Around the World in Eighty Days
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Stuart Chases's Use of Jules Verne's the Mysterious Island, (1874)
University of Rhode Island DigitalCommons@URI Special Collections Publications (Miscellaneous) Special Collections 2006 Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874) Richard Vangermeersch Follow this and additional works at: http://digitalcommons.uri.edu/sc_pubs Part of the Library and Information Science Commons Recommended Citation Vangermeersch, Richard, "Stuart Chases's Use of Jules Verne's The ysM terious Island, (1874)" (2006). Special Collections Publications (Miscellaneous). Paper 6. http://digitalcommons.uri.edu/sc_pubs/6 This Text is brought to you for free and open access by the Special Collections at DigitalCommons@URI. It has been accepted for inclusion in Special Collections Publications (Miscellaneous) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) December 2006 Richard Vangermeersch P.O. Box 338 Kingston, RI 02881 401-783-8853 2 Stuart Chases’s Use Of Jules Verne’s The Mysterious Island, (1874) There are two very specific reasons why this piece was researched and written. The first is a continuation of my work done on Stuart Chase (various publications). I am still hopeful my efforts will inspire an historian to do a 1000 page biography on Stuart Chase. The second is further example why my idea of using Verne’s book as the basis for a one-day management seminar is worth trying. I’ve explored this idea with a number of friends and hope that this piece will take at least one of them to try this idea. I am classifying this as a casual piece and have no interest in this being written for a vigorous academic review. -
From the Earth to the Moon / Around the Moon Free
FREE FROM THE EARTH TO THE MOON / AROUND THE MOON PDF Jules Verne,Alex Dolby,Dr. Keith Carabine | 448 pages | 01 Aug 2011 | Wordsworth Editions Ltd | 9781840226706 | English | Herts, United Kingdom From the Earth to the Moon (TV Mini-Series ) - IMDb Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. This darkness This light would have lit the window, and the window was dark. Doubt was no longer possible; the travelers had left the earth. When the members of the Baltimore Gun Club-bored Civil War veterans-decide to fill their time by embarking on a project to shoot themselves to the moon, the race is on to raise money, overcome engineering challenges, and convince detractors that they're anything but "Lunatics. First published in France inthis replica edition includes the sequel, 's Round the Moon. Get A Copy. Paperbackpages. Published July 1st by Cosimo Classics first published More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about From the Earth to the Moon and 'Round the Moonplease sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Jul 21, Bettie rated it liked it Shelves: summerweapon-evolutionshortstory-shortstories-novellas From the Earth to the Moon / Around the Moon, sci- fifraudioclassicspaaaaaacepublished Description: The War of the Rebellion is over, and the members of the American Gun Club, bored with inactivity, look around for a new project. -
Roots Radical – Place, Power and Practice in Punk Entrepreneurship Sarah Louise Drakopoulou Dodd
Roots radical – Place, power and practice in punk entrepreneurship Sarah Louise Drakopoulou Dodd The significance continues to grow of scholarship that embraces critical and contextualized entrepreneurship, seeking rich explorations of diverse entrepreneurship contexts. Following these influences, this study explores the potentialized context of punk entrepreneurship. The Punk Rock band Rancid has a 20-year history of successfully creating independent musical and related creative enterprises from the margins of the music industry. The study draws on artefacts, interviews and videos created by and around Rancid to identify and analyse this example of marginal, alternative entrepreneurship. A three-part analytic frame was applied to analysing these artefacts. Place is critical to Rancid’s enterprise, grounding the band socially, culturally, geographically and politically. Practice also plays an important role with Rancid’s activities encompassing labour, making music, movement and human interactions. The third, and most prevalent, dimension of alterity is that of power which includes data related to dominance, subordination, exclusion, control and liberation. Rancid’s entrepreneurial story is depicted as cycles, not just a linear journey, but following more complicated paths – from periphery to centre, and back again; returning to roots, whilst trying to move forwards too; grounded in tradition but also radically focused on dramatic change. Paradox, hybridized practices, and the significance of marginal place as a rich resource also emerged from the study. Keywords: entrepreneurship; social construction; punk rock; paradox; marginality; periphery Special thanks are due to all the punks and skins who have engaged with my reading of the Rancid story, and given me so much support and feedback along the way, especially Rancid’s drummer, Branden Steineckert, Jesse from Machete Manufacturing, Kostis, Tassos (Rancid Punx Athens Crew) and Panayiotis. -
