wachner, co-choral Bruce MacCombie, Dean Julian conductor Blakcly Carroll, Vienna, VA Scott Jarrett, assistant choral conductor Walt Meissner, Associate Dean, David Dash, Lmcrojt, NJ Elizabeth Noel, coordinator Administrative Affairs Brian Falcon, Baton Rouge, LA Patrick Gagnon, assistant Patricia Mitro, Assistant Dean, Enrollment Frank, Westport, Joshua CT Karen Ganz, staff pianist/coach Andrew Glide, Hanover, NH BUT1 Administration Jodi Goble, staff pianist/coach Michael Gurfield, Santa Monica, CA Phyllis Hoffman, Director Rachel Harris, assistant Akiko Kasuya, Oyama-shi, Japan Cynthia Plumb, Administrator Albert Jensen-Moulton, assistant Sean Maness, Angleton, TX Robin Berman, Assistant Administrator Stephanie Jensen-Moulton, assistant Matthew Misener, Clifton Park, NY Carolyn Bell Kingston, Assistant, Adult Jenny Olsen, assistant Emma Murlcy, Elizabeth town, KY Music Seminar Chung Seo, assistant Alistair Neal, Los Alamos, NM Sally Plante, Secretary Staff ABQ Assistants Garth Ramsey, Los Alamos, NM Deborah Welsh, Publications Ryan Resky, Englishtown, Richard Candelaria, trumpet NJ Lou Mikolajek, Director oj Operations, Chris Parks, trumpet \iigela Romero, Wluttia; CA West Street Campus Jason Sanders, Baton Rouge, Becky Rucker, horn LA Rolanda L. Ward, Manager oj Christopher Nathaniel Dickey, trombone Scanlon, South Windsor, CT Operations, WSC Christopher Smith, Stephen Cooley, bass trombone Muskegon, Ml Michael Alcom, Associate Manager oj Thomson, Matt Gaunt, tuba Jefl East Greenwich, Rl Operations, WSC Yoshinori Tsumura, Will Lombardelli, librarian Funabashi-shi, Japan Eileen C. DeCaro, Associate Manager oj Horn Student Life, WSC Stage Crew Karin M. Laine, Office Coordinator, WSC [revor Baybutt, Drcshcr, PA Jacob Moerschel, Stage Manager Kerin Black. London, England Faculty Julie Holt Benjamin Cadle, Crestview, FL Peter Sargent Maria Clodesjaguaribe, Director, YAPP

+- Young Artists Composition Program * = Young Artists Piano Program

This roster includes BUT1 students and faculty represented in Tanglewood on Parade 1998.

The Boston University Tanglewood Institute

1998 marks the 33rd season of the Boston University Tanglewood Institute. Since 1966, the Boston University Tanglewood Institute has been a summer program of Boston University and the Tanglewood Music Center. The Institute includes Young Artists Programs for students ages 15 to 18 (Instrumental, Vocal, Piano, and Composition), Institute Seminars for student ages 15 and older (Harp, Atlantic Brass), Institute Workshops (Clarinet, Flute, Oboe, Double Bass, Percussion, Horn, Trumpet, Trombone, and String Quartet), and the Adult Music Seminar. Many of the Insti- tute's students receive financial assistance from funds contributed by individuals, foundations,

and corporations to the Boston University Tanglewood Institute Scholarship Fund. If you would like further information about the Boston University Tanglewood Institute, please stop by our office on the Leonard Bernstein Campus on the Tanglewood grounds, or call (413) 637-1430 or (617) 353-3386. TOMMY GIRL by Tommy Hilfiger 2-PC. SET ONLY $48 a $53 VALUE • Cologne Spray • Striped Makeup Bag

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