Gisis of Black Intellectuals
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Garland's Million: the Radical Experiment To
October 14, 2019 To: ABF Legal History Seminar From: John Fabian Witt Re: October 23 seminar Thanks so much for looking at my drafts and coming to my session! I’m thrilled to have been invited to Chicago. I am attaching chapters 5 and 8 from my book-in-progress, tentatively titled Garland’s Million: The Radical Experiment to Save American Democracy. The book is the story of an organization known informally as the Garland Fund or formally as the American Fund for Public Service: a philanthropic foundation established in 1922 to give money to liberal and left causes. The Fund figures prominently in the history of civil rights lawyering because of its role setting in motion the early stages of the NAACP’s litigation campaign that led a quarter-century later to Brown v. Board of Education. I hope you will be able to get some sense of the project from the crucial chapters I’ve attached here. These chapters come from Part 2 of the book. Part 1 focuses on Roger Baldwin, the founder of the ACLU and the principal energy behind the Fund. Part 2 (including the chapters here) focuses on James Weldon Johnson, who ran the NAACP during the 1920s and was a board member of the Fund. Parts 3 and 4 turn respectively to Elizabeth Gurley Flynn (a labor radical on the board) and Felix Frankfurter, who in the 1920s served as a key outside consultant and counsel to the Fund. To set the stage, readers have learned in Part 1 about Baldwin as a disillusioned reformer, who advocated progressive programs like the initiative and referendum only to see direct democracy produce a wave of white supremacist initiatives. -
Georgia Douglas Johnson and Eulalie Spence As Figures Who Fostered Community in the Midst of Debate
Art versus Propaganda?: Georgia Douglas Johnson and Eulalie Spence as Figures who Fostered Community in the Midst of Debate Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Caroline Roberta Hill, B.A. Graduate Program in Theatre The Ohio State University 2019 Thesis Committee: Jennifer Schlueter, Adviser Beth Kattelman Copyright by Caroline Roberta Hill 2019 Abstract The Harlem Renaissance and New Negro Movement is a well-documented period in which artistic output by the black community in Harlem, New York, and beyond, surged. On the heels of Reconstruction, a generation of black artists and intellectuals—often the first in their families born after the thirteenth amendment—spearheaded the movement. Using art as a means by which to comprehend and to reclaim aspects of their identity which had been stolen during the Middle Passage, these artists were also living in a time marked by the resurgence of the Ku Klux Klan and segregation. It stands to reason, then, that the work that has survived from this period is often rife with political and personal motivations. Male figureheads of the movement are often remembered for their divisive debate as to whether or not black art should be politically charged. The public debates between men like W. E. B. Du Bois and Alain Locke often overshadow the actual artistic outputs, many of which are relegated to relative obscurity. Black female artists in particular are overshadowed by their male peers despite their significant interventions. Two pioneers of this period, Georgia Douglas Johnson (1880-1966) and Eulalie Spence (1894-1981), will be the subject of my thesis. -
Fair Treatment? African-American Presence at International Expositions in the South, 1884 – 1902
FAIR TREATMENT? AFRICAN-AMERICAN PRESENCE AT INTERNATIONAL EXPOSITIONS IN THE SOUTH, 1884 – 1902 BY SARA S. CROMWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES December 2010 Winston-Salem, North Carolina Approved By: Anthony S. Parent, Ph.D., Advisor Jeanne M. Simonelli, Ph.D., Chair John Hayes, Ph.D. ACKNOWLEDGMENTS Many thanks to my friends, family, and coworkers for their support, encouragement, and patience as I worked on my thesis. A special thank you to the Interlibrary Loan Department of the Z. Smith Reynolds Library for their invaluable assistance in my research. And finally, thanks to Dr. Parent, Dr. Simonelli, and Dr. Hayes for their helpful advice throughout the process. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................... iv ABSTRACT .......................................................................................................... v INTRODUCTION ................................................................................................. 1 CHAPTER ONE WORLD‘S INDUSTRIAL AND COTTON CENTENNIAL EXPOSITION AT NEW ORLEANS, 1884-85 .............................................................................. 17 CHAPTER TWO A DECADE OF CHANGES .................................................................................. 40 CHAPTER THREE COTTON STATES AND INTERNATIONAL EXPOSITION -
