Memorials and Memories
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Masterplanning Public Memorials
This article was downloaded by: [University College London] On: 29 April 2015, At: 07:20 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Planning Perspectives Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rppe20 Masterplanning public memorials: an historical comparison of Washington, Ottawa and Canberra Quentin Stevensab a School of Architecture and Design, RMIT University, Building 100 Level 9, GPO Box 2476, Melbourne, VIC 3001, Australia b Bartlett School of Planning, University College London, London, UK Published online: 18 Mar 2014. Click for updates To cite this article: Quentin Stevens (2015) Masterplanning public memorials: an historical comparison of Washington, Ottawa and Canberra, Planning Perspectives, 30:1, 39-66, DOI: 10.1080/02665433.2013.874956 To link to this article: http://dx.doi.org/10.1080/02665433.2013.874956 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Versions of published Taylor & Francis and Routledge Open articles and Taylor & Francis and Routledge Open Select articles posted to institutional or subject repositories or any other third-party website are without warranty from Taylor & Francis of any kind, either expressed or implied, including, but not limited to, warranties of merchantability, fitness for a particular purpose, or non-infringement. -
2020 a Sentimental Journey
0 1 3 Lifescapes is a writing program created to help people tell their life stories, to provide support and guidance for beginner and experienced writers alike. This year marks our thirteenth year running the program at the Brantford Public Library, and A Sentimental Journey is our thirteenth collection of stories to be published. On behalf of Brantford Public Library and this year’s participants, I would like to thank lead instructor Lorie Lee Steiner and editor Shailyn Harris for their hard work and dedication to bringing this anthology to completion. Creating an anthology during a pandemic has been a truly unprecedented experience for everyone involved. Beyond the stress and uncertainty of facing a global contagion, our writers lost the peer support of regular meetings and access to resources. Still, many persevered with their writing, and it is with considerable pride and triumph that I can share the resulting collection of memories and inspiration with you. I know that many of us will look back at 2020 and remember the hardship, the fear, and the loss. It is more important than ever to remember that we – both individually and as a society – have persevered through hard times before, and we will persevere through these times as well. As you read their stories, be prepared to feel both the nostalgia of youth and the triumph of overcoming past adversity. Perhaps you will remember your own childhood memories of travelling with your family, or marvel at how unexpected encounters with interesting people can change perspective and provide insight … and sometimes, change the course of a life. -
Rhetorical Gardening: Greening Composition
Rhetorical Gardening: Greening Composition A dissertation submitted to the Graduate School Of the University of Cincinnati In partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature of the College of Arts and Sciences by Carla Sarr June 2017 Master of Science in Teaching and Secondary Education, The New School Committee Chair: Laura R. Micciche Abstract Rhetorical Gardening: Greening Composition argues that the rhetorical understanding of landscapes offers a material site and a metaphor by which to broaden our understanding of rhetoric and composition, as well as increasing the rhetorical archive and opportunities for scholarship. An emphasis on material place in composition is of particular value as sustainability issues are among the toughest challenges college students will face in the years to come. Reading landscapes is an interpretive act central to meaningful social action. The dissertation argues that existing work in rhetorical theory and composition pedagogy has set the stage for an ecological turn in composition. Linking ecocomposition, sustainability, cultural geography, and literacy pedagogies, I trace the origins of my belief that the next manifestation of composition pedagogy is material, embodied, place-based, and firmly planted in the literal issues resulting from climate change. I draw upon historical gardens, landscapes composed by the homeless, community, commercial, and guerilla gardens to demonstrate the rhetorical capacity of landscapes in detail. Building from the argument that gardens can perform a rhetorical function, I spotlight gardeners who seek to move the readers of their texts to social action. Finally, I explore how the study of place can contribute to the pedagogy of composition. -
October 2011 Issue of the Calgary Known Soldier Is at the Base of the Memorial
