DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Summer, 1993

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

a«apB««t6«ii«giiiflmaii! iiaH«:^aatta«li'i|iaHpsjili«2liii«iw;ilo^ .^ 7oo/i ofExcellence '- 4? In every discipline, ,% '*% outstanding performance springs ?•*{. from the combination of skill, A^^^'" <^^ vision and commitment. t.%^ As a technology leader, GE Plastics is dedicated to the development of advanced materials: <k engineering thermoplastics, silicones, superabrasives and circuit board substrates. Like the lively arts that thrive in this inspiring environment, we enrich life's quality through creative excellence. GE Plastics Seiji Ozawa, Music Director One Hundred and Eleventh Season, 1992-93 Trustees of the Boston Symphony Orchestra, Inc. P. Barger, Chairman George H. Kidder, President J. Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B.Arnold, Jr. Nina L. Doggett R. Willis Leith, Jr. Peter A. Brooke Dean Freed Mrs. August R. Meyer James F. Cleary Avram J. Goldberg Molly Beals Millman John F. Cogan,Jr. Thelma E. Goldberg Mrs. Robert B. Newman Julian Cohen Julian T. Houston Peter C. Read William F. Connell Mrs. BelaT. Kalman Richard A. Smith William M. Crozier, Jr. Allen Z. Kluchman Ray Stata Deborah B. Davis Harvey Chet Krentzman Trustees Emeriti Vernon R. Alden Archie G. Epps Irving W. Rabb Philip K.Allen Mrs. Harris Fahnestock Mrs. George R. Rowland Allen G. Barry Mrs. John L. Grandin Mrs. George Lee Sargent I>eo L. Beranek Mrs. George I. Kaplan Sidney Stoneman Mrs. John M. Bradley Albert L. Nickerson John Hoyt Stookey Abram T Gollier Thomas D. Perry, Jr. John L. Thorndike Nelson J. Darling, Jr. Other Oflficers of the Corporation lohn Ex Rodgevs,, Assistant Treasurer Michael G. McDonough, Assistant Treasurer Daniel R. (iustin. Clerk Administration Kenneth Haas, Managing Director Daniel R. Gusiin, Assistant Managing Director and Manager ofTanglewood Michael G. McDonough, Director of Finance and Business Affairs Evans Mirageas, Artistic Administrator C.aroline Smedvig, Director of Public Relations and Marketing Josiah Stevenson, Director of Dex>elopment Ray F. Wellbaum, Orchestra Manager Robert Bell, Manager of Information Systems Marc Mandel, Publications Coordinator Ronald T. Broukerflr?^/ David P. Sturma, John C. Marksbury, Director of Coordinatois ofAudience Sennces, Tanglewood Foundation and Government Support Madelyne Director Cuddeback, of James J. Mooney, Facilities Manager, Tanglewood Corporate Sponsorships Richard Ortner, Administrator of Patricia Forbes Halligan, Director of Personnel Tanglewood Music Center Sen'ices Myran Parker-Brass, Coordinator of Youth Activities Sarah J. Harrington, Budget Manager Marie B. Fetiibone, Director of Corporate Margaret Hillyard-Lazenby, Director of Development Volunteers Scott Schillin, Assistant Manager, Russell M. Hodsdon, Manager ofBox Office Pops and Youth Activities Bernadette M. Horgan, Public Relations Joyce M. Serwitz, Associate Director of Coordinator Development/Director ofMajor Gifts Craig R. Kaplan, Controller Cheryl. L. Silvia, Function Manager Nancy A. Kay, Director of Sales ^ Michelle Leonard Techier, Media and Production Marketing Manager Manager, Boston Symphony