ABSOLUTELY FREE Vol. 16, No. 9 September 2012 You Can’t Buy It
Sweet Dreams, Appalachia, from the series “The Great Floor: Rocks and Water”
On a Hot Day Koko Looks in the Aquarium at the Fish
Spring
Studio at Night, from the “Artist and Model Series”
The Kiss, from the series “Village Allegories”
All works are by the late Vadim Bora (1954 - 2011), and are part of the exhibit VADIM BORA: A Visual Legacy of Expressive Freedom From Initial Spark to Final Form, on view at the Elizabeth Holden Gallery, Warren Wilson College, Holden Visual Arts Center in Swannanoa, North Carolina from September 28 - November 30, 2012. A retrospective of the late Master Sculptor and painter Vadim Bora will be presented, as curated by the artist’s widow, Constance E. Richards, and Dusty Benedict and will feature the artist’s drawings, paintings, sculpture, jewelry designs and architectural ornamentation project renderings. TABLE OF CONTENTS Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - images by the late Vadim Bora of Asheville, NC, on view at Warren Wilson College Page 3 - Morris & Whiteside Galleries Page 2 - Table of Contents, Advertising Directory, Contact Info, Links to blogs and Carolina Arts site Page 4 - Smith Galleries and The Artist’s Co-op Page 4 - Editorial Commentary, articles about USC-Upstate & Spartanburg Art Museum and Page 6 - Spartanburg Art Museum and Artist Guild Gallery of Greenville Gaffney Visitor’s Center & Art Gallery Page 7 - Clemson University Page 5 - Article cont. about Gaffney Visitor’s Center & Art Gallery, Artists’ Guild of Spartanburg, and Page 8 - USC-Upstate West Main Artists Co-op Page 10 - Carolina Renaissance Festival and Providence Gallery Page 6 - Article cont. about West Main Artists Co-op and Carolina Gallery Page 7 - Articles about Wofford College, USC-Upstate, and Furman University Page 12 - Hodges Taylor Art Consultancy and Shain Gallery Page 8 - Article cont. about Furman University, Artists Guild Gallery of Greenville, & Riverworks Gallery Page 13 - Annette Ragone Hall Page 9 - Article cont. about Riverworks Gallery, Upstate Heritage Quilt Trail, Society of Bluffton Page 15 - City Art Gallery Artists and Winthrop Unversity Page 16 - The Gallery at Nonnah’s Page 10 - Article cont. about Winthrop Unversity, Central Piedmont Community College, Jerald Page 17 - One Eared Cow Glass and Michel McNinch Melberg, and McColl Center for Visual Art Page 18 - South Carolina State Museum Page 12 - Article cont. about McColl Center for Visual Art and Mint Museum Uptown Page 19 - Mouse House/Susan Lenz and Vista Studios Page 13 - Articles about Shain Gallery, Providence Gallery, Central Piedmont Community College, Page 21 - Seacoast Artists Guild and Women Centered Art Page 22 - Art in the Park in Myrtle Beach, SC, Cheryl Newby Gallery, Carolina Creations, and Page 14 - Articles about the Hickory Museum of Art, Mooresville Artists Guild, Aiken Center for the Arts, and Hitchcock Health Center Nelson Fine Art Page 15 - Article cont. about Hitchcock Health Center, Vista Studios, and Gallery V Page 23 - Tidewater Gallery and Sunset River Marketplace Page 16 - Article cont. about Gallery V, Vista Studios, and City Art Gallery Page 24 - Nelson Fine Art and New Bern ArtWorks & Company Page 17 - Article cont. about City Art Gallery, 701 Center for Contemporary Art, and Vista Studios Page 25 - The Wells Gallery and Peter Scala Page 19 - Article cont. about Vista Studios and Columbia Museum of Art Page 26 - The Sylvan Gallery Page 20 - Article cont. about Columbia Museum of Art, Columbia College, Fine Arts Center of Page 27 - Eva Carter Studio, Halsey-McCallum Studios, The Pink House Gallery, The Finishing Kershaw County, and Sumter County Cultural Center Touch and The Treasure Nest Art Gallery Page 21 - Article cont. about Sumter County Cultural Center, Cheryl Newby Gallery, Seacoast Artists Page 28 - Rhett Thurman, Gibbes Museum of Art, Helena Fox Fine Art, The Sylvan Gallery, The Wells Guild, and Sunset River Marketplace Gallery, Corrigan Gallery, Saul Alexander Foundation Gallery, City Gallery at Waterfront Park, Page 22 - Article cont. about Sunset River Marketplace and Cameron Art Museum Page 23 - Article cont. about Cameron Art Museum and New Bern ArtWorks & Company Smith-Killian Fine Art, Nina Liu & Friends, The Pink House Gallery, Spencer Art Galleries, Dog Page 24 - Article cont. about New Bern ArtWorks & Company, Barton College, & NC Wesleyan College & Horse Fine Art & Portrait, Cone Ten Studios & Gallery, & McCallum-Halsey Studios Page 25 - Article cont. about NC Wesleyan College, NC Wesleyan College, City of North Charleston, Page 29 - Karen Burnette Garner and Whimsy Joy Charleston Artist Guild Page 30 - Inkpressions Page 26 - Articles about Smith Killian Fine Art and Gibbes Museum of Art Page 31 - Smith Killian Fine Art and Carolina Renaissance Festival Page 27 - Article cont. about Gibbes Museum of Art, City of Charleston, Art Institute of Charleston Page 32 - From the Ground Up Page 29 - Article cont. about Art Institute of Charleston and Charleston County Public Library Page 33 - Sierra Terra Cotta Page 30 - Articles About Ella Walton Richardson Fine Art, Hamlet Gallery of Fine Art, and Rick Page 34 - Yadkin Cultural Arts Center Rhoads Photography Page 35 - Eck McCanless Pottery and Discover Seagrove Potteries Page 31 - Article cont. about Rick Rhoads Photography and Editorial Commentary cont. Page 32 - Articles about Guilford College and Green Hill Center for NC Arts Page 36 - ARTFIELDS Page 33 - Article cont. about Green Hill Center for NC Art, UNC-Greensboro, Earthworks Gallery, and Page 37 - Create! Conway! and Cheraw Jazz Festival Art Show Artworks Gallery Page 38 - Carolina Clay Resource Directory Page 34 - Article cont. about Artworks Gallery, J Gallery, Artists League of the Sandhills, & NC Pottery Page 39 - Hillsborough Gallery of Art Center Page 41 - Karen Meredith Page 35 - Article cont. about NC Pottery Center, In the Grove w/Rhonda McCanless, & Whynot Pottery Page 42 - Spruce Pine Potters Market Invitational and Toe River Arts Council Page 36 - Articles about Live Oak Arts & Music Fest and Coker College Page 43 - Joan Van Orman Page 37 - Articles about Art Trail Gallery, Nicole’s Studio & Art Gallery, and CowParade NC 2012 Page 44 - Asheville Quilt Show and Bluewood Photography Page 38 - Article cont. about CowParade NC 2012, Claymakers, ArtSource Fine Art Gallery, UNC- Page 45 - William Jameson Workshops and Who Knows Art Chapel Hill Page 39 - Article cont. about UNC-Chapel Hill and ENO Gallery Page 40 - Articles about FRANK Gallery Photography Festival and cont. about ENO Gallery Don’t forget about our website: www.carolinaarts.com Page 41 - Articles about Hillsborough Gallery of Arts, 6th Annual Spruce Pine Potters Market Invitational, and TRAC Arts Center Page 43 - Article cont. about TRAC Arts Center and Glass in the Mountains Page 44 - Article cont. about Glass in the Mountains, The Design Gallery, Caldwell Arts Council’s Sculptural Celebration Page 45 - Articles about Warren Wilson College and 30th Annual Asheville Quilt Show Page 46 - Articles about Crimson Laurel Gallery, Upstairs Artspace, Haywood County Arts Council, Blowing Rock Art & History Museum, and Caldwell Arts Council Page 47 - Article cont. about Caldwell Arts Council, Carlton Gallery and Asheville Art Museum Page 48 - Article cont. about Asheville Art Museum, UNC-Asheville, Woolworth Walk, Flood Gallery Fine Arts Center, MESH Gallery and Pickens County Museum Page 49 - Article cont. about Pickens County Museum, Black Mountain Center for the Arts and Coastal Carolina University Page 50 - NC Institutional Galleries - Aberdeen - Asheville You can find past issues all the way back to August 2004! Page 51 - NC Institutional Galleries - Asheville - Cary You can find past articles all the way back to June 1999 Page 52 - NC Institutional Galleries - Cary - Charlotte Page 53 - NC Institutional Galleries - Charlotte - Cherokee Also don’t forget about our two blogs: Page 54 - NC Institutional Galleries - Clayton - Greensboro Page 55 - NC Institutional Galleries - Greensboro - Kings Mountain Carolina Arts Unleashed - Carolina Arts News Page 56 - NC Institutional Galleries - Lenoir - Rocky Mount Page 57 - NC Institutional Galleries - Rocky Mount - Winston-Salem Send us your email address to be added to our list to receive Page 58 - NC Institutional Galleries - Winston-Salem - Yadkinville & NC Commercial Galleries - notice of each monthly issue. [email protected] Aberdeen - Asheville Page 59 - NC Commercial Galleries - Asheville - Black Mountain Carolina Arts, is published monthly by Shoestring Publishing Company, a subsidiary Page 60 - NC Commercial Galleries - Blowing Rock - Cary of PSMG, Inc. Copyright© 2012 by PSMG Inc. It also publishes the blogs Carolina Page 61 - NC Commercial Galleries - Celo - Charlotte Arts Unleashed and Carolina Arts News, Copyright© 2012 by PSMG, Inc. All rights reserved by PSMG, Inc. or by the authors of articles. Reproduction or use without written Page 62 - NC Commercial Galleries - Charlotte - Greenville permission is strictly prohibited. Carolina Arts is available online at (www.CarolinaArts. Page 63 - NC Commercial Galleries - Greenville - Morganton com). Mailing address: P.O. Drawer 427, Bonneau, SC 29431. Telephone: 843/825-3408, Page 64 - NC Commercial Galleries - Nags Head - Rutherfordton e-mail at ([email protected]) and on the web at (www.CarolinaArts.com). Page 65 - NC Commercial Galleries - Salisbury - Seagrove Page 66 - NC Commercial Galleries - Seagrove - Seagrove Editor/Publisher/Calendars/Distribution Page 67 - NC Commercial Galleries - Seagrove - Weaverville Thomas J. Starland Page 68 - NC Commercial Galleries - West Jefferson - Winston - Salem & SC Institutional Galleries - Web Master/Advertising/Business Manager Linda Parks Starland Allendale - Charleston Blog Guru & Graphics Page 69 - SC Institutional Galleries - Charleston - Columbia Zelda Ravenel Page 70 - SC Institutional Galleries - Columbia - Greenville Proofer Page 71 - SC Institutional Galleries - Greenville - Ridge Springs Andrew A. Starland Page 72 - SC Institutional Galleries - Rock Hill - Walterboro Intern Thalia Rico Starland Page 73 - SC Institutional Galleries - Walterboro - Westminister & SC Commercial Galleries - Aiken/ Contributing Writers This Month N. Augusta - Charleston Rhonda McCanless Page 74 - SC Commercial Galleries - Charleston - Charleston Advertising Rates Page 75 - SC Commercial Galleries - Charleston - Columbia Click here for advertising rates. Page 76 - SC Commercial Galleries - Columbia - Greenville The deadline for the October 2012 issue is Page 77 - SC Commercial Galleries - Greenville - Myrtle Beach September, 24, 2012. Page 78 - SC Commercial Galleries - Myrtle Beach - Sumter To advertise call 843/825-3408.