Jules Verne's Mikhail Strogoff Chapter 1 Complete
JULES VERNE'S MIKHAIL STROGOFF translated by Stephanie Smee Translated from the original French text, Michel Strogoff: Moscou—Irkoutsk, by Jules Verne, first published by J.Hetzel et cie in Paris, 1876. Translation copyright © Stephanie Smee To be Published by Eagle Books, 2016 All rights reserved. PART ONE I A BALL AT THE NEW PALACE ‘Sire, fresh news just in!’ ‘From?’ ‘From Tomsk.’ ‘And beyond that town the line is cut?’ ‘It has been since yesterday.’ ‘Have a telegram sent to Tomsk on the hour, every hour, and keep me informed, General.’ ‘Yes, Sire,’ replied General Kissoff. The exchange took place at two o’clock in the morning, just as the ball at the New Palace was at the height of its glory. The Preobrajensky and Paulovsky regimental orchestras had carefully selected from their dance repertoire the best of their polkas, mazurkas, schottisches and waltzes and had played non- stop. Dancing couples multiplied into the distance across the magnificent reception rooms of the palace, built just a few steps from that ‘old house of stones’, scene in the past to so many terrible tragedies, echoes of which had returned that night to beat time with the quadrilles. The Grand Marshal of the court found himself well assisted in his rather sensitive duties. Grand dukes and their aides-de-camp, chamberlains and palace officials all presided over the order of the dances. Diamond-bedecked grand duchesses in their finest ball gowns, surrounded by their ladies-in-waiting, valiantly set the tone for the wives of senior civil and military officials from the old ‘white-stone’ city. -
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta
ACRONYM 13 - Round 9 Written by Danny Vopava, Erik Nelson, Blake Andert, Rahul Rao-Potharaju, William Golden, and Auroni Gupta 1. The first NCAA basketball game to be broadcast in primetime was played at this venue in 1968. From 1971 to 1975, this venue served as the home of its city's namesake professional baseball, football, and basketball teams. Bobby Riggs lost to Billie Jean King in the Battle of the Sexes in this venue. Before becoming the Titans in 1996, the NFL's (*) Oilers played in this stadium, which inspired the name of a form of artificial turf. A team oncecalled the "Colt 45s" later played in, for 10 points, what pioneering domed stadium in Houston, Texas? ANSWER: (NRG) Astrodome [or Houston Astrodome] <Vopava> 2. In 2005 this band's drummer and bassist formed a supergroup with Shane Gallagher while its guitarist coped with painkiller addiction. That former member of this group also formed the band Box Car Racer. A 2008 plane crash in California nearly killed both DJ A.M. and this band's (*) drummer. The lyric "she left me roses by the stairs" comes from a gift received by this band's former singer, who now spends time searching for aliens. Tom DeLonge was a member of, For 10 points, what rock band that sang "Say it ain't so / I will not go" in their hit "All the Small Things"? ANSWER: Blink-182 <Vopava> 3. A woman who married into this family resorts to performing Adele hits as singing telegrams to make money. As an adult, one member of this familytakes in Deja as a foster child, inspired by the fact that he himself was abandoned as a baby at afire station. -
Les Temps Modernes Modern Times
Les temps modernes Modern Times FFICHE FILM de Charlie Chaplin Fiche technique Etats-Unis - 1936 - 1h25 Réalisateur : Charlie Chaplin Scénario : Charlie Chaplin Musique : Charlie Chaplin Interprètes : Chaplin (le vagabond) Résumé Paulette Goddard Charlot est ouvrier dans une usine. Il tra- Cela le conduit tout droit à l’hôpital. Une (la gamine) vaille sur une chaîne à serrer des boulons fois guéri, il se lance dans une vie nouvel- et est tout à fait incapable de suivre le le… Henry Bergman rythme infernal imposé aux équipes par le patron. Comble de malchance : c’est lui qui (le propriétaire du café) est choisi pour essayer la "machine à man- ger" individuelle, un prototype destiné à Chester Conklin améliorer encore le rendement des ouvriers. Elle se transforme vite en instru- (le mécanicien) ment de torture au point que même le patron la juge peu pratique. Charlot reprend son travail et glisse par accident parmi les rouages des installations qui font fonctionner la chaîne. Quand il en ressort, il est atteint d’une sorte de danse de Saint-Guy et prend les boutons des robes de femmes pour des boulons à resserrer. L E F R A N C E www.abc-lefrance.com 1 D O C U M E N T S Critique le style de Chaplin, sous une apparente grands moments de cinéma à l’état pur, simplicité, devient de plus en plus mûr des numéros où éclate le génie du et sophistiqué : voir par exemple comédien et du clown. J’admire tout Au fil des années, les durées des films l’avant-dernière séquence du restaurant cela sans réserve mais sans enthousias- de Chaplin s’allongent ainsi que celles et son mélange de plans fixes (à l’inté- me. -
