DOCSLIB.ORG

Chapter-5-Thinking-It-Through.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chapter-5-Thinking-It-Through.Pdf Women Kurdish fighters near Mosul in Northern Iraq, October 7, 2014 .... .. ·• A destroyed village in northern France during WWI, 1914-1918 Storming of the Bastille, 1789 Brazilian protesters in Rio de Janeiro, July 29, 2014 ©P Violent terrorist groups, such as the Islamic State in Iraq and Syria {ISIS), founded in 2014, thrive during the chaos of war. Refugees flee ISIS forces near Sinjar in Northern Iraq, August 11, 2014. ' ... e -~( • ;~ rtoon critldzlng colonial powers in China, 1898 During the war in Syria, Aleppo suffered heavy damage, November 3, 2015. 83 ©P ©P The Canadian National Vimy Memorial ,1m@jfi The Canadian National Vimy M emorial, Western France The Vimy Memorial is one of the most iconic "Canadian" symbols despite the fact that it is in France. It is located on the site of the Battle of Vi my Ridge (1917) . Completed in 1936, it honours the sacrifice of the Canadian Expeditionary Force during WWI. The memorial was designed and created by Canadian sculptor Walter Seymour Allward. Begun in 1925, it took 11 years to complete. ,1mm3j:• Walter Seymour Allward, Designer Excerpt from the Toronto Star, Urban Issues, by Christopher Hume, April 1, 2007. Allward's art was, in the most profound sense of the word, public. Through his work he spoke for the nation; indeed, he helped define that nation, one we have come to take for granted ... His most impressive creation, the extraordinary Vimy Memorial, remains a unique moment in Canadian cultural history ... the scope and ambition of the Vimy piece is unparalleled. But then, so was the battle it commemorated ... Using the overtly Christian symbolism of the time, Allward conceived a memorial on a grand scale. It was to be grief made palpable, a monumental display of national mourning and loss. Of the 625,000 Canadians who enlisted to fight in World War I, 60,000 died, and of those 16,000 had no grave. 84 Chapter 5 Regi onal and Global Conflicts ©P @ Use Sources A and B to answer questions 1 to 3 . 1. The Vimy Memorial includes 20 large figures carved in stone and two central pillars or pylons. The 30-metre-high pylons are usually thought to represent Canada and France, but there are other interpretations. What else might they represent? 2. The Vimy Memorial required thousands of tonnes of limestone on top of a steel-reinforced base that used 15 000 tonnes of concrete and took 11 years to build. Why do you think Canada went to this effort? What purposes, besides remembrance, do memorials such as this one serve? 3. Read the statement in Source B about the designer behind the Vimy Memorial. Why do you think he relied on Christian symbolism to display mourning and loss? r ,,mjij••I Many historians and writers consider the Canadian Quote from Historian Tim Cook victory atVimy a defining moment for Canada, when the country emerged from under the shadow of Excerpt from "The Battle of Vimy Ridge, 9-12 April, 1917 ," Britain and felt capable of greatness. Canadian troops by Tim Cook, April 9, 2013 . also earned a reputation as formidable, effective troops because of the stunning success. ,,ml;J•l•I Quote from Journalist Michael Valpy Excerpt from Michael Valpy, "Vimy Ridge: The Making of a Myth," Globe and Mail, April 7, 2007. Note: Propaganda means the deliberate spreading of information-that may or may not be true-for a purpose. r [Vimy Ridge] had a negligible effect on the war's outcome. The Canadians had equal casualties and more strategic successes in other battles, such as Amiens and Passchendaele. If French or British rather than Canadian troops had driven the German enemy offVimy Ridge, history probably would have forgotten about it. As it is, over the years, Canadian propaganda-and there is no other word for it-has airbrushed out the participation of British officers, I tacticians and artillery and even supporting British infantry. @ Use Sources C and D to answer questions 4 to 7 . 4. Which of the two quotes do you find fits best with the message or symbolism of the Vimy Memorial? 5. What kind of evidence (for example, documents, testimonies, images, records, news articles) would you want to see in order to determine which of the two quotes is closer to the truth? Make a short list and indicate whether they are primary or secondary sources. 