Page 2 - Carolina Arts, September 2012 Table of Contents Michael Harrell
Bucket Load Watercolor 21 x 20 inches
Morris & Whiteside Galleries is pleased to represent new work by Michael Harrell
843•842•4433 or to view additional works www.morris-whiteside.com
220 Cordillo Parkway • Hilton Head Island • South Carolina • 29928 • 843.842.4433
Table of Contents Carolina Arts, September 2012 - Page 3 Editorial by Tom Starland, Editor and Publisher COMMENTARY Back to School - Back to Normal lery, there will be panel discussions, other exhibitions, lectures, an outdoor slide show, Summer is over, except for the heat and an area-wide photo scavenger hunt, and hurricanes, and things are getting back to much more. Prominent curators, collectors, normal. The children are back in school, critics and photographers will be coming the vacation is long forgotten (if you got from throughout the southeast to partici- one) and most of you remembered what our pate. During September and October, the deadline was for getting in this issue. A few Triangle area will be focused on the wonder forgot and you’ll find their articles starting and diversity of the medium of photogra- on Page 48. They’re the lucky ones who got phy. Don’t miss FRANK: In Focus. For us their info before we were finished with complete and up to the minute information the layout. on the events and exhibitions and partici- The Summer months have not been bad pant bios, please visit (http://frankinfocus. to us - slower for sure, but not bad. We had tumblr.com/). almost 60,000 downloads in the dreaded The Upstate Heritage Quilt Trail month of July and over 72,000 in August, (UHQT) and the Lake and Mountain Quilt so we’re expecting big things with this issue Guild (LMQG) in Upstate, SC, are col- - which is packed. A bigger paper usually laborating in celebrating quilts and quilting translates to more downloads, but we’ll see throughout Anderson, Oconee and Pickens by the end of the month. It’s all up to you Counties, in Upstate, SC, through Sept. 31, readers in whether you just look or look and 2012, culminating in the biennial LMQG spread it around. Spread all you want - we’ll Quilt Show, Sept. 21 – 22, 2012, held in make more. Seneca, SC. For complete information con- tact the Upstate Heritage Quilt Trail by e- Four Big Events mail at ([email protected]); call 864/723-6603 or visit (www.UHQT.org). You can also There are four big events taking place visit the Lake and Mountain Quilt Guild’s in the Carolinas that we are reporting on in website at (www.LMQG.org). this issue which are not your typical “one Close to 60 Toe River Valley glass site” events. In fact, by the time we have artists have joined forces to create “Glass launched this issue - some changes will in the Mountains”, (Sept. 20 - 23, 2012) have taken place or new events added. So it an activity-rich, four day celebration that is advised that you check into these events’ commemorates the 50th anniversary of websites to make sure you get the full the birth of the American studio glass picture. Our articles are as complete as they movement. A dozen galleries and studios could be at the time. throughout Burnsville, Bakersville, Pen- Here’s a short description of the four land, and Spruce Pine in Western North events: Carolina will be hosting tours, unique The FRANK Gallery in Chapel Hill, glass exhibits, demonstrations, a book NC, invites the public to enjoy FRANK: In signing and even a special “goblets and Focus, a two month-long, (Sept. 5 - Nov. glasses” wine tasting where locally made, 1, 2012) area-wide festival of photography. handcrafted wine glasses will be available In addition to an exhibit by eleven diverse for sale. As “Glass in the Mountains” ap- fine-art photographers at the FRANK Gal- continued on Page 31 area, however, these works may challenge Institutional Gallery listings, contact Mi- the status quo.” chael Dickins, Harley Gallery manager, at USC Upstate and Spartanburg Art Also in conjunction with the show, artist 864/503-5848 or (mdickins@uscupstate. Laurin McCracken will offer a watercolor edu); the SAM at 864/582-7616 or visit workshop at the SAM from Oct. 9-11. (www.spartanburgartmuseum.org). Museum in Spartanburg, SC, Host For further information check our SC Contemporary Still Life Paintings The Curtis R. Harley Art Gallery at the people think about pictures of flowers and Gaffney Visitor’s Center and University of South Carolina Upstate, in fruit sitting on a shadowy table,” Steve collaboration with the Spartanburg Art Wong, marketing director for the Chapman Museum at the Chapman Cultural Center, Cultural Center, said. “That is not always Art Gallery in Gaffney, SC, in Spartanburg, SC, are presenting works the case, and this exhibit is especially good by twelve nationally known artists in the at showing the vastly different aspects of exhibit, Contemporary Still Life Painting still life art. Technically, the term still life Offers Works by Diana Farfán Invitational 2012. Their works will be on used to refer to paintings of things that were The Gaffney Visitor’s Center and Art Farfán is known for her surrealistic display at the Spartanburg Art Museum dead - fruit and flowers cut from the plant Gallery in Gaffney, SC, is presenting the ceramic toys, marionettes, puppets and through Oct. 20, 2012, and at the Harley and therefore no longer alive. Actually, a exhibit, The Toy Republic, featuring works dolls. Her pieces illustrate her observations Gallery from Sept. 26 through Oct. 28, great many pictures show the dying process: by Diana Farfán, on view through Sept. 29, about our ambivalent human condition – 2012. The exhibit is curated by Dr. Henry wilted flowers and rotting fruit. Even in 2012. manipulated, fragile, impotent, vulnerable, Fagen, adjunct professor of art at USC Up- this exhibit, there are pictures of decaying and isolated – countered by the ability to state. Opening receptions will be held Sept. animals, as well as some beautiful displays find hope. With her ceramic and mix media 20 at 7pm at the SAM, and Oct.11 from of vibrant flowers and luscious fruit. Keep figures, she incorporates both classical and 4:30-7:30pm at the Harley Gallery; they are an open mind when seeing this exhibit and contemporary elements to represent the hu- free and open to the public. The opening understanding what it has to say.” man body and its identity in dysfunctional reception at the SAM will feature a tour and The show’s twelve artists hail from North modern times. discussion led by the curator. The opening and South Carolina, Missouri, Colorado, “By working with clay, I have discovered at the Harley Gallery will feature a discus- Arizona, Washington, Mississippi, New the freedom and happiness that is play – a sion led by Laurin McCracken. York, and Maine, and their works repre- way of being that we have forgotten,” says sent the finest examples of recent still life Farfán. “Now I realize that a broken toy is paintings being created in the country. not necessarily an obstacle; rather, it is a These artists have all exhibited in galleries possibility for creativity, for imagining new and museums, and have been featured in ways of playing. And here I recognize that national art magazines. Their works depict life is a form of play and I a toy. As such, the ephemeral illusions, mystery, nostalgia, I play with clay in order to live, to create, surreal ordinariness and humor contained in to build, and also to repair my own dreams today’s American culture. The varied me- and the dreams of others. My transition dia, including oil and watercolor, exemplify from Colombia to the United States and the artists’ skills in descriptive examina- continued on Page 5 tion and analysis about the experience and Work by David Gray residue of life. Participating artists are: Ginger Bowen “The sophisticated viewer may glean (Phoenix, AZ), Linda Cancel (Laurens, SC), some references to literature, poetry, phi- Loren DiBenedetto (Huntersville, NC), losophy or historical events,” said exhibit Frankie Denton (Winston-Salem, NC), curator, Dr. Fagen. “Still life painting has Work by Diana Farfán The Artist’s Coop Bevin Engman (Winslow, ME), Ron Ferkol always been a visual communication device Born in Bogotá, Colombia, Diana Farfán on the square (Gerald, MO), David Gray (Tacoma, WA), that reflects varied interests of a society’s received her BFA at the National University An Artist’s Cooperative Chad Hughes (Oxford, NC), Andrea Kemp cultural and economic condition. The detri- of Colombia and her MFA in Ceramics at 113 East Laurens Street (Golden, CO), Laurin McCracken (Leland, tus and joys of human existence are illumi- the University of South Carolina. Her 2D Laurens, SC • 864-984-9359 MS), Randall Mooers (New York, NY) and nated within the still life. Still life paintings and 3D works have been shown and award- 10-5:30pm Tues. - Fri., 10-3pm Sat. Daniel Sprick (Denver, CO). are not new to the Upstate and Spartanburg ed in a number of exhibitions in places www.laurensartistscoop.org “When you say ‘still life paintings,’ most continued above on next column to the right including Colombia, the US, and Taiwan. [email protected] Page 4 - Carolina Arts, September 2012 Table of Contents Upstate South Carolina 176 Saluda, NC Upstate SC Area This map is not to exact I-26 scale or exact distances. It was designed to give readers help in locating Tryon, NC gallery and art spaces in Upstate South Carolina. 25 Landrum, SC
176 276 25
Travelers Rest, SC
Pickens, SC I-26 Toward Gastonia, NC 123 I-85 123 Walhalla, SC 8 176 28 25 Taylors, SC Easley, SC Gaffney, SC 276 29 Greer, SC I-85 76 123 29 Seneca, SC 123 Clemson, SC I-85 Spartanburg, SC
76 Greenville, SC 385 I-85
I-85 I-26 176 Anderson, SC
Union, SC
385
Laurens, SC
Clinton, SC I-26
- a combination of style and subject matter that implies the defunct culture is now held Gaffney Visitor’s Center in SC in reminiscent memory. “My artworks are born of a love of light continued from Page 4 and color, a desire to capture the brilliance my encounter with a different culture is the For further information check our SC In- of light and the luminosity of shadows, in journey that has allowed me to believe that stitutional Gallery listings or call the Center the landscape,” Spence said. “In search- it’s possible to create and live in a world of at 864/489-9119. ing for subject matter, I found my motif in magical realism.” the abandoned monolithic structures of the cotton mills, standing mute, silent to their forgotten stories, stories that belonged to a vanishing textile industry and a transient Work by Robyn Spence Artists’ Guild of Spartanburg, community. As I looked and sketched, and painted, and struggled with painter’s lent struggles of the cotton mill industry.” problems, the mills slowly whispered their For further information check our SC SC, Features Works by Robyn stories to me, of mill workers and mill life, Institutional Gallery listings, call Robin H of working children, the women’s unions, Els at 864/764-9568 or visit (www.artists- strikes, rights of the African American guildofspartanburg.com). Spence and Eddie Schrieffer worker, the music, the poetry and the turbu- The Artists’ Guild of Spartanburg, will present the exhibit, Transitions: Coast to Mill Towns, featuring works in oil by local artists Robyn Spence and Eddie Schrieffer, West Main Artists Co-op in on view in the Artists’ Guild of Spartanburg Gallery, located in the Chapman Cultural Center in Spartanburg, SC, from Sept. 4 - Spartanburg, SC, Features Works 28, 2012. A reception will be held on Sept. 20, from 5-9pm. Eddie Schrieffer’s work captures his by Chip Walters & Kristofer Neely memories of South Carolina’s coastal land- West Main Artists Co-op in Spartan- scapes, while Robyn Spence focuses on the burg, SC, will present the exhibit, Ap- sometimes-forgotten memories of the tex- plauding God / Reflections of the Spirit, tile mill towns. Together they have created a featuring works by Chip Walters and body of work that is sure to touch a chord in Kristopher Neely, on view from Sept. 20 any South Carolinian and open the eyes to through Oct. 13, 2012. A reception will be the beauty that is South Carolina. held on Sept. 20, from 5-9pm. Seven tall oil paintings dominate Schri- This exhibit will feature colorful works effer’s collection of South Carolina coastal on wood and canvas, in acrylic and mixed scenery. From the drama of an evening media. Walters’ art is inspired by the lightning strike over Murrells Inlet to the beauty of Jesus Christ through scripture relaxing blue sky over the dunes at Litch- and Neely’s art is inspired by the act of field, the variety of the coast is displayed contemplative prayer. in the large paintings. Smaller paintings Walters and Neely share common in- depict a quiet morning surf fisherman and a Work by Eddie Schrieffer terests. Both enjoy painting on wood and squall just off the Charleston Harbor jetties. ing the beauty of South Carolina’s coastal incorporate vibrant colors into their work. Marshlands, crab docks, low tide, foaming treasure.” They also use spirituality as inspiration. surf, and shrimp boats all conjure memories Using both traditional oil paint and Walters often finds her art to be an outlet of the South Carolina coast. encaustic wax, Spence presents a soft and for expressing gratitude to God. Neely “Living in the Upstate, I don’t get to see impressionistic view of a bygone era in creates his work as a manual act of con- the horizon much further than a few miles,” southern cultural: the mill village. Vibrant templative prayer. The artists also share Schrieffer said. “Along our coastline the and muted colors are combined in the cre- a love for outsider and self-taught art. In Work by Chip Walters horizon can be as far as the eye can see. ation of neighborhoods, homes and factories their personal lives, Walters and Neely are Walters says of Neely, “He is an artist This is important to me in fully explor- continued above on next column to the right both educators and adoptive parents. continued on Page 6 Table of Contents Carolina Arts, September 2012 - Page 5 West Main Artist Co-op continued from Page 5 that I admire for using art as a way to bring joy and comfort to others and to express meaning through words and texts ….. each piece has a special meaning for the viewer to connect with. When you see one of his Guardians you know that the place where it is displayed holds special meaning to someone or some group.” THROUGH OCT 20, 2012 Neely says of their collaboration, “When Chip invited me to consider a joint Contemporary Still Life show with her at the West Main Artists Invitational Exhibit: Co-op, I said yes immediately.” Applaud- A Collaborative Two Venue ing God / Reflections of the Spirit is the Exhibit by SAM & USC Upstate joint show that has resulted from their Curated by Dr. Henry Fagen collaboration. Chip Walters is a graduate of Converse Sept. 20: Art Walk - Gallery Talk at SAM College and has been teaching at the SC by Dr. Fagen at 7 pm School for the Deaf and the Blind for 28 years. Since 2004 she has been the Sept. 28 - Oct. 26: Exhibit Opens at USC Director of Fine Arts at SCSDB and is Upstate’s Curtis R. Harley Art Gallery a National Boards Certified Exceptional Oct. 11 at 4:30 pm: Lecture & Reception Needs Specialist. She is the director for for the Exhibit at USC Upstate many theatre productions at SCSDB and coordinates all Fine Arts activities for the agency. Walters creates abstract art inspired by Bible truths, often using verses and words. SEPT 20 - NOV 3, 2012 Each piece of art in this exhibit reflects an applause to God. Several pieces of art THE ARTISTS’ GUILD OF will be donated to The Journey, an inner- SPARTANBURG’S 39th Annual city church where Walters serves as Kid’s Juried Exhibition Camp Coordinator. with a special documentary exhibit Kris Neely is a graduate of Wofford about the Guild’s early years College, he earned his MFA from Goddard College in Plainfield, VT. He currently serves as Assistant Dean and Coordina- tor for Studio Art at Wofford. He teaches courses on painting, installation, street art, and digital photography and serves as the Assistant Dean and Co-ordinator for Stu- dio Art at Wofford. Neely is the founding artist and owner of Wet Paint Syndrome 200 East St. John St • Spartanburg, SC • (864) 582-7616 Art Studio, LLC in Hillcrest Specialty www.spartanburgARTmuseum.org Row. SAM is funded in part by The Arts Partnership and its donors, the County and City of Spartanburg, the South Carolina Arts Commission which receives support from the Since 2005, Neely has painted more National Endowment for the Arts, The George Ernest Burwell, Jr. Fund, than 8,000 of his “Guardians” on found The Lucile F. Kohler Fund for the Spartanburg Art Museum, and the Annual Art & Antique Show. wood. Inspired by self-taught and street artists, these Guardian angels have been installed in church sanctuaries, college campuses, public parks, homeless shelters and cemeteries. Recent notable instal- lations of Neely’s works include Ghost Ranch, New Mexico and Oxford Chapel at Emory University in Georgia. The West Main Artist Co-op provides affordable studio and exhibition space for local artists. Locally made art is for sale in the Gallery Shop and the galleries. The Co-op is a nonprofit organization, funded in part by the South Carolina Arts Com- mission which receives support from the National Endowment for the Arts. For further information check our SC Institutional Gallery listings, call the Co-op at 864/804-6501 or visit (www. westmainartists.org). Work by Kristofer Neely
Carolina Gallery in Spartanburg, An Eclectic Mix of Artists NANCY BARRY DOTTIE BLAIR SC, Features Works by Bonnie GERDA BOWMAN LAURA BUXO Goldberg and Michelle Petty ARTISTS DALE COCHRAN ROBERT DECKER KATHY DuBOSE EDITH McBEE HARDAWAY Carolina Gallery in Spartanburg, SC, is Art Education from Converse College and presenting an exhibit of works by Bon- is currently teaching ceramics and manag- CHRIS HARTWICK KEVIN HENDERSON nie Goldberg and Michelle Petty, on view ing the gallery store at the Aiken Center for through Sept. 30, 2012. the Arts. Petty’s hand built figures of the GUILD RANDI JOHNS Bonnie Goldberg is a figurative painter female form convey an unending variety of DIARMUID KELLY and mixed media artist living in Columbia, moods and emotions through posture and SC. Her work centers around the female facial features. She explains that curvilinear, JOHN PENDARVIS form, often rendered from direct observa- biomorphic form interests her and that she DAVID tion. When creating her artwork Goldberg tends to exaggerate the natural curves of the GALLERY of seeks to find each personal gesture that female figure to the point of abstraction. WALDROP belongs to the model and translate it into For further information check our SC the essence of who she is in that moment in Commercial Gallery listings, call the gallery time. at 864/585-3335 or visit (www.carolinagal- Michelle Petty is a ceramic artist living in leryart.com). GREENVILLE North Augusta, SC. She received her BA in /.BJO4U (SFFOWJMMF 4$t Don’t see info here about your exhibit or your gallery space? The deadline each month to submit articles, photos and ads is the 24th of the month GALLERY HOURS prior to the next issue. This will be Sept. 24th for the October 2012 issue and Oct. 24 for the November 2012 issue. After that, it’s too late unless your exhibit runs Monday - Saturday 10am to 6pm into the next month. But don’t wait for the last minute - send your info now. And where do you send that info? Sunday 1pm to 5pm E-mail to ([email protected]) or mail to: artistsguildgalleryofgreenville.com Carolina Arts, P.O, Drawer 427, Bonneau, SC 29431
Page 6 - Carolina Arts, September 2012 Table of Contents CLEMSON CERAMICS NATIONAL JURIED EXHIBIT
CONTAINMENT October 3 - November 7, 2012 Lee Gallery, Clemson University:
The CU Center for Visual Arts is pleased to present the first Clemson Ceramics National. Our inaugural exhibition asks artists to explore “containment” through the lens of functional ceramics.