The www.nwfedstamps.org Federated Philatelist Newsletter of the Northwest Federation of Stamp Clubs No. 196, October, 2011 Canadian Remembrance Day 1959 Calgary, Alberta and 1965 Vancouver, British Columbia slogan cancels for Canadian Remembrance Day . — By Gordon Demke McCrae was a Canadian soldier and physician during World War I and wrote the poem in May 1915, following On Remembrance Day, November 11 of each year, the death of a close friend in the second battle of Ypres in Canadians pay special tribute to and remember those who Flanders, Belgium. McCrae, 1872-1918, was himself a sacrificed their lives during the First World War, the Sec- ond World War, the Korean War, and all other conflicts casualty of that war, dying in France in January 1918, dur- in which members of the Canadian armed forces have ing the final year of the war. participated. — Continued on page 2 The poppy is an important symbol of Remembrance Day and comes from John McCrae’s famous poem In Flanders Fields : In this Issue In Flanders Fields the poppies blow Canadian Remembrance Day………………….. 1 Between the crosses row on row, From the Editor’s Desk …..…………………….. 3 That mark our place; and in the sky Striking First Issue Revenue Coincidence……. 4 The larks, still bravely singing, fly The Early Days of Stamp Collecting…………... 5 Scarce heard amid the guns below. Richard W. Helbock…………………………….. 6 British Columbia Philatelic Society……………. 7 2011 Show Schedule……………………………... 8 October, 2011 — No. 196 The Federated Philatelist 1 Canadian Stamps of Remembrance (continued from page 1) 1968 Canadian stamp commemorating the 50th anniversary of John McCrae’s death. -
Enjoy a Walk in Guild Park
Enjoy a Guild Park & Gardens 201 Guildwood Pkwy. Walk in Operated by the City of Toronto. Owned by Toronto & Region Conservation Authority Guild Park Sculptor’s Entry Cabin to Walk at Laurier High School board (weekends only) walk Parking Off-site Public Construction Zone Washrooms Monument Walk Suggested walking route Entry from Livingston Road © 2019 10 Unique Sites at Guild Park & Gardens ❽ Greek Theatre: Guild Park’s landmark Welcome to Guild Park – Where Art ❸ The Clark Plaque: Recognizes the was built from the white marble columns and Meets Nature. Hundreds of fascinating life work ofInterest philanthropists Rosa and Spencer arches salvaged from the Bank of Toronto sights and stories await you on these 88 Clark. On this site, the couple founded the building (1914-1965). The bank’s design was Guild of All Arts in 1932. It evolved into their acres. Here are 10 of the most popular: inspired by the Paris stock market. The ornate popular Guild Inn, which closed in 2001. Provincial Panels: The 12 sculpted building was replaced by the modern TD panels at Guild Park came from the Bank of ❹ Musidora: The oldest art piece on Centre. Canadian architect Ron Thom designed the Greek Theatre by repurposing Montreal building (1948-72) at King and Bay site. Sculpted in 1875 by Marshall Wood, it the fragments. It opened in 1982 on the 50th in Toronto. The bas-reliefs display the was inspired by a maiden in a Greek poem by anniversary of the Guild of All Arts. The stage dynamism and natural resources of Canada’s Ovid. -
Reminders: United BPW Action on BPW Virtual Club
Volume 1 Issue Number 2 November/December 2006 Reminders: United BPW Action on BPW Virtual Club First Resolution – July 2006! !" Shannon MacNeil (BPW Virtual Club Membership Chair) with the help of Sue st November 20, 2006 C a l h ou n , 1 Vi ce Presi d ent, National are FOR IMMEDIATE RELEASE working on recruitment & retention, Dual th membership motion carried October 6 , 2006 High-level panel recommends women-specific agency !" The Virtual Club is now listed on the BPW BPW Canada commends United Nations panel report Canada Website www.bpwcanada.com The Canadian Federation of Business and Professional !" MSN Messenger – a way to virtually chat – Women's Clubs (BPW Canada) commends the UN High- remember is your job to create a hotmail Level Panel on System-wide Coherence in the Areas of account and download the Messenger software Development, Humanitarian Assistance, and the so that we can communicate Environment, for its recommendation to establish a new !" Resolutions: We need to work on formulating independent women-specific agency at the United Nations. resolutions, as they are our means to The recommendation is included in the Panel's recently- advocating at the political level for change. released report, Delivering as One: Report of the Secretary- For examples see the 2006 Brief submitted by General's High-Level Panel. The Panel was established National: earlier this year by UN Secretary-General Kofi Annan. http://www.bpwcanada.com/Resolutions/2006- The report states that gender equality is central to the Brief-eng.pdf delivery of effective development outcomes, and recommends the establishment of "one dynamic UN entity focused on gender equality and women's empowerment." BPW Canada, founding member in 1930 of the International Federation of BPW Clubs, passed an emergency resolution at its 2006 biennial convention in Toronto earlier this year, calling on the United Nations to establish such an agency. -