Orchestra Susan E. Kinney, Assistant Director of James E. Whitaker, Chief Coordinator, Development/Director ofBoston Symphony Tanglewood Music Center Annual Fund Julie Miner White, Manager ofFund Reporting Steven Ledbetter, Musicologist ^ Robin J. Yorks, Director ofTanglewood Program Annotator Development Programs copyright ©1993 Boston Symphony Orchestra, Inc. Cover design byjaycole Advertising, Inc. Board of Overseers of the Boston Symphony Orchestra, Inc. Thelma E. Goldberg, Chairman Robert P. O'Block, Vice-Chairman Jordan L. Golding, Secretary Mrs. Herbert B. Abelow John P Hamill Catalina B. Montes Amanda Barbour Amis Ellen T. Harris Richard P. Morse Harlan E. Anderson Daphne P. Hatsopoulos E.James Morton Caroline Dwight Bain Bayard Henry David G. Mugar Mrs. David Bakalar Joe M. Henson Robert J. Murray Mrs. Leo L. Beranek Glen H. Hiner David S. Nelson Lynda Schubert Bodman Mrs. Marilyn Brachman Hoffman Mrs. Hiroshi H. Nishino Donald C. Bowersock, Jr. LolaJafFe Paul C. O'Brien William L. Boyan Anna Faith Jones Vmcent M. O'Reilly Mrs. Levin H. Campbell Susan B. Kaplan Andrall E. Pearson Earle M. Chiles Mrs. S. Charles Kasdon John A. Perkins Gwendolyn (Cochran Hadden Richard L. Kaye Millard H. Pryor,Jr. William H. Congleton Frances Demoulas Kettenbach Robert E. Rem is William F. Connell Robert D. King William D. Roddy John M. Connors, Jr. Mrs. Gordon F! Kingsley John Ex Rodgers Joan P. (Durban Koji Kobayashi Kei/.o Saji Phyllis Curtin Mrs. Carl Koch Roger A. Saunders Nader F. Darehshori David L Kosowsky Mrs. Carl Shapiro JoAnne Dickinson George Krupp Malcolm L. Sherman Harry Ellis Dickson John R. Laird Mrs. Donald B. Sinclair Hugh Downs Mrs. William D. Larkin, Jr. L. Scott Singleton Goetz B. Eaton Thomas H. Ixe Micho E Spring Harriett M. Eckstein Laurence Ixsser Ira Stepanian Deborah A. England Stephen R. Levy Vondal M.Taylor, Jr. Katherine Fanning Diane H. Lupean William F. Thompson }. Richard Fennell Mrs. (Charles P. Lyman Robert A. Wells Eugene M. PYeedman Mrs. Harry L. Marks Mrs. Thomas H.P. Whitney Mrs. James G. Garivaltis William F. Meagher Margaret Williams-DeCelles Mark. R. Goldwcitz Nathan R. Miller Mrs. John J. Wilson Overseers Emeriti Mrs. Weston W. Adams I^eonard Kaplan Mrs. Peter van S. Rice Bruce A. Beal Robert K. Kraft Mrs. Jerome Rosenfeld Mrs. Richard Bennink Benjamin H. Lacy Mrs. William C. Rousseau Mary lx)uise Cabot Mrs. James E Lawrence Angelica L. Russell Johns H. Congdon C. Charles Marran Francis P. Sears, Jr. Peter H.B. Frelinghuysen Hanae Mori W. Davis Sohier, Jr. Mrs. Thomas J. Galligan Mrs. Stephen V'.C. Morris Ralph Z. Sorenson Mrs. Haskell R. Gordon Nhs. Thomas Spurr Morse Mrs. Edward S. Stimpson Mrs. Richard D. Hill Stephen Paine, Sr. Mrs. Arthur L Strang Susan M. Hilles David R. Pokross Luise Vosgerchian Mrs. Louis L Kane Daphne Brooks Prout Mrs. Donald B. Wilson I Officers of the Boston Symphony Association of Voluteers Molly B. Millman, President Florence T. Whitney, Executive Vice-President Patricia L. Tambone, Treasurer Arline Ziner, Secretary Susan D. Robinson, Nominating Chairman Vice-Presidents Krista K. Baldini, Fundraising Joan W. Erhard, Membership Kathryn Bray, Public Relations Linda Fenton, Development Ileen S. Cohen, Tanglewood