“Containment” may be used literally or conceptually in the works, according to the artist’s individual interpretation. The goal of this year’s Clemson Ceramics National is to showcase a diverse collection of ceramic tableware and functional objects and bring a broad range of contemporary voices from across the country to the Upstate.
- Valerie Zimany Assistant Professor of Art, Ceramics Clemson University
CLEMSON CERAMICS NATIONAL JURIED EXHIBIT clemson.edu/cva | 864-656-3883
ture, his artwork contains thematic elements of profound whim and visual pun. Wofford College in Spartanburg, “Humor plays an important role in my art. I like to think that my artistic style is unique and self-derived, however, I am SC, Features Works by David sure many influences converge to create my own particular form of expression. I try Efurd & Eastern European Posters not to commit to either realism or abstrac- Wofford College in Spartanburg, David Efurd, assistant professor of art tion - lurking somewhere between surreal- SC, will be presenting two new exhibits history at Wofford College, spent a year ism and distorted reality,” says Weaver. He including: Legacy of Ancient Caves in in India on a Fulbright- Hays Fellowship adds that the juxtaposition of two or more India: Photographs by David Efurd, on documenting and photographing ancient relatively familiar objects can create unique view in the Martha Chapman Gallery, cave sites. He has returned to India several relationships, coaxing the eye and mind to from Sept. 3 through Oct. 28, 2012, with times to continue his research, often unfold all the possible riddles that lie in the a reception on Sept. 7, from 4-6pm, and with camera in hand. Recently, he served artwork. Film Art from Behind the Iron Curtain, on as research fellow at Trinity College in Weaver admits that it is difficult to view in Sandor Teszler Library Gallery, Dublin, Ireland, on a project related to define the influences that have impacted from Sept. 3 through Oct. 28, 2012, with a archaeology in the British Empire. This his artwork. He credits his ceramic teacher reception on Sept. 13, from 4-6pm. exhibition of photographs highlights how Masako Miyata as being the most influen- In ancient India, monastic communi- these ancient cave complexes negotiate tial, passing on “a deeper understanding of ties lived and worked in elaborate cave the contemporary world and continue to the Japanese tradition in both lifestyle and complexes. Dating as early as the 3rd cen- serve diverse populations. creation of art forms.” Also important was tury B.C., caves were hewn directly into The group of film posters from Eastern his conservative upbringing in the Men- mountainous outcroppings of stone, com- Europe, on view in Sandor Teszler Library nonite community in Appalachia, which Work by Herb Weaver plete with architectural ornament and em- Gallery, showcases the graphic design stresses “responsibility, a self-sufficient bellishments, with sculptures carved into and aesthetic of the culture of that region. attitude, and a common-sense mentality.” Institutional Gallery listings, contact Jane solid rock and paintings covering their Often, Western films and the American His background enabled him to learn vari- Nodine, gallery director, at 864/503-5838 interior walls. These sites were abandoned designs of the posters used to advertise ous skills and trades - carpentry, plumbing, or e-mail to ([email protected]), with the decline of Buddhism in India. and interpret the films undergo remarkable electricity, masonry - that are reflected in his or, Michael Dickins, gallery manager, at New communities and religious orders ap- transformations when presented to their work as well. 864/503-5848 or e-mail to propriated many of these cave complexes. European audiences. The posters are on For further information check our SC ([email protected]). Furthermore, India experienced a revival loan from the collection of Dr. Matthew of Buddhism in the 20th century, and new Johnston of Spartanburg. generations of the Buddhist faithful flock For further information check our to see ancient expressions of piety carved SC Institutional Gallery listings or call Furman University in Greenville, directly into the living rock. 864/597-4300. SC, Offers Works by Daniel Marinelli Furman University in Greenville, SC, is work can allude to things or states of being USC Upstate in Spartanburg, SC, presenting, Instruments, an exhibition fea- without in any way representing them.” turing drawings, paintings and sculpture by Marinelli’s more recent works include Daniel Marinelle, on view in the Thompson drawings and paintings of a variety of tools, Features Works by Herb Weaver Gallery in the Roe Art Building through devices, and hardware. He says the subject USC Upstate in Spartanburg, SC, is Harrisonburg, VA, Weaver earned degrees Sept. 29, 2012. matter in these works could easily be la- presenting an exhibit of ceramic sculpture from Eastern Mennonite University (BS Art For his sculptural work, Marinelli alters, beled as mundane, but to Marinelli, the ob- by Herb Weaver, on view in the Curtis R. Education) and James Madison University combines and presents common, everyday jects are of utmost importance as they play Harley Art Gallery, located on the first floor (MFA Ceramics), and taught on the second- materials (wood, steel, paper, thread, paint) an integral part in creating his sculptures. of the Humanities and Performing Arts ary school level before accepting college into a format that evokes a sense of familiar- Marinelli has recently completed a three- Center at the University of South Carolina positions in Tennessee, Kentucky, West Vir- ity, either to the materials themselves or to year residency at Penland School of Crafts Upstate, through Sept. 21, 2012. An artist ginia, and currently in Georgia at Georgia the alluded content. in Penland, NC. He has relocated with his lecture and reception will be held Sept. 13, Gwinnett College. While concentrating his Drawn to the idea that art is a metaphor, wife and children to the Greenville area and starting at 4:30pm. creative efforts in the area of ceramic sculp- Marinelli echoes Martin Puryear’s “value of is setting up his shop and studio in the Old Raised in a Mennonite community in continued above on next column to the right the referential quality of art, the fact that a continued on Page 8 Table of Contents Carolina Arts, September 2012 - Page 7 The USC Upstate Visual Arts Program includes Bachelor of Arts programs in: Art Studio (graphic design emphasis) Herb Weaver: Ceramic Sculpture Art Education Art History (minor) August 24 - September 21, 2012 Harley Gallery: Raised in a Mennonite community in Harrisonburg, Va., The Gallery, located on the Herb Weaver’s work reflects both his conservative first floor of the Humanities upbringing -- which stressed responsibility, self- & Performing Arts Center, is sufficiency, and a common-sense mentality -- and free and open to the public thematic elements of profound whim and visual pun. from 9:00 a.m. - 5:00 p.m. Humor plays an important role in his art, delightfully Mon.-Fri. evidenced by elements of carpentry, plumbing, electric- ity and masonry. The juxtaposition of two or more rela- To learn more: tively familiar objects creates unique relationships, Visit uscupstate.edu coaxing the eye and mind to unfold all the possible (Search the A to Z index for Gallery) riddles that lie in the artwork. Find us on Facebook (Search Curtis R. Harley Art Gallery)
Artist Reception, September 13, 2012, 4:30 p.m. Or Contact:
Michael Dickins Gallery Manager Contemporary Still Life Invitational Exhibition 2012 (864) 503-5848 or [email protected]
Jane Nodine Gallery Director September 28 - October 26, 2012 (864) 503-5838 The Curtis R. Harley Art Gallery in collaboration with the [email protected] Spartanburg Art Museum at the Chapman Cultural Center, will exhibit the works of twelve nationally known artists at the Contemporary Still Life Painting Invitational 2012. Their works will be on display at the Spartanburg Art Museum from August 14 – October 20, 2012. Harley Reception, October 11, 2012, 4:30 p.m. www.uscupstate.edu (864) 503 - 5000
Company Corporate Staff Architect at the Lockwood Greene and retired once again headquarters in Moline, IL. in February 2008. In 1985, Gillen left Deere and joined For further information check our SC Furman University in Greenville, SC Daniel International (Fluor) in Greenville, Commercial Gallery listings, call the gal- continued from Page 7 SC, and retired in 2000. He soon re- lery at 864/239-3882 or visit Southern Bleachery in Taylors, SC, where entered the engineering and construction (www.artistsguildgalleryofgreenville.com). he continues to explore and utilize wood, field as a Senior Architect for Ch2MHill- steel, paper, and paint in his two- and three- dimensional pieces. For art and art history students at Fur- man, the Roe Art Building is their creative RIVERWORKS Gallery in home. Designed specifically for teaching art, it offers a central setting where art majors can work closely with each other Greenville, SC, Features Works by and with their professors. Studio classes are small, averaging 12 to 15 students, so Todd McDonald & Elizabeth Snipes the faculty does much of its teaching on a one-to-one basis. Completed in 1986, the RIVERWORKS Gallery in Greenville, building boasts many outstanding features. SC, will present the exhibit, Privacy Conun- Skylights that extend the length of the roof drums, featuring works by Todd McDonald provide constant northern light. A large and Elizabeth Snipes, on view from Sept. 7 lecture hall contains the latest visual equip- - Oct. 21, 2012. A reception will be held on ment, and individual studios provide excel- Sept. 7, from 6-9pm. lent space for the study of design, painting, Privacy is a legal and personal conun- ceramics, photography, sculpture, and draw- drum. Facebook, HIPPA permissions, even ing. Lofts that run the length of the studios Work by Daniel Marinelli grocery receipts track, collect, and share our serve as working space for seniors. ces Ashley in Furman’s art department at daily lives. Friends, organizations, retail- For further information check our SC 864/294-2074. ers know our birthdates, allergies, and ice Institutional Gallery listings or call Fran- cream preferences. Work by Elizabeth Snipes Snipes paints solitary, isolated figures en- The Artists Guild Gallery of Greenville, meshed in echoes of bright lines that point to and simultaneously camouflage the lone, central figure. According to Snipes, “In each SC, Features Works by Ron Gillen painted or drawn image, I present the figure The Artists Guild Gallery of Green- imagination. as it fluctuates between being recognizable ville, in Greenville, SC, will present an Gillen is a native of northwestern Ohio and confusing, present and absent, familiar exhibit of works by Ron Gillen, on view where he grew up on a farm about 20 and foreign, representational and abstract, from Sept. 1 - 30, 2012. A reception will miles from Toledo. He earned an Architec- static and dynamic, or at times physical and be held on Sept. 7, from 6-9pm. ture degree from the University of Detroit Work by Todd McDonald digital.” Gillen is a self-taught artist, though he in 1968. Immediately following gradu- Todd McDonald and Elizabeth Snipes Both McDonald and Snipes employ me- learned composition and design from a ation he entered the US Navy Officer make paintings that address our current diums (oil and pastel on canvas or panel) as 40-year architectural career. After retire- Candidate School and was commissioned Privacy Conundrums. McDonald paints old as art history to make virtual, digital like ment, he returned to one of his favorite an Ensign in the US Navy Civil Engineer jewel toned virtual structures. Many of his images that pose Privacy Conundrums. pastimes of painting landscapes, architec- Corps. structures, though in a state of stasis, illumi- McDonald is an Associate Professor of tural subjects, and portraits. After service in Vietnam with the nate and protect a core. Other structures are Art at Clemson University and Snipes is an Gillen approaches painting as telling Marine Corps, Gillen returned to civilian captured at the moment of their destruction Assistant Professor of Art at Lander Univer- a story. His watercolors strive for rich life as an architect in Madison, WI. While or at the moment of their creation. sity. Snipes is McDonald’s former student. vibrant colors and expressions of light. He designing several projects for John Deere, McDonald remarks, “The resulting RIVERWORKS Gallery is operated looks for the unusual to happen and often Gillen became interested in working for images define structures that are synthetic by and for the faculty and students of the captures it with his camera. At other times the client and took a position as a Deere & but are rooted in a logic that is informed by Department of Visual and Performing Arts his subject matter simply comes from his continued above on next column to the right actual visual experience.” continued on Page 9 Page 8 - Carolina Arts, September 2012 Table of Contents To Bluffton RIVERWORKS Gallery & I-95 continued from Page 5 Skull Creek at Greenville Technical College. The gallery For further information check our SC is located along the scenic Reedy River at Institutional Gallery listings, call 864/271- Art Crossing in downtown Greenville. Look 0679 or visit (www.gvltec.edu/vpa/) and for the red umbrella. click on Riverworks. 278 Hilton Head Windmill 1 Calibogue Sound Harbour Plantation Celebrate Quilting in Upstate A William Hilton Parkway 2 E Main Street South Carolina - Sept. 1 - 30, 2012 Whooping Crane Way The Upstate Heritage Quilt Trail Anderson County. (UHQT) and the Lake and Mountain The ARTS Center, 212 Butler Street, in 3 Quilt Guild (LMQG) are collaborating in Clemson, SC, will display fabric quilts rep- Expressway (Toll) Spanish Cross Island Indigo Run 278 celebrating quilts and quilting throughout resented on the Trail in Pickens County. Wells 4 Anderson, Oconee and Pickens Counties, in On Sept. 7, the City of Westminster will Toll Booth Upstate, SC, through Sept. 31, culminating unveil the 100th quilt block on the Upstate in the biennial LMQG Quilt Show, Sept. Heritage Quilt Trail in conjunction with 21 – 22, 2012. the opening of the 51st Apple Festival. The celebration will take place at the Municipal Marshland Rd. Building, 100 E. Windsor, beginning at 9:30am, with a dedication, bus and walk- Long ing tours of local quilt blocks. A bus tour Sea Pines Plantation Wexford Cove of the quilt blocks in Walhalla will begin at Palmetto Club Shelter Cove 2:30pm after the Rotary luncheon. Toll 3 C Parkway Greenwood Dr. Booth William Hilton 7 On Sept. 15 the musical, Quilt A MUSI- 10 278 9 8 CAL CELEBRATION, presented by the New Orleans Dr. Hilton Head Social Circle Theater Group, Social Circle, Resort Pope Avenue Pope GA, will take place at the Walhalla Civic Pope Ave. Executive Park Rd. Palmetto D Dunes Resort Auditorium in Walhalla, starting at 7pm. 2 Shipyard 1 Plantation Ticket Price is $10. Contact Walhalla Civic Cordillo Parkway Port Royal Sound Auditorium by calling 864/638-5277. S. Forest Beach Dr. N. Forest Beach Dr.