Howitzer Task Force.Pdf
MEMORANDUM Date: February 7, 2020 To: Vice-Chairs and Members Restoration of the Field Howitzer Task Force From: Sara Munroe, Manager of Tourism, Culture & Sport CC: Brian Hutchings, Chief Administrative Officer Kevin Finney, Director, Economic Development & Tourism Brian Hughes, Director, Parks Services Tanya Daniels, City Clerk and Director of Clerks Services Vicki Armitage, Manager, Parks Services RE: Recommended Process for Brant War Memorial Monument, Park and WWII Monument Projects At its meeting on January 27, 2020, the Restoration of the Field Howitzer Task Force made the following (draft) resolution: Moved by Councillor McCreary Seconded by Councillor Carpenter THAT staff BE DIRECTED to: 1. Investigate and cost the completion of the Brant War Memorial Monument as originally designed; and 2. Relocate the WWII bronze figures to a prominent location where they will be the focal point; and 3. Investigate and add the missing names of veterans to the Cenotaph and confirm with Veteran’s Affairs as to whether they should be on the existing monument; and 4. Redesign the park to accommodate the use of the portable bleachers and built in seating. CARRIED UNANIMOUSLY Staff Report Staff Report 2019-500 (Appendix A) includes information about how to undertake the process to have this work completed. At this time, a Task Force report to Council, identifying funding to complete the preparation work, must be completed for staff to move forward with the above resolution. Cost and Completion of the Brant War Memorial Walter Allward’s original maquette for the Brant War Memorial included two bronze figures that were not included when the original monument was unveiled in 1933. -
Tonya Katherine Davidson
University of Alberta Stone Bodies in the City: Unmapping Monuments, Memory and Belonging in Ottawa by Tonya Katherine Davidson A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy Sociology ©Tonya Katherine Davidson Fall 2012 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. This dissertation is dedicated to my parents Tom and Katherine Davidson. Abstract In this ethnographic study of the dynamic lives of a population of monuments in Ottawa, I argue that long after they have been unveiled, monuments are imbued with many capacities to act. Monuments inspire loathing or affection, and settle or disturb dominant understandings of place, nation, race, and gender. I suggest that monuments have these affective capabilities because they operate like ‘stone bodies’ in their urban environments. Additionally, spirited with a certain life-force, monuments have the ability to haunt, unsettling relationships between place, memory, and belonging. These affective charges of monuments are felt and expressed through articulations of imperial and colonial nostalgia, feminist and other activist mobilities and various articulations of patriotism. -
Heather Leroux Final by Anne
Ottawa: Symbolic Nation and the City Heather LeRoux OTTAWA: SYMBOLIC NATION AND THE CITY CAPSTONE SEMINAR SERIES (Re)Negotiating Artifacts of Canadian Narratives of Identity, Volume 4, Number 1, Spring 2014. Managing Editor Dr. Anne Trépanier Desktop publishing Shermeen Nizami Proofreading and final edit Emma Gooch and Ryan Lux Editorial Board Dr. Daniel MacFarlane, Amanda Murphy, Sarah Spear, Ryan Lux, Greer, Jessica Helps, Martha Attridge Bufton, Paula Chinkiwsky, Sarah Baker, Heather Leroux, Victoria Ellis, Stephanie Elliot, Emma Gooch, Cassandra Joyce, Brittany Collier, Tiffany Douglas, Anne Trépanier. Guest Editor Dr. Daniel MacFarlane Special thanks Patrick Lyons and Andrew Barrett Copyright Notice © Heather LeRoux, April 2014 All rights reserved. No reproduction, copy, or transmission of this publication, or part thereof in excess of one paragraph (other than as a PDF file at the discretion of School of Canadian Studies at Carleton University) may be made without the written permission of the author. To quote this article refer to: ― Heather LeRoux, Ottawa: Symbolic Nation and the City, Capstone Seminar Series, (Re)Negotiating Artifacts of Canadian Narratives of Identity, Volume 4, number 1, Spring 2014, page number and date of accession to this website: http://capstoneseminarseries.wordpress.com 2 HEATHER LEROUX Ottawa: Symbolic Nation and the City Heather LeRoux ABSTRACT Ottawa as a national capital is constantly negotiating its national and local civic identity. Monuments and public art play a role in articulating these identities within the public sphere and are further narrated by the personal use of these spaces by local citizens. This paper will show that although there is a difference between monuments and public art terms of intention and purpose, monuments and public art as they exist within the public sphere are actually one in the same, as they exist as forms which we experience at a local level and can contribute to a multilayered national, local and personal identity. -
Historical Portraits Book