Association Marilyn Hunter, Youth Activities Pamela N. Czekanski, Fundraising Debra A. Korb, Adult Education Helen A. Doyle, Symphony Shop Seth Nichols, Resources Development Elizabeth B. Eaton, Hall Services Carole Siegel, Tanglewood Association Business and Professional Leadership Association Board of Directors Harvey Chet Krentzman, Chairman Emeritus James F. Cleary, Chairman William F. Connell, President Members J. P. Barger Francis A. Doyle William D. Roddy l^o Beranek George H. Kidder Malcolm L. Sherman William L. Boyan William F. Meagher Ray Stata Nader F Darehshori Robert J. Murray Stephen J. Sweeney Nelson J. Darling, |r Robert P O'Block 1 PRIME TIME A time comes in life when the rules of the game change. Success by itself is no longer enough; you want to enhance its value for yourself . and those you cherish. It's a prime time— if you can adapt. Perhaps you've noticed an increasing need to make iniformed judgments in areas foreign to your background. Your decisions are now affected by broad-reaching implications concerning ownership interests, taxes, your estate, and family considerations. We understand the rules of this new game, and our years of experience have helped many successful people make the transition. For more information, write: Berkshire Life Insurance Company 700 South Street Pittsfield, Massachusetts 01201 Berkshire 7 3 SYMPHONY ORCHESTRA SEIJI OZAWA, MUSIC DIRECTOR 1993-94 SEASON AT CARNEGIE HALL CHOOSE 3 CONCERTS ON WEDNESDAYS OR THURSDAYS AT 8PM. Wednesday, October 13 Thursday, October 14 SEIJI OZAWA, conductor Krysrian Zimerman, piano BARTOK Piano Concerto No. 3 MAHLER Symphony No. 4 Wednesday, February 16 Thlhsday, February 1 SEIJI OZAWA, conductor Jessye Norman, soprano I L\YT3N Symphony No. 44, 'Trauer' BRI'ITEN 'Phaedra' DF.BUSSY 'Prelude a Tapres-midi d'un faune' BERLIOZ 'La Mort de C:ieopatre' Wednt^day, April 1 Thltisday, April 14 SEIJI OZAWA, conductor Peter Serkin, piano REGER Piano Concerto BEETHOVEN Symphony No. 5 Subscribe Now for the 1993-94 Season A Boston Symphony subscription at Carnegie Hall entitles you to: • the best available seats in Carnegie Hall, with the same seat reserved for you for all performances in your series • savings over individual concert ticket prices • guaranteed renewal privileges for the next season in the same seat location, or priority for location or series changes • special mailings, including Tanglewood program and ticket information, the BSO's newsletter, and invitations to special BSO events TICKET PRICES FOR THREE-CONCERT SERIES First Tier Boxes:-S+W; Parquet: UAQ; Second Tier Boxes: $103; Dress Circle: $88; Front Balcony: $68; Rear Balcony: $46 Call the Subscription Office at (617) 266-7575 or 1-800-333-BSOC (2762), Monday-Friday, 9am-5pm, and order your subscription using American Express, VISA, or MasterCard. PHOTO; STEVE J, SHERMAN All programs and artists subject to change TANGLEWOOD The Tanglewood Festival In August 1934 a group of music-loving summer residents of the Berkshires organized a series of three outdoor concerts at Interlaken, to be given by members of the New York Philharmonic under the direction of Henry Hadley.
Recommended publications
  • The Ithacan, 1932-05-19