From Michael Strogoff to Tigers and Traitors ― the Extraordinary Voyages of Jules Verne in Classics Illustrated
Submitted October 3, 2011 Published January 27, 2012 Proposé le 3 octobre 2011 Publié le 27 janvier 2012 From Michael Strogoff to Tigers and Traitors ― The Extraordinary Voyages of Jules Verne in Classics Illustrated William B. Jones, Jr. Abstract From 1941 to 1971, the Classics Illustrated series of comic-book adaptations of works by Shakespeare, Hugo, Dickens, Twain, and others provided a gateway to great literature for millions of young readers. Jules Verne was the most popular author in the Classics catalog, with ten titles in circulation. The first of these to be adapted, Michael Strogoff (June 1946), was the favorite of the Russian-born series founder, Albert L. Kanter. The last to be included, Tigers and Traitors (May 1962), indicated how far among the Extraordinary Voyages the editorial selections could range. This article explores the Classics Illustrated pictorial abridgments of such well-known novels as 20,000 Leagues Under the Sea and Around the World in 80 Days and more esoteric selections such as Off on a Comet and Robur the Conqueror. Attention is given to both the adaptations and the artwork, generously represented, that first drew many readers to Jules Verne. Click on images to view in full size. Résumé De 1941 à 1971, la collection de bandes dessinées des Classics Illustrated (Classiques illustrés) offrant des adaptations d'œuvres de Shakespeare, Hugo, Dickens, Twain, et d'autres a fourni une passerelle vers la grande littérature pour des millions de jeunes lecteurs. Jules Verne a été l'auteur le plus populaire du catalogue des Classics, avec dix titres en circulation. -
Flashback, Flash Forward: Re-Covering the Body and Id-Endtity in the Hip-Hop Experience
FLASHBACK, FLASH FORWARD: RE-COVERING THE BODY AND ID-ENDTITY IN THE HIP-HOP EXPERIENCE Submitted By Danicia R. Williams As part of a Tutorial in Cultural Studies and Communications May 04,2004 Chatham College Pittsburgh, Pennsylvania Tutor: Dr. Prajna Parasher Reader: Ms. Sandy Sterner Reader: Dr. Robert Cooley ACKNOWLEDGEMENTS I would like to thank Dr. Prajna Paramita Parasher, my tutor for her faith, patience and encouragement. Thank you for your friendship. Ms. Sandy Sterner for keeping me on my toes with her wit and humor, and Dr. Cooley for agreeing to serve on my board. Kathy Perrone for encouraging me always, seeing things in me I can only hope to fulfill and helping me to develop my writing. Dr. Anissa Wardi, you and Prajna have changed my life every time I attend your classes. My parent s for giving me life and being so encouraging and trusting in me even though they weren't sure what I was up to. My Godparents, Jerry and Sharon for assisting in the opportunity for me to come to Chatham. All of the tutorial students that came before me and all that will follow. I would like to give thanks for Hip-Hop and Sean Carter/Jay-Z, especially for The Black Album. With each revolution of the CD my motivation to complete this project was renewed. Whitney Brady, for your excitement and brainstorming sessions with me. Peace to Divine Culture for his electricity and Nabri Savior. Thank you both for always being around to talk about and live in Hip-Hop. Thanks to my friends, roommates and coworkers that were generally supportive. -
Demand the Impossible Ss18
BARN OF MONKEYS PRESENTS demand the impossible ss18 Here at the barn, we are moved by the drive of discovering new things. We struggle to reach for the impossible and to find who else shares our hunger for the unreachable! Demand the Impossible is a throwback from one of Jules Verne’s most celebrated novels – Around the World in 80 Days – one of his many stories from les Voyages Extraordinaires. The storyline is about Phileas Fogg, a rich English man living in London, who engaged in a journey around the globe in order to win a wager of £20.000 from his fellow members of the Reform Club. Sophisticated and minimalistic, Demand the Impossible focuses on three primary stages: the first while flying, the second while sailing and a third while travelling on ground. The collection shares this itinerary, using a carefully thought palette of colors inspired on each stage of the journey: earth, sea and air. As we travel across the sky and seas, we stumble upon the immensity of tones of blue that, at the end of the day, set on a beautiful palette of rose and yellow. Orange, yellowish green and earthy tones, blend together to create harmony out of an exciting and a sophisticated collection. And just like Man seems to have a special ability to adapt to new environments while travelling, some of Demand the Impossible’s key items are versatile to the point of flattering both genders. After several brainstorms, the monkeys decided it would be best to develop a kind of neutral design in which both boys and girls would feel comfortable and attuned, without overlooking a few girlish and boyish designs as well. -