Gallery Spaces Public Beach 1 Morris & Whiteside Galleries The month-long festivities will kick off Atlantic Ocean 2 The Red Piano Art Gallery with an exhibition at the Lunney House 3 Smith Galleries Museum, 211 West South First Street in These maps are not to exact Seneca, SC. Several of the historic fabric scale or exact distances. They Other Points of Interest were designed to give readers A HHI Visitor’s Center quilts represented on the quilt trail will be help in locating galleries and displayed. The show will continue through art spaces in the area. B Hilton Head Island Public Library the end of September. C Art League of Hilton Head Gallery at Fabric quilts will also be on display at the Walter Greer Gallery several locations through the month of D Art League Art Academy September: “An unusual look at an unusual subject, E Coastal Discovery Museum @ Honey Horn Westminster, SC, will host quilts on the Quilt focuses on the universality of the Hilton Head Island, SC 6 mile Marker Trail at the Westminster Depot, 135 East AIDS epidemic with compassion, humor Main Street and at the Oconee Heritage and anger and celebrates the courage June Vercellotti, Joyce Nagel, Janet Rog- Museum Annex, 126 East Main Street in of living and dying in the age of AIDS. ers, and Ted Jordan, who calls McIntyre Walhalla, SC. A kaleidoscope of the varied emotions a “decorative art painter.” She considers Walhalla will host quilts at the Oconee contained in stories for, from and about the herself especially fortunate to have met Heritage Museum, 123 Brown Square “NAMES Project AIDS Memorial Quilt,” Ted Jordan, a local artist, whom she said, Drive in Walhalla. A vibrant collection of this series of monologues and songs are during the past eight years, “has brought me quilts using Kaffe colors and fabrics some threaded together by a volunteer’s experi- to where I am today and has been the most traditional patterns but in new colors. Patri- ence while making a quilt panel in memory influential teacher in my art development. ots Hall, 13 Short Street, in Walhalla, will of a friend.” Painting has been my passion ever since.” feature quilts with a patriotic theme. The grand finale for the quilt celebration McIntyre, a member of the Art League of will be the LMQG Quilt Show, “Celebrat- Hilton Head Island, won the Blue Ribbon ing Silver,” at the Shaver Recreation Center, Work by Sandra McInture Award at an exhibition sponsored by the Art 698 W. South 4th Street in Seneca. It will League in 2012. run from Sept. 21, 9:30am-6pm through a living as a painter. Beginning her college McIntyre has done commission paint- Sept. 22, from 9:30am-5pm. Over 200 work as an education major at Florida State ing of individual and family portraits in the quilts will be displayed, along with a charity University and the University of Georgia, past five years, and maintains, “I see such silent auction, a boutique with vendors and McIntyre later became a student of Art and beauty in people and things, but I am drawn a presentation quilt drawing. Additional Interior Design at Georgia State University to people.” She is also a member of the Sea local venues will include the Ballenger and began to collect paintings, porcelains Pines Garden Club, and the Herb Society on House, Blue Ridge Arts Center and Dog- and antiques as a young adult. Hilton Head Island. wood Plaza, in Seneca, where quilts will be McIntyre worked in sales at Saks Fifth McIntyre volunteers her time and shares displayed during the show. A driving map of Avenue in Atlanta, GA, for eighteen years, her talents with others on Hilton Head quilt venues will be available at the Shaver then moved to Hilton Head Island, SC, in Island. She has taught painting at The The Greater Oconee Chamber of Com- Center. 1993. After learning of McIntyre’s desire to Seabrook Senior Living Community and is merce, 105A Ram Cat Alley, in Seneca, SC, All events are open to the public and free learn how to paint, Betty Walter, a neigh- currently co-teaching painting classes at the will feature HiFiber group in Portraits. The of charge except for the musical on Sept. 15. bor, encouraged her to accompany her to a S.H.A.R.E Senior Center. Lunney House Museum, 211 West South For further information contact the watercolor painting class taught by Peggy McIntyre’s paintings adorn the walls First Street in Seneca, will host historic Upstate Heritage Quilt Trail by e-mail at Baggett, a fashion model artist, whom of businesses, including the Jazz Corner fabric quilts represented on the quilt trail ([email protected]); call 864/723-6603; or McIntyre credits with getting her started in on Hilton Head Island, and private homes will be displayed. visit (www.UHQT.org) or visit the Lake and painting. The three women became friends throughout the United States and Canada. The Anderson Arts Center, 110 Federal Mountain Quilt Guild’s website at (www. and painted together often. For further information check our SC In- Street, in Anderson, SC, will display the LMQG.org). During her retirement years, McIntyre stitutional Gallery listings, call the Society fabric quilts represented on the Trail in has studied painting with artists such as at 843/757-6586 or visit (www.sobagallery. Charles Reid, Uschi Niner, Mary Whyte, com). Society of Bluffton Artists in Bluffton, Winthrop University in Rock Hill, SC, Offers Works by Sandra McIntyre The Society of Bluffton Artists in Bluff- Mays McIntyre grew up in Plant City, FL, SC, Offers Two New Exhibitions ton, SC, is presenting the exhibit, A Private and sketched the horses she came to love Winthrop University in Rock Hill, SC, will be held for both exhibits on Sept. 7, View, featuring a collection of figures, por- on a cattle ranch outside of Plant City. As a will present two new exhibits including: from 6:30-8pm. traits and still life in watercolor and acrylic teenager, she rode her horse in rodeo barrel Between the Springmaid Sheets, which During the 1930s, Springs inherited his by Sandra McIntyre, on view through Oct. races and parades, was crowned Rodeo explores the provocative ad campaigns father’s South Carolina textile company and 7, 2012. A reception will be held on Sept. 9, Queen and made her first submission to an of textile entrepreneur Col. Elliott White formed The Springs Cotton Mills corpora- from 3-5pm. art show - a drawing of one of her beloved Springs, on view in the Rutledge Gallery, tion. In 1948, Springs launched the con- The exhibit offers a collection of wa- horses. from Sept.12 through Oct. 26, 2012, and troversial ads deemed “risqué” at the time tercolor and acrylic paintings, including Although McIntyre expressed her desire Remnants: A Collection of Rock Hill’s with original maquettes illustrated by artists still life, figures, and other subjects, at the to become an interior designer, her father Visual Alterations, by New York designer such as Rockwell Kent, Fritz Willis, James Society of Bluffton Artists, McIntyre’s first encouraged her to pursue a more traditional and photographer, Mara Kurtz, on view in Montgomery Flagg, E. Simms Campbell, solo exhibition. career, as her aunt was struggling to make the Elizabeth Dunlap Patrick Gallery, from and Wales Turner of Spartanburg, SC. The A budding artist at a young age, Sandra continued above on next column to the right Sept.12 through Oct. 26, 2012. A reception continued on Page 10 Table of Contents Carolina Arts, September 2012 - Page 9 Winthrop University Galleries continued from Page 9 illustrations will be featured alongside the art and design. The exhibitions complement printed advertisements as seen in Esquire, this year’s Common Book project, “Where Colliers and Look magazines. Am I Wearing?” in which author Kelsey Between the Springmaid Sheets has Timmerman narrates his journey to meet the been made possible with the generous people who created his clothing and learn support of Founders Federal Credit Union, more about the force of globalization. Springs Creative, the Springs Close Family The two exhibits act as a jumping off Archives, The Springs Company, and Gary point for the year’s series of exhibitions, es- and Peggy Williams in honor of the Close tablishing the historic context and on-going family and other generous donors. relevance of the textile industry in the area. Mara Kurtz photographed Rock Hill in This reflection solicits a look forward to the early 1970s prior to the federally funded contemporary artists and designer inspired “beautification program.” The photographs by current vocabulary and materials who demonstrate the evolving industrial impact are re-defining the ideas of textiles, weaving on the community’s urban landscape under- and sewing processes, hand and machine scoring the ability buildings, signage and labor, and the meaning behind the objects structures have to give meaning to space created in today’s society. and establish its identity. For further information check our SC Winthrop University Galleries will Institutional Gallery listings, contact Karen present a series of exhibitions in 2012-2013 Derksen, Galleries director, by e-mail exploring historic and contemporary ideas at ([email protected]) or call at regarding textiles and the textiles industry in 803/323-2493. Central Piedmont Community College in Charlotte, NC, Features Works by Nathaniel Lancaster Central Piedmont Community College in Charlotte, NC, will present the exhibit, Nathaniel Lancaster: Filigree Fealties, on view in the Pease Gallery, from Sept. 10 through Oct. 24, 2012. A reception will be held on Sept. 13, from 5:30-7:30pm. Central Piedmont Community College is pleased to present new works by Charlotte artist Nathaniel Lancaster in the Pease Gal- lery. In this body of work, he explores how we relate to the anthropomorphic recogni- tion of our environment, and the inherent failures of nature. Questioning Whether or Not You Are Asking the Lancaster exhibits regionally and nation- Right Questions, by Nathaniel Lancaster, 2011, Oil ally and is concurrently featured in Word on Canvas, 48” x 62” Up: The Intersection of Text and Image at lotte. Lancaster received his BFA in paint- the North Carolina Museum of Art in Ra- ing from the University of North Carolina at leigh, NC. A McColl Center for Visual Art Charlotte. Summer Affiliate, he also has several large For further information check our NC McColl Center for Visual Art in Charlotte, scale murals in the new 5 Church restaurant Institutional Gallery listings, call the gallery in Uptown Charlotte. Lancaster has been a at 704/330-6668 or visit (http://arts.cpcc. featured participant in the “Dream Makers edu/art-gallery). NC, Features Exhibit for the 2012 DNC and Risk Takers” exhibition at TEDxChar- The McColl Center for Visual Art in Charlotte, NC, is presenting the exhibit, America Now, featuring works Amze Em- mons, Imminent Disaster, Greg Haberny, Jerald Melberg Gallery in Charlotte, Chris Stain, and Ben Wolf, on view through Nov. 3, 2012. A reception will be held on Sept. 21, from 6-9pm. NC, Offers Works by Brian Rutenberg Throughout history the creative ex- Jerald Melberg Gallery in Charlotte, pression of ideas and emotions has been NC, will present the exhibit, Brian Ruten- a powerful force in the social landscape. berg: River, featuring paintings, on view It is recognized that art activates critical from Sept. 8 through Nov. 10, 2012. dialogue and raises political and social This fifth solo exhibition includes awareness. In honor of the 2012 Democratic Work by Amze Emmons richly textured paintings on canvas and National Convention, McColl Center for Vi- display in the Center’s public space at the works on paper. It is a new body of work sual Art continues this tradition by provid- conclusion of their August residencies as that continues to explore the artist’s ing a platform for five contemporary artists DNC Artists-in-Residence (August 6 to fascination with the landscape. Rutenberg Gray Thunder, by Brian Rutenberg, 2012, Oil on Linen, 36 x 72 inches to address our tumultuous world. 28, 2012). The products of their process says, “As a painter my entire world exists “The core of the exhibit couples aesthetic will reflect our society while reshaping our in the rectangle of the canvas and I adore I am a landscape painter who arrives at perspective with social commentary and is perception of how art is produced, how it the practice of spending months stacking my paintings through the process of ab- the outcome of five artists who are grap- can be perceived, and how it is received. delicate skins of color on a flat surface to straction…I am not interested in depicting pling with their own complex questions Designed to challenge the balance of inner suggest light where there was dark, space a place in paint but in the total possessing about America’s contemporary culture. belief with outward expression, America where there was flatness, and emotion of it. What was once a tree or horizon line Using art as a catalyst, we hope this exhibi- Now will encourage compassion, elicit ac- without uttering a word.” becomes what William V. Dunning calls a tion will spark dialogue, both in and outside tion, and spark a new way of seeing. ‘visual signifier,’ allowing me to disappear of the gallery space, and help to encourage Amze Emmons is an artist and illustra- into the laws of painting not render the a politically informed community.” says tor who uses current news, archives, media laws of nature.” Suzanne Fetscher, Executive Director of images, and phrases to express the displace- A South Carolina native, Rutenberg McColl Center for Visual Art. ment and strife of our times. His studio received a BFA from the College of Each contemporary artist lives and works practice is built on systems of research that Charleston and an MFA from the School in the United States and is represented by draw connections between human migra- of Visual Arts in New York City. Among Kesting/Ray Gallery in New York City, tion, community, mobility, transience, and his numerous awards and achievements, and each will present their own perspective the overarching politics of architecture. His he is a Fulbright Scholar, a New York of the world around us. The site-specific work in America Now will invite public par- Foundation for the Arts Fellow and an works created for America Now will be on continued on Page 12 Irish Museum of Modern Art Work Pro- Cherry Grove 2, by Brian Rutenberg, 2012, Oil on gramme Recipient. Since 1985 Rutenberg Linen, 50 x 72 inches has been honored with over 100 gallery Put Your Gallery Here While the natural beauty and quality and museum exhibitions across the United of light along the South Carolina coast is States. very often a starting point for Rutenberg, For further information check our NC the artist says, “My work is usually re- Commercial Gallery listings, contact the For just $10 a month you can advertise ferred to as abstract but I prefer to think of gallery at 704/365-3000 or visit (www. your gallery space here. abstraction not as a style but as a process, jeraldmelberg.com). Join these other Carolina galleries and visual art institutions. The deadline each month to submit articles, photos and ads is the 24th of the month Call us at 843/825-3408 prior to the next issue. This will be Sept. 24th for the October 2012 issue and Oct. 24 for the or check out other advertising options at November 2012 issue. After that, it’s too late unless your exhibit runs into the next month. www.carolinaarts.com. Don’t be late - send your info well before the deadline.
Page 10 - Carolina Arts, September 2012 Table of Contents W. 11th Street E. 11th Street Charlotte, NC Maps A N. Brevard Street N. College Street N. Tryon Street Tryon N. N. Church Street Uptown - South End - NODA
W. 10th Street E. 10th Street E. 10th Street
Historic South End
W. 9th Street W. 9th Street E. 9th Street Independence Blvd. W. Hill Street O Dell Bank of America Monroe Rd. Building Stadium S. Tryon St. Tryon S.
Rama Road S. Brevard St.
W. 8th Street W. 8th Street E. 8th Street S. Cedar Street 74 N. Caldwell Street N. Davidson Street Transamerica Sq. E. Morehead St. P 1 W. Morehead St.
P I-77 I-277 Bland Alexander Street 51 W. 7th Street E. 7th Street E. 7th Street Matthews 1 Park Ave.
A Planetarium Omnimax D P C Providence Rd. P EastI-485 Boulevard
Discovery Public Uptown Charlotte Institutional Gallery Spaces
Library Pineville - Matthews Rd. Place
N. Brevard Street Institutional Gallery Spaces S. Tryon St. A Charlotte Art League Gallery Camden W. 6th Street E. 6th Street E. 6th Street 16 A McColl Center For Visual Art Commercial Gallery Spaces E. Worthington Ave.
