The Antique Spoon Collectors' Magazine
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David Yelland Photo: Catherine Shakespeare Lane
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Phone: + 44 (0) 20 73360351 Email: [email protected] David Yelland Photo: Catherine Shakespeare Lane Eastern European, Scandinavian, Location: London Appearance: White Height: 5'11" (180cm) Other: Equity Weight: 13st. 6lb. (85kg) Eye Colour: Blue Playing Age: 51 - 65 years Hair Length: Mid Length Stage Stage, Cardinal Von Galen, All Our Children, Jermyn Street Theatre, Stephen Unwin Stage, Antigonus, The Winter's Tale, Globe Theatre, Michael Longhurst Stage, Lord Clifford Allen, Taken At Midnight, Chichester Festival Theatre & Haymarket Theatre, Jonathan Church Stage, Earl of Caversham, An Ideal Husband, Gate Theatre, Ethan McSweeney Stage, Sir George Crofts, Mrs Warren's Profession, Gate Theatre, Dublin, Patrick Mason Stage, Selwyn Lloyd, A Marvellous Year For Plums, Chichester Festival Theatre, Philip Franks Stage, Serebryakov, Uncle Vanya, The Print Room, Lucy Bailey Stage, King Henry, Henry IV Parts 1&2, Theatre Royal Bath & Tour, Sir Peter Hall Stage, Anthony Blunt, Single Spies, The Watermill, Jamie Glover Stage, Crofts, Mrs Warren's Profession, Theatre Royal Bath & West End, Michael Rudman Stage, President of the Court, For King & Country, Matthew Byam shaw, Tristram Powell Stage, Clive, The Circle, Chichester Festival Theatre, Jonathan Church Stage, Ralph Nickleby, Nicholas Nickleby, Chichester Festival Theatre,Gielgud , and Toronto, Philip Franks, Jonathan Church Stage, Wilfred Cedar, For Services Rendered, The Watermill -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Early Puritanism in the Southern and Island Colonies
Early Puritanism in the Southern and Island Colonies BY BABETTE M. LEVY Preface NE of the pleasant by-products of doing research O work is the realization of how generously help has been given when it was needed. The author owes much to many people who proved their interest in this attempt to see America's past a little more clearly. The Institute of Early American History and Culture gave two grants that enabled me to devote a sabbatical leave and a summer to direct searching of colony and church records. Librarians and archivists have been cooperative beyond the call of regular duty. Not a few scholars have read the study in whole or part to give me the benefit of their knowledge and judgment. I must mention among them Professor Josephine W, Bennett of the Hunter College English Department; Miss Madge McLain, formerly of the Hunter College Classics Department; the late Dr. William W. Rockwell, Librarian Emeritus of Union Theological Seminary, whose vast scholarship and his willingness to share it will remain with all who knew him as long as they have memories; Professor Matthew Spinka of the Hartford Theological Sem- inary; and my mother, who did not allow illness to keep her from listening attentively and critically as I read to her chapter after chapter. All students who are interested 7O AMERICAN ANTIQUARIAN SOCIETY in problems concerning the early churches along the Atlantic seaboard and the occupants of their pulpits are indebted to the labors of Dr. Frederick Lewis Weis and his invaluable compendiums on the clergymen and parishes of the various colonies. -
Name of Deceased
Name of Deceased Address, description and date of death of Names, addresses and descriptions of Persons to whom notices of claims are to be Date before which (Surname first) notices of claims Deceased given and names, in parentheses, of Personal Representatives to be given GILLMAN, Kenneth 7 Charlotte Close, Mount Hawke, Truro, Corn- Nalder & Son, 7 Pydar Street, Truro, Cornwall TR1 2AT. (John Bernard Pollock 10th October 1986 William. wall. 14th June 1986. and Stephen Richard John Wilcox.) (014) CHIDGEY, Edith Brockley Court, Brockley, Bristol, Spinster. 8th Madge, Lloyd & Gibson, 34 Brunswick Road, Gloucester GL1 1JW, Solicitors. 14th October 1986 Charlotte. April 1986. (Evelyn Mary Louisa Barnes.) (015) CALVERLEY, Phyllis Puddavine Residential Home, Tomes, Devon. Courtney Rallison & Co., 10 The Quay, Dartmouth, Devon TQ6 9PT. (Philip 26th September 1986 3rd July 1986. Leslie Rallison and Geoffrey Edward Bennett.) (016) NAYLOR, Eliza Mary ... 1 Sutherland Avenue, Leeds, West Yorkshire, Brooke North & Goodwin, Yorkshire House, East Parade, Leeds LSI 5SD, Soli- 1st October 1986 School Teacher (Retired). 