Social Workers and the Development of the NAACP Linda S
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks at WMU The Journal of Sociology & Social Welfare Volume 21 Article 11 Issue 1 March March 1994 Social Workers and the Development of the NAACP Linda S. Moore Texas Christian University Follow this and additional works at: https://scholarworks.wmich.edu/jssw Part of the African American Studies Commons, and the Social Work Commons Recommended Citation Moore, Linda S. (1994) "Social Workers and the Development of the NAACP," The Journal of Sociology & Social Welfare: Vol. 21 : Iss. 1 , Article 11. Available at: https://scholarworks.wmich.edu/jssw/vol21/iss1/11 This Article is brought to you for free and open access by the Social Work at ScholarWorks at WMU. For more information, please contact [email protected]. Social Workers and the Development of the NAACP LINDA S. MOORE Texas Christian University Social Work Program This article addresses the relationship between African-American leaders and settlement house workers in the development of the NAACP. Using social movement theory and Hasenfeld and Tropman's conceptualframe- work for interorganizationalrelations, it analyzes the linkages developed between voluntary associationsand how they benefitted all involved. This linkage provides lessons for today's struggle for social justice. Introduction This paper discusses the origins of the National Association for the Advancement of Colored People (NAACP) including the role played by settlement house workers in the development and ongoing leadership of that organization. Using social move- ment theory and Hasenfeld and Tropman's (1977) conceptual framework for interorganizational relations, it analyzes the way voluntary associations come together to create and maintain linkages which benefit all parties. -
1921 Tulsa Race Riot Reconnaissance Survey
1921 Tulsa Race Riot Reconnaissance Survey Final November 2005 National Park Service U.S. Department of the Interior CONTENTS INTRODUCTION 1 Summary Statement 1 Bac.ground and Purpose 1 HISTORIC CONTEXT 5 National Persp4l<live 5 1'k"Y v. f~u,on' World War I: 1896-1917 5 World W~r I and Postw~r ( r.: 1!1t7' EarIV 1920,; 8 Tulsa RaCR Riot 14 IIa<kground 14 TI\oe R~~ Riot 18 AIt. rmath 29 Socilot Political, lind Economic Impa<tsJRamlt;catlon, 32 INVENTORY 39 Survey Arf!a 39 Historic Greenwood Area 39 Anla Oubi" of HiOlorK G_nwood 40 The Tulsa Race Riot Maps 43 Slirvey Area Historic Resources 43 HI STORIC GREENWOOD AREA RESOURCeS 7J EVALUATION Of NATIONAL SIGNIFICANCE 91 Criteria for National Significance 91 Nalional Signifiunce EV;1lu;1tio.n 92 NMiol\ill Sionlflcao<e An.aIYS;s 92 Inl~ri ly E~alualion AnalY'is 95 {"",Iu,ion 98 Potenl l~1 M~na~menl Strategies for Resource Prote<tion 99 PREPARERS AND CONSULTANTS 103 BIBUOGRAPHY 105 APPENDIX A, Inventory of Elltant Cultural Resoun:es Associated with 1921 Tulsa Race Riot That Are Located Outside of Historic Greenwood Area 109 Maps 49 The African American S«tion. 1921 51 TI\oe Seed. of c..taotrophe 53 T.... Riot Erupt! SS ~I,.,t Blood 57 NiOhl Fiohlino 59 rM Inva.ion 01 iliad. TIll ... 61 TM fighl for Standp''''' Hill 63 W.II of fire 65 Arri~.. , of the Statl! Troop< 6 7 Fil'lal FiOlrtino ~nd M~,,;~I I.IIw 69 jii INTRODUCTION Summary Statement n~sed in its history. -
The Collective Struggle for the Negro Rights: 1915-1940
North Carolina Central Law Review Volume 2 | Issue 1 Article 8 4-1-1970 The olC lective Struggle for the Negro Rights: 1915-1940 Randall Walton Bland Follow this and additional works at: https://archives.law.nccu.edu/ncclr Part of the Civil Rights and Discrimination Commons Recommended Citation Bland, Randall Walton (1970) "The oC llective Struggle for the Negro Rights: 1915-1940," North Carolina Central Law Review: Vol. 2 : Iss. 1 , Article 8. Available at: https://archives.law.nccu.edu/ncclr/vol2/iss1/8 This Article is brought to you for free and open access by History and Scholarship Digital Archives. It has been accepted for inclusion in North Carolina Central Law Review by an authorized editor of History and Scholarship Digital Archives. For more information, please contact [email protected]. Bland: The Collective Struggle for the Negro Rights: 1915-1940 THE COLLECTIVE STRUGGLE FOR NEGRO RIGHTS: 1915-1940 RANDALL WALTON BLAND* Following the Civil War, the newly-freed slave in the United States became disoriented and frustrated in a social structure not of his own making. The Negro, especially in the South, found himself in an en- vironment during the Reconstruction period almost as hostile as slavery. The Ku Klux Klan employed terror and violence to keep him in the lowest level of society. Southern land owners manipulated Negro workers in a peonage system that was little better than slavery itself, while "mobs drove Negro voters from the polls, and the lynch rope kept the Negro men from being men."' Deep concern over human dignity, self-preserva- tion, civil rights and true meaningful freedom led the American Negro to seek collective action. -
