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Cultural Imaginations of Piracy in Video Games
FORUM FOR INTER-AMERICAN RESEARCH (FIAR) VOL. 11.2 (SEP. 2018) 30-43 ISSN: 1867-1519 © forum for inter-american research “In a world without gold, we might have been heroes!” Cultural Imaginations of Piracy in Video Games EUGEN PFISTER (HOCHSCHULE DER KÜNSTE BERN) Abstract From its beginning, colonialism had to be legitimized in Western Europe through cultural and political narratives and imagery, for example in early modern travel reports and engravings. Images and tales of the exotic Caribbean, of beautiful but dangerous „natives“, of unbelievable fortunes and adventures inspired numerous generations of young men to leave for the „new worlds“ and those left behind to support the project. An interesting figure in this set of imaginations in North- Western Europe was the “pirate”: poems, plays, novels and illustrations of dashing young rogues, helping their nation to claim their rightful share of the „Seven Seas“ achieved major successes in France, Britain the Netherlands and beyond. These images – regardless of how far they might have been from their historical inspiration – were immensely successful and are still an integral and popular part of our narrative repertoire: from novels to movies to video games. It is important to note that the “story” was – from the 18th century onwards –almost always the same: a young (often aristocratic) man, unfairly convicted for a crime he didn’t commit became an hors-la-loi against his will but still adhered to his own strict code of conduct and honour. By rescuing a city/ colony/princess he redeemed himself and could be reintegrated into society. Here lies the morale of the story: these imaginations functioned also as acts of political communication, teaching “social discipline”. -
Pdf (Accessed 2.10.14)
Notes 1 Introduction: Video Games and Storytelling 1. It must be noted that the term ‘Narratological’ is a rather loose application by the Ludologists and the implications of this are pointed out later in this chapter. 2. Roland Barthes states that the ‘infinity of the signifier refers not to some idea of the ineffable (the unnameable signified) but to that of a playing [ ...] theText is plural’. Source: Barthes, R., 1977. Image, Music, Text, in: Heath,S.(Tran.), Fontana Communications Series. Fontana, London. pp. 158–159. 3.In Gaming Globally: Production, Play, and Place (Huntemann and Aslinger, 2012),theeditors acknowledgethat ‘while gaming maybe global, gaming cultures and practices vary widely depending on the power and voice of var- ious stakeholders’ (p. 27). The paucity of games studies scholarship coming from some of the largest consumers of video games, such as South Korea, China and India, to name a few, is markedly noticeable. The lack of represen- tation of non-Western conceptions of play culture and storytelling traditions is similarly problematic. 4. Chapter 8 will engage with this issue in more detail. 5. ‘(W)reading’ is preferred over the more commonly used neologism ‘wread- ing’toemphasise the supplementarity of the reading and writingprocesses and also to differentiate it from earlier usage that might claim that the two processes are the same thing. 3 (W)Reading the Machinic Game-Narrative 6. For whichhe is criticisedby Hayles (see Chapter 2). 7. Landow respondstothis by rightly stating that Aarseth misreads his original comment where heclaims that ‘the reader whochooses among linksortakes advantage of Storyspace’s hypertext capabilities shares some of the power of theauthor’(Landow, p. -
Inside the Video Game Industry
Inside the Video Game Industry GameDevelopersTalkAbout theBusinessofPlay Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman Downloaded by [Pennsylvania State University] at 11:09 14 September 2017 First published by Routledge Th ird Avenue, New York, NY and by Routledge Park Square, Milton Park, Abingdon, Oxon OX RN Routledge is an imprint of the Taylor & Francis Group, an Informa business © Taylor & Francis Th e right of Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman to be identifi ed as authors of this work has been asserted by them in accordance with sections and of the Copyright, Designs and Patents Act . All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Names: Ruggill, Judd Ethan, editor. | McAllister, Ken S., – editor. | Nichols, Randall K., editor. | Kaufman, Ryan, editor. Title: Inside the video game industry : game developers talk about the business of play / edited by Judd Ethan Ruggill, Ken S. McAllister, Randy Nichols, and Ryan Kaufman. Description: New York : Routledge is an imprint of the Taylor & Francis Group, an Informa Business, [] | Includes index. Identifi ers: LCCN | ISBN (hardback) | ISBN (pbk.) | ISBN (ebk) Subjects: LCSH: Video games industry. -