24th May 1986. citors. (Peter Duncan Goodwin and Gordon Watson.) (017) COOMBES, Sydney 3 Ovingdean Close, Ovingdean, Brighton BN2 Cooke, Matheson & Co., 9 Gray's Inn Square, Gray's Inn, London WC1R 5JQ. 26th September 1986 Rhodes. 7AD, Retired. 14th July 1986. (Eric Edwin Cooke.) (018) WEEKS, Constance "Westbury," Queens Road, Shanklin, Isle of Robinson Jarvis & Rolf, 53A High Street, Sandown, Isle of Wight. (Peter Elliott 26th September 1986 Wight, Widow of Leslie Weeks, Bank Official. Gill and Robert David Baxter.) (019) 1st June 1986. i HANRAHAN, Emily Rose Flat 1, 469 Old London Road, formerly 51 SB Young Coles & Langdon, Queensbury House, Havelock Road, Hastings, East 22nd October 1986 Old London Road, Hastings, East Sussex, Sussex TN34 1DD. -
Artsemerson: the World on Stage Announces Royal Shakespeare Company Live Returning with Two Films
FOR IMMEDIATE RELEASE Contact: Ami Bennitt 617‐797‐8267, [email protected] ArtsEmerson: The World On Stage Announces Royal Shakespeare Company Live Returning With Two Films LOVE’S LABOUR’S LOST and LOVE’S LABOUR’S WON Emerson/Paramount Center’s Bright Family Screening Room March and April, 2015 [BOSTON, MA – February 17, 2015] ArtsEmerson: The World On Stage announces RSC Live returning with two film screenings: William Shakespeare’s Love’s Labour’s Lost (March 6‐8, 2015) and Love’s Labour’s Won also known as Much Ado About Nothing (April 24‐26, 2015) by the U.K.’s Royal Shakespeare Company. Screenings take place at the Emerson/Paramount Center’s Bright Family Screening Room (559 Washington Street in Boston’s historic theatre district). Tickets are $18 and may be purchased at ArtsEmerson.org or by calling 617.824.8400. Love’s Labour’s Lost Synopsis: Summer 1914. In order to dedicate themselves to a life of study, the King and his friends take an oath to avoid the company of women for three years. No sooner had they made their pledge than the Princess of France and her ladies‐in‐waiting arrived, presenting them with a severe test of resolve. Shakespeare’s sparkling comedy delights in championing and then unravelling an unrealistic vow, mischievously suggesting that the study of the opposite sex is in fact the highest of all academic endeavors. The merriment is curtailed only at the end of the play as the lovers agree to submit to a period apart, unaware that the world around them is about to be utterly transformed by a war to end all wars. -
APOSTLE SPOONS P 3~-3 [ 1 ( I~I.E Rir Lir ~ by NORMAN GASK
~-~~ APOSTLE SPOONS P 3~-3 [ 1 By NORMAN GASK ( i~i.e rir lir ~ declares his unworthiness to act as godfather to a "fair young maid that yet wants baptism," is met by the rebuke from the King, " Come, come, My Lord, you'd spare your ,I I, spoons." Another interesting r i" reference appears in Bartholo I i i mew Fair, where Ben. Jonson makes one of his characters say :-" All this for the hope of two Apostle spoons and a No, L-'--ST. SBlON, WITH SAW; ST. PHILlP WITH LONG STAFF; ST, ]UDE, WITH HALBERD; cup to eat caudle in." , I THE MASTER, WITH ORB AND CROSS; ST. MATTHEW, WITH MONEY BAG; ST. ]AMES Only four or five complete THE LESSER, WITH FULLER'S POLE; ST. ]A~IES , THE GREATER, WITH PILGRIM'S STAFF sets of English Apostle spoons are known to-day, two sets 0STLE spoons continue to attract collectors, having come down, it is thought, in their original for this type of terminal-figure , spoon was state, the others having been made complete by ,;X introduced into England from the Continent the addition of examples of the same date and " about 1450 and maintained its popularity for more maker to fill gaps. It should be mentioned, however, than, two hundred years; consequently it has many that a complete set of Apostle spoons not only claims to distinction, with a background rich in consists of thirteen, all different, including the history, literature, and the social life of Tudor and Master, all by the same maker and wrought in the Siuart days. -
Edward Bennett
