Nigel Lindsay
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
The Antique Spoon Collectors' Magazine
The Antique Spoon Collectors’ Magazine …The Finial… ISSN 1742-156X Volume 25/01 Where Sold £8.50 September/October 2014 ‘The Silver Spoon Club’ OF GREAT BRITAIN ___________________________________________________________________________ 5 Cecil Court, Covent Garden, London. WC2N 4EZ V.A.T. No. 658 1470 21 Tel: 020 7240 1766 www.bexfield.co.uk/thefinial [email protected] Hon. President: Anthony Dove F.S.A. Editor: Daniel Bexfield Volume 25/01 September/October 2014 CONTENTS Introduction 3 Advertisement – Dudley Antique Silver 3 The influence of the reformation of London hallmarking by David Mckinley 4 New Publication – Exeter & West Country Silver 1700-1900 by M. Harrison 5 Advertisement – Lawrences Auctioneers 6 The Ayr spoon request by Kirkpatrick Dobie 7 The broad arrow mark by Luke Schrager 8 Advertisement – Christie’s 10 Feedback 11 London Assay Office - Hallmarking information day 13 Advertisement – Lyon & Turnbull 13 Review – Lyon & Turnbull sale – 13th August 2014 by Mr M 14 Review – Fellows Sale, Birmingham by Emma Cann 16 Results for the Club Postal Auction – 28th August 17 The Club Postal Auction 18 The next postal auction 43 Postal auction information 43 -o-o-o-o-o-o- COVER Left: Queen Anne Britannia Silver Rattail Dognose Spoon Made by William Petley London 1702 Right: William III Britannia Silver Rattail Dognose Spoon Made by John Cove of Bristol London 1698 See: The Postal Auction, page 35, Lots 155 & 156 -o-o-o-o-o-o- Yearly Subscription to The Finial UK - £39.00; Europe - £43.00; N. America - £47.00; Australia - £49.00 In PDF format by email - £30.00 (with hardcopy £15.00) -o-o-o-o-o-o- The Finial is the illustrated journal of The Silver Spoon Club of Great Britain Published by Daniel Bexfield 5 Cecil Court, Covent Garden, London, WC2N 4EZ. -
Simon Russell Beale Photo: Charlie Carter
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Russell Beale Photo: Charlie Carter Location: London Other: Equity Height: 5'7" (170cm) Eye Colour: Grey Playing Age: 51 - 55 years Hair Colour: Greying Appearance: White Hair Length: Short Stage 2018, Stage, The Lehman Trilogy, The National Theatre, Sam Mendes 2016, Stage, Prospero, The Tempest, Royal Shakespeare Company, Gregory Doran 2015, Stage, Mr Foote, Mr Foote's Other Leg, Hampstead Theatre/Haymarket (transfer), Richard Eyre 2015, Stage, The Dean, Temple, Donmar Warehouse, Howard Davies 2014, Stage, King Lear, King Lear, National Theatre, Sam Mendes 2013, Stage, Acting Captain Terri Dennis, Privates on Parade, Noel Coward Theatre, Michael Grandage 2013, Stage, Roote, The Hothouse, Trafalgar Studios, Jamie Lloyd 2012, Stage, Timon of Athens (Critics' Circle Award 2013), Timon of Athens, National Theatre, Nicholas Hytner 2011, Stage, Jimmy, Bluebird, Atlantic Theatre Company, New York, Gaye Taylor Upchurch 2011, Stage, Stalin, Collaborators, National Theatre, Nicholas Hytner 2010, Stage, Sydney, Deathtrap, Noel Coward Theatre, Matthew Warchus 2010, Stage, Sir Harcourt Courtly, London Assurance, National Theatre, Nicholas Hytner 2009, Stage, Lopahkin, The Cherry Orchard, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2009, Stage, Leontes, The Winter's Tale, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2008, Stage, Edward, A Slight Ache, National Theatre, Iqbal Khan 2008, Stage, Landscape, National Theatre, -
Philip Lazebnik