Stubbs the Zombie: Rebel Without 21 Starship Troopers PC Continues to Set the Standard for Both Technology and Advancements in Gameplay
Issue 07 THE WAY It’s Meant To Be Played Peter Jackson’s King Kong Age Of Empires III Serious Sam 2 Blockbusters Enjoy the season’s hottest games on the hottest gaming platform Chronicles Of Narnia: The Lion, The Witch City Of Villains F.E.A.R And The Wardrobe NNVM07.p01usVM07.p01us 1 119/9/059/9/05 33:57:57:57:57 ppmm The way it’s meant to be played 3 6 7 8 Welcome Welcome to Issue 7 of The Way It’s Meant 12 13 to be Played, the magazine that showcases the very best of the latest PC games. All the 30 titles featured in this issue are participants in NVIDIA’s The Way It’s Meant To Be Played program, a campaign designed to deliver the best interactive entertainment experience. Development teams taking part in 14 19 the program are given access to NVIDIA’s hardware, with NVIDIA’s developer technology engineers on hand to help them get the very best graphics and effects into their new games. The games are then rigorously tested by NVIDIA for compatibility, stability and reliability to ensure that customers can buy any game with the TWIMTBP logo on the box and feel confident that the game will deliver the ultimate install- and-play experience when played with an Contents NVIDIA GeForce-based graphics card. Game developers today like to use 3 NVIDIA news 14 Chronicles Of Narnia: The Lion, Shader Model 3.0 technology for stunning, The Witch And The Wardrobe complex cinematic effects – a technology TWIMTBP games 15 Peter Jackson’s King Kong fully supported by all the latest NVIDIA 4 Vietcong 2 16 F.E.A.R. -
Into the Cosmos: Board Game Project Blending 4X and Eurogame Styles
Salvation: Into the Cosmos: Board Game Project Blending 4X and Eurogame Styles A Senior Project Presented To: the Faculty of the Liberal Arts and Engineering Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Arts in Liberal Arts and Engineering Studies by Zachary Griffith June 2017 © Zachary Griffith 2017 Griffith 1 Table of Contents Introduction .................................................................................................................................................. 2 How to Play................................................................................................................................................... 3 Blending Eurogames and 4X ........................................................................................................................ 3 Eurogames ....................................................................................................................................... 3 4X Strategy ....................................................................................................................................... 4 Putting it All Together ...................................................................................................................... 4 Influences ..................................................................................................................................................... 4 The Game Design Process ........................................................................................................................... -
Dokument Informacyjny
CREATIVEFORGE GAMES SPÓŁKA AKCYJNA z siedzibą w Warszawie DOKUMENT INFORMACYJNY sporządzony w związku z ubieganiem się o wprowadzenie do obrotu na rynku NewConnect, prowadzonym jako Alternatywny System Obrotu (ASO) przez Giełdę Papierów Wartościowych w Warszawie S.A.: - 450.000 akcji zwykłych na okaziciela serii A - 150.000 akcji zwykłych na okaziciela serii B - 150.000 akcji zwykłych na okaziciela serii C - 150.000 akcji zwykłych na okaziciela serii D - 150.000 akcji zwykłych na okaziciela serii E - 300.000 akcji zwykłych na okaziciela serii F - 150.000 akcji zwykłych na okaziciela serii G - 194.000 akcji zwykłych na okaziciela serii H - 170.000 akcji zwykłych na okaziciela serii I - 136.000 akcji zwykłych na okaziciela serii J - 667.000 akcji zwykłych na okaziciela serii K. Niniejszy Dokument Informacyjny został sporządzony w związku z ubieganiem się o wprowadzenie instrumentów finansowych objętych tym dokumentem do obrotu w alternatywnym systemie obrotu prowadzonym przez Giełdę Papierów Wartościowych w Warszawie S.A. Wprowadzenie instrumentów finansowych do obrotu w alternatywnym systemie obrotu nie stanowi dopuszczenia ani wprowadzenia tych instrumentów do obrotu na rynku regulowanym prowadzonym przez Giełdę Papierów Wartościowych w Warszawie S.A. (rynku podstawowym lub równoległym). Inwestorzy powinni być świadomi ryzyka, jakie niesie za sobą inwestowanie w instrumenty finansowe notowane w alternatywnym systemie obrotu, a ich decyzje inwestycyjne powinny być poprzedzone właściwą analizą, a także, jeżeli wymaga tego sytuacja, konsultacją z doradcą inwestycyjnym. Treść niniejszego Dokumentu Informacyjnego nie była zatwierdzana przez Giełdę Papierów Wartościowych w Warszawie S.A. pod względem zgodności informacji w nim zawartych ze stanem faktycznym lub przepisami prawa. Warszawa, dnia 17 maja 2018 roku Autoryzowany Doradca: Trigon Dom Maklerski S.A. -