Hubert H. Harrison Papers, 1893-1927 MS# 1411
Hubert H. Harrison Papers, 1893-1927 MS# 1411 ©2007 Columbia University Libraries SUMMARY INFORMATION Creator Harrson, Hubert H. Title and dates Hubert H. Harrison Papers, 1893-1927 Abstract Size 23 linear ft. (19 doucument boxes; 7 record storage cartons; 1 flat box) Call number MS# 1411 Location Columbia University Butler Library, 6th Floor Rare Book and Manuscript Library 535 West 114th Street New York, NY 10027 Hubert H. Harrison Papers Languages of material English, French, Latin Biographical Note Born April 27, 1883, in Concordia, St. Croix, Danish West Indies, Hubert H. Harrison was a brilliant and influential writer, orator, educator, critic, and political activist in Harlem during the early decades of the 20th century. He played unique, signal roles, in what were the largest class radical movement (socialism) and the largest race radical movement (the New Negro/Garvey movement) of his era. Labor and civil rights activist A. Philip Randolph described him as “the father of Harlem radicalism” and historian Joel A. Rogers considered him “the foremost Afro-American intellect of his time” and “one of America’s greatest minds.” Following his December 17, 1927, death due to complications of an appendectomy, Harrison’s important contributions to intellectual and radical thought were much neglected. In 1900 Harrison moved to New York City where he worked low-paying jobs, attended high school, and became interested in freethought and socialism. His first of many published letters to the editor appeared in the New York Times in 1903. During his first decade in New York the autodidactic Harrison read and wrote constantly and was active in Black intellectual circles at St. -
Cold War Anticommunism and the Long Civil Rights Movement in America by Kierstin Stewart a Thesis Submitted To
The Black Scare: Cold War Anticommunism and the Long Civil Rights Movement in America By Kierstin Stewart A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the MA degree in History University of Ottawa © Kierstin Stewart, Ottawa, Canada, 2016 ii Table of Contents Introduction………………............................................................................................................v Chapter One: The “Exaggerated” American: Strategy Split and Subversion................................1 Chapter Two: Black Culture and Subversion...............................................................................48 Chapter Three: The Death of the “Exaggerated” American.........................................................96 Epilogue......................................................................................................................................134 Bibliography...............................................................................................................................148 iii Abstract This thesis discusses the impact of the Cold War on the Long African American Civil Rights Movement in the US from 1945 into the early 1970s. I seek to address the historiography that argues that the Cold War was an animating or galvanizing force behind the Civil Rights movement. I argue that black strategies of activism and black thought during the long civil rights era were directly or indirectly influenced by Cold War politics. Strategies towards freedom -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
Africana Collection