    The Ithacan, 1932-05-19

    Ithaca College Digital Commons @ IC Ithacan, 1931-1932 5-19-1932 The thI acan, 1932-05-19 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1931-32 Recommended Citation Ithaca College, "The thI acan, 1932-05-19" (1932). Ithacan, 1931-1932. 28. http://digitalcommons.ithaca.edu/ithacan_1931-32/28 This Newspaper is brought to you for free and open access by Digital Commons @ IC. It has been accepted for inclusion in Ithacan, 1931-1932 by an authorized administrator of Digital Commons @ IC. SEE!! MAY 19, 20, AND 21 "THE !\JEW LADY "THE NEW LADY BANTOCK" BANTOCK" D:\~Cl!IIG CHORUS ~• I AN ENGLISH COMEDY THE ITHACAN ' Official Publication of the Students of Ithaca College Issued in the Interests of the U11dergraduates and Alumni THE ITHACAN: THURSDAY, MAY 19, 1932 (Yearly subscription, delivered $2.00) VoLUMB II·· (Single C.Opy Sc) , • I Fa Pupils Pre- Double Cast To Portray Comedy, .\:SNOFNl'EJIE~T IIthaca College Weekly And Annual 9th Tournament Y 'TheNewLadyBantock'byJerome E . O Ithaca College annual com• Responsible To Governing Boards To Embody Full sent ro1ca n m1•11cement will take place 011 Little Theatre Production to be Given This Thursday, June the 10th instead of on ,June the 13th as bas been an• Student Council Votes in Favor of Constitutions for May Friday, and Saturday; Special Student Rates; 15 nouncl"d, so as to avail more The Ithacan and· Tlze Cayugan/ Concurrent Meet­ Week Of Events Sunday, 8 Chorus Girls to Appear In the Show students the op11ortunity to attend, The exerciMes which ing of Newly Elected Board Takes Place May 15th Entertainnwnt, I>iseussions, and Performance, the Fourth In The will be 1,•hen in the First 8l•lected Lecture!l to be College Series; Marked An interesting feature in the by Miss Cecilia· Kiefer, a senior, .m~thodist- Episropal Church Both official student publica- Johnson, trcarnrer of the college; will begin at ten o'clock in the Sp1111~or!'d IJy College .
  • - (615) 244-2355 Wilrner C

    - (615) 244-2355 Wilrner C

    NATIONAL OFFICE SBC Executive Cornminee 901 Commerce #750 BAPTIST PRESS Nashville, Tennessee 37203 - - (615) 244-2355 Wilrner C. Fields, Director Nem Smwlce of the Southom Baptist Convention Dan Martin, News Editor Craig Bird, Feature Editor BUREAUS ATLANTA.J~~Newton. Chrel. 1350 Spring St.. N.W. Atlanta. Ga. 30367, Telephone (404) 873-4041 DALLAS Thomas J. Brannon. Chief. 511 N Akard. Daflas. Texas 75201-3355. Telephone (214) 720-0550 NASHVILLE (Baptist Sunday School Board) Lloyd T: Householder. Chief, 127 Ninth Ave.. N., Nashville. Tenn. 37234. Telephone (615) 251-2300 RICHMOND (Foreign) Robert L. Stanley, Chrel. 3806 Monument Ave.. Richmond, Va. 23230, Telephone 1804) 353-0151 WASHINGTON Stan L. Hastey, Chief, 200 Maryland Ave.. N.E., Washington. D.C. 20002, Telephone (202) 544-4226 April 22, 1987 Cooprative P rogr am Levels Off Tn March NASHVILLE (Re)--After two months on a financial roller coaster, the Southern Baptist Convention1s Cooperative Program leveled off in March, announced Harold C. Bennett, pesident and treasurer of the SBC Executive Cmittee. March receipts for the SBCts mnvention-wide missions, evangelism and ministry budget were $11,523,003, or 14.84 percent over receipts for March of 1986, Bennett said. The March inme brought Cooperative Program receipts to $65.6 million for the first six months of the fiscal year, 4.52 percent ahead of receipts for the same period a year ago. March follawdi a record-high $13.1 million January total and Fekuary inme of only $10 million, almost $I million behind the Felxuary total for the pevious year. I I Those fluctuations were caused by modifications in the way several state Southern Baptist conventions write their Cooperative Program checks for mnvention-wide causes, explained Tim A.
  • The Life-Boat. Jouenal