P B Harvey B. Gantt Center 1 Elder Gallery P Bank of America Levine Museum of the New South 2 Tremont Ave. Tower C P D McColl Center for VA Spirit Square 3 Tremont W. 5th Street E. 5th Street and The Light Factory E. 5th Street Charlotte Trolley Line S. Boulevard E Mint Museum Uptown Bobcats P Independence Bank Shops Arena Center of America @ F Corp. Founders Bechtler Museum of Modern Art Marriott N. Tryon Street Tryon N. N. College Street N. Church Street City Center Hall W. Trade Street • •E. Trade Street E. Trade Street Lexington Davidson, •
S. Church Street
S. College Street S. Tryon Street Carillon
Transportation Commercial Gallery Spaces Interstate • • Tower Tryon Radisson Center Rowan, Center Bank Plaza Hodges Taylor 601 of America Hotel 1 First Plaza
P P Citizens Cabarrus, Bank Plaza P 2 I-85 W. 4th Street E. 4th Street P Surface lot parking E. 4th Street and S. Brevard Street Omni P P Parking Garage 70 P P Hotel Stanly Salisbury BB&T
P Center S. Davidson St. P S. Caldwell Street Counties W. 3rd Street E. 3rd Street E. 3rd Street S. Church Street Two P One Wells Fargo
S. Tryon Street Wells Fargo Center 52
Center P I-85 W. 2nd Street E. 2nd Street E. 2nd Street Kannapolis Wells Fargo P P Center Charlotte P Convention P Center
W. 1st Street E. 1st Street F Concord 73 E B Albemarle W. Stonewall Street E. Stonewall Street 601
29 D 49 I-77 I-85 These maps are not to exact scale or exact distances. W. T. Harris They were designed to give travelers help in finding the gallery spaces and museum spaces featured. 41 Blvd. I-85 Sugar Creek Rd.
N. Tryon Street Toward Gastonia 49 The Plaza N. Davidson St. I-85
The Plaza I-77 I-277 49 Brevard Street
29-74 Wilkinson Blvd. Eastway Dr. Eastway 29-74 Central Ave.
Blvd.
West E. 4th Street Kings Dr.
Monroe Rd. Independence Blvd. E. Morehead Street Amity
I-277 E. 3rd Street A Billy Graham Pkwy. S. Tryon St. 6a South Blvd. East Boulevard Independence Blvd. Albemarle Rd. Randolph Rd. 24/27 W. T. Harris Blvd.
S. Caswell Eastway Dr. Kings Dr. B E 74 6b Independence Blvd. Tyvola Road Kenilworth 2
49 Charlotte Metro Area Scott Ave. Woodlawn Road Providence Rd. Amity Monroe Rd. Institutional Gallery Spaces Wendover 521 A Central Piedmont Community College C B Mint Museum Randolph Sharon Queens Rd. Idlewild Rd. C Queens University 5 Runnymede Ln.
University of North Carolina - Charlotte I-77 Sharon-Amity D 1 Randolph Rd. E The Art Institute of Charlotte Tyvola Road Independence Blvd. 16 Crosby Rd. Commercial Gallery Spaces Providence Rd. Monroe Rd. Park Road Selwyn Ave. Colony Rd. 1 South Blvd. Shain Gallery Shar on Rd. Rama Road 2 Providence Gallery 49
3 Fairview Rd. 74
4 Fairview Rd. 5
6 Sharon Rd. Providence Rd. 51 Matthews 2 Interstate Exit Number 2 Cameron Valley Pkwy. I-485 521 I-485
Park Road Pineville - Matthews Rd. 16
York Road 51 Pineville - Matthews Rd. 51
To Rock Hill 21 Pineville
Table of Contents Carolina Arts, September 2012 - Page 11 Sonia Handelman Meyer, Boys, Spanish Harlen (19B1), 1/25, circa 1946-50/2007, gelatin silver photograph, 14 x 14 inches McColl Center for Visual Art continued from Page 10 / back to Page 10 ticipation using a polling station designed to Chris Stain is inspired by the graffiti reference the various types of voting situa- movement that exploded in the 1980s in tions employed throughout the world. neighborhoods throughout America. He Imminent Disaster (aka Robyn Hasty) is uses printmaking and street art to illus- a multi-disciplinary artist who follows the trate the struggles of the unrecognized and thematic thread of collapse and the potential underrepresented individuals of society, for re-growth. Using a variety of media, she striving to inspire compassion for the less works in large-scale collaborative instal- fortunate. Stain’s work in America Now lations and meticulous technical projects. addresses the concept of public protest Hasty lives her life as art, creating projects while adapting images that reflect historical that challenge and inform. Her work in themes of the working class. American Now will be built from fragile Ben Wolf is a sculptor whose work gives materials, only to self destruct over the life to shape, color, and space in the form course of the exhibition, as a metaphor for of site-specific installations. Abstaining the world’s current political systems. from representational imagery, Wolf uses Greg Haberny utilizes the medium of abandoned materials like rusted metal, rot- installation and integrates a multi-faceted ten boards, and peeling paint to invite the artistic vision to create a space that evokes visual journey of interpretation. His work excitement. Mixing influences from Alfred in America Now will be an expression of Hitchcock to Terry Richardson, Haberny’s waste and excess that utilizes the aesthetics assimilation and adaptation of cultural of trash dumpsters as the basis of a large iconography remain true to themselves. A scale installation. student of art, filmmaking, and photogra- For further information check our phy, Haberny’s work in America Now will NC Institutional Gallery listings, call the transform into an environment that address- Center at 704/332-5535 or visit (www. es current national issues while incorporat- mccollcenter.org). ing materials reminiscent of North Carolina. Sonia Handelman Meyer Mint Museum Uptown in Charlotte, 1940’s Era Photographs NC, Features Works by Vik Muniz of New York City a r t c o n s u l t a n c y and Contemporary Works in Wood Providing expertise to businesses The Mint Museum Uptown, located in in visual perception as well as cultural and individuals. the Levine Center for the Arts in Char- preconceptions. Connecting the public with artists lotte, NC, is presenting two new exhibits Muniz enlisted the help of young art in meaningful ways through including: VantagePoint X / Vik Muniz: students from Centre Especial, a nonprofit projects, programming and Garbage Matters, on view through Feb. educational organization that he estab- community partnerships. 24, 2013 and Against the Grain: Wood in lished in 2005, to create his Pictures of 118 East Kingston Avenue Contemporary Art, Craft and Design, on Junk series between 2006 and 2009. Simi- Suite 25 view from Sept. 1 through Jan. 27, 2013. larly, Muniz’s Pictures of Garbage series, Charlotte, North Carolina 28203 Combining three-dimensional elements completed in 2008, was the result of a 704.334.3799 within a two-dimensional pictorial space direct collaboration with members of an www.hodgestaylor.com to create visually and conceptually loaded informal workforce, known as catadores, images, Vik Muniz creates work that whose livelihood consists of scavenging fosters a shift in visual perception as well recyclable materials from one of the larg- as cultural preconceptions. est landfills in the world, Jardim Grama- cho, at the outskirts of Rio de Janeiro. Referencing historical and iconic works of art, these massive images were constructed out of discarded materials obtained from Brazilian landfills through a highly labor-intensive process. Muniz directed the activity from scaffolding several stories above as the students and catadores arranged the objects in layers to create visual and physical depth. The The Birth of Venus, after Botticelli (Pictures of Junk), final incarnation of each was preserved as Vik Muniz (Brazilian, 1961-), 2008, Digital C-print, 3 parts, 92 x 153 inches overall. Courtesy of the a photograph before the arrangement of artist and Sikkema Jenkins & Co. Art © Vik Mu- objects was disassembled. niz/Licensed by VAGA, New York, NY. “The beautiful thing about garbage is that it’s negative; it’s something that you don’t use anymore; it’s what you don’t want to see. So if you are a visual artist, it becomes a very interesting material to work with because it’s the most nonvi- sual of materials. You are working with something that you usually try to hide,” says Muniz. Muniz was born into a working-class family in São Paulo, Brazil in 1961. Relo- garbage really is - environmentally, woodworking. The exhibit debuts at The cating to the United States in 1983, Muniz socially, and culturally - and allows us to Mint Museum followed by a presentation at has since become one of the most well- see how the objects we consider garbage, the Museum of Art and Design in New York known contemporary Brazilian artists most often characterized by its very lack (Feb. - May 2013). working today. Beginning his career as a of consequence, matter. There are approximately 60 works in the sculptor in the mid-1980s, Muniz became The exhibition, Against the Grain: Wood exhibit including vessels, furniture, sculp- increasingly interested in photographic in Contemporary Art, Craft and Design, ex- tures, paintings, installations and works reproductions of his work, leading him to amines woodworking in contemporary art created since 2000 by an international roster turn his attention wholly to photography. and engages aspects of art, craft, and design of artists, craftspersons, and designers such Throughout his career, Muniz has cre- that have been characterized as “performa- as Alexandre Arrechea, Martin Baas, Gary ated multiple series of photographs, each tive” and critique the traditional art/craft/ Carsley, Andrew Early, Maria Elena Gon- prefaced with the phrase “Pictures of” and design divide. zalez, Silas Kopf, Mark Lindquist, Sofia in which he has used of variety of uncon- The exhibition demonstrates how 20th Maldonado, Matthias Pliessnig, Martin ventional materials, including dirt, sugar, Corner Chair, by Jackie Ferrara, 1998, Cedar, 33 x and 21st century creators have engaged the Puryear, Betye Saar, Hiroki Takada, Alison chocolate, wire, and garbage. Muniz 36 x 36 in. Courtesy of the artist. Photo by Patz medium of wood with conceptual and tech- Elizabeth Taylor, and Ai Weiwei. consciously enacts playful contradictions Imaging. nical strategies. This timely exhibition ad- The exhibition is organized by the Mu- upon the surfaces of these photographs, The viewers’ perceptions of the pho- dresses a heavily debated topic in the field: seum of Arts and Design, New York, NY, as they are at once literally pictures of the tographs change as they draw closer to as the boundaries between art, craft and and made possible, in part, by the National materials out of which they are con- and farther from the surface. Likewise, as design increasingly overlap, should these Endowment for the Arts, with additional structed - in this case garbage - as well as the viewer spends more time with each categories be redefined, and if so, how? support from Larry and Madeline Mohr. It pictures of the images formed through the work, it becomes increasingly apparent In Against the Grain, the versatile me- is brought to The Mint Museum through the transformation of the materials. Combin- how much the material out of which the dium of wood is used to address this issue, support of Moore & Van Allen PLLC and ing three-dimensional elements within a image is constructed informs its meaning. exploring postmodern tendencies includ- Founders’ Circle Ltd. two-dimensional pictorial space to create Collectively, this body of work enlightens ing mimicry, assemblage, virtuosity, and For more info check our NC Institutional visually and conceptually loaded images, and urges us to consider how important whimsy (with a serious purpose), as well Gallery listings, call 704/337-2000 or visit Muniz creates work that fosters a shift continued above on next column to the right as environmental issues associated with (www.mintmuseum.org). Page 12 - Carolina Arts, September 2012 Table of Contents Shain Gallery in Charlotte, NC, Offers Works by Lauren Jones Worth Shain Gallery in Charlotte, NC, will present the exhibit, Paradiso, featuring new mixed media and collage paint- ings by Greensboro artist, Lauren Jones Worth, on view from Sept. 21 - 30, 2012. A reception will be held on Sept. 21, from 6-9pm.
