THE SHANGHAI QUARTET Quartet-In-Residence
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A Chronology of All Artists' Appearances with the Chamber
75 Years of Chamber Music Excellence: A Chronology of all artists’ appearances with the Chamber Music Society of Louisville st 1 Season, 1938 – 1939 Kathleen Parlow, violin and Gunnar Johansen, piano The Gordon String Quartet The Coolidge Quartet The Heermann Trio nd 2 Season, 1939 – 1940 The Budapest String Quartet The Stradivarius Quartet Marcel Hubert, cello and Harold Dart, piano rd 3 Season, 1940 – 1941 Ralph Kirkpatrick, harpsichord and Lois Wann, oboe Belgian PianoString Quartet The Coolidge Quartet th 4 Season, 1941 – 1942 The Trio of New York The Musical Art Quartet The Pro Arte Quartet th 5 Season, 1942 – 1943 The Budapest String Quartet The Coolidge Quartet The Stradivarius Quartet th 6 Season, 1943 – 1944 The Budapest String Quartet Gunnar Johansen, piano and Antonio Brosa, violin The Musical Art Quartet th 7 Season, 1944 – 1945 The Budapest String Quartet The Pro Arte Quartet Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord th 8 Season, 1945 – 1946 The Musical Art Quartet Nikolai Graudan, cello and Joanna Graudan, piano Philip Manuel, harpsichord and Gavin Williamson, harpsichord The Budpest String Quartet th 9 Season, 1946 – 1947 The Louisville Philharmonic String Quartet with Doris Davis, piano The Albeneri Trio The Budapest String Quartet th 10 Season, 1947 – 1948 Alexander Schneider, violin and Ralph Kirkpatrick, harpsichord The Budapest String Quartet The London String Quartet The Walden String Quartet The Albeneri Trio th 11 Season, 1948 – 1949 The Alma Trio -
Welcome Anthea Kreston! the Artemis Quartet Welcomes Its New Member
Welcome Anthea Kreston! The Artemis Quartet welcomes its new member Berlin, 18 January 2016 In the past six months, amidst mourning the death of Friedemann Weigle, the Artemis Quartet also came to the decision of continuing its work as an ensemble. Now, the Artemis Quartet is pleased to announce its new member: the American violinist Anthea Kreston, who will take over the second violin position with immediate effect. In a musical chairs scenario, Gregor Sigl will assume the viola position in the quartet. Andrea Kreston, born in Chicago, studied with Felix Galimir and Ida Kavafian at the renowned Curtis Institute of Music in Philadelphia, as well as chamber music with the Vermeer Quartet and Emerson String Quartet. Anthea Kreston was a member of the Avalon Quartet - with whom she won the ARD Competition in 2000 - for seven years. In 1999, she founded the Amelia Piano Trio. She has given many concerts in the United States and Europe with both ensembles. Eckart Runge and Anthea Kreston have known each other for twenty years. They met, as members of different ensembles, at a masterclass given by the Juilliard String Quartet. Eckart Runge: “Already then, Anthea struck me as an extraordinarily brilliant musician and someone who has a big personality. She applied for the available position, travelled to the audition from the West Coast [of the United States] and impressed us with her warm-heartedness, boundless energy and - above all - her fantastic qualities as a musician and violinist. All three of us immediately felt that, in her own way, Anthea reflects the soul of Friedemann and will bring new energy to our quartet.” Anthea Kreston: “It is with a full heart that I join the Artemis Quartet, my favourite quartet since we were all students together at the Juilliard Quartet Seminar 20 years ago. -
Quatuor Ébène Pierre Colombet Violin • Gabriel Le Magadure Violin Marie Chilemme Viola • Raphaël Merlin Cello