6. Learn more about the Battle of Vimy Ridge. Look back at Sources C and D. Which of the statements do you agree with more? Why? 7. If the Vimy Memorial were to be renovated to reflect more of the ideas from Source D, what would have to be modified or added? ©P ©P The Canadian National Vimy Memorial 85 "The Breaking of the Sword" One of two figure groups called "The Defenders." ,,mliJ•II "Sympathy of the Canadians for the Helpless" One of two figure groups called "The Defenders." @ Use Sources E and F to answer question 8. 8. a) Examine Sources E and F. In the larger context of Canada in WWI, what do you think these sculptures symbolize or mean? Consider the title, body position, and where the individuals are looking. b) After you have sorted out your own thoughts, compare them with the "official" interpretations at the Veterans Affairs website for the Vimy Memorial. 86 Chapter 5 Regional and Global Conflicts ©P ,M'ht•li "Knowledge and Truth" Two of eight allegorical figures known as the "Chorus" grouping. @ Use Source G to answer question 9. 9. Examine Source G. What role do Truth and Knowledge have in a reflection on WWI and Canada's involvement? How about their role specifically in the Battle of Vimy Ridge? @ Use Source H to answer questions 10 and 11. ,ul)ijijj: ■ "Justice" 10. Examine Source H. The figure One of eight figures known as the "Chorus" grouping, situated at of Justice sits up on the central the top of the pylon of the monument. pylons with seven other figures: Charity, Faith, Honour, Hope, Knowledge, Peace, and Truth . Why is Justice part of the list? Justice for whom? 11. Wars are often justified, or explained, as "the right thing to do" by the countries that fight them. How do you think the Central Powers (Germany, etc.) justified WWI? How about the Allied Powers (Britain, France, etc.)? @ Use Sources A to H to answer question 12. 12. Considering the symbolism in Sources A through H, what other themes could have been included among the figures? In other words, what else could represent Canada's involvement in WWI? The Canadian National Vimy Memorial 87 ,imhAII "The Torch Bearer" and "The Spirit of Sacrifice" "The Torch Bearer" (left) and a dying solder, "The Spirit of Sacrifice," located atthe bottom of the pylons of the monument. @ Use Source I to answer question 13. 13. Examine Source I, which shows a torch from a dying soldier being taken up by another soldier. Is the belief of average soldiers in the value of sacrifice a necessary condition for making war? Why do soldiers sacrifice themselves in war? What happens if soldiers do not hold this belief? 88 Chapter 5 Regional and Global Conflicts © P ,imhJ•II In Flanders Fields "In Flanders Fields," poem by Lieutenant-Colonel John McCrae, 1915. McCrae was a Canadian poet and surgeon during WWI. He died on January 28, 1918, before the war ended. In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, @ Use Source J to answer question 14. Loved and were loved, and now we lie 14. Walter Allward, the designer of the In Flanders fields. sculptures, intended the memorial to provide a quiet reference to the poem Take up our quarrel with the foe: "In Flanders Fields. " What is the To you from failing hands we throw reference, and what is the connection? The torch; be yours to hold it high. Why do you think the designer made If ye break faith with us who die this connection? We shall not sleep, though poppies grow In Flanders fields . 15. Find out more about the artist behind the Vimy Memorial, Walter Seymour Allward. What challenges did he face in getting the memorial built? Considering the sources in this topic, do you think the messages he intended to give through the memorial have stood the test of time? 16. Can you think of modern examples of public art {in Canada or elsewhere) that use religious symbols? Why might this be less common today than it was 100 years ago? 17. Millions of people will visit the Vimy Memorial following its dedication in 2017, the 100-year anniversary of the Battle of Vimy Ridge. A lot of research, planning, and investment goes into major war memorials and museums. What are other, smaller ways in which battles or wars can and should be represented? What kinds of criteria or decisions have to be made when planning a war memorial or remembrance? 18. Do countries that go to war have a duty to document their battles, their victories or defeats, and make that evidence available to the public? What do you think that should look like, and what issues might arise during this process? 19. "In Flanders Fields" presents a glorious, if tragic, view of war sacrifice. Find other examples of well-known war poetry from this time and make some comparisons in tone and meaning to McCrae's poem.