Africana Collection SPECIAL COLLECTIONS RESEARCH CENTER Sunday School, St. Mary's Church, 1907. From the Foggy Bottom Collection. A Guide to Africana Resources in the Special Collections Research Center Special Collections Research Center Gelman Library, Suite 704 Phone: 202-994-7549 Email: [email protected] http://www.gelman.gwu.edu/collections/SCRC This and other bibliographies can be accessed online at http://www.gelman.gwu.edu/collections/SCRC/research-tools/bibliographies-1 AFRICANA 2 TABLE OF CONTENTS AMERICAN COLONIZATION SOCIETY ............................................................. 3 ART & MUSIC ...................................................................................................... 4 BLACK ELITE ........................................................................................................ 5 CIVIL RIGHTS ...................................................................................................... 6 EDUCATION ....................................................................................................... 7 EMPLOYMENT .................................................................................................. 11 FEDERAL GOVERNMENT ................................................................................. 14 FOGGY BOTTOM /GEORGE WASHINGTON UNIVERSITY ............................ 15 GENEALOGY .................................................................................................... 16 GENERAL HISTORY.......................................................................................... -
Martin Luther King Jr., Cesar Chavez, and the Images of Their Movements
MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ, AND THE IMAGES OF THEIR MOVEMENTS A Dissertation presented to the Faculty of the Graduate School University of Missouri-Columbia In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy by ANDREA SHAN JOHNSON Dr. Robert Weems, Jr., Dissertation Supervisor MAY 2006 © Copyright by Andrea Shan Johnson 2006 All Rights Reserved The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled MIXED UP IN THE MAKING: MARTIN LUTHER KING JR., CESAR CHAVEZ AND THE IMAGES OF THEIR MOVEMENTS Presented by Andrea Shan Johnson A candidate for the degree of Doctor of Philosophy of History And hereby certify that in their opinion it is worthy of acceptance. __________________________________________________________ Professor Robert Weems, Jr. __________________________________________________________ Professor Catherine Rymph __________________________________________________________ Professor Jeffery Pasley __________________________________________________________ Professor Abdullahi Ibrahim ___________________________________________________________ Professor Peggy Placier ACKNOWLEDGEMENTS I owe thanks to many people for helping me in the completion of this dissertation. Thanks go first to my advisor, Dr. Robert Weems, Jr. of the History Department of the University of Missouri- Columbia, for his advice and guidance. I also owe thanks to the rest of my committee, Dr. Catherine Rymph, Dr. Jeff Pasley, Dr. Abdullahi Ibrahim, and Dr. Peggy Placier. Similarly, I am grateful for my Master’s thesis committee at Indiana University-Purdue University at Indianapolis, Dr. Annie Gilbert Coleman, Dr. Nancy Robertson, and Dr. Michael Snodgrass, who suggested that I might undertake this project. I would also like to thank the staff at several institutions where I completed research. -
On the Estimation of Survival Time of Cardio-Vascular
Lingue e Linguaggi Lingue Linguaggi 12 (2014), 83-96 ISSN 2239-0367, e-ISSN 2239-0359 DOI 10.1285/i22390359v12p83 http://siba-ese.unisalento.it, © 2014 Università del Salento THE LANGUAGES OF AFROFUTURISM ADRIANO ELIA UNIVERSITY OF ROME “ROMA TRE” Abstract – Afrofuturism is a transdisciplinary cultural movement based upon the unusual connection between the marginality of allegedly “primitive” people of the African diaspora and “modern” technology and science fiction. At a first glance, Afrofuturism may sound like an oxymoron. “Afro” and “Futurism” are likely to be considered as terms in opposition, the former which used to evoke images of primitivism and backwardness, the latter – ever since F. T. Marinetti’s definition in 1909 – celebrating instead speed and modernity. It is precisely to challenge this assumption that Afrofuturism works on a metaphorical level to reject a number of clichés that have commonly referred to people of African descent. Using a wide range of different genres and media, the creative contribution of Afrofuturist writers, musicians, artists, filmmakers and critics challenges the stereotypical historical view routinely applied to the Black Atlantic experience and proposes counter-histories that reconsider the role of black people in the Western society in the past and imagine alternative roles in the future. The paper aims to consider the different languages of Afrofuturism: music (Sun Ra), visual arts (Basquiat), film (John Coney’s Space is the Place) and especially literature − proto-Afrofuturist fiction such as W. E. B. Du Bois’s short story “The Comet” (1920) and more recent examples such as Ralph Ellison’s Invisible Man (1952) and Octavia E.