Wednesday 12 December 2018 7.30pm Quatuor Ébène Pierre Colombet violin • Gabriel Le Magadure violin Marie Chilemme viola • Raphaël Merlin cello Ludwig van Beethoven String Quartet in F Op. 18 No. 1 Johannes Brahms String Quartet in C minor Op. 51 No. 1 I n t e r v a l (20 minutes) Ludwig van Beethoven String Quartet in F Op. 135 This evening’s concert will be streamed live, and will be available to watch afterwards on the Wigmore Hall website. PROGRAMME: £3 CAVATINA Chamber Music Trust has donated free tickets for 8-25 year-olds for the concert on 12 December 2018. For details of future concerts please call the Box Office on 020 7935 2141. 2018 cover-autumn test print.indd 1 29/08/2018 10:28 Ludwig van Beethoven Beethoven arrived in Vienna in 1792, a year after Mozart’s tragic death. The young, (1770–1827) Bonn-born composer was effectively travelling to the Habsburg capital to take up where the late, lamented composer had String Quartet in F Op. 18 No. 1 left off. He even carried a letter to that end, (1798–1800) written by his friend Count von Waldstein: Allegro con brio ‘You are going to Vienna in fulfilment Adagio affettuoso ed appassionato of your long-frustrated wishes. The Scherzo. Allegro molto Genius of Mozart is still mourning and Allegro weeping the death of her pupil. She found a refuge but no occupation with the inexhaustible Haydn; through him Johannes Brahms she wishes once more to form a union (1833–1897) with another. -
Juilliard String Quartet
JUILLIARD STRING QUARTET ARETA ZHULLA - VIOLIN RONALD COPES - VIOLIN ROGER TAPPING - VIOLA ASTRID SCHWEEN - VIOLONCELLO „Decisive and uncompromising...Juilliard’s confidently thoughtful approach, rhythmic acuity and ensemble precision were on full display." – The Washington Post With unparalleled artistry and enduring vigor, the Juilliard String Quartet continues to inspire audiences around the world. Founded in 1946 and hailed by the Boston Globe as “the most important American quartet in history,” the Juilliard draws on a deep and vital engagement to the classics, while embracing the mission of championing new works, a vibrant combination of the familiar and the daring. Each performance of the Juilliard Quartet is a unique experience, bringing together the four members’ profound understanding, total commitment, and unceasing curiosity in sharing the wonders of the string quartet literature. Ms. Areta Zhulla joins the Juilliard Quartet as first violinist beginning this 2018-19 season which includes concerts in Hong Kong, Singapore, Shanghai, London, Oslo, Athens, Vancouver, Toronto and New York, with many return engagements all over the USA. The season will also introduce a newly commissioned String Quartet by the wonderful young composer, Lembit Beecher, and some piano quintet collaborations with the celebrated Marc-André Hamelin. In performance, recordings and incomparable work educating the major artists and quartets of our time, the Juilliard String Quartet has carried the banner of the United States and the Juilliard School throughout the world. Having recently celebrated its 70th anniversary, the Juilliard String Quartet marked the 2017-18 season with return appearances in Seattle, Santa Barbara, Pasadena, Memphis, Raleigh, Houston, Amsterdam, and Copenhagen. It continued its acclaimed annual performances in Detroit and Philadelphia, along with numerous concerts at home in New York City, including appearances at Lincoln Center and Town Hall. -
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL and INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors
The Seventh Season Being Mendelssohn CHAMBER MUSIC FESTIVAL AND INSTITUTE July 17–August 8, 2009 David Finckel and Wu Han, Artistic Directors Music@Menlo Being Mendelssohn the seventh season july 17–august 8, 2009 david finckel and wu han, artistic directors Contents 3 A Message from the Artistic Directors 5 Welcome from the Executive Director 7 Being Mendelssohn: Program Information 8 Essay: “Mendelssohn and Us” by R. Larry Todd 10 Encounters I–IV 12 Concert Programs I–V 29 Mendelssohn String Quartet Cycle I–III 35 Carte Blanche Concerts I–III 46 Chamber Music Institute 48 Prelude Performances 54 Koret Young Performers Concerts 57 Open House 58 Café Conversations 59 Master Classes 60 Visual Arts and the Festival 61 Artist and Faculty Biographies 74 Glossary 76 Join Music@Menlo 80 Acknowledgments 81 Ticket and Performance Information 83 Music@Menlo LIVE 84 Festival Calendar Cover artwork: untitled, 2009, oil on card stock, 40 x 40 cm by Theo Noll. Inside (p. 60): paintings by Theo Noll. Images on pp. 1, 7, 9 (Mendelssohn portrait), 10 (Mendelssohn portrait), 12, 16, 19, 23, and 26 courtesy of Bildarchiv Preussischer Kulturbesitz/Art Resource, NY. Images on pp. 10–11 (landscape) courtesy of Lebrecht Music and Arts; (insects, Mendelssohn on deathbed) courtesy of the Bridgeman Art Library. Photographs on pp. 30–31, Pacifica Quartet, courtesy of the Chamber Music Society of Lincoln Center. Theo Noll (p. 60): Simone Geissler. Bruce Adolphe (p. 61), Orli Shaham (p. 66), Da-Hong Seetoo (p. 83): Christian Steiner. William Bennett (p. 62): Ralph Granich. Hasse Borup (p. 62): Mary Noble Ours. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
Juilliard String Quartet Areta Zhulla and Ronald Copes, Violins Roger Tapping, Viola Astrid Schween, Cello
Thursday Evening, December 12, 2019, at 7:30 The Juilliard School presents Juilliard String Quartet Areta Zhulla and Ronald Copes, Violins Roger Tapping, Viola Astrid Schween, Cello LUDWIG VAN BEETHOVEN (1770–1827) String Quartet No. 1 in F major, Op. 18, No. 1 Allegro con brio Adagio affettuoso ed appassionato Scherzo: Allegro molto Allegro GYÖRGY KURTÁG (b. 1926) 6 Moments musicaux, Op. 44 Invocatio (Un fragment) Footfalls (… as if someone were coming) Capriccio In memoriam Sebok˝ György Rappel des oiseaux ... (Étude pour les harmoniques) Les adieux (in Janáceks˘ Manier) Intermission BEETHOVEN Quartet No. 14 in C-sharp minor, Op. 131 Adagio ma non troppo e molto espressivo Allegro molto vivace Allegro moderato—Adagio Andante, ma non troppo e molto cantabile Presto Adagio quasi un poco andante Allegro Performance time: approximately 1 hour and 45 minutes, including an intermission The taking of photographs and the use of recording equipment are not permitted in this auditorium. Information regarding gifts to the school may be obtained from the Juilliard School Development Office, 60 Lincoln Center Plaza, New York, NY 10023-6588; (212) 799-5000, ext. 278 (juilliard.edu/giving). Alice Tully Hall Please make certain that all electronic devices are turned off during the performance. Notes on the Program published, in 1801. The D-major quartet (Op. 18, No. 3) was the first to be written; the By James M. Keller F-major (No. 1) and G-major (No. 2) followed, probably in that order; and the A major String Quartet No. 1 in F major, Op. 18, (No. 5), C minor (No. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
John Gilhooly
A RARE INTERVIEW WITH JOHN GILHOOLY PLUS SPRING SCHUMANN PERSPECTIVES 2018 PEKKA KUUSISTO RESIDENCY JAN ÁČEK’S INSTRUMENTAL WORKS FRIENDS OF OF FRIENDS YOUR 2018/19 DATES INSIDE John Gilhooly’s vision for Wigmore Hall extends far into the next decade and beyond. He outlines further dynamic plans to develop artistic quality, financial stability and audience diversity. JOHN GILHOOLY IN CONVERSATION WITH CLASSICAL MUSIC JOURNALIST, ANDY STEWART. FUTURE COMMITMENT “I’M IN FOR THE LONG HAUL!” Wigmore Hall’s Chief Executive and Artistic Director delivers the makings of a modern manifesto in eight words. “This is no longer a hall for hire,” says John Gilhooly, “or at least, very rarely”. The headline leads to a summary of the new season, its themed concerts, special projects, artist residencies and Learning events, programmed in partnership with an array of world-class artists and promoted by Wigmore Hall. It also prefaces a statement of intent by a well-liked, creative leader committed to remain in post throughout the next decade, determined to realise a long list of plans and priorities. “I am excited about the future,” says John, “and I am very grateful for the ongoing help and support of the loyal audience who have done so much already, especially in the past 15 years.” 2 WWW.WIGMORE-HALL.ORG.UK | FRIENDS OFFICE 020 7258 8230 ‘ The Hall is a magical place. I love it. I love the artists, © Kaupo Kikkas © Kaupo the music, the staff and the A glance at next audience. There are so many John’s plans for season’s highlights the Hall pave the confirms the strength characters who add to the way for another 15 and quality of an colour and complexion of the years of success. -