Work by Lauren Jones Worth boards of the Center for Creative Arts, Greenhill Center for NC Art, Chair of the Weatherspoon Art Museum Foundation, and is currently the Co-Chair of the Public Art Endowment of the Community Foun- dation of Greater Greensboro. The Tyler White Gallery in Greensboro introduced Jones’ work in a solo show in 2008 and again sponsored a solo show in October, 2010. She has also shown in the Wilmington, NC, area, Burnsville, NC, Work by Lauren Jones Worth Green Hill Center for North Carolina Art, Jones studied painting, drawing, and and has been featured in fundraisers for art history at the North Carolina Gover- the Weatherspoon Art Museum, the Junior nor’s School, Stephens College (including League of Greensboro, and the Avery a year in Italy), Appalachian State Uni- County Humane Society. versity, the Penland School of Crafts, and Located in beautiful Myers Park, Shain UNC-G where she also earned a Master’s Gallery has been on the forefront of the Degree in Liberal Studies (2003). North Carolina art scene since 1998. The Jones’ professional experience includes gallery represents many leading national work as a graphic designer in earlier and regional artists. The gallery is again years, and from 1989-1999, she worked as Charlotte Magazine’s Best of the Best for a painter of faux finishes and trompe-l’oeil 2012. for the Wind Rose, an importer of antiques For further information check our NC and accessories selling to an international Commercial Gallery listings, call the gal- clientele with showrooms in Greensboro lery at 704/334-7744 or visit and High Point, NC. Jones served on the (www.shaingallery.com). Providence Gallery in Charlotte, NC, Offers Gallery Artists & Fundraiser Providence Gallery in Charlotte, NC, will present the exhibit, The Best of the Mexico and raised in Argentina, Peru, includes the Arts and Science Council, Best, featuring works by gallery artists, on Mexico, France, and the US. She received ArtsTeach, and Target. view from Sept. 3 - 29, 2012. On Sept. 22, a BA from Sarah Lawrence, BFA from Manning has exhibited nationwide, in- 2012, the gallery will host a reception from Massachusetts College of Art, and is cur- cluding the Los Angeles Center for Digital 6-9pm, as part of the Second Annual “Sip rently a student in Duke University’s MFA Art, Duke University, Root Division (SF), & Savor” gallery crawl event with pro- Program in Experimental and Documen- Villa Victoria (Boston), and New York’s ceeds to benefit local charity, “MELISSA’S tary Art. White Columns Gallery. VOICE”. Manning has partnered on community For further information check our The Best of the Best, presents the best projects and workshops with the McColl NC Institutional Gallery listings, contact fine art paintings by each of our over 38 Center for Visual Art, the Bechtler Muse- Sharon Dowell, Gallery Coordinator, by gallery artists in every genre, will be on dis- Work by Gloria Coker um of Art, LifeSPAN Arts, Hodges Taylor calling 704/330-6211 or visit (http://arts. play. Offering something for every art lover Gallery, Mint Museum, and Charlotte’s cpcc.edu/art-gallery). in every style and all price ranges! crawl event with proceeds to benefit local Central Jail. A short list of her grants This exhibition will include works by lo- charity, “MELISSA’S VOICE”, National cal, regional and national artists. Styles will Eating Disorder Foundation. Paintings run the gamut from traditional landscape, donated by three gallery artists for a silent seascape and still life painting to modern auction being held the night of the “Sip & Women Centered Art in Charlotte, figurative and abstract compositions. Fea- Savour” event will be on display throughout ture artists include Todd Baxter, Curt Butler, September. P. Basille Nikitchenko, Dru Warmath, Ann For further information check our NC NC, Offers Two New Exhibitions Watcher, and Rod Wimer. Commercial Gallery listings, call the gallery Artist Space 711 at Women Centered On Saturday, Sept. 22, 2012, the gallery at 704/333-4535 or visit Art in Charlotte, NC, will present two will host a reception from 6-9pm, as part of (www.ProvidenceGallery.net). new exhibits during the DNC including: the Second Annual “Sip & Savor” gallery Invisible Cities, featuring works by 11 local artists, on view in the main gallery and Dear President Project, an exhibit of community postcards made on a mobile Central Piedmont Community art studio, on view in the lobby. Both exhibits will be on view from Sept. 6 College in Charlotte, NC, through Oct. 12, 2012. A reception will be held on Sept. 6, from 6:30-8pm. Invisible Cities features works by 11 Offers Works by Annabel Manning local artists. The exhibit is curated by Work by Phillip Larrimore Central Piedmont Community College artist Diana Arvanites, and will include for Creative Disruption. Each piece of in Charlotte, NC, is presenting the exhibit, work by Daniel Alegrucci, Diana Arvan- artwork advocates for more art PLEASE. Annabel Manning: Occupy Charlotte, ites, Amy Bagwell, Jeff Jackson, Phillip Women Centered Art is about bringing Then and Now - Photos, Projections, and Larrimore, Janet Lasher, Rae Legrone, awareness to and creating community for Participatory Tents, on view in the Ross Shane McCormick, Taryn Rubin, Molly artists through lectures, workshops, films, Gallery through Oct. 14, 2012. Wilbanks and Ross Wilbanks. and exhibitions. With lectures, workshops, Manning works in participatory art, The exhibit encourages the viewer films and exhibitions focusing on women concentrating on contemporary politi- to journey through the mental cit- artists and issues that involve women, cal and social issues. The current theme ies that comprise the landscape of the WCA sustains political awareness and running through her art is her reaction imagination. Deriving its name from Italo voice and brings new understanding to the to people around her who are being Calvino’s book containing stories told by way of thinking about women in the arts. marginalized by this country for differ- Work by Annabel Manning Kublai Khan, Calvino describes 55 cities WCA’s programming focuses on strength- ent reasons. As Manning interacts with explore the pathos and indeterminacy of all named after women. These structures, ening the female voice and vision here these various people in various settings the situation. As part of Manning’s exhibi- cultures, and existences stretch the bound- in Charlotte by creating a space to work (e.g., prisons, schools, the streets), she tion, participants will be able to build their aries of reality. and a place for nonjudgmental and open expresses visually, as a demonstrator and own paper “tiny tents” and, after writing In our lobby the Dear President Proj- dialogue about the creative process. an artist, how they are invisible and being messages on them, symbolically occupy ect, an exhibit of community postcards For further information check our NC denied basic human rights. On view will the gallery. made on a mobile art studio, will be on Institutional Gallery listings, e-mail to be a series of photographs of Occupy Manning was born in Mexico City, display. The project is a collection of ([email protected]) or visit Charlotte, using blur and movement to continued above on next column to the right artwork facilitated by Mobile Art Studio (www.womencenteredart.org). Table of Contents Carolina Arts, September 2012 - Page 13 Hickory Museum of Art in Hickory, Don’t forget about our website: NC, Features Work by Jeana Eve Klein www.carolinaarts.com The Hickory Museum of Art in Hick- series; ten to twelve diptychs from the ory, NC is presenting the work of Boone, French Knots with The Assistant series; NC fiber artist Jeana Eve Klein. The and approximately twenty panels from the exhibit, Past, Present, and Accounted For, Mantra series. spans three galleries on the Museum’s first The Regal Gallery will feature edu- floor and will be on view from Sept. 1 cational pieces and process information. through Dec. 2, 2012. A reception will be There will be sample swatches for visitors held on Nov. 3, from 6 – 8pm. to touch and feel; fabric and thread for visitors to practice their own French knot skills; and photographic documentation of the creation of a single mixed media quilt, start to finish. Jeana Eve Klein was born in Ypsilanti, MI, in 1975. In 1987, she moved with her You can find past issues all the way back to family to Hendersonville, NC, and has considered herself a North Carolinian ever August 2004! since. She earned her undergraduate Art & Design degree from the School of Design (now College of Design) at North Caro- You can find past articles all the way back to lina State University, and her Master of Fine Arts from Arizona State University. June 1999 She currently lives and works in Boone, North Carolina, where she is Assistant Professor of Fibers in the Art Department at Appalachian State University. The majority of Klein’s studio practice Also don’t forget about our two blogs: is devoted to mixed media quilts. These works straddle the lines between textiles Carolina Arts Unleashed Faulty Wiring, by Jeana Eve Klein, 50 ½” x 39”, and painting, realism and abstraction, fact 2011, digital printing, acrylic paint and dye on and fiction. Her process is often obsessive, recycled fabric; machine-pieced and hand- with layer-upon-layer of tedious hand Carolina Arts News quilted. processes. Klein’s work has been shown The Museum’s Shuford Gallery nationally, appearing in more than 50 ex- will feature Klein’s mixed-media quilts hibitions in the last five years. Recent solo inspired by abandoned houses. Klein and duo exhibitions have included “Run- explores the narrative potential of these down” in South Carolina, “Short Stories” abandoned houses and their imagined in Florida, “In Stitches” in Washington, Send us your email address to be added former lives. The pieces involve multiple and “In With the New” in North Carolina. layers of processes, including dyeing, digital printing, painting and stitching on to our list to receive notice of each recycled fabric. The resultant work shows photographic imagery of the original abandoned houses overlaid with Klein’s monthly issue. painted imagined additions, both emerging from a quilted surface. The exhibition will [email protected] include twelve to fifteen of these mixed media quilts, ranging in size from 4’ to 8’ in either dimension. The Gifford Gallery will feature smaller stitched works that humorously Aiken Center for the Arts in Aiken, self-analyze Klein’s obsessive techni- cal processes and the value of the artist’s SC, Offers Works by Raymond Kent hand in art-making. These stitched works Morning Routine, by Jeana Eve Klein, 54” x 61”, The Aiken Center for the Arts in Aiken, French Knots 2012, digital printing, acrylic paint and dye on include the series, in which SC, will present an exhibit of works by local each piece is composed entirely and recycled fabric; machine-pieced and hand- quilted. artist, Raymond Kent, on view in the Aiken exclusively of a precise quantity of French Artist Guild Gallery, from Sept. 1 - 29, French This exhibition is supported in part by knots and is titled accordingly; the 2012. Knots with The Assistant an Appalachian State University Research series, in which Previously living in Port Orange, FL, Council grant and Appalachian State diptychs are composed of two identical Kent studied with Bertha Kirby, a well- University’s Undergraduate Research As- pieces with counted French knots made known Port Orange artist. At that time his Mantra sistantship program. by Klein and her assistant; and the medium of choice was acrylics. Later his For further information check our NC series, in which volunteers have embroi- medium expanded into the lighter color Institutional Gallery listings, call the dered the statement “I will know I have palettes of watercolor and pastels. Museum at 828/327-8576 or visit (www. made it when others make my work for After moving to Aiken in 2005, Kent hickoryart.org). me”. The exhibition will include twelve continued his training by taking classes at Work by Raymond Kent to fifteen pieces from theFrench Knots the ACA, working with other local artists, leaves…you must look between and around whose influence and insights proved invalu- the branches to see the various colors, able to him. shapes, shadows, and the effect of light on Mooresville Artist Guild in Nature has always been Kent’s favorite the subject. An artist with a trained eye may subject. He especially enjoys painting sea- see some fruit, a flower, or even a nesting scapes featuring cresting waves, palm trees, bird within the recesses of the tree. We can Mooresville, NC, Offers New Exhibits and sand dunes with gently waving sea all strive toward a better understanding of The Mooresville Artist Guild in Moores- grass. He also loves to paint some of our lo- everyday objects if we train ourselves to re- ville, NC, will offers several new exhibits cal landmarks including picturesque barns, ally look at them. As Yogi Berra once said, at the Depot Warehouse Galleries, from the old Post Office, and the farmer’s market. “You can observe a lot just by watching.” Sept. 4 - 27, 2012, including: 1st Annual The beauty of old, time-worn buildings Kent has previously shown his work in Trackside Pottery Festival, featuring works holds a fascination for Kent, who claims Port Orange, the Aiken Center for the Arts, by sixteen potters/ceramic artists, who will that it may have something to do with his and the Hitchcock Center in Aiken. He is show a variety of functional and decorative own aging process. a member of the Aiken Center for the Arts pottery and sculpture, including works by: Kent feels that art provides us with a and the Aiken Artist’s Guild. Chris Belloni, Susan Benoit, Karla Cham- unique opportunity to interpret and repre- For further information check our SC bers, Dorothy Cole, Sanda Eaton, Terry sent all that interests us, encouraging us to Institutional Gallery listings, call the Center Loeb, Kim Marcadis, Ralph Mello, Raine Work by Penny Overcash look closer at the things we see every day. A at 803/641-9094 or visit the Guild at (www. Middleton, Penny Overcash, Ann Prock, viewer who finds hidden subjects peeking tree is not simply a trunk with branches and aikenartistguild.org). Elaine Spallone, Rae Stark, Becky Story, out from the layers of paint. Kimberly Tyrell, and Judity Wood. “In the Circle of the Sun” and “Life Three MAG artists will be featured in the Forms” are two series on which photog- Hitchcock Health Center in main galleries. After taking a leave of ab- rapher and digital artist, Dianne Sorrell, is sence from his high school art years to craft currently working. She has been practicing a career in residential construction and land photography as an amateur for nearly thirty Aiken, SC, Features Works by development, Rick Blair has now retired to years, and has won two awards for her black Statesville, NC from Virginia to be closer to and white photography. family and has returned to his painting. An opening reception to meet the artists Gwen The Hitchcock PowerHealth Center in Aiken, and Aiken Gloria County are the Grizzlesubjects of Power’s Design and color are the focus in Ellen is planned for Fri., Sept. 14, from 6-9pm. SC, and the Aiken Artist Guild will present paintings, while Grizzle’s photos will show Patterson’s watercolor and transparent For further information check our the exhibit, Sisters in Art, featuring works her interest in nature. acrylic paintings as she draws inspiration NC Institutional Gallery listings, call the by Gwen Power and Gloria Grizzle, on The love of water and sunlight inspires from family events and colors that surround Guild at 704/663-6661 or visit (www. view from Sept. 4 - 30, 2012. and influences Power’s work. Her use of her. She invites the viewer to find joy and MAGart.org). Power is a watercolorist and Grizzle is watercolor is indicative of that, as she “uses excitement in them and takes delight in the a nature photographer. Flowers found in continued on Page 15 Page 14 - Carolina Arts, September 2012 Table of Contents Donovan and Orselli, the ‘realism’ has a surrealist, magic-realist or absurdist twist. Salentijn offers a figurative expression- Hitchcock Health Center ism. Yaghjian, Morsberger, Lenzo, Kilgore continued from Page 14 Condon and Netherland create invented rural Aiken and surrounding environments, symbolic and metaphoric realities steeped letting nature speak to her. Respect for in personal issues and histories.” wildlife and habitats influences her to leave Diane Kilgore Condon (b. 1964) thinks nature and the creatures as she found them of her work as ‘dreamscapes’ that seem im- - unstressed. The intricate designs, vivid mensely real to her. She deals with issues of colors, and textures of plants, animals, or redemption and the odd turns of cause and insects are revealed through her macro lens effects affecting daily life. Her scenes often producing fascinating close-ups of a world feature dogs rescued from the streets sur- we generally don’t see. Landscapes are rounding her studio as well as other animals Work by Diane Kilgore