10Th IAA FINALISTS ANNOUNCED
10th Annual Interactive Achievement Awards Finalists GAME TITLE PUBLISHER DEVELOPER CREDITS Outstanding Achievement in Animation ANIMATION DIRECTOR LEAD ANIMATOR Gears of War Microsoft Game Studios Epic Games Aaron Herzog & Jay Hosfelt Jerry O'Flaherty Daxter Sony Computer Entertainment ReadyatDawn Art Director: Ru Weerasuriya Jerome de Menou Lego Star Wars II: The Original Trilogy LucasArts Traveller's Tales Jeremy Pardon Jeremy Pardon Rayman Raving Rabbids Ubisoft Ubisoft Montpellier Patrick Bodard Patrick Bodard Fight Night Round 3 Electronic Arts EA Sports Alan Cruz Andy Konieczny Outstanding Achievement in Art Direction VISUAL ART DIRECTOR TECHNICAL ART DIRECTOR Gears of War Microsoft Game Studios Epic Games Jerry O'Flaherty Chris Perna Final Fantasy XII Square Enix Square Enix Akihiko Yoshida Hideo Minaba Call of Duty 3 Activison Treyarch Treyarch Treyarch Tom Clancy's Rainbow Six: Vegas Ubisoft Ubisoft Montreal Olivier Leonardi Jeffrey Giles Viva Piñata Microsoft Game Studios Rare Outstanding Achievement in Soundtrack MUSIC SUPERVISOR Guitar Hero 2 Activision/Red Octane Harmonix Eric Brosius SingStar Rocks! Sony Computer Entertainment SCE London Studio Alex Hackford & Sergio Pimentel FIFA 07 Electronic Arts Electronic Arts Canada Joe Nickolls Marc Ecko's Getting Up Atari The Collective Marc Ecko, Sean "Diddy" Combs Scarface Sierra Entertainment Radical Entertainment Sound Director: Rob Bridgett Outstanding Achievement in Original Music Composition COMPOSER Call of Duty 3 Activison Treyarch Joel Goldsmith LocoRoco Sony Computer -
Microsoft Acquires Massive, Inc
S T A N F O R D U N I V E R S I T Y! 2 0 0 7 - 3 5 3 - 1! W W W . C A S E W I K I . O R G! R e v . M a y 2 9 , 2 0 0 7 MICROSOFT ACQUIRES MASSIVE, INC. May 4th, 2006 T A B L E O F C O N T E N T S 1. Introduction 2. Industry Overview 2.1. The Advertising Opportunity Within Video Games 2.2. Market Size and Demographics 2.3. Video Games and Advertising 2.4. Market Dynamics 3. Massive, Inc. ! Company Background 3.1. Founding of Massive 3.2. The Financing of Massive 3.3. Product Launch / Technology 3.4. The Massive / Microsoft Deal 4. Microsoft, Inc. within the Video Game Industry 4.1. Role as a Game Publisher / Developer 4.2. Acquisitions 4.3. Role as an Electronic Advertising Network 4.4. Statements Regarding the Acquisition of Massive, Inc. 5. Exhibits 5.1. Table of Exhibits 6. References ! 2 0 0 7 - 3 5 3 - 1! M i c r o s o f t A c q u i s i t i o n o f M a s s i v e , I n c .! I N T R O D U C T I O N In May 2007, Microsoft Corporation was a company in transition. Despite decades of dominance in its core markets of operating systems and desktop productivity software, Mi! crosoft was under tremendous pressure to create strongholds in new market spaces. -
Xcom Files Download XCOM: Enemy Unknown - XCOM Toolboks V.1.6.4 - Game Mod - Download
xcom files download XCOM: Enemy Unknown - XCOM ToolBoks v.1.6.4 - Game mod - Download. The file XCOM ToolBoks v.1.6.4 is a modification for XCOM: Enemy Unknown , a(n) strategy game. Download for free. file type Game mod. file size 5.1 MB. last update Sunday, February 21, 2016. Report problems with download to [email protected] XCOM ToolBoks is a modification for XCOM: Enemy Unknown , created by bokauk. Description: A collection of mods and tweaks which can be enabled separately: * Increase Squad Size. * Perk Tree Builder. * Display Soldiers' XP. * Configurable Ability Hot-Keys. * Configurable Camera - Free rotation, Max/Min zoom etc. * Selective Recruitment - Select the nationality and gender probability of new recruits. * Select the Class that Rookies will be promoted as. * Skip Startup Movies. * Enable Developer Shell. * Skip Revealed Aliens Cutscenes. * Revealed Aliens Only Move After XCOM Turn. * Disable Panicked Friendly Fire. * Alien Abductions in Nations with Satellite Coverage. * Disable Disappearing Corpses. * Remove Overwatch and Hunker-Down delay after activating. * Adjust the amount of Will a soldier loses when they are critically wounded. * Action Cam for Missed Shots. * Action Cam for Every Dash. * Arc Thrower in Pistol Slot. * Rename Rank Titles. * Rockets 100% Accurate. * Disable Continental Abduction Panic. Instructions: 1. Open ToolBoks and select XCOM installation directory (if it's not the default: C:Program Files (x86)SteamsteamappscommonXCom-Enemy- Unknown). 2. Apply desired settings. By default, you will be prompted to backup the files that ToolBoks modified, which are then saved in ToolBoksBackups . This can be changed in the Settings tab. To completely remove ToolBoks settings, use the backed up files to replace the ones in the installation directories. -