Edward Bennett Showreel Agents Lucia Pallaris Assistant [email protected] Eleanor Kirby +44 (0) 20 3214 0909 [email protected] Roles Television Production Character Director Company SAVE ME TOO Max Owen Various Sky Atlantic COBRA (Series 2) Peter Mott Various Sky INDUSTRY Goldman Sachs Mary Nighy BBC/HBO MD COBRA (Series 1) Peter Mott Hans Herbots Sky PENNYWORTH Lord Longbrass Danny Cannon Warner Bros. POLDARK Prime Minister Pitt BBC VICTORIA SERIES 2 Trevelyan Jim Loach Mammoth Screen for ITV 1 MIRANDA Michael BBC THE PERFECTIONISTS Michael Tristram BBC Shapeero ABOVE SUSPICION - THE RED Charles Giles MacKinnon La Plante Productions/ITV DAHLIA Wickenham AFTER YOU'RE GONE Peter BBC SILENT WITNESS Gregory Kriss BBC United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Film Production Character Director Company THE LAUREATE Jonathan Cape William Nunez Bohemia Media BENEDICTION T E Lawrence Terence Davies EMU Films LOVE SONG Billy Scott Graham and Digital Theatre Steven Hoggart 55 STEPS Dr. Steven Booker Bille August Elsani Film LOVES LABOURS Berowne/Benedick Chris Luscombe RSC LOST/LOVE LABOURS WON JAMES BOND 'SKYFALL' Whitehall Assistant Sam Mendes Skyfall Productions WAR HORSE Cavalry Recruitment Stephen Speilberg Dreamworks Officer HAMLET Laertes Greg Doran RSC FRIENDS JUST UNITED Willis John Maxby Stage Production Character Director Company BREAKING THE CODE Alan Turing Christian Durham Salisbury Playhouse MACBETH Macduff Polly Findlay -
August Letter Dear Friends, for the Past 3-4 Weeks I Have Had Plenty Of
August Letter Dear Friends, For the past 3-4 weeks I have had plenty of time to sit and think, both when I was in hospital and now that I’m back home. Inevitably, my thoughts have turned to the stumble which brought on this enforced idleness. From time to time, misfortune strikes, but how do we deal with it? It is tempting to feel sorry for oneself but that doesn’t get us very far. I tend to follow the philosophy of the Monty Python team and ‘Always look on the bright side of life’. So many things could have gone disastrously wrong following the fall but didn’t and I feel so fortunate that this was so. In the Old Testament, we often read of individuals (or tribes or nations) who suffer some calamity - illness, defeat in battle or widespread famine - and the cause is put down to people having offended God. We don’t tend to think that way these days (though I have been examining my conscience). I hope we don’t need the prospect of divine retribution to prompt us to do what is right; our conscience and our faith should keep us on the right track. Go carefully, Patrick AUGUST PARISH DIARY SUNDAY 2ND NINTH SUNDAY AFTER TRINITY 10.00 a.m. Holy Communion Tuesday 4th 10.45 a.m. Holy Communion at Crossley House Wednesday 5th 9.30 a.m. Holy Communion at St. James’s Thursday 6th 9.30 a.m. Morning prayer ********************************************************* SUNDAY 9TH TENTH SUNDAY AFTER TRININTY 10.00 a.m. -
The Dartmouth, a British Frigate Wrecked Off Mull, 1690 3
The International Journal of Nautical Archaeology and Underwater Exploration (1976), 5.3: 189-200 The Dartmouth, a British frigate wrecked off Mull, 1690 3. The guns P. McBride, Bristol Undersea Archaeology Group and the Undersea Archaeology Branch (Bristol), BSAC 4 Sutherland Road, Mutley, Plymouth The discovery and subsequent identification of Naval establishments list her allowance of guns the wreck site of HMS Dartmouth in the Sound at various times. of Mull has provided a unique opportunity to Most of her career was spent as a 5th rate, study and compare the real armament of a but she was reduced to a fireship of 10 guns Royal Naval 5th rate of the 17th century with and 50 men in December 1688. This commis- surviving contemporary records. sion as a fireship was extremely brief, for in Invitations were extended to a number of March 1689, John Packman, later carriage- guests with experience gained on similar sites master for Woolwich, submitted a bill to the in the United Kingdom, to join the first of a Ordnance for work as follows: number of expeditions which returned to the ‘Drawne to ye Barne 4 load E. s. d site in November 1973 with the primary task ffireworks Returned from of completing the pre-disturbance survey and GARLAND and DARTMOUTH the detailed recording of surviving timber- ffireships 00 02 08 work. ‘Drawne to their places 30 Carr,? The secondary tasks were the thorough exam- 4 guns of 30 cwt? for ye DARTMO: ination and detailed measurement of the 1 Load shells to ye workhouse and ordnance. -
St. James the Less