Philip LaZebnik Filmography (Feature) Santa’s Daughter 2 2020, Screenplay, Deluca Films, Denmark Richard the Stork 2: The MysteryOf the Great Jewel 2020, Screenplay with Reza Memari, Knudsen and Streuber Productions, Berlin, Germany The Aardvark and the Ark 2020, Screenplay, Unified Pictures Sugar Kid 2019, Screenplay, Skopje Film Studio, Macedonia The Shamer’s Daughter 2: The Serpent’s Gift 2019, Screenplay, Nepenthe Film, Denmark Anna and the Fountain of Life 2016, Screenplay, Experimentarium/Science North Emma and Santa Claus 2015, Screenplay, Deluca Films, Denmark Asterix and the Domain of the Gods 2014, Screenplay, M6 Studio, Paris The Bachelor King 2013, Narration, Atlantic Productions, London The Three Investigators: The Mystery of the Silver Spider 2010, Screenplay, Studio Hamburg Search for Planet X 2009, Screenplay, Sirius Film The Three Investigators: The Mystery of Terror Castle 2009, Screenplay, Studio Hamburg The Templar Knights III: The Snake Crown 2008, Screenplay, M&M Productions The Templar Knights II: The Black Brotherhood 2007, Screenplay, M&M Productions The Three Investigators: The Secret of Skeleton Island 2007, Screenplay, Studio Hamburg/Walt Disney The Wild Bunch 2007, Screenplay, The Animation Lab The Templar Knights 2006, Screenplay, M&M Productions Asterix and the Vikings 2006, Dialogue, M6 Studio/A Film Saxo Grammaticus Contact: - 1/4 - Tel. +49 (0)30 - 440 17 341 [email protected] Fax +49 (0)30 - 440 17 930 www.rtagency.com 2006, Film/Story Consultant, Radar Film The Ugly Duckling 2006, Film/Story Consultant, -
A IDEOLOGICAL CRITICISM of DOCTOR WHO Noah Zepponi University of the Pacific, [email protected]
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 2018 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO Noah Zepponi University of the Pacific, [email protected] Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Communication Commons Recommended Citation Zepponi, Noah. (2018). THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/2988 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. 2 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS College of the Pacific Communication University of the Pacific Stockton, California 2018 3 THE DOCTOR OF CHANGE: A IDEOLOGICAL CRITICISM OF DOCTOR WHO by Noah B. Zepponi APPROVED BY: Thesis Advisor: Marlin Bates, Ph.D. Committee Member: Teresa Bergman, Ph.D. Committee Member: Paul Turpin, Ph.D. Department Chair: Paul Turpin, Ph.D. Dean of Graduate School: Thomas Naehr, Ph.D. 4 DEDICATION This thesis is dedicated to my father, Michael Zepponi. 5 ACKNOWLEDGEMENTS It is here that I would like to give thanks to the people which helped me along the way to completing my thesis. First and foremost, Dr. -
Dreamworks Trolls) Pdf, Epub, Ebook
DROP THE BEAT! (DREAMWORKS TROLLS) PDF, EPUB, EBOOK David Lewman | 24 pages | 02 Oct 2017 | Random House USA Inc | 9781524718428 | English | New York, United States Drop the Beat! (DreamWorks Trolls) PDF Book Who Stole the Cookies? This post contains affiliate links. Read it Forward Read it first. The Gingerbread Kid Goes to School. Product Details About the Author. Report incorrect product info. Penguin Young Readers. Roberta Edwards. Happy Thanksgiving, Tiny! Share this Book on:. Read more. Product Details. Sold separately. My Tooth Is Loose! Puppy Parade. Wild Symphony. Jennifer Oxley and Billy Aronson. More Tales of Amanda Pig. Find books coming soon in David Soman and Jacky Davis. About Drop the Beat! When the eternally optimistic Poppy, queen of the Trolls, learns that the Bergens Jul 04, ISBN His works include Batter Up! To obtain a copy of the manufacturer's or supplier's warranty for this item prior to purchasing the item, please call Target Guest Services at This item must be returned within 90 days of the in-store purchase, ship date or online order pickup. Use the microphone to sing along or record your own voice to customize your music mixes. Dreamworks found a magic formula that worked with audiences around the globe. This exciting chapter book retells adventures from the all-new Nickelodeon series Rise of the Teenage Drop the Beat! (DreamWorks Trolls) Writer DreamWorks Animation Television. Sold separately. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. -
Top Cambridge Talent Denied Visa