Le Tour Du Monde En Quatre-Vingts Jours
Séquence CLASSES DE CINQUIÈME ET QUATRIÈME Le tour du monde en quatre-vingts jours Séquence réalisée par Marie-Ange Spire, professeure de lettres au collège Jules Verne Charcot de Fresnes (94). Introduction : l’intérêt pédagogique La lecture de ce grand classique de la littérature française, Le tour du monde en quatre-vingts jours de Jules Verne, offre dans le cadre des programmes officiels l’occasion d’étudier en classe de 5e un récit de voyage fictif. Le défi d’un gentleman britannique, Phileas Fogg, et de son domestique français Passepartout poursuivis par le détective Fix, constitue un des prétextes pour parcourir un monde en pleine mutation au XIXe siècle. En classe de 4e, on pourra également s’intéresser aux liens qu’entretiennent la réalité et la fiction dans l’univers de Jules Verne. L’aventure devient le lieu de la réflexion philosophique : quelle est la place de l’être humain dans un monde bouleversé par le progrès scientifique et technologique ? Cette séquence est conçue pour que l’élève s’approprie cette œuvre au cœur d’une époque marquée par l’effet de l’accélération du temps sur la représentation du monde. Des activités de lecture, d’écriture et de recherches documentaires s’attacheront à mettre en valeur la modernité de ce questionnement universel tout en analysant les mécanismes du roman d’aventures. SOMMAIRE Séance 1 › À la rencontre de l’auteur et de son œuvre p. 2 Séance 2 › Le pari de Phileas Fogg p. 4 Séance 3 › Que d’imprévus ! p. 6 Séance 4 › Et si le temps était conté ? p. -
Racing, Region, and the Environment: a History of American Motorsports
RACING, REGION, AND THE ENVIRONMENT: A HISTORY OF AMERICAN MOTORSPORTS By DANIEL J. SIMONE A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2009 1 © 2009 Daniel J. Simone 2 To Michael and Tessa 3 ACKNOWLEDGMENTS A driver fails without the support of a solid team, and I thank my friends, who supported me lap-after-lap. I learned a great deal from my advisor Jack Davis, who when he was not providing helpful feedback on my work, was always willing to toss the baseball around in the park. I must also thank committee members Sean Adams, Betty Smocovitis, Stephen Perz, Paul Ortiz, and Richard Crepeau as well as University of Florida faculty members Michael Bowen, Juliana Barr, Stephen Noll, Joseph Spillane, and Bill Link. I respect them very much and enjoyed working with them during my time in Gainesville. I also owe many thanks to Dr. Julian Pleasants, Director Emeritus of the Samuel Proctor Oral History Program, and I could not have finished my project without the encouragement provided by Roberta Peacock. I also thank the staff of the Samuel Proctor Oral History Program. Finally, I will always be grateful for the support of David Danbom, Claire Strom, Jim Norris, Mark Harvey, and Larry Peterson, my former mentors at North Dakota State University. A call must go out to Tom Schmeh at the National Sprint Car Hall of Fame, Suzanne Wise at the Appalachian State University Stock Car Collection, Mark Steigerwald and Bill Green at the International Motor Racing Resource Center in Watkins Glen, New York, and Joanna Schroeder at the (former) Ethanol Promotion and Information Council (EPIC). -
Around the World in 80 Documents
U.S. GOVERNMENT PUBLISHING OFFICE | SEPTEMBER – DECEMBER 2015 AROUND THE WORLD IN80 DOCUMENTS A Journey Through the U.S. Congressional Serial Set merican Government documents are about far n all, Jules Verne (who, incidentally, never set foot more than America. Several years ago, Steven I outside France) lists or describes action in about 30 A Daniel, Senior Editorial Consultant for Readex, locations. Fogg’s adventures (and misadventures) make very Inc., illustrated this point by tracing the path of Jules entertaining reading, and Congressional documents may Verne’s character Phileas Fogg in the beloved novel Around not always have the same narrative allure. But with some the World in 80 Days with documents from the United sleuthing, and a minimal amount of license, Steve Daniel States Congressional Serial Set. made his case. The documents he chose give a vivid picture of the interests of the U.S. at the time and show a wide Fogg’s challenge, a gentlemanly wager begun in London’s variety of GPO’s printing capabilities in the second half of Reform Club in the autumn of 1872, was to go around the 19th century. the world, by land or sea, returning to the spot by 8:45 p.m. on the 80th day after the bet was made. Steve he period of Around the World in 80 Days was a Daniel’s challenge (somewhat less peripatetic) was to find T time of massive U.S. growth and expansion, and was Congressional documents corresponding to the places that the decade when GPO, with 10 years of service to Congress Verne touches in Fogg’s journey with his hapless servant and the Nation behind it, began to be thought of in the Passepartout.