ST. JAMES THE LESS ST. JAMES THE LESS A STUDY IN CHRISTIAN ICONOGRAPHY BY RICHARD P. BEDFORD LONDON : BERNARD QUARITCH THE SECOND PUBLICATION OF THE GRYPHON CLUB MCMXI CONTENTS CHAPTER I. His Descent and Life. PAGE I II. Early Representations of the Apostles. 6 III. The'Fuller's Club. n IV. The Bow. 21 V. Other Emblems of St. James the Less. 35 APPENDIX A. The Iconography of the "Holy Kith and Kin." 40 B. The Apostles in the West Front of Exeter Cathedral. 49 INDEX 51 ST. JAMES THE LESS A STUDY IN CHRISTIAN ICONOGRAPHY CHAPTER I. His Descent and Life. CONOGRAPHY, as the derivation of the word shows, is the Science or Art of representation by images. By the study of I iconography not only can the artist invest his work with in- creased i nterest and meaning through the employment of appropriate emblems and attributes, but also the archaeologist, searching back through the pi0ture-book of ancient art, is enabled to read the mysterious and involved language in which our forefathers expressed their imagination and their beliefs, and so obtain a knowledge of their customs, their art and their religion. The artist, for his knowledge, goes to the great monuments of the Middle Ages—the West Front of Wells Cathedral, the sculptured portals of Rheims, Chartres and Amiens. The archaeologist relies on the translation of these remains given him by that great storehouse of mediaeval lore, the Golden Legend. This work, which was such a powerful fadtor in the religious life of the Middle Ages, is a compilation made about the year 1275 by a Dominican monk, Jacopo de Voragine, Archbishop of Genoa, his chief sources of information being the Ecclesiastical History of Eusebius, the Martyrologies of St. -
Georgian Silver Sugar Tongs -…The Finial…
…The Finial… ISSN 1742-156X Volume 18/06 Where Sold £8.50 July/August 2008 ‘The Silver Spoon Club’ OF GREAT BRITAIN ___________________________________________________________________________ 26 Burlington Arcade, Mayfair, London. W1J 0PU V.A.T. No. 658 1470 21 Tel: 020 7491 1720 Fax: 020 7491 1730 www.bexfield.co.uk/thefinial E-mail: [email protected] Hon. President: Anthony Dove F.S.A. Editor: Daniel Bexfield. Volume 18/06 Sub-editor: Aelred Tobin July/August 2008 Photography: Aelred Tobin & Matthew Raymond CONTENTS Introduction 3 Mark Identification? – Bruce Jones requests help 3 Sugar & spice and all things nice – Hoof End spoons by David Orfeur 4 Review – ‘Georgian Silver Sugar Tongs’ review by Anthony Dove 6 The sinister side to Lot 113 by Michael Bodden 8 Special offer - The Antiques Trade Gazette 9 Spoons on the underground 9 An unascribed thistle mark by Laurence Joyce 10 Dates for your diary by Mr M 12 Complimentary entry to Penman Antique Fairs 12 The marking of early sugar tongs by Michael Baggott 13 An apology and correction by Daniel Bexfield 14 Feedback 16 Review – Bonhams Sale – 2nd July 2008 by Timothy Kent 18 Results for the Club Postal Auction – 1st May 2008 21 The Club Postal Auction 23 The next postal auction – 9th October 2008 51 Postal auction information 51 -o-o-o-o-o-o- COVER A Henry VIII Silver St. Matthias Apostle Spoon Made in London 1515 by William Simpson See: Review – Bonhams ‘The Quernmore Collection Part II’ Sale by T. Kent, page 18 -o-o-o-o-o-o- Yearly subscription to The Finial UK - £39.00; Europe - £43.00; N. -
Our Focus Today: White Pine Management White Pine Management
8/25/2014 White Pine: Eastern White Pine (Pinus Strobus L.) The Tree that Built America No other tree has had such a great economic impact on a nation than that of white pine on the United René Germain, Professor States. SUNY ESF August 19, 2014 Our Focus Today: Our Focus Today: White Pine Management White Pine Management 1. A little history 2. Ecology and Silviculture 3. Wildlife 4. Economics Background About Myself • Historically, a staple of the forest products industry in the Northern Forest region (Abrams • BS – Forestry, University of Vermont, 1983 2001). • MS – Business Administration, Boston University, 1988 • Ph.D. – Forestry, ESF, 1997 Experience: – 5 seasons as forester with Forest Service – 1 year as forester in Germany – 8 years Woodlands Manager, Ward Lumber Co. – 14 years as Assistant/Associate/Full Professor, ESF 5 1 8/25/2014 Background Background • White pine stands can grow 300 to 800 board feet/acre/year depending on site and stocking. The Huntington Forest study site volume per acre • Potential yields for white pine at maximum represents among the stocking have been documented at 67,000 board highest producing forest feet per acre (Frothingham 1914; Lancaster and stands in the Northern Leak 1978). Forest (of any species) and • The high quality Huntington Forest study site is the inspiration for this supports a 98-year old white pine stand with 60,000 workshop and study. board feet per acre. Huntington Forest white pine White Pine Restoration??? White Pine Restoration??? • According to Forest Service FIA data (based on 2009 inventory), in New York white pine represents • Lancaster and Leak (1978) warned “the very less than 5% of forest cover.