    The Life-Boat. Jouenal

    THE LIFE-BOAT. JOUENAL OF THE IRo^al National 3Life*Boat Jnstitutlon. (ISSUED QUABTEBLY.) VOL. XIV.—No. 156.] MAY 1, 1890. [PBIOE Is. At the ANNUAL GENERAL MEETING of the EOTAL NATIONAL LIFE- BOAT INSTITUTION, held at Princes' Hall, Piccadilly, on Saturday, 15th day of March, 1890, His Grace The DUKE OF FIFE, K.T., in the Chair, the following Beport of the Committee was read by the Secretary:— to express any opinion as to the success or otherwise of the experiment, and at ANNUAL EEPOBT. present they can only venture to hope 1890. that the great problem as to the efficiency of a Steam Life-boat may soon be solved. THE important -work of the KOYAL Efforts have recently been made to NATIONAL LIFE-BOAT IxsTirtmow has produce an improved transporting car- been actively carried on during the past riage, and when the proposed alterations year, and every effort has been made have been fully tested a large proportion to place the Life-boat service in a of the stations will be supplied with it. yet higher state'of efficiency, either by It has also been decided to still further stationing new Boats on the coast, or by extend the use of the Tipping sand- improving old ones for temporary use plates, which will, it is believed, be the until such time as the Society shall be in means of expediting the launch of many a position to remove them and to substi- of the Life-boats from sandy and soft tute others of a superior type, beaches. have also been taken at many of the stations to improve or add to the facilities Life-boats.—During the year 1889, for launching the boats—in some cases twenty new Life-boats of various sizes at considerable cost —• with a view to were sent to the coast, all of which assistance being rendered to distressed have given complete satisfaction to their vessels with the least possible delay.
  • 13CPS Coeds Vie Fbr Miss Taicoma Tffcti . K'ii•I

    13CPS Coeds Vie Fbr Miss Taicoma Tffcti . K'ii•I

    r . tfFcTi . k'ii•i ii 114 LI4T 11 I I Eastman, Carmichael Comeau Also Victorious A record turnout went to the polls Thursday and Fri. lay and found themselves a new president in Dick Water- man. Waterman, a junior from Seattle. received 329 votes, in one of the closest races on the ballot. His opponent, Ran- (ly Smith, trailed with 284. paired up in final elections, Deg- Assisting Waterman in h I s man defeating Miss Royall for the presidential duties next year will sophomore representative past be Howie Eastman, junior from last year. Renton. Eastman became first Next year's sophomore class vice president by polling 323 representative will be Gail Po- votes, while his opponent, Toni kela, freshman from Fede'al Beardemphi gathered 271. Way. Miss Pokefa defeated In the race for second vice Dave Purchase by receiving president, Chuck Comeau came 358 votes to his 241. out on top by receiving 332 All five proposed amendments votes. Comeau, a junior ' from to the constitution passed by an Mercer Island, defeated Ken overwhelming margin. McGill, who received 269 votes. Proposition one, called for au The executive secretary post amendment to the ASCPS Con- went to Jackie Carmichael, junior stitution providing for the ap- from Nanimo, B. C. Miss Car- pointment of an election commit- michael had 318 votes while her tee by the ASCPS President at opponent, Carol Weeks, had 275. the beginning of his term of of- In the May Queen contest, fice, and outlining the organize- Linda Sticklin, senior from tion and duties of that committee.
  • Explore Unknown Music with the Toccata Discovery Club