Condon included in her collection as well. and plants as symbols of human experience. While their dual exhibit is at the Hitch- Kilgore Condon is the founder and owner of says he “is fascinated by a noire narrative of cock Center, Power and Grizzle both will the ArtBomb studio complex in Greenville, life at the office. My people, often surpris- Work by Gwenn Power also be featured artists at the Art Center in SC. The Wisconsin native is a graduate of ingly posed, evoke both humor and anxiety the paint to let the water create the paint- Ridge Spring, SC, during September and Greenville’s Bob Jones University. She has and, taken together, offer an absurdist vision ing.” Dropping paint onto a wet surface October. The address is 108 Maintenance exhibited widely in Upstate South Carolina, of imaginary corporate purgatory.” and moving the paper or canvas in multiple Shop Circle, Ridge Spring, SC. including the Greenville County Museum Two of Trotman’s wooden sculptures are directions to create just the effect she’s Both artist are represented by the Xanadu of Art. She was part of the 2004-2006 state- currently under consideration for acquisi- looking for to produce the desired result - a Gallery in Scottsdale, AZ, as well as the wide, traveling exhibition South Carolina tion by the Columbia Museum of Art. In painting she describes as, “…filled with aforementioned Art Center in Ridge Spring. Birds: A Fine Art Exhibition, curated by if Fantastic Reality, he will present small love and peace.” For further information check our SC ART’s Roefs. terra cotta and porcelain sculptures that he Grizzle, with camera in hand, seeks her Institutional Gallery listings, call 803/648- Bob Trotman (b. 1947) is widely known creates as studies for his larger, wooden subject matter during walks throughout 8344 or visit (www.aikenartistguild.org). for his large wooden sculptures. They are sculptures. represented in many museum collections For further information check our SC in the Southeast as well as the Museum of Commercial Gallery lisitings, call the Stu- Art and Design in New York City and the dios at 803/252-6134 or visit Vista Studios in Columbia, SC, Smithsonian Institution’s Renwick Gallery. (www.vistastudios80808.com). Contact The Winston-Salem, NC, native lives in Wim Roefs at if ART: 803/238-2351 or Offers Exhibit Introducing Diane the foothills of Western North Carolina. He e-mail to ([email protected]). Kilgore Condon and Bob Trotman Vista Studios in Columbia, SC, is Gallery V in Columbia, SC, Offers presenting the exhibit, Fantastic Reality, introducing Diane Kilgore Condon and Bob Trotman to Columbia and featuring Jeff Exhibit of Altered Books by Women Donovan, Peter Lenzo, Philip Morsberger, Gallery V, located in Five Points, in Dorothy Netherland, Marcelo Novo, Janet Columbia, SC, will present the exhibit, Vol- Orselli, Kees Salentijn, and David Yaghjian. umes: Women Bound by Art, an altered book The exhibit will be on view in Gallery exhibition, on view from Sept. 20 through 80808 through Sept. 4, 2012, and was orga- Oct. 18, 2012. A reception will be held on nized by if ART Gallery. Sept. 20, from 5-8pm. “Fantastic Reality is an exhibition of art- The art exhibition includes a collection of ists who are fantastic in the quality and con- 13 altered books created by 13 women art- tent of their work,” says if ART owner Wim Work by Bob Trotman ists: Eileen Blyth, Cynthia Colbert, Jessica Roefs. “Their work is full of imagination, al element as opposed to being purely non- Cruser, Janette Grassi, Doni Jordan, Susan Work by Cynthia Colbert life and fantasy while remaining anchored objective, which itself provides an element Lenz, Susan Livingston, Yukiko Oka, Kay Conceived and curated by artists Susan in some sort of reality, whatever that is. At or ‘reality’. In the cases of Trotman, Novo, Reardon, Liisa Salosaari Jasinski, Virginia Livingston and Doni Jordan and gallery the least all the works have a representation- continued above on next column to the right Scotchie, Lani Stringer and Laura Windham. continued on Page 16 Table of Contents Carolina Arts, September 2012 - Page 15
HUGER HUGER CONGAREE RIVER USC A 1
Area HUGER
A LADY BLOSSOM GERVAIS PENDLETON TAYLOR SENATE GERVAIS ASSEMBLY ASSEMBLY Galleries & Museums of HAMPTON PULASKI the Congaree Vista Area B MAIN MAIN 1 One Eared Cow Glass 2 A SUMTER Congaree Vista & Vista Studios/Gallery 80808
USC Coliseum 3 CITY ART
SUMTER B SC State Capital Downtown Area 4 The Gallery at Nonnah’s C USC Horseshoe C 5 D McKissick Museum MARION 6 TAYLOR E SC State Library 7 HAMPTON D SENATE F 8 BULL E BULL 9 G map not to scale or proportion
10 H A SC State Museum B Wachovia Gallery/Library GERVAIS C Columbia Museum of Art Maps of Columbia, SC’s D Columbia Convention Center GADSDEN Commercial & Institutional Gallery Spaces
2 1 Assembly Assembly D LINCOLN Lady Taylor Hampton
Gervais 2
Main Street Main Street 3
4 GERVAIS SENATE Washington 1 Richland Co. Public Library PARK
Main Street Area 2 Columbia Museum of Art Gervais to Taylor West Columbia Insert
B Assembly Assembly S. MARBLE ST. ASSEMBLY Taylor Laurel
Elmwood
Main Street Main Street MEETING ST. 3 STATE ST. Blanding Calhoun LADY TAYLOR HAMPTON
Tapp’s Arts Center CONGAREE RIVER WASHINGTON Main Street Area 3 C Taylor to Elmwood A MAIN MAIN GERVAIS Gallery V in Columbia, SC City Art Gallery in Columbia, SC, continued from Page 15 Features Works by Dawn Hunter director, Virginia Scotchie, each artist was City Art Gallery, located in the Con- given a volume of an oversized trade jour- garee Vista area of Columbia, SC, will nal (Thomas Register of American Manu- present the exhibit, Personified Doubles facturers Products and Services), which & Visual Opposites, a collection of new was retrieved from the curb outside the drawings and paintings by Dawn Hunter, Orangeburg County Library by fiber artist on view from Sept. 13 through Oct. 6, Susan Livingston. The artists, who include 2012. A reception will be held on Sept. 13, art professors, potters, fiber artists, graphic from 5-8pm. designers, illustrators, painters, photogra- Hunter was educated at the Kansas phers and mixed media artists, were given City Art Institute, Parsons School of total creative freedom for the project. Design, and the Yale University Norfolk The University of South Carolina Upstate program. She received her MFA in art Work by Susan Lenz Curtis R. Harley Gallery in Spartanburg, from the University of California, Davis Work by Dawn Hunter SC, will host the exhibit during their 2013- Commercial Gallery listings, call Virginia and has held residencies at the Cooper “I will explore the personification of 14 exhibition season. Scotchie at 803/920-7537 or e-mail to (vir- Union in New York and the Royal Acad- Vice (greed, envy, wrath, lust, etc) by For further information check our SC [email protected]). emy of Art in London. Her work has won placing this personification in the context many awards and grants, including a Starr of a manicured garden,” says Hunter. Foundation Fellowship and the Amitage “Vice will be presented in contest with Vista Studios in Columbia, SC, Prize from Sotheby’s of London. Hunter Virtue (faith, fortitude, hope, charity, etc). is currently an Associate Professor and the This environment exists as an exterior Foundations Coordinator in the Depart- setting or within the context of a lavish in- Offers Works by Jonathan Callicutt ment of Art at the University of South terior. The context of the enclosed garden Vista Studios in Columbia, SC, will past connects to the present connects to Carolina, Columbia. or lavish interior is ideal for this theme be- present the exhibit, Full Circle, featuring the past, Full Circle. cause it is a space that reflects high culture works by two dimensional mixed-media Callicutt trained at both the SC Gover- and high culture practices.” artist Jonathan Callicutt, on view in Gal- nor’s School for the Arts and The Uni- “I am accomplishing my exploratory lery 80808, from Sept. 27 through Oct. versity of Georgia’s BFA Printmaking pro- concerns by re-contextualizing fashion 2, 2012. Receptions will be held on the grams. His complex and densely layered iconography in a series of drawings cre- evenings of Sept. 28 & 29. mixed media pieces have been exhibited ated in the contrast of saturation of red, “My work is driven by a need to bring in Atlanta, Richmond, Los Angeles, San grey, white, black, brown, and lavendar,” the iconic imagery of the past into the vi- Francisco, and Florence, Italy. He cur- adds Hunter. “The contrast of saturation sual present. Inflected by both the Renais- rently lives and works in Decatur, GA. introduces a romantic softness to the con- sance and Rauschenberg, pop culture and Vista Studios’ Gallery 80808 is a long tent of the imagery, which is intended to formal training, I look for a new transla- standing venue, originally developed by Work by Dawn Hunter continued on Page 17 tion of seemingly disparate styles in a the Columbia Development Corporation Hunter says, “The work that I am The modern dialect,” said Callicutt. and the South Carolina Arts Commission. creating for my sabbatical project explores GALLERY Full Circle has been conceived as a The space not only hosts local, regional the themes of Dusk and Dawn found in at tying together of key thematic elements of and national shows but also houses work- Giovanni Mannozzi’s artwork, Baroque Callicutt’s life. A native of Columbia and ing artist’s studios. and Rococo painting compositional styles, exhibitor in 2011’s Florence Biennale, the For further information check our SC and contemporary fashion iconography. Nonnah’s artist hopes to join his experience with the Commercial Gallery lisitings, call the I explore personifications of Dusk and Offering works by local & regional artists birthplace of the Renaissance to this show Studios at 803/252-6134 or visit Dawn or Vice and Virtue by represent- Serving Lunch M-F, 11:30am-2pm in the city of his origins as an artist. The (www.vistastudios80808.com). ing these female figures in my artwork. Evening hours: M-Th., 5-11pm The deadline each month to submit articles, photos and ads is the 24th of the month In these works I explore the composition, Fri., 5pm-12:30am & Sat., 6pm-12:30am prior to the next issue. This will be Sept. 24th for the October 2012 issue and Oct. 24 for the symbolism, and allegory of Baroque and 803/779-9599 • www.nonnahs.com November 2012 issue. After that, it’s too late unless your exhibit runs into the next month. Rococo painting that is often appropriated Don’t be late - send your info well before the deadline. 928 Gervais Street • Columbia, SC within contemporary fashion editorials.” Page 16 - Carolina Arts, September 2012 Table of Contents City Art Gallery in Columbia, SC continued from Page 16 re-interpret and expose both the consumer her work at McMaster on campus, we underpinnings of contemporary fashion are proud to show her work in the main photography and the seminal ideas (alle- gallery at City Art where visitors not only gorical and compositional) of that photog- from Columbia but also from throughout raphy which can be found in Baroque and the United States and the world may see Rococo painting.” her vision.” City Art Gallery director Wendyth For further information check our SC Wells comments, “I’ve been intrigued Commercial Gallery listings, contact Wen- with Dawn Hunter and her art since her dyth Wells at 803/252-3613 or visit arrival in Columbia as a member of the (www.cityartonline.com). USC art faculty. While she has shown 701 Center for Contemporary Art in Columbia, SC, Offers Exhibition on the Art of Bending Wood The 701 Center for Contemporary Art in Columbia, SC, is presenting the exhibit, Torqued & Twisted: Bentwood Today, on view through Oct. 7, 2012. This exhibition explores the work of nine furniture makers and sculptors who use the technique of bending wood in innovative, unusual and eloquent ways.
Work by Matthias Pleissnig Wood bending is typically accomplished through one of two main approaches, steaming or laminating. Steaming requires the application of heat and moisture to allow the wood fibers to bend and slide against each other. The bent part is clamped to a form and allowed to cool and dry into a new configuration. Laminating involves using layers of wood cut thin enough to become flexible. The flexible strips are clamped against a form with adhesive between each layer until the adhesive cures, locking the laminations into the new configuration. Bentwood came to symbolize the mod- ern movement in furniture design and it still offers a tempting territory for a range of aes- thetic and formal explorations. The artists/ designers in this exhibition push the limits of wood bending to create extraordinary functional and sculptural works of art that are conceptually challenging and expand our understanding and expectations of wood as a material. The techniques used by these artists both borrow from and build upon various historical traditions. The work of Matthias Pliessnig draws from the rib and plank boat- building approach. The work by Clifton Work by Yuri Yobayashi Monteith offers stellar examples of willow visual aesthetic. 803-360-2994 or “twig” bending. Mike Jarvi “unfolds” his The exhibition was organized by UNC- www.michelmcninch.com furniture from within the plank, in a bril- Asheville’s Center for Craft, Creativity & liant, almost origami-like motion, for which Design, located in Hendersonville, NC. [email protected] it is hard to find a precedent. Ultimately, For further information check our SC each of these artists has refined and devel- Institutional Gallery listings, call the Center oped their own repertoire of techniques, at 803/238-2351 or visit (www.701cca.org). Chester, Columbia, Greenwood, Florence, which in turn results in a highly personal Hopkins, Johnston, Kershaw, Lexington, Santee and Sumter. They meet monthly in Columbia to promote advanced creative Vista Studios Offers Sculpture by expression through the study of experi- mentation in horticulture, floral design and allied arts. Sharon Licata in Collaboration with Artistic designs of the floral arrangement type are purposely a temporary creative expression. As such, this work can be con- the Arrangers of Dimension in Art sidered in the same artistic vein as more the Vista Studios in Columbia, SC, will recognized installation or performance art. present the exhibit, Sculpture in Bloom, an However, this has not usually been the case. unusual collaborative exhibition combining This exhibition will give visitors a chance to the sculpture of Sharon Collings Licata and enjoy an art form that is rarely seen in a gal- the floral artistry of arrangers from Dimen- lery setting. It is especially fascinating given sion in Art, on view in Gallery 80808 from the juxtaposition of responding to stone Sept. 6 - 11, 2012. A reception will be held sculpture which has a classical history. on Sept. 6, from 4-8pm. The designers are taking two different The sculptor, Sharon Collings Licata of approaches to the sculptures. A number are Vista Studios has invited the talented floral doing an arrangement which incorporates designers of Dimension in Art to each cre- the sculpture while others are creating a Janice Hull working with Whirling Dervish ate an artistic arrangement as their response stand-alone design inspired by the stone as people approach Gallery 80808. to one of her sculptures. Dimension in Art is Whirling Dervish by Sharon Licata work. Pat Abercrombie’s red and black in- Ruth Bowers will be combining a floral a group of 25 Nationally Accredited Flower Inc.) with members from Cayce, Chapin, teraction with a large unfinished limestone sea scape with the bronze sharks Into the Show Judges (National Garden Club, continued above on next column to the right sculpture will be the first to come into view continued on Page 19 Table of Contents Carolina Arts, September 2012 - Page 17 Gene Speer (b. 1953) • Highway 101 Series t"DSZMJDPODBOWBTt$PVSUFTZPGUIFBSUJTU HELD OVER THROUGH SEPT. 30 ABSTRACT 1949- ARTIN SOUTH CAROLINA 2012
803.898.4941 I 301 Gervais Street, Columbia
John Acorn Leonard Cave Harry Hansen Michael Phillips Hollis Brown Thornton J. Bardin Chevis Clark William Ledyard Catharine Rembert Michael Tyzack Carl Blair Bette Lee Coburn Ed Lewandowski Lynne Riding Katie Walker Emery Bopp Robert Courtright Guy Lipscomb Peggy Rivers Philip Whitley Bill Buggle Tom Dimond Paul Martyka Brian Rutenberg Mike Williams James Busby Jeanet Dreskin Corrie McCallum Merton Simpson Enid Williams Sharon Campbell Tom Flowers Marge Moody Gene Speer Winston Wingo Eva Carter David Freeman Philip Mullen Laura Spong Paul Yanko Shaun Cassidy William Halsey Faith Murray Tom Stanley scmuseum.org Support for this project was provided by the South Carolina State Museum, the South Carolina Museum Foundation and also funded in part by the Lipscomb Foundation, the Real Yellow Pages.com, the Cultural Council of Richland and Lexington Counties and the South Carolina Arts Commission, which receives support from the National Endowment for the Arts and the John and Susan Bennett Memorial Arts Fund of the Coastal Community Foundation of S.C.