Guarneri String Quartet
Presents Guarneri String Quartet ARNOLD STEINHARDT, Violin MICHAEL TREE, Viola JOHN DALLEY, Violin DAVID SOYER, Cello SUNDAY AFTERNOON, OCTOBER 10, 1976, AT 2 :30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Quartet in E-flat major, Op. 127 BEETHOVEN Maestoso-Allegro Adagio, rna non troppo e rnolto cantabile Scherzando vivace Finale Quartet in D major, Op. 18, No.3 BEETHOVEN Allegro Andante con rnoto Allegro Presto INT ERM ISSION Quartet in E minor, Op. 59, No. 2 BEETHOVEN Allegro Molto adagio Allegretto Finale: presto This concert is the first program of the complete Beetho ven quartet cycle being performed by the GlIameri Quartet during this 1976-77 seaso n. RCA Red Seal R ecords Added Concert Complete Programs 4008 Ludwig van Beethoven (BORN D ECEMBER 16, 1770, I N BON N ; DIED MARCH 26 , 1827 , IN V IENNA) Quartet No. 12 in E-fiat major, Op. 127 The last five string quartets of Bee thoven-Opp. 127, 130, 131, 132, and 135, together with the Grosse Fuge, Op. 133 , are generally regarded not only as the compose r's supreme achievement in this or any other genre but as the grea test masterpieces ever written for four stringed instruments. Even today, with each new hea ring, this music reveals new wonders, while simultaneously con founding its interpreters with fresh challenges . "A fundamental difference of outlook separates the last quartets fr om those that preceded them," wrote J oseph de Marliave. " .. Impassioned they may be, these earlier quartets, but they are primarily obj ec tive, and the later works are stamped with a profound and undeniable subjectivity j the mind that fo rmed them is no w wholly independent of external things for its inspira ti on, de tached from outside interests and careless of traditional form j the last quartets are essentially the di rect expression of Beethoven's most intimate spirit, the channel of inspi ration flo wing from another sphere." Quartet No. -
Festival Artists
Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts. -
Juilliard String Quartet
SoNoKLECT '06-'07 A Concert Series of Modern Music TERRY VosBEIN, DIRECTOR Juilliard String Quartet The Complete Bart6k Quartets WILSON HALL LENFEST CENTER FOR 'IHE ARTS WASHINGTON AND LEE UNIVERSITY 25 & 26 MAY 2007 8:30 P.M. FRIDAY NI GHT First String Quartet , Op. 7, Sz . 40 (1908) Lento Allegretto Int rod uzione: allegro Allegro vivace pr esto Third String Quartet, Sz. 85 (1927) Prim a parte- Moderat o Second a par te- Allegro Recapitul azione della prim a part e: Mode rato-a ttacca Cod a: Allegro molto - INTERMISSION - Fifth String Quartet, Sz. 102 (1934) Allegro Ad agio rnolto Scherzo: Alla bulga rese- Vivace And ante Finale: Allegro vivace 2 SATURDAY NIGHT Second String Quartet, Op. 17, Sz. 67 (1915-17) Moderato Allegro molto capriccioso Lento Fourth String Quartet, Sz. 91 (1928) Allegro Prestissimo, con sordino Non troppo lento Allegretto pizzicato Allegro molto - INTERMISSION - Sixth String Quartet (1939) Mesto: Piu mosso, pesante-Vivace Mes to-Marcia Mesto: Burletta-Moderato Mesto 3 Bart6k: A Juilliard Quartet Legacy Celebrati ng its sixtieth ann iversary, the Juilli ard String Qu artet re-creates a se minal moment in its history: the first cycle of the six Bart6k quart ets to be perfo rmed in the United States. Seven performances of the compl ete set across the coun try and in Japan dur ing the anni versary seas on, 2006-07, wi ll recall the landmark 1948 premiere at Tanglewoo d. The Bart6k cycle is one of wha t violist Samu el Rhodes, the ensemble's senior member, describes as "common threads that have been supr emely important to the Juilliard Strin g Qu artet." These long-standing interes ts also include the Beethoven quar tets; commissioning important contemp orary compo sers, mo stly Ameri can, to extend the quart et repert oire and tradition ; and a stron g commitm ent to teaching, both chamb er mu sic and the players' ind ividual instrum ents.