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The Wsfa Journal Tb , ;,;T He W S F a J 0 U R N a L
THE WSFA JOURNAL TB , ;,;T HE W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 76: April-May '71 1971 DISCLAVE SPECIAL n X Copyright \,c) 1971 by Donald-L. Miller. All rights reserved for contributors. The JOURNAL Staff Managing Editor & Publisher — Don Miller, 12315 Judson Rd., Wheaton, MD, USA, 20 906. Associate Editors — Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, DC, 20037. Fiction Editors: Doll St Alexis Gilliland (address above). SOTWJ Editor: OPEN (Acting Editor: Don Miller). Overseas Agents — Australia: Michael O'Brien, 15>8 Liverpool St., Hobart, Tasmania, Australia, 7000 Benelux: Michel Feron, Grand-Place 7, B—I4.28O HANNUT, Belgium. Japan:. Takumi Shibano, I-II4-IO, 0-0kayama, Meguro-ku, Tokyo, Japan. Scandinavia: Per Insulander, Midsommarv.. 33> 126 35 HMgersten, Sweden. South Africa: A.B. Ackerman, POBox 25U5> Pretoria, Transvaal, Rep. of So.Africa. United Kingdom: Peter Singleton, 60W4, Broadmoor Hospital, Block I4, Crowthorne, Berks. RG11 7EG, England. Still needed for France, Germany, Italy, South Timerica, and Soain. Contributing Editors — Bibliographer: Mark Owings. Film Reviewer: Richard Delap. Book Reviewers: Al Gechter, Alexis Music Columnist: Harry Warner, Jr. Gilliland, Dave Halterman, James News Reporters: ALL OPEN (Club, Con R. Newton, Fred Patten, Ted Pauls, vention, Fan, Pro, Publishing). Mike Shoemaker. (More welcome.) Pollster: Mike Shoemaker. Book Review Indexer: Hal Hall. Prozine Reviewers: Richard Delap, Comics Reviewer: Kim Weston. Mike Shoemaker (serials only). Fanzine Reviewers: Doll Gilliland, Pulps: Bob Jones. Mike Shoemaker. Special mention to Jay Kay Klein and Feature Writer: Alexis Gilliland. -
FILE 770:38 2 Editorial Rambling Science Fiction Writer Mack Reynolds Died of Cancer January 31, According to Rick Katze
t YE OLDE COLOPHON FILE 770 is edited by Mike Glyer, at 5828 Woodman Ave. #2, Van Nuys CA 91401. This newzine serving science fiction fandom is published less often than Charlie Brown recommends, and more often than Andrew Porter can keep count (see item else where this issue), but to be more specific, shows up about every six weeks. While F77O can be obtained for hot news, sizzling rumors (printable or not), arranged trades with clubzines and newzines, and expensive Inng-distance phone calls (not collect), subscriptions are most highly prized. Rates: 5/$3 (US) will get your issues sent first-class in North America, and printed matter overseas. $1 per issue covers air printed matter mailing overseas. Direct those expensive, long-distance calls to (213) 787-5061. I’m never home Tuesday nights, so don’t kill yourselves trying to reach me then. I do have a message machine, if it comes down to that... Want back issues? Send request for info. Thanks for production help last issue to: Anne Hansen, Fran Smith, Dean Bell, Debbie Ledesma.______________________ ______ ROUNDMGS mihe glyer ~ — ORIENTATION FOR NEW READERS : Why is this fanzine titled FILE 770? Late in ‘■"z 1977, when I was nerving up to start a fannish newzine to succeed KARASS, I found it difficult to find a title that had not been previously used. I looked through dictionaries, and the Thesaurus. I scanned Bruce Pelz’ voluminous fanzine index. I declined offers to revive titles like FANAC and STARSPINKLE. It became my contention that all the good sf story references usable as newzine titles had been taken. -
Progress Report #1
Welcome to the first progress report for the 2021 World Fantasy Convention! We are pressing on, in times of Covid, and continuing to plan a wonderful in person convention in Montréal, Canada. We have a stunning guest list and a superlative team for both planning and the creation of the gathering not to be missed. We will be at the Hôtel Bonaventure, an iconic landmark in the city. The hotel is located in the heart of downtown and just outside the Old Port of Montréal. It is near major roads, right across the street from Gare Centrale, the Montréal train station, and is directly connected to two Metro stations, making it easily accessible for both motorists and public transport users. We will be