Load more

Recommended publications
  • 2020 a Sentimental Journey
    0 1 3 Lifescapes is a writing program created to help people tell their life stories, to provide support and guidance for beginner and experienced writers alike. This year marks our thirteenth year running the program at the Brantford Public Library, and A Sentimental Journey is our thirteenth collection of stories to be published. On behalf of Brantford Public Library and this year’s participants, I would like to thank lead instructor Lorie Lee Steiner and editor Shailyn Harris for their hard work and dedication to bringing this anthology to completion. Creating an anthology during a pandemic has been a truly unprecedented experience for everyone involved. Beyond the stress and uncertainty of facing a global contagion, our writers lost the peer support of regular meetings and access to resources. Still, many persevered with their writing, and it is with considerable pride and triumph that I can share the resulting collection of memories and inspiration with you. I know that many of us will look back at 2020 and remember the hardship, the fear, and the loss. It is more important than ever to remember that we – both individually and as a society – have persevered through hard times before, and we will persevere through these times as well. As you read their stories, be prepared to feel both the nostalgia of youth and the triumph of overcoming past adversity. Perhaps you will remember your own childhood memories of travelling with your family, or marvel at how unexpected encounters with interesting people can change perspective and provide insight … and sometimes, change the course of a life.
    [Show full text]
  • Rhetorical Gardening: Greening Composition
    Rhetorical Gardening: Greening Composition A dissertation submitted to the Graduate School Of the University of Cincinnati In partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature of the College of Arts and Sciences by Carla Sarr June 2017 Master of Science in Teaching and Secondary Education, The New School Committee Chair: Laura R. Micciche Abstract Rhetorical Gardening: Greening Composition argues that the rhetorical understanding of landscapes offers a material site and a metaphor by which to broaden our understanding of rhetoric and composition, as well as increasing the rhetorical archive and opportunities for scholarship. An emphasis on material place in composition is of particular value as sustainability issues are among the toughest challenges college students will face in the years to come. Reading landscapes is an interpretive act central to meaningful social action. The dissertation argues that existing work in rhetorical theory and composition pedagogy has set the stage for an ecological turn in composition. Linking ecocomposition, sustainability, cultural geography, and literacy pedagogies, I trace the origins of my belief that the next manifestation of composition pedagogy is material, embodied, place-based, and firmly planted in the literal issues resulting from climate change. I draw upon historical gardens, landscapes composed by the homeless, community, commercial, and guerilla gardens to demonstrate the rhetorical capacity of landscapes in detail. Building from the argument that gardens can perform a rhetorical function, I spotlight gardeners who seek to move the readers of their texts to social action. Finally, I explore how the study of place can contribute to the pedagogy of composition.