    Explore Unknown Music with the Toccata Discovery Club

    Explore Unknown Music with the Toccata Discovery Club Since you’re reading this booklet, you’re obviously someone who likes to explore music more widely than the mainstream offerings of most other labels allow. Toccata Classics was set up explicitly to release recordings of music – from the Renaissance to the present day – that the microphones have been ignoring. How often have you heard a piece of music you didn’t know and wondered why it hadn’t been recorded before? Well, Toccata Classics aims to bring this kind of neglected treasure to the public waiting for the chance to hear it – from the major musical centres and from less-well-known cultures in northern and eastern Europe, from all the Americas, and from further afield: basically, if it’s good music and it hasn’t yet been recorded, Toccata Classics is exploring it. To link label and listener directly we run the Toccata Discovery Club, which brings its members substantial discounts on all Toccata Classics recordings, whether CDs or downloads, and also on the range of pioneering books on music published by its sister company, Toccata Press. A modest annual membership fee brings you, free on joining, two CDs, a Toccata Press book or a number of album downloads (so you are saving from the start) and opens up the entire Toccata Classics catalogue to you, both new recordings and existing releases as CDs or downloads, as you prefer. Frequent special offers bring further discounts. If you are interested in joining, please visit the Toccata Classics website at www.toccataclassics.com and click on the ‘Discovery Club’ tab for more details.
  • Richard Strauss's Ariadne Auf Naxos

    Richard Strauss's Ariadne Auf Naxos

    Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails.
  • Mark-Anthony Turnage Mambo, Blues and Tarantella Riffs and Refrains | Texan Tenebrae on Opened Ground | Lullaby for Hans

    Mark-Anthony Turnage Mambo, Blues and Tarantella Riffs and Refrains | Texan Tenebrae on Opened Ground | Lullaby for Hans

    Mark-anthony turnage MaMbo, blues aND TaraNTella riffs aND refraiNs | TexaN TeNebrae oN opeNeD GrouND | lullaby for HaNs vladiMir jurowski, Marin alsop and Markus stenZ conductors Christian tetZlaFF violin MiChael Collins clarinet lawrenCe power viola london philharMoniC orChestra LPO-0066 Turnage booklet.indd 1 7/26/2012 11:35:49 AM Mark-anthony turnage advocate. He continued his studies at the senior College with Knussen and Knussen’s own teacher John Lambert, and at the Tanglewood summer school in New England with Gunther Schuller. Through Tanglewood, he also came into contact with Hans Werner Henze, who kick-started Turnage’s international career by commissioning an opera for the 1988 Munich Biennale festival, an adaptation of Steven Berkoff’s play Greek. AL Turnage’s subsequent career has been defined largely by collaborations, both with enaP Ar / improvising jazz performers and in a series of d ar residencies, which have allowed him to develop tw pieces under the workshop conditions he Ga prefers. These have included associations with Philip the City of Birmingham Symphony Orchestra, © leading to several high-profile premières under Simon Rattle; with English National Opera, Mark-Anthony Turnage is a composer widely culminating in 2000 in his second full-length admired for his distinctive blending of jazz and opera, The Silver Tassie; with the BBC Symphony contemporary classical traditions, high energy Orchestra in London; and with the Chicago and elegiac lyricism, hard and soft edges. Born Symphony Orchestra. He was the London in Essex, he began inventing music to enliven Philharmonic Orchestra’s Composer in Focus his childhood piano practice.
  • The Premier Luxury Destination Management Company for the U.S., Canada and the Caribbean

    The Premier Luxury Destination Management Company for the U.S., Canada and the Caribbean

    THE PREMIER LUXURY DESTINATION MANAGEMENT COMPANY FOR THE U.S., CANADA AND THE CARIBBEAN 2 3 CONTENTS ABOUT US Our Story 5 Why Excursionist? 7 What We Offer 7 TRAVEL STYLES Luxury Family Travel 13 Romance Travel 14 Corporate Travel 15 Educational Travel 16 Festival + Event Travel 18 TRAVEL BY PASSION Food + Drink 21 The Arts 22 People + Culture 23 Nature 24 Wellness 25 Sports + Adventure 26 THE REGIONS New England 28 New York State 32 The Mid-Atlantic 36 The South 40 Florida 44 The Southwest 48 The West 52 The Pacific Northwest 56 California 60 Alaska 64 Hawaii 68 Western Canada 72 Eastern Canada 76 The Caribbean 80 HOTELS + MAPS Hotel Collection 84 Maps 94 3 “Our mission is to empower luxury travelers — whether a couple, family, or corporate group — to live out their diverse passions through exceptional, life-changing experiences that we design and deliver.” 4 Our Story Excursionist was founded in 2010 by three friends who immigrated to North America from various corners of the world and developed a dedication to sharing this continent’s rich history, nature, cuisine and culture with others. Identifying a gap in the marketplace for a true luxury-focused destination management company for the United States, Canada and the Caribbean, we have built an organization that not only has geographical breadth across our territory, but also an intense depth of local knowledge in each destination where we work. We achieve this by bringing to bear our diverse expertise in the industry, as well as our personal relationships in the sciences, arts, education, government and business.
  • Composition Catalog