Page 18 - Carolina Arts, September 2012 Table of Contents Vista Studios in Columbia, SC continued from Page 17 / back to Page 17 Deep as Donna Donnelly works with the sculpture. twists and turns of Intertwined. Janice Hull A web site takes on Whirling Dervish and all that it (http://licatasculptureinbloom.blogspot.com/) inspires. Helen Samantha Martin will have has been created that the arrangers visited lots of lighting flying around the alabaster to choose the sculpture that most inspired piece Thunder, while Marcia Montgomery them. Once they committed to a sculpture, will also be up in the air responding to Blue the designer’s name was posted by that im- Clouds Sailing. age with a notation that it is “taken”. Joy Salter will be taking a look inside We are excited to be offering an exhibi- with Inner Shelter as Betty Smith works tion at Gallery 80808 that combines two her way around Twisted Lady. Pat Setzer different art forms to help “kick off’ Colum- will be dropping in on the southern hemi- bia’s Fall gallery season. sphere with her Aztec Artifact including the For further information check our SC In- limestone sculpture Ancient Eight. Standing stitutional Gallery listings, call the Studios Tall by Ann Yonce influenced byEpiphany at 803/252-6134 or visit will provide yet another way to look at (www.vistastudios80808.com). Columbia Museum of Art MOUSE HOUSE, Inc. Features Works by Mark Rothko 2123 Park Street Mark Rothko, one of the most masterful and a sensual pleasure to peruse.” Columbia, SC 29201 and iconic of 20th-century American artists, This is the first significant exhibition struggled in obscurity for many years before of Mark Rothko’s work to be on display in (803) 254-0842 developing the powerful body of work for South Carolina. The exhibition was realized which he is now remembered. From Sept. by the current chief curator Will South and 14, 2012 to Jan. 6, 2013, in Mark Rothko: developed by former Columbia Museum [email protected] The Decisive Decade 1940-1950, the of Art chief curator Todd Herman. This Columbia Museum of Art in Columbia, SC, exhibition is organized by the Arkansas Art http://mousehouseinc.blogspot.com explores these formative years. The land- Center, the Columbia Museum of Art, the mark exhibition brings to the fore 37 works Columbus Museum of Art and the Denver of art, including paintings, watercolors, Art Museum, in conjunction with the Na- Specializing in antiquarian prints, custom mirrors, drawings and prints, largely drawn from the tional Gallery of Art, Washington, DC. First and the fiber arts of Susan Lenz permanent collection of the National Gal- Citizens Bank is the presenting sponsor for lery of Art, Washington, DC, and exhibited the Columbia presentation. www.susanlenz.com for the first time in two decades. “This is not an exhibition that needs to justify its existence,” the artist’s son, Christopher Rothko, said. “On the contrary, the only thing that needs to be explained is its tardiness, because within the realm of Rothko’s oeuvre, the works in this exhibi- MOUSE HOUSE, INC. tion are the key to everything. Everything.” The work from the 1940s is rarely seen FRAMES & ANTIQUARIAN PRINTS by the public and often elicits a response of utter surprise because it is so unlike the work for which the artist is justly famous. In the 1930s, Rothko was painting figures based on the work of his influential teach- ers, Max Weber and Milton Avery, also Sculpture in Bloom Mark Rothko, American (born Russia), represented in this exhibition. However, the 1903−1970, Untitled, c. 1940, oil on canvas, National Gallery of Art, Washington. Gift of The artistic style known as Surrealism, where Mark Rothko Foundation, Inc. 1986.43.53. ©1998 dreams, accident and chance play a large Sharon Licata with Arrangers Kate Rothko Prizel & Christopher Rothko / Art- role in creativity, took on increasing appeal of Dimension in Art ists Rights Society (ARS), New York. for him. By 1940, Rothko was practicing “This exhibition explores Rothko’s work what is called “automatic drawing,” that is, in the 1940s in a way that has never been drawing not meant to represent the details Vista Studios/Gallery 80808 done before,” director, Earl A. Powell III, of things we can see but rather the energy September 6 - 11, 2012 said. “The National Gallery of Art is de- of things we feel. This then-radical way of Opening Reception: lighted to make this exhibition possible and thinking began to transform both Rothko September 6th, 4 - 8 pm contribute to the scholarly catalogue. This and the art he made. is part of our commitment to have more of our permanent collection viewed by the Gallery Hours: 11am-5pm daily American public.” (September 6 - 11) “We are excited about this exhibition for its contributions to understanding Rothko For more information: more fully,” CMA executive director, Karen 803-920-0122 Brosius, said. “The show brings to Colum- bia and South Carolina the art of a modern licatasculptureinbloom.blogspot.com American master, providing a special op- Ancient Eight, sculpture by Sharon Licata portunity for everyone in the region. We be- will be worked with by designer Pat Setzer lieve visitors will be absorbed by Rothko’s more upcoming powerful and mystical style of painting. exhibitions In addition, the accompanying catalogue explores a period of Rothko’s development August 24 - September 4, 2012 - the 1940s - that has received little attention if Art Presents FANTASTIC REALITY and yet had a profound effect on his late Introducing: Diane Kilgore-Condon career. We are bringing new scholarship to & Bob Trotman art history.” featuring Featuring: Jeff Donovan, Janet Orselli, Peter The Columbia Museum of Art is produc- Lenzo, Philip Morsberger, ing a full-color, 170-page catalogue entitled artists Dorothy Netherland, David Yaghjian, Kees Mark Rothko: The Decisive Decade 1940- Ethel Brody 1950, published by Skira Rizzoli Publica- Stephen Chesley Salentijn & Marcelo Novo tions, Inc. Edited by University of South Heidi Darr-Hope September 6 - 11, 2012 Carolina professor Dr. Bradford R. Collins, this catalogue features an essay by Mark Mark Rothko, American (born Russia), Jeff Donovan Sharon Licata: Sculpture in Bloom 1903−1970, Untitled, 1941-42, oil on canvas, Rothko’s son, Christopher Rothko, and es- Pat Gilmartin with arrangers of Dimension in Art National Gallery of Art, Washington. Gift of The (see hours, reception info above) says by three internationally noted Rothko Mark Rothko Foundation, Inc. 1986.43.35. © 1998 Robert Kennedy scholars: David Anfam, Harry Cooper and Kate Rothko Prizel & Christopher Rothko / Art- September 27 - October 2, 2012 Ruth Fine. ists Rights Society (ARS), New York. Susan Lenz “This publication will be of great interest Visitors discover how the artist studied Sharon C. Licata Jonathan K Callicutt: Full Circle both to the serious student of art history who mythology and dreams and voraciously read needs to understand how Rothko became the works of the psychologists Carl Jung Laurie McIntosh available for rental Rothko, but also to the art lover who wants and Sigmund Freud. Rothko sought, as he Michel McNinch gallery Call 803.771.7008 help in gaining a general understanding of said, symbols that were tragic and timeless, Kirkland Smith modest rate | professional exhibition space a complex artist,” CMA chief curator, Will that expressed “man’s primitive fears and Laura Spong Open weekdays. Call for hours: 803.252.6134 South, said. “This book is thoroughly re- motivations no matter in which land or what 808 Lady St., Columbia SC 29201 searched, skillfully written, and generously time.” A great example of this in the show is David Yaghjian www.VistaStudios80808.com insightful. And, it is beautifully designed continued on Page 20 Table of Contents Carolina Arts, September 2012 - Page 19 being together while creating a collabora- tive portrait” was revealed, says García- Lemos. Columbia Museum of Art Alejandro García-Lemos received a BA continued from Page 19 in Graphic Design from Universidad Na- entitled The Omen of the Eagle, 1942, taken cional de Colombia and a Masters in Latin from Greek mythology. The artist himself American and Caribbean Studies from explained it this way: “The picture deals Florida International University. He holds not with the particular anecdote, but rather strong ties to his culture and his homeland with the Spirit of Myth, which is generic to of Colombia, and frequently incorporates all myths at all times. It involves a panthe- symbolism and political issues into his ism in which man, bird, beast and tree - the work. He has been living in the United known as well as the knowable - merge into States for almost 15 years, and currently a single tragic idea.” resides in Columbia. His works have been Walking through the exhibition, visitors exhibited in his homeland and in the south- see the recognizable parts of The Omen and eastern United States in numerous solo and the Eagle begin to disappear into the swirl- group exhibitions with works in private and ing and rhythmic lines of The Rites of Lilith, public collections. 1945, as Rothko keeps moving toward a An Artist’s Talk is planned for Thursday, new kind of art. By the end of the decade, Sept. 27, at 6:30pm. he achieves his signature style in works For further information check our SC like his Untitled of 1949 where a horizon- Institutional Gallery listings, call 803/786- Work by Alejandro García-Lemos tal band of yellow floats in a muted violet 3899 or visit (www.columbiasc.edu). rectangle, all of which sit upon a vast sea of red beneath. Color and its expert organiza- Mark Rothko, American (born Russia), tion is now his style, and his mastery of it 1903−1970, Untitled, 1949, oil on canvas, National Fine Arts Center of Kershaw calls out our emotions and sense of mystery. Gallery of Art, Washington. Gift of The Mark Rothko Foundation, Inc. 1986.43.138. ©1998 Kate Rothko himself believed this late style was Rothko Prizel & Christopher Rothko / Artists not abstract, but rather that it conveyed the Rights Society (ARS), New York. County in Camden, SC, very real universal human experiences of “tragedy, ecstasy and doom.” Visiting this Ms. Cheryl R. Holland and Mr. P. Douglas exhibition is an opportunity to trace the art- Quackenbush, The Joye Cottage Founda- Offers Works by Robbie Hinson ist’s steps toward a new and powerful way tion, Mr. and Mrs. Robert H. Kennedy, Jr., The Fine Arts Center of Kershaw County of making art. In addition, many of Roth- Mr. and Mrs. Stephen G. Morrison and Dr. in Camden, SC, will present the exhibit ko’s influencers and supporters are seen Suzanne R. Thorpe and Dr. John W. Baynes. Robbie Hinson Exhibit: Southeastern in the exhibition, including artists Arshile The book is available in hard cover ($50) Americana, on view in the Center’s Bassett Gorky, Robert Motherwell, Jackson Pollock and soft cover ($29.95) in the Museum Gallery, from Sept. 15 through Oct. 12, and Clyfford Still. Shop. 2012. A reception will be held on Sept. 15, Contributing sponsors are Hannah & The exhibition is supported by an indem- from 5:30-7pm. Ron Rogers, Mrs. Joyce Martin Hampton nity from the Federal Council on the Arts Hinson has been shooting and processing and The Vein Clinic. Supporting sponsors and Humanities. black and white images since age 13. His fa- include: Mr. and Mrs. Ben D. Arnold, Mr. For further information check our SC In- ther taught him the darkroom process in the and Mrs. Joseph R. Blanchard, Dr. Suzan stitutional Gallery listings, call the Museum mid 1970’s and he has been hooked since. D. Boyd and Mr. M. Edward Sellers, Mrs. at 803/799-2810 or visit (www.columbia- Hinson attended Virginia Intermont Col- Ethel Brody, Mr. and Mrs. David E. Dukes, museum.org). lege and studied photography receiving a Work by Robbie Hinson bachelors degree. He continued image mak- into the computer for printing. All of Hin- ing until the 90’s then redirected his energy son’s prints, whether conventional or digital to raising a family. For the next 16 years, he are printed to be archival on 100% cotton Columbia College in Columbia, SC, focused on family and after losing his son rag, acid-free paper. in an auto accident in 2009, he decided to Hinson believes that photography is Offers Works by Alejandro García- jump back into the art with both feet. He set both art and documentary. He believes that up a lab in his Lugoff, SC, home, dusted off black and white imagery somehow elevates his gear and got back to what he loves...the the subject in a way that color cannot. It Lemos Hispanic Heritage Month art of images. somehow makes the subject more raw, more Columbia College in Columbia, SC, will to him than any of the cities he had previ- Hinson does conventional black and elemental and more important than it would present the exhibit, Red Social: Portraits ously inhabited, noting that in comparison, white work handling all film and print be otherwise. of Collaboration, featuring works by “Columbia was incredibly small.” processing himself. He works in digital as For further information check our SC Alejandro García-Lemos, on view in the Soon after moving to Columbia, García- well, but his favorite form is a combination Institutional Gallery listings, call the Center Goodall Gallery of the Spears Center for the Lemos discovered a quote by the artist of both - shooting conventional black and at 803/425-7676 or visit (www.fineartscen- Arts, from Sept. 6 through Oct. 15, 2012. Georgia O’Keeffe that aptly expresses his white film, processing it, then scanning it ter.org). A reception will be held on Sept. 6, from creative time in the city, “Hibernating in 5:30-7pm. South Carolina is an experience that I would The Goodall Gallery kicks off the 2012- not advise anyone to miss.” The quote is Sumter Co. Cultural Center in Sumter, 2013 gallery season with a solo exhibition from a personal letter written by O’Keeffe by artist Alejandro García-Lemos entitled while she taught at Columbia College, a Red Social: Portraits of Collaboration. The place where she, too, found time and inspi- SC, Features Works by Zan Wells exhibit is in partnership with the Spanish ration to create new works during the fall The Sumter County Cultural Center in program at Columbia College in honor of and winter of 1915 to 1916. Sumter, SC, will present the exhibit, This National Hispanic Heritage Month (Sept. 15 García-Lemos notes the similarities in and Then This, featuring works by Zan to Oct. 15, 2012). his and O’Keeffe’s journeys, “She and I, Wells, on view in Gallery 135 of the Patriot as migrants from the big city, both experi- Hall, from Sept. 10 through Oct. 19, 2012. enced the beauty and isolation of Columbia, The well-known Greenville, SC artist, understood its drawbacks, yet appreciated Zan Wells, will return to her teenage home it for providing time to think and work.” of Sumter, SC, to bring her first major col- And over a ten year period (2002-2012), he lective show ever. did just this, finding internal and external Wells is self-taught in many mediums sources of inspiration to fuel his creativity such as: watercolor, oils, pen & ink, char- in a place that he found challenging to his coal and pencil, pottery and skilled, intricate lifestyle and philosophies. dressmaking, yet her many statewide com- Drawing from several themes - migra- missions have been in contemporary metal tion, flux, relationships, and transformation and figurative bronzes. Booth Chilcutt, - García-Lemos has cultivated a cherished Executive Director of The Patriot Hall is so Work by Zan Wells community of individuals during the very pleased to have an artist of her caliber in private collections throughout the United last ten years who have shaped and sup- and states, “This is a well-rounded exhibit States. Her artistry is a combination of grace ported him along the way. The years of of her varying talents in one location and we and precision inherited from her mother’s relationship-building inspired a new body will be honored to also present a newly cre- art sense and her father’s love of math. This of work that culminated with a series of ated piece to be shown for the first time”. prompted Wells to hone her figurative skills community-based portraits. The painting, Wells’ infectious laugh lets you know by studying with an orthopedic surgeon Artist’s Dream (After Stieglitz), is the piece that it is her whimsy that prompted her because she wanted to show her respect to that García-Lemos used as an inspirational creative animal kingdom legacy. Mice on her craft. point of departure for additional drawings. Main, a collaborative effort with James This educational aspect will be on While working on the portrait of O’Keeffe, Ryan, is revered in Greenville by young display at this amazing show because it will the concept and style for the show was es- and old while they hunt for the nine little present how the bronze process develops tablished: collaborative, community-based creatures along the city’s main street. and takes you thru the stages needed to mixed media portraits. Wells illustrated the greatly loved complete this medium. Wells’ serious work Work by Alejandro García-Lemos Each portrait symbolizes García-Lemos’s children’s book of the same name, writ- can be seen in public spaces such as The Born in Colombia, South America, Ale- relationship to the person, exploring how ten by Linda Kelly. The city of Anderson Swan Lake Iris Garden in Sumter, The jandro García-Lemos has lived in several we exist within ourselves and affect others. has benefited from her touch of humor by Governor’s School for the Arts & Humani- major metropolitan cities such as Bogotá, His intent was to tell the sitter’s story while peppering their main street with bronzes of ties plus large sculptures on Main Street in New York, Washington, and Miami. In understanding the relationship to his own 22 Carolina Wrens in clever locations. A Greenville and Anderson, SC. These are just those cities, he experienced mega urban development and within the larger com- new installation of charming turtles can be a few examples of a rich life in art begun af- culture that offered rich mines of creative munity. The act of “sitting for a portrait is an viewed in Pickens, SC. ter the age of 55. Her optimism and energy resources. In 2002, García-Lemos moved unusual interaction,” but as repeat sittings Tenaciousness and sense of detail is the define her can-do attitude to pursue a dream. from Miami to Columbia, SC. It didn’t take occurred, a “somewhat forgotten pleasure in foundation for the sought after large bronze Wells has lived in Greenville for many long to realize Columbia was more foreign continued above on next column to the right installations throughout South Carolina and continued on Page 21 Page 20 - Carolina Arts, September 2012 Table of Contents Sumter Co. Cultural Center continued from Page 20 years with her husband, Joel, and has two children and four step-children. Yet, she has great affection for Sumter since she cultivated longtime friends by attending Edmunds High School, becoming a “Miss Sumter” and working in this community. Her wish is for viewers to see how an artist progresses and experiments in her eclectic journey of “This and Then This”. We wel- come her home! Gallery135 (previously named Patriot Hall Gallery) is located in the Patriot Hall Performing Arts center, 135 Haynsworth Street in Sumter, SC. The public should enter the Patriot Hall Arts Center through Work by Zan Wells 2EPRESENTING OVER !RTISTS the side door by the circular ramp located on the left- front of The Sumter County Institutional Gallery listings, call 803/436- OUR &ALL