    [Show full text]
  • October 2011 Issue of the Calgary Known Soldier Is at the Base of the Memorial
    The www.nwfedstamps.org Federated Philatelist Newsletter of the Northwest Federation of Stamp Clubs No. 196, October, 2011 Canadian Remembrance Day 1959 Calgary, Alberta and 1965 Vancouver, British Columbia slogan cancels for Canadian Remembrance Day . — By Gordon Demke McCrae was a Canadian soldier and physician during World War I and wrote the poem in May 1915, following On Remembrance Day, November 11 of each year, the death of a close friend in the second battle of Ypres in Canadians pay special tribute to and remember those who Flanders, Belgium. McCrae, 1872-1918, was himself a sacrificed their lives during the First World War, the Sec- ond World War, the Korean War, and all other conflicts casualty of that war, dying in France in January 1918, dur- in which members of the Canadian armed forces have ing the final year of the war. participated. — Continued on page 2 The poppy is an important symbol of Remembrance Day and comes from John McCrae’s famous poem In Flanders Fields : In this Issue In Flanders Fields the poppies blow Canadian Remembrance Day………………….. 1 Between the crosses row on row, From the Editor’s Desk …..…………………….. 3 That mark our place; and in the sky Striking First Issue Revenue Coincidence……. 4 The larks, still bravely singing, fly The Early Days of Stamp Collecting…………... 5 Scarce heard amid the guns below. Richard W. Helbock…………………………….. 6 British Columbia Philatelic Society……………. 7 2011 Show Schedule……………………………... 8 October, 2011 — No. 196 The Federated Philatelist 1 Canadian Stamps of Remembrance (continued from page 1) 1968 Canadian stamp commemorating the 50th anniversary of John McCrae’s death.
    [Show full text]
  • Memorials and Memories
    MEDALS AND MEMORIES Memorials and Memories Character Education • Explore Canadian memorials and the purpose of remembering • Integrate the past into the student’s present • Build character education upon local experiences Facts selves very clearly in a can-do light that day. A Canadian identify was forged in the fighting at Vimy Ridge and it was • There are cenotaphs and war memorials throughout only fitting that a Canadian memorial was built there. Ontario communities from Aylmer, Orono, North Bay and Port Colborne to Tavistock and Temagimi The Canadian government announced in 1920 that they had acquired the land at the highest point of the ridge. In • The Book of Remembrance in the Peace Tower in Dec. 1922, the government concluded an agreement with Ottawa contains the names of over 112,000 Canadians France that granted Canada the use of 250 acres of land killed in wars since the 19th century on Vimy Ridge in recognition of Canada’s war effort. • When the Vimy Ridge monument was dedicated in Walter Seymour Allward’s design was selected from a July 26, 1936 there were as many people present as Canadian sculpture competition. In 1936, when the sculp- there had been at the battle April 9, 1917 ture was finally ready for unveiling, five trans-Atlantic liners departed from Montreal, bringing over 6,400 people from Before the Reading all over Canada. 1,365 Canadian sailed from Britain. In • List all the local area cenotaphs and war memorials in total, there were over 50,000 Canadian, British and your community and surrounding area. Where are they French veterans and their families present when King located in your community? Edward VIII, King of Canada, unfurled the Union Jack from an imposing figure carved out of single 30 tonne • Discuss the design of the cenotaph or war memorial EMORIES block of stone.
    [Show full text]
  • Howitzer Task Force.Pdf
    MEMORANDUM Date: February 7, 2020 To: Vice-Chairs and Members Restoration of the Field Howitzer Task Force From: Sara Munroe, Manager of Tourism, Culture & Sport CC: Brian Hutchings, Chief Administrative Officer Kevin Finney, Director, Economic Development & Tourism Brian Hughes, Director, Parks Services Tanya Daniels, City Clerk and Director of Clerks Services Vicki Armitage, Manager, Parks Services RE: Recommended Process for Brant War Memorial Monument, Park and WWII Monument Projects At its meeting on January 27, 2020, the Restoration of the Field Howitzer Task Force made the following (draft) resolution: Moved by Councillor McCreary Seconded by Councillor Carpenter THAT staff BE DIRECTED to: 1. Investigate and cost the completion of the Brant War Memorial Monument as originally designed; and 2. Relocate the WWII bronze figures to a prominent location where they will be the focal point; and 3. Investigate and add the missing names of veterans to the Cenotaph and confirm with Veteran’s Affairs as to whether they should be on the existing monument; and 4. Redesign the park to accommodate the use of the portable bleachers and built in seating. CARRIED UNANIMOUSLY Staff Report Staff Report 2019-500 (Appendix A) includes information about how to undertake the process to have this work completed. At this time, a Task Force report to Council, identifying funding to complete the preparation work, must be completed for staff to move forward with the above resolution. Cost and Completion of the Brant War Memorial Walter Allward’s original maquette for the Brant War Memorial included two bronze figures that were not included when the original monument was unveiled in 1933.