able to enjoy a lavish 2.5 acres of gardens with streams inhabited by ducks and fish as well as a year-round outdoor heated pool. Our committee is busy excitedly planning a convention that will surpass your every expectation. Our theme will be YA fantasy. The field of young adult fantasy has grown from being popular to becoming a dominant category of 21st century literature, bringing millions of new readers to hundreds of new authors. We are working on a diverse program that will explore this genre that celebrates fantasy fiction in all of its forms: epic, dark, paranormal, urban, and other varieties. We invite members to share what they enjoy, what they have learned, what they have written themselves, and what they hope to see coming in the field of young adult fantasy fiction. We look forward to seeing you all in Montréal! Diane Lacey Chair Diversity Statement The committee for the 2021 World Fantasy Convention is unconditionally devoted to promoting diversity within our convention. -
Souveneir & Program Book (PDF)
1 COOMM WWEELLC EE!! NNVVEERRGGEENNCCEE 22001133 TTOO CCOO LCOOM WWEELC MEE!! TO CONVERGENCE 2013 starting Whether this is your fifteenth on page time at CONvergence or your 12, and first, CONvergence aims meet to be one of the best them celebrations of science all over the fiction and fantasy on course of the the planet. And possibly weekend. the universe as well, but Our panels are we’ll have to get back filled with other top to you on that. professionals and This year’s theme is fans talking British Invasion. We’ve about what they always loved British love, even if it is contributions to what they love to science fiction and hate. The conven- fantasy — from tion is more than H.G. Wells to Iain just panel discus- Banks or Hitch- sions — Check hiker’s Guide to out Mr. B. the Harry Potter. It’s Gentleman Rhymer the 50th Anni- (making his North versary of Doctor American debut Who as well (none on our Mainstage), of us have forgot- the crazy projects ten about that) and going on in Con- you’ll see that reflected nie’s Quantum Sand- throughout the conven- box, and a movie in Cinema Rex. tion. Get a drink or a snack in CoF2E2 or We have great Guests of Honor CONsuite, or visit all of our fantastic par- this year, some with connections to the theme and oth- ties around the garden court. Play a game, see some ers that represent the full range of science fiction and anime, and wear a costume if it suits you! fantasy. -
2016 Statistics Document
MidAmeriCon II 2016 Hugo Award Statistics Page 1 of 27 2016 Final Results for Best Novel 3,130 valid ballots cast. 25% cutoff = 753 voters. 2,903 valid votes cast in category. Race for position 1 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Pass 5 Runoff Fifth Season 969 973 997 1208 1372 2073 Uprooted 722 725 801 944 1203 Seveneves: A Novel 431 432 517 609 Ancillary Mercy 475 476 507 Cinder Spires: The Aeronaut's Windlass 256 261 No Award 50 429 Preference 2903 2867 2822 2761 2575 2502 No Preference 0 36 81 142 328 401 Total Votes 2903 2903 2903 2903 2903 2903 Race for Position 2 Race for Position 3 Finalist Pass 1 Pass 2 Pass 3 Pass 4 Finalist Pass 1 Uprooted 1152 1157 1251 1521 Ancillary Mercy 1443 Ancillary Mercy 843 849 892 1102 Seveneves: A Novel 856 Seveneves: A Novel 520 523 621 Cinder Spires: The Aeronaut's 399 Cinder Spires: The Windlass 280 285 Aeronaut's Windlass No Award 107 No Award 78 Preference 2805 Preference 2873 2814 2764 2623 No Preference 98 No Preference 30 89 139 280 Total Votes 2903 Total Votes 2903 2903 2903 2903 Race for Position 4 Race for Position 5 Finalist Pass 1 Finalist Pass 1 Seveneves: A Novel 1500 Cinder Spires: The Aeronaut's Windlass 1409 Cinder Spires: The Aeronaut's Windlass 619 No Award 902 No Award 480 Preference 2311 Preference 2599 No Preference 592 No Preference 304 Total Votes 2903 Total Votes 2903 MidAmeriCon II 2016 Hugo Award Statistics Page 2 of 27 2016 Final Results for Best Novella 3,130 valid ballots cast. -
Graphic Evangelism 1