Scott Stephenson History of Computer Game Design
Scott Stephenson History of Computer Game Design Civilization: Sid Meier’s Legacy Acclaimed as one of the greatest computer games of all time, Sid Meier’s Civilization and its follow-up Sid Meier’s Civilization II rocked the gaming world with a delicate balance of strategy and simulation. Listed as Gamespot U.K.’s number one all- time series among both computer and console games, “Civ” and “Civ II” are universally recognized for the level to which their creator, hall-of-fame designer Sid Meier, raised the bar in terms of overall outstanding game-play. Few games have risen to the level of excellence that these games have achieved in computer gaming history. Civilization, published in 1991 by MicroProse, puts the player in the role of a lone settler in a vast, uncharted world in the year 2000 B.C., and gives him the task of building an empire to “stand the test of time.”1 To accomplish this goal, the player must take on the roles of general, city manager, diplomat, scientist, and economist, as winning involves not only managing the art of war against rival civilizations, but also maintaining the prosperity of the player’s empire. The player must balance “the four impulses of Civilization”—exploration, economics, knowledge, and conquest—to become more powerful, either through peaceful negotiations or world domination. In 1996, MicroProse released Civilization II, a sequel that vastly improved on the original Civ while maintaining the integrity of the original’s game-play. The inspiration for Civilization came from the Avalon Hill board game of the same name, set in the Mediterranean area of Europe and North Africa. -
Outbreak: Lessons Learned from Developing a “History Game”1
Outbreak: Lessons Learned from Developing a “History Game”1 Kevin Kee John Bachynski Brock University Brock University [email protected] [email protected] Abstract This paper describes the production of Outbreak, a game focused on the 1885 smallpox epidemic in Montreal. It is a preliminary report on the manner in which, by both theorizing about and building a game, we are responding to some of the questions that have animated the literature on computer games for history. The article begins with a survey of publications by researchers who have studied the capacity of games to support learning, and outlined how these can be used in concert with books and other media. We next provide the context to our project, which was conceived to market a film to be broadcast on television, and support a book on which the film was based – a bestselling history of a preventable tragedy that resulted in the deaths of over 3,000 Montrealers. We outline how we built from the book, creating a game that asked the player to save as many as possible from death, using tools that mimicked that which was available in the late nineteenth century. We conclude by reflecting on the lessons that we learned, and how we will apply these to our present and future projects. Author Keywords Gaming, simulations, serious games, history, learning Introduction Browse the shelves of the nearest electronics store, and one cannot help but be impressed by the popularity of history computer games. Take the example of the most popular history game franchise, Civilization IV: It sold over six million copies in the six months that followed its September 2005 release. -
This Period Contains Twenty Tossups Worth 10 Points Each
CHARTER CHALLENGE 5 (JAN 2008) ROUND 1 EDITORS: JOE BROSCH GRADES 7 AND 8 1st and 3rd periods. In these periods, your team will choose a category and be read ten questions for you to complete in ninety seconds. After each response, the moderator will indicate whether or not it was correct. Bonus Category: CROSSWORD CLUES "P" Each correct response in this category must begin with the letter "P" and must include the number of letters given in the clue, but we will accept plural forms of the answer. 1. This is the most populous U.S. state capital - 7 letters. answer: Phoenix 2. This food comes in Neapolitan, Sicilian, Chicago deep dish, and thin crust varieties - 5 letters. answer: pizza 3. The Blackfoot, Crow, Wichita, and Lakota tribes lived on this kind of land - 5 letters. answer: plain (accept: Great Plains) 4. This disciple denied that he knew Jesus three times - 5 letters. answer: Peter 5. This is the last name of Nancy, the current Speaker of the House - 6 letters answer: Pelosi 6. It's where you would find sostenuto, soft, and damper pedals - 