    [Show full text]
  • Vimy Ridge the Mon Vimy Ridge National Historic Site of Canada
    Vimy Ridge The Restoration Vimy Ridge National Historic Site of Canada The Vimy Ridge National Historic Site of Canada is a monument overlooking the Douai Plain. It was carved As an important cultural resource located on a 1. The Monument tribute to all Canadians who risked or gave their lives from a single, 30-tonne block and is the largest piece signifi cant historic site, the restoration of the Canadian 2. Public washrooms for freedom and peace in the First World War. in the monument. This sorrowing fi gure of a woman National Vimy Memorial raised serious conservation 3. Administrative offi ce E GAT Y represents Canada—a young nation mourning her dead. issues and presented unique technical challenges. The 4. Moroccan Division US VIM HEL To “To the valour of their countrymen in the Great War Below is a tomb, draped in laurel branches and bearing history of the monument’s construction and the vision Monument & T and in memory of their sixty thousand dead this a helmet and sword. of its creator guided the restoration team in carrying 5. Canadian Cemetery 1 monument is raised by the people of Canada.” out the work with particular care and craftsmanship. No. 2 BEECH NUE AVE -Inscription on monument On each side of the front walls at the base of the steps 6. Givenchy Road 2 are the Defenders: two groupings of fi gures known as Construction and restoration of the Canadian National Canadian Cemetery NNE The Vimy Ridge National Historic Site of Canada the Breaking of the Sword and Sympathy for the Helpless.
    [Show full text]
  • The Lands and Monuments Are Known Municipally As Confederation Square
    CONFEDERATION SQUARE LOCATION AND LEGAL DESCRIPTION - The lands and monuments are known municipally as Confederation Square. All the certain parcels or tracts of land and premises situate, lying and being in the City of Peterborough, in the County of Peterborough and Province of Ontario and being composed of Lots one and two on the south side of McDonnel1 Street and West of George Street and Lots one and two on the north side of Murray Street and west of George Street for the said City of Peterborough. OWNER - The Corporation of the City of Peterborough. DATE OF CREATION - August 18, 1884 SITE AND SETTING - The park is situated in the central part of the city directly east of the Peterborough Armouries and Peterborough Collegiate and Vocational School. An iron fence separates those properties from the park. Confederation Square is also bound by Murray Street to the south, George Street to the east and McDonnell Street to the north. SIGNIFICANCE - Since its Crown Patent in 1825, Confederation Square has remained for public use first as the town's only burial ground (1825 - 1851), then as an agricultural park (1875 - 1877) and finally as a park. With the War Memorial dedicated to the victims of the two World Wars which was designed by famed Canadian sculptor Walter Seymour Allward, the Brown Memorial from the 1885 Northwest Rebellion designed by local architect John E. Belcher and a granite representation of the city's Honour Roll of the World Wars, the park is today a local dedication to the conflicts which made Canadian freedom a reality.