Running head: GRAPHIC EVANGELISM 1 Graphic Evangelism The Mainstream Graphic Novel for Christian Evangelism Mark Cupp A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 GRAPHIC EVANGELISM 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Edward Edman, MFA Thesis Chair ______________________________ Chris Gaumer, MFA Committee Member ______________________________ Ronald Sumner, MFA Committee Member ______________________________ Brenda Ayres, Ph.D. Honors Director ______________________________ Date GRAPHIC EVANGELISM 3 Abstract This thesis explores the use of mainstream graphic novels as a means of Christian evangelism. Though not exclusively Christian, the graphic novel, The Beast Within, will educate its target audience by using attractive illustrations, relatable issues, and understandable morals in a fictional, biblically inspired story. This thesis will include character designs, artwork, chapter summaries, and a single chapter of a self-written, self- illustrated graphic novel along with a short summary of Christian references and symbols. The novel will follow six half-human, half-animal warriors on their adventure to restore the balance of their world, which has been disrupted by a powerful enemy. GRAPHIC EVANGELISM 4 Graphic Evangelism The Mainstream Graphic Novel for Christian Evangelism Introduction As recorded in Matthew 28:16-20, all Christians are commanded by Christ to spread the Gospel to all corners of the earth. Many believers almost immediately equate evangelism to Sunday morning services, church mission trips, or distribution of witty, ever-popular salvation tracts; however, Jesus utilized other methods to teach His people, such as telling simple stories and using familiar images and illustrations. -
02.12.20 Draft Minutes
ARFF PARISH DISTRICT COMMISSIONERS Monthly Meeting of the Commissioners 35 New Road, Laxey Minutes of the Meeting Wednesday 2nd December 2020, 7.00 pm Present: Mrs M. Fargher (MF) (Chair), Mr T. Kenyon (TK), Mr P. Kinnish (PK), Mr L. Miller (LM), Mr A. J. Moore (AJM), Mrs J. Pinson (JP), Mr J. Smith (JS). In Attendance: Mr P. Burgess (PB), Clerk, Mr M. Royle (MR), Deputy Clerk, Mrs J. Mattin, Housing Manager. Apologies: Mr N. Dobson (ND)(Vice-Chair). 7.00 pm Public Session - Preliminary Matters for consideration a) To open the meeting and request that Members consider this agenda and declare any interest that they may, or may be perceived to have, in its business. There were no declarations made at this stage of the meeting. MF referred to the meeting that took place on the 18th of November 2020 and reminded Members that they should not raise matters is relation to individual staffing issues during the public section of the meeting. This was noted. 215/20 Planning Matters Planning Applications a) 20/01282/B Baldromma House Maughold, Erection of front porch canopy and alterations to existing windows. It was noted that the application site was within the Maughold Conservation Area. Some Members expressed concern that the proposed style of the porch was not in keeping with the vernacular of traditional Manx buildings. It was agreed to raise this aspect in the submission to be made to the Planning Authority. b) 20/01053/B Tebekwe Mount Old Laxey Hill Laxey, Installation of replacement front door. There were no objections to these proposals. -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Bulletin 7/13C
Southern Fandom Confederation Contents SFC Handbooks Off the Wall . .1 This amazing 196 page tome of Southern Fannish lore, edited Treasurer’s Report . .3 by T.K.F. Weisskopf, is now available to all comers for $5, plus Contributors . .3 a $2 handling and shipping charge if we have to mail it. The Nebula Award Winners . .3 Handbook is also available online, thanks to the efforts of Sam Hugo Nominees . .4 Smith, at http://www.smithuel.net/sfchb Convention Reports . .6 T-Shirts Convention Listing . .8 Fanzine Listings . .10 Size S to 3X LoCs . .12 Price $10 {{Reduced!