Sport p32 Misogyny p16-17 Comment p10 The freshers are annoying Rob Sturgeon on why men Rebecca Usden on why our man at John’s in can and should be allowed to atheists have more to do if they Redboy Reports enter the feminism debate want to dispel creationism FRIDAY 8TH OCTOBER 2010 THE INDEPENDENT STUDENT NEWSPAPER SINCE 1947 ISSUE NO 724 | VARSITY.CO.UK UNIVERSITY OF CAMBRIDGE Churchill Fellow Top Cambridge awarded Nobel Prize talent denied visa VARSITY NEWS Professor Robert Edwards, University loses out as Indian materials scientist Emeritus Professor of Human Reproduction at the University of is refused British work permit Cambridge, has been awarded the 2010 Nobel Prize in the fi eld of Phys- OMISING INTERNATIONAL SCIENTIST WHO WAS HOPING TO BUILD A RESEARCH CAREER AT THE UNIVERSITY OF CAMBRIDG iology or Medicine. Agency rules, migrants who aim to E HAS BEEN Professor Edwards, who is also a OSAMA SIDDIQUI work in the UK must apply through Pensioner Fellow at Churchill Col- A promising international scientist the points-based assessment lege, was given the award “for the who was hoping to build a research system. development of in vitro fertilisation” career at the University has been Dr Jain required 75 points to (or IVF). IVF is a medical treat- prevented from doing so by UK qualify for a visa. His doctorate enti- ment for infertility, which allows the immigrationCOLLE A PR rules. tled him to 45 points. To secure the sperm to fertilise the egg outside Dr Prashant Jain, an Indian remainder, he would have needed the body, resulting in what is known researcher who holds a PhD in to show proof of an annual salary of as a “test-tube baby”. -
Space Exploration's Next Frontier
Tuesday, June 16, 2020 Shawwal 24, 1441 AH Doha today: 330 - 450 The future Space exploration’s next frontier: Remote-controlled robonauts. P4-5 COVER STORY HOLLYWOOD BACK PAGE White celebs rush to Artists laud Qatar’s resilience amplify Black Lives Matter. during unjust blockade. Page 15 Page 16 2 GULF TIMES Tuesday, June 16, 2020 COMMUNITY ROUND & ABOUT SERIES TO BINGE WATCH ON AMAZON PRIME PRAYER TIME Fajr 3.12am Shorooq (sunrise) 4.45am Zuhr (noon) 11.36am Asr (afternoon) 2.59pm Maghreb (sunset) 6.27pm Isha (night) 7.57pm USEFUL NUMBERS Emergency 999 Worldwide Emergency Number 112 Kahramaa – Electricity and Water 991 Local Directory 180 International Calls Enquires 150 Hamad International Airport 40106666 Labor Department 44508111, 44406537 Mowasalat Taxi 44588888 Qatar Airways 44496000 Hamad Medical Corporation 44392222, 44393333 Qatar General Electricity and Modern Love been a date. An unconventional new family. These are unique Water Corporation 44845555, 44845464 CAST: Anne Hathaway, Tina Fey, Andy Garcia stories about the joys and tribulations of love, each inspired Primary Health Care Corporation 44593333 SYNOPSIS: An unlikely friendship. A lost love resurfaced. by a real-life personal essay from the beloved New York Times 44593363 A marriage at its turning point. A date that might not have column Modern Love. Qatar Assistive Technology Centre 44594050 Qatar News Agency 44450205 44450333 Q-Post – General Postal Corporation 44464444 Humanitarian Services Office (Single window facility for the repatriation of bodies) Ministry of Interior 40253371, 40253372, 40253369 Ministry of Health 40253370, 40253364 Hamad Medical Corporation 40253368, 40253365 Qatar Airways 40253374 ote Unquo Qu te “Childhood is a short season.” — Helen Haye The Expanse to find a missing young woman; Julie between Earth, Mars and The Belt. -
Barney Jordan Online and VFX Editor Barneyjordan.Com
Barney Jordan Online and VFX Editor barneyjordan.com BAFTA Nomination 2004. George Orwell: A Life in Pictures: Best Visual Effects Project Job Type Production Company Broadcaster Genre Down with 2020 Online/VFX Broke And Bones Netflix Entertainment Jack & The Beanstalk After Ever After Online/VFX King Bert Productions Sky One Scripted Comedy Murder in the Car Park Online/VFX Indefinite Productions Channel 4 Scripted Drama Malory Towers Online/VFX King Bert Productions CBBC Scripted Childrens Sick Of It S1 & 2 Online/VFX Me & You Productions Sky One Scripted Comedy Dial M For Middlesbrough Online/VFX Shiny Button Productions Gold Scripted Comedy Year of the Rabbit Online/VFX Objective Productions Channel 4 Scripted Comedy Red Dwarf S11 & 12 Online/VFX Baby Cow Productions