    [Show full text]
  • Oronhyatekha, Baptized Peter Martin, Was a Mohawk, Born and Raised at Six Nations
    Oronhyatekha, baptized Peter Martin, was a Mohawk, born and raised at Six Nations. Among many accomplishments, awards, and citations, Oronhyatekha was one of the first of Native ancestry to receive a medical degree. He was also a Justice of the Peace, Consulting Physician at Tyendinaga (appointed by Sir John A. MacDonald), an Ambassador, Chief Ranger of the Independent Order of Foresters, and Chairman of the Grand Indian Council of Ontario and Quebec. But what was perhaps most remarkable about the man was not that he achieved success in the Victorian world, but that he did so with his Mohawk heritage intact. This slide show follows the remarkable life of Oronhyatekha, demonstrating how he successfully negotiated through two worlds, balancing Victorian Values to maintain his Mohawk Ideals. Born at Six Nations on August 10th, 1841, Oronhyatekha was baptized Peter Martin. From the time of his early child hood, he prefered his Mohawk name, which means Burning Sky. “There are thousands of Peter Martins,” he declared, “but there is only one Oronhyatekha.” Oronhyatekha’s character owed much to the influence of his grandfather, George Martin. As a Confederacy chief, George Martin was obliged to uphold the three principles most central to his position: Peace, Power and Righteousness, and raised Oronhyatekha to exemplify those high ideas in his life. Confederacy Chiefs, 1871. Albumen print photograph. Collection of the Woodland Cultural Centre, Brantford, Ontario. Although firmly grounded in the language, traditions and ideals of the Mohawk people, Oronhyatekha entered into the missionary- run school system on the reserve. He first attended the new day school at Martin’s Corners, and later, the Mohawk Institute.
    [Show full text]
  • Walter Allward: Sculptor and Architect of the Vimy Ridge Memorial
    ESSAY ESSAI WALTER ALLWARD: SCULPTOR AND ARCHITECT OF THE VIMY RIDGE MEMORIAL LANE BORSTAD rs Chairperson of Fine Ar'tS . >LANE 80RSTAD Grande Pr' air'ie Regional College, Alberta . His 1990 Queen's Universil:y MA thesis, A Catalogue of Ol'awings and Sculpture of Walter Seymour Allward 11876-19551. remains the acknowledged authority on its subject . In November' 2007 INTRODUCTION he or'ganized a conference, Monuments and Memorials, which dealt with Vimy and other' srtes Before the First World War, English Canada reflected the shared values and experiences of remerT1brance . of an emerging nation deeply concerned with national identity and patriotism. Sculp­ ture in English Canada around 1900, similar to nineteenth-century European sculpture from which it derived,' was "dedicated to the celebration of the nation's heroes, institutions, and middle class values. " 2 In 1898, W.A. Sherwood ARCA described the relationship between sculpture and nation­ alism as follows: The Fine Arts could be most effectually used to develop a strong patriotic national pride. The heroic statues of England have made thou sands of heroes. The little schoolboy winding his way t hrough the parks of France and Germany learns more of the true meaning of patriotism as he gazes upon the bronze figures of native celebrities than he could possibly do under the guidance of the most enthusiastic teacher. Our country has no dearth of heroes. 3 4 Hamilton MacCarthy RCA , another aca­ demician and one of the leading Canadian sculptors of the day, gave expression to the traditional canon of sculpture: Sculpture through its beauty and a/ fresco endurance is especially fitted to present and express the incidents and achievements of history; the heroes.
    [Show full text]
  • The Missing and the Missed of Lanark County, Ontario: Great War Sacrifice and the Memorialization of Exclusion in “The Volunteer” Monument
    Document generated on 10/02/2021 10:45 a.m. Ontario History The Missing and the Missed of Lanark County, Ontario Great War Sacrifice and the Memorialization of Exclusion in “The Volunteer” Monument Kelly Morrison Volume 112, Number 1, Spring 2020 Article abstract In 1923, The Volunteer monument in Almonte, Ontario was erected and dedicated URI: https://id.erudit.org/iderudit/1069011ar to the district’s soldiers who fell in the Great War. It was designed by renowned DOI: https://doi.org/10.7202/1069011ar sculptor and professor, R. Tait McKenzie, and modelled after the late Lt. Alexander George Rosamond, heir to Almonte’s esteemed Rosamond family See table of contents paper mills. The seemingly simple design of a pensive bronze soldier perched atop a stone plinth, flanked by the names of his fallen comrades, is anything but simplistic in its symbolism. This article details the background, conception and Publisher(s) realization of The Volunteer, considering the ways in which it reflects the history of the peoples who settled the region, and the collective Great War experience of The Ontario Historical Society Almonte and greater Lanark County. Further, in as much as the monument was specifically raised to honour the lost men of Almonte and the Township of ISSN Ramsay, this article questions whether, and in what ways, it succeeds or falters in its purpose. 0030-2953 (print) 2371-4654 (digital) Explore this journal Cite this article Morrison, K. (2020). The Missing and the Missed of Lanark County, Ontario: Great War Sacrifice and the Memorialization of Exclusion in “The Volunteer” Monument.