}} Plus $3 shipping and handling fee if we have to mail it. Policies Art Credits The Southern Fandom Confederation Bulletin Vol. 7, No. 13, Cover, Page 1 . .Teddy Harvia June 2002, is the official publication of the Southern Fandom This page, Page 2,3,6,7,12,14,18 . .Trinlay Khadro Confederation (SFC), a not-for-profit literary organization and Page 5, 17 . .Scott Thomas . information clearinghouse dedicated to the service of Southern Page 19 . .Sheryl Birkhead Science Fiction and Fantasy Fandom. The SFC Bulletin is edit- ed by Julie Wall and is published at least three times per year. Addresses of Officers Membership in the SFC is $15 annually, running from DeepSouthCon to DeepSouthCon. A club or convention mem- Physical Mail: bership is $75 annually. Donations are welcome. All checks President Julie Wall, should be made payable to the Southern Fandom 470 Ridge Road, Birmingham, AL 35206 Confederation. Vice-President Bill Francis, Permission is granted to reprint all articles, lists, and fly- PO Box 1271, Brunswick, GA 31521 ers so long as the author and the SFCB are credited. -
Preemptive Narratives in Recent Television Series Par Toni Pape
Université de Montréal Figures of Time: Preemptive Narratives in Recent Television Series par Toni Pape Département de littérature comparée, Faculté des arts et des sciences Thèse présentée à la Faculté des arts et des sciences en vue de l’obtention du grade de Ph. D. en Littérature, option Études littéraires et intermédiales Juillet 2013 © Toni Pape, 2013 Résumé Cette thèse de doctorat propose une analyse des temporalités narratives dans les séries télévisées récentes Life on Mars (BBC, 2006-2007), Flashforward (ABC, 2009-2010) et Damages (FX/Audience Network, 2007-2012). L’argument général part de la supposition que les nouvelles technologies télévisuelles ont rendu possible de nouveaux standards esthétiques ainsi que des expériences temporelles originales. Il sera montré par la suite que ces nouvelles qualités esthétiques et expérientielles de la fiction télévisuelle relèvent d’une nouvelle pertinence politique et éthique du temps. Cet argument sera déployé en quatre étapes. La thèse se penche d’abord sur ce que j’appelle les technics de la télévision, c’est-à- dire le complexe de technologies et de techniques, afin d’élaborer comment cet ensemble a pu activer de nouveaux modes d’expérimenter la télévision. Suivant la philosophie de Gilles Deleuze et de Félix Guattari ainsi que les théories des médias de Matthew Fuller, Thomas Lamarre et Jussi Parikka, ce complexe sera conçu comme une machine abstraite que j’appelle la machine sérielle. Ensuite, l’argument puise dans des théories de la perception et des approches non figuratives de l’art afin de mieux cerner les nouvelles qualités d’expérience esthétique dans la fiction sérielle télévisée. -
Balticon 47 Program Participants
BALTICON 47 52 THE BSFAN Balticon 47 Program Participants JoAnn W. Abbott A. L. Davroe Heidi Hooper Danielle Ackley-McPhail Susan de Guardiola Starla Huchton Lisa Adler-Golden Donna Dearborn Kara Hurvitz D. H. Aire (Barry Nove) James K. Decker Michele Hymowitz Leigh Alexander Ming Diaz Eric Hymowitz Tristan Alexander Tim Dodge Christopher Impink Day Al-Mohamed Tom Doyle Noam Izenberg Scott H. Andrews Valerie Durham Mark Jeffrey Ami Angelwings James Durham Leslie Johnston Catherine A. Asaro Collin Earl Paula S. Jordan John Ashmead Gaia Eirich Jason Kalirai Lisa Ashton Chris Evans Amy L. Kaplan Thomas G. Atkinson Eric “Dr. Gandalf ” Fleischer Bruce Kaplan Jason Banks Halla Fleischer Debra Kaplan Brick Barrientos Judi Fleming William H. Kennedy Martin Berman-Gorvine Doc Frankenfield Kira Deja Biernesser D. Douglas Fratz James R. Knapp Steve Biernesser Nancy C. Frey Jonah Knight Joshua Bilmes Clint Gaige Beatrice Kondo Danny Birt Allison Gamblin Yoji Kondo (Eric Kotani) Roxanne Bland Charles E. Gannon Brian Koscienski Art Blumberg Lia Garrott A B Kovacs Sue Bowen Dr. Pamela L. Gay Laura E. Kovalcin Walter H. Boyes, Jr. Marty Gear Theodore Krulik William T. (Tom) Bridgman Veronica (V.) Giguere Alessandro La Porta Alessia Brio Phil Giunta Mur Lafferty J. Sherlock III Brown Alicia Goranson Jagi Lamplighter KT Bryski James L. Gossard Grig “Punkie” Larson Stephanie Burke Stephen Granade Marcus Lawrence Laura Burns Matthew Granoff Dina Leacock Mildred G. Cady Bob Greenberger R. Allen Leider Jack Campbell Irina Greenman Neal Levin Renee Chambliss Damien Walters Grintalis Emily Lewis Christine Chase Sonya “Patches” Gross Carey Lisse Robert R. Chase Gay Haldeman ScienceTim Livengood Bryan Chevalier Joe Haldeman Andy Love Ariel Cinii Elektra Hammond Steve Lubs Carl Cipra Eric V.