Dave Scripted Comedy Catastrophe S2-4 Online/VFX Avalon Television Channel 4 Scripted Comedy A League of their Own S7-13 VTs VFX/Graphics CPL Sky One Entertainment This Time with Alan Partridge VFX Baby Cow Productions BBC One Scripted Comedy The Mighty Boosh S1-3 VFX/Graphics Baby Cow Productions BBC Three Scripted Comedy Mr Sloane Online/VFX Big Talk Productions Sky Atlantic Scripted Comedy Hoff The Record S2 Online/VFX Me & You Productions Dave Scripted Comedy The Greatest of all time Online/VFX Happy Tramp Sky Arts Scripted Comedy A Young Doctors Notebook Online/VFX Big Talk Productions Sky Arts Scripted Comedy Moone Boy S1-3 VFX Baby Cow Productions Sky One Scripted Comedy Harry & Paul’s Story of the Two’s Online/VFX Balloon BBC Two Scripted Comedy The Dali and the -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
David Yelland Photo: Catherine Shakespeare Lane
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] David Yelland Photo: Catherine Shakespeare Lane Eastern European, Scandinavian, Location: London Appearance: White Height: 5'11" (180cm) Other: Equity Weight: 13st. 6lb. (85kg) Eye Colour: Blue Playing Age: 51 - 65 years Hair Length: Mid Length Stage Stage, Cardinal Von Galen, All Our Children, Jermyn Street Theatre, Stephen Unwin Stage, Antigonus, The Winter's Tale, Globe Theatre, Michael Longhurst Stage, Lord Clifford Allen, Taken At Midnight, Chichester Festival Theatre & Haymarket Theatre, Jonathan Church Stage, Earl of Caversham, An Ideal Husband, Gate Theatre, Ethan McSweeney Stage, Sir George Crofts, Mrs Warren's Profession, Gate Theatre, Dublin, Patrick Mason Stage, Selwyn Lloyd, A Marvellous Year For Plums, Chichester Festival Theatre, Philip Franks Stage, Serebryakov, Uncle Vanya, The Print Room, Lucy Bailey Stage, King Henry, Henry IV Parts 1&2, Theatre Royal Bath & Tour, Sir Peter Hall Stage, Anthony Blunt, Single Spies, The Watermill, Jamie Glover Stage, Crofts, Mrs Warren's Profession, Theatre Royal Bath & West End, Michael Rudman Stage, President of the Court, For King & Country, Matthew Byam shaw, Tristram Powell Stage, Clive, The Circle, Chichester Festival Theatre, Jonathan Church Stage, Ralph Nickleby, Nicholas Nickleby, Chichester Festival Theatre,Gielgud , and Toronto, Philip Franks, Jonathan Church Stage, Wilfred Cedar, For Services Rendered, The Watermill -
This Spectred Isle James Bond, Alan Partridge, and Englishness
This SPECTREd Isle James Bond, Alan Partridge, and Englishness GILLIAN GROSZEWSKI Like the Aston Martin car he drives and the Savile Row tailors he frequents, James Bond is an English cultural icon. ndeed, in !"#!, $aniel %raig, as Bond, was the natural choice to &act' as the securit( escort for )er Majest(, the +ueen, as she made her wa( to the o,ening ceremon( of the -l(mpic .ames in Lon/ don, itself a celebration of all things English. Although ap,roximating the iconic, Steve %oogan2s 3ctional character, Alan 4artridge, does not ,ossess the same cul/ tural cachet as 5leming’s international man of m(ster(. A self/,rofessed Bond su,er/fan, 4artridge attempts, on a regular basis, to achieve the im,ossible: to become an icon. 7here Bond and brand become inseparable due to their so,h/ isticated interdependence, 4artridge desperatel( seeks cor,orate ,artnershi, in an attempt to increase his ,ersonal wealth and social ,ro3le. )owever, while 4artridge ma( ap,ear, at 3rst sight, a ,ale imitation of 5leming’s iconic sleuth, both characters ,ossess a similarl( acute awareness of what it means to be Eng/ lish. %hristine Berberich has written of Bond that &behind the suave secret agent lurks a character 0oth at ease and at odds with his time' 8!"#!, #9:. Looking be/ hind the ,reoccu,ation of Alan 4artridge with all things Bond highlights the changing conce,t of what it means to be English in contem,orar( Britain. Like Bond, 4artridge frequentl( 3nds himself to 0e at odds with those that surround him ; not least due to his encyclo,aedic knowledge of the Bond franchise ; but Gillian Groszewski +e12hes Englis3 1+ -higwell S2hool.