    [Show full text]
  • The 1936 Vimy Pilgrimage
    The 1936 Vimy Pilgrimage Eric Brown and Tim Cook anadians regard the Battle of poems have been produced about Choosing a Memorial CVimy Ridge as an iconic event Vimy as a central event in the in our nation’s history. The story of Canadian war effort. Individually he Great War killed an estimated Vimy has been taught to succeeding and collectively, these cultural Tten million combatants, of which generations in English Canada, to the products have shaped our memory Canada contributed more than 60,000 point where it has been embraced by of the battle. While almost every to that grim figure. As a result of many as one of our country’s founding component of the preparation and this sacrifice, and perhaps directly myths.1 The four Canadian divisions, fighting at Vimy has been dissected because of the agonizingly high consisting of soldiers from across the by historians, few have attempted to number of deaths, Canada was dominion, came together to attack the examine carefully the story of why said to have come of age during reputedly impregnable German-held Vimy Ridge matters to Canadians.3 the war. Canada was different after ridge in northern France over the How did a battle at the mid-point of the war, but these changes were Easter weekend of 9 to 12 April 1917. the Great War become a founding not immediately apparent. In 1919, Through meticulous preparation, myth that is now woven into our hundreds of thousands of veterans training, determination, and sacrifice, history and national identity? Vimy returned to a grief-riven and debt- the Canadians succeeded where both over time has become more than laden country plagued with social the British and French armies had a battle, because it represents to unrest.
    [Show full text]
  • Primary Source Materials
    The Battle of Vimy Ridge Resources: Primary Source Materials Vimy Ridge This work by Australian Captain William Longstaff was extremely popular and images were reproduced and sold throughout the Empire. Longstaff depicted soldiers’ ghosts marching up Vimy Ridge from the Douai Plain, returning to the memorial. The Memorial’s designer, Walter Allward, noted in 1921 that he had been inspired by wartime dream in which dead soldiers “rose in masses, filed silently by and entered the fight to aid the living. So vivid was this impression, that when I awoke it stayed with me for months. Without the dead we were helpless. So I have tried to show this in this monument to Canada’s fallen, what we owed them and we will forever owe them.” Vimy Ridge Print by Captain William Longstaff Beaverbrook Collection of War Art CWM 19890275-051 The Battle of Vimy Ridge Resources: Primary Source Materials Justice Plaster model created by Walter Allward between 1925 and 1930 and used by stonemasons in the construction of the Vimy Memorial in France. The figure of Justice leans her forehead against a sword hilt. The Canadian War Museum has 17 of the 20 original plaster figures created by Allward as part of his design. Justice Sculpted by Walter Seymour Allward Beaverbrook Collection of War Art CWM 19770315-006 The Battle of Vimy Ridge Resources: Primary Source Materials Artillery Piece Canadian soldiers captured this 77mm German field gun during the Battle of Vimy Ridge in April 1917. The German gunners rendered it inoperable by destroying the muzzle. Breech Loading Rifled Artillery Piece CWM 19390002-221 The Battle of Vimy Ridge Resources: Primary Source Materials The Crest of Vimy Ridge A solitary soldier approaches the crest of Vimy Ridge in February 1918 in this work by Gyrth Russell, one of many Canadian war artists to depict the symbolic field.
    [Show full text]