    Composition Catalog

    1 LEONARD BERNSTEIN AT 100 New York Content & Review Boosey & Hawkes, Inc. Marie Carter Table of Contents 229 West 28th St, 11th Floor Trudy Chan New York, NY 10001 Patrick Gullo 2 A Welcoming USA Steven Lankenau +1 (212) 358-5300 4 Introduction (English) [email protected] Introduction 8 Introduction (Español) www.boosey.com Carol J. Oja 11 Introduction (Deutsch) The Leonard Bernstein Office, Inc. Translations 14 A Leonard Bernstein Timeline 121 West 27th St, Suite 1104 Straker Translations New York, NY 10001 Jens Luckwaldt 16 Orchestras Conducted by Bernstein USA Dr. Kerstin Schüssler-Bach 18 Abbreviations +1 (212) 315-0640 Sebastián Zubieta [email protected] 21 Works www.leonardbernstein.com Art Direction & Design 22 Stage Kristin Spix Design 36 Ballet London Iris A. Brown Design Boosey & Hawkes Music Publishers Limited 36 Full Orchestra Aldwych House Printing & Packaging 38 Solo Instrument(s) & Orchestra 71-91 Aldwych UNIMAC Graphics London, WC2B 4HN 40 Voice(s) & Orchestra UK Cover Photograph 42 Ensemble & Chamber without Voice(s) +44 (20) 7054 7200 Alfred Eisenstaedt [email protected] 43 Ensemble & Chamber with Voice(s) www.boosey.com Special thanks to The Leonard Bernstein 45 Chorus & Orchestra Office, The Craig Urquhart Office, and the Berlin Library of Congress 46 Piano(s) Boosey & Hawkes • Bote & Bock GmbH 46 Band Lützowufer 26 The “g-clef in letter B” logo is a trademark of 47 Songs in a Theatrical Style 10787 Berlin Amberson Holdings LLC. Deutschland 47 Songs Written for Shows +49 (30) 2500 13-0 2015 & © Boosey & Hawkes, Inc. 48 Vocal [email protected] www.boosey.de 48 Choral 49 Instrumental 50 Chronological List of Compositions 52 CD Track Listing LEONARD BERNSTEIN AT 100 2 3 LEONARD BERNSTEIN AT 100 A Welcoming Leonard Bernstein’s essential approach to music was one of celebration; it was about making the most of all that was beautiful in sound.
  • Download February 2021

    Download February 2021

    ALWAYS Mendocino Coast's FREE Lighthouse February 2021 Peddler The Best Original Writing, plus the Guide to Art, Music, Events, Theater, Film, Books, Poetry and Life on the Coast ValentinesValentines DayDay ArtArt toto Enjoy,Enjoy, 22 GalleriesGalleries toto VisitVisit We’re blessed here on the coast with a world of art that surrounds us. We can take a look at the art, spend a li!le time gazing upon it, read something into it or just enjoy the moment. "is month two of our local galleries will have new exhibits and both are worth a look. So we’ve planned a day for you. Start your day in Gualala at the Dolphin Gallery for their new opening “Hearts for the Arts. "en take an easy 15 minute drive north to Point Arena for a stop at the Coast Highway art Collective where members of the collective will present Valentines Art. And don’t forget to look at the ocean as you drive between the two galleries. Both galleries will welcome you, and you will be assured a delightful day. At the Dolphin Gallery the new exhibit, “Hearts for the Arts”, brings together three artists: Jane Head’s focus on clay, Walt Rush’s on jewels, and Leslie Moody Cresswell’s glass. Cont'd on Page 12 Coast Highway Art Collective in February • Valentines Art and Poetry Meet February 6 By Rozann Grunig !e members of the Coast Highway Art mechanically adept artist mother” and her Council to deliver creative arts instruction Collective are hosting their "rst opening “gregarious, disordered, audacious poet fa- in K-12 classrooms around the Northern reception of 2021 on Saturday, February 6 ther,” she says.
  • Download Augustin Dumay Biography