HH Beechwood is proud to be The National Cemetery of Canada and a National Historic Site Life Celebrations ♦ Memorial Services ♦ Funerals ♦ Catered Receptions ♦ Cremations ♦ Urn & Casket Burials ♦ Monuments Beechwood operates on a not-for-profit basis and is not publicly funded. It is unique within the Ottawa community. In choosing Beechwood, many people take comfort in knowing that all funds are used for the maintenance, en- hancement and preservation of this National Historic Site. www.beechwoodottawa.ca 2017- v6 Published by Beechwood, Funeral, Cemetery & Cremation Services Ottawa, ON For all information requests please contact Beechwood, Funeral, Cemetery and Cremation Services 280 Beechwood Avenue, Ottawa ON K1L8A6 24 HOUR ASSISTANCE 613-741-9530 • Toll Free 866-990-9530 • FAX 613-741-8584 [email protected] The contents of this book may be used with the written permission of Beechwood, Funeral, Cemetery & Cremation Services www.beechwoodottawa.ca Owned by The Beechwood Cemetery Foundation and operated by The Beechwood Cemetery Company eechwood, established in 1873, is recognized as one of the most beautiful and historic cemeteries in Canada. It is the final resting place for over 75,000 Canadians from all walks of life, including im- portant politicians such as Governor General Ramon Hnatyshyn and Prime Minister Sir Robert Bor- den, Canadian Forces Veterans, War Dead, RCMP members and everyday Canadian heroes: our families and our loved ones. In late 1980s, Beechwood began producing a small booklet containing brief profiles for several dozen of the more significant and well-known individuals buried here. Since then, the cemetery has grown in national significance and importance, first by becoming the home of the National Military Cemetery of the Canadian Forces in 2001, being recognized as a National Historic Site in 2002 and finally by becoming the home of the RCMP National Memorial Cemetery in 2004. -
Vimy Ridge the Mon Vimy Ridge National Historic Site of Canada
Vimy Ridge The Restoration Vimy Ridge National Historic Site of Canada The Vimy Ridge National Historic Site of Canada is a monument overlooking the Douai Plain. It was carved As an important cultural resource located on a 1. The Monument tribute to all Canadians who risked or gave their lives from a single, 30-tonne block and is the largest piece signifi cant historic site, the restoration of the Canadian 2. Public washrooms for freedom and peace in the First World War. in the monument. This sorrowing fi gure of a woman National Vimy Memorial raised serious conservation 3. Administrative offi ce E GAT Y represents Canada—a young nation mourning her dead. issues and presented unique technical challenges. The 4. Moroccan Division US VIM HEL To “To the valour of their countrymen in the Great War Below is a tomb, draped in laurel branches and bearing history of the monument’s construction and the vision Monument & T and in memory of their sixty thousand dead this a helmet and sword. of its creator guided the restoration team in carrying 5. Canadian Cemetery 1 monument is raised by the people of Canada.” out the work with particular care and craftsmanship. No. 2 BEECH NUE AVE -Inscription on monument On each side of the front walls at the base of the steps 6. Givenchy Road 2 are the Defenders: two groupings of fi gures known as Construction and restoration of the Canadian National Canadian Cemetery NNE The Vimy Ridge National Historic Site of Canada the Breaking of the Sword and Sympathy for the Helpless. -
I a Thesis Submitted to the Faculty of the Graduate School of Arts And
“ALL THE NATIONS TO THE SUN SETTING” GEORGE CROGHAN, EXTENDING THE LIMITS OF EMPIRE IN BRITISH NORTH AMERICA A Thesis submitted to the Faculty of The Graduate School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Liberal Studies By Jeffrey Michael Zimmerman, M.B.A. Georgetown University Washington, D.C. December 28, 2015 i ©2015 by Jeffrey Michael Zimmerman All Rights Reserved ii “ALL THE NATIONS TO THE SUN SETTING” GEORGE CROGHAN, EXTENDING THE LIMITS OF EMPIRE IN BRITISH NORTH AMERICA Jeffrey Michael Zimmerman, MBA Chair: Ronald M. Johnson, PhD ABSTRACT George Croghan was a mid-eighteenth-century British Indian agent. Born in Ireland, he came to America and settled in Pennsylvania in 1741. As an Ohio Valley fur trader he pushed far enough west to invite destruction of his Great Miami River depot by New France in 1752. Over time he befriended Shawnee, Ohio Huron and Miami Indians. Indian Department Superintendent Sir William Johnson rewarded his countryman’s effectiveness by appointing him western deputy. Britain’s victory in the French and Indian War added Illinois to Croghan’s responsibilities. General Lord Jeffrey Amherst led Britain’s war efforts; he was replaced by General Thomas Gage, under whom Croghan had served at Braddock’s Defeat. Pontiac’s War ensued; Gage and Johnson relied on Croghan, who knew the Ottawa leader, to end it. However, Croghan’s focus became blurred by land speculation. Several western land schemes crafted by Croghan and Philadelphia financier Samuel Wharton either failed or were cut short by the American Revolution.