    Download Augustin Dumay Biography

    Augustin Dumay International critics have compared Augustin Dumay to the great violinists of the 20th century, describing him as a “great classical stylist”, a reputation underscored by his outstanding recordings for Deutsche Grammophon: Beethoven’s complete sonatas with Maria João Pires, a set that “surely ranks with Grumiaux/Haskil, Menuhin/Kempff, or Perlman/Ashkenazy” (International Piano), Brahms’ trios in which “the Milstein legacy in Dumay’s playing is wonderfully apparent” (Gramophone), and Mozart’s concertos with the Camerata Salzburg, “without exaggeration one of the finest Mozart violin concerto discs ever made” (Classic CD), in which he “confirms that he is an exceptional interpreter of Mozart as were Stern or Grumiaux before him” (Classica). Born into a family of musicians – his mother is a cellist and pianist, his father an amateur violinist – Augustin Dumay started violin lessons at the age of 5, after attending a concert by Nathan Milstein. Aged ten, he entered the Paris Conservatoire, winning the premier prix at the age of thirteen. His first concert at the Théâtre des Champs- Élysée followed a year later and he then appeared at the Montreux Festival, playing for Joseph Szigeti and Henryk Szeryng, who invited him to replace him on a tour of South America. On his return, Augustin Dumay worked in Paris with Nathan Milstein, who said of him: “I believe he will take his place amongt the great violinists of the year 2000”. He then went on to work in Brussels with Arthur Grumiaux for five years. He soon became familiar to concert audiences in France, but his international career took off thanks to his encounter with Herbert von Karajan.
  • Terms of Participation the Competition Is Aimed At: Winners of Previous

    Terms of Participation the Competition Is Aimed At: Winners of Previous

    VII Young Composers Competition In memory of Alfred Schnittke and Sviatoslav Richter Within the XIII Winter International Arts Festival in Sochi For the first time we offer you 2 nominations: 1.Piano trio, quartet or quintet. 2. String quartet Dates: February 25th , 2021 Venue: Sochi, Chamber and Organ Music Hall Deadline for applications: January 29th , 2021 Deadline for payment of the admission fee: February 05th, 2021 Terms of participation • The participants must submit one of their own compositions in free form for a piano trio, quartet, quintet or string quartet (duration from 10 to 15 minutes); • Only works that have not been published or previously performed shall be admitted to the contest; • The participant is entitled to submit only one music piece for the competition. The competition is aimed at: • Search, support and assistance in professional growth of young talented composers; • Popularization of contemporary academic music; • Establishing a high professional standard for composers within the modern musical process; • Setting up creative contacts between composers and performers; • Creation of positive environment for interaction between composers and audience. Winners of previous years' competitions Andrey Besogonov (I prize, 2015) Nikita Mndoyants and Ekaterina Buzovkina (I prize, 2016) Denis Chorov (II prize, 2017, the first prize was not awarded) Petra Dyatlov (I prize, 2018) Alexey Popkov and Merdan Bashimov (I prize, 2019) Ilya Marfin (I prize, 2020) Organizing Committee Alexander Tchaikovsky – composer, honoured artist of the Russian Federation, head of the Department of Composition at the Moscow State Tchaikovsky Conservatory, professor. Chairman of the Organizing Committee. Yuri Bashmet – honoured artist of the USSR, artistic director of the Winter International Arts Festival, professor, head of the Department of Viola at the Moscow State Tchaikovsky Conservatory; Dmitry Grinchenko– executive director of the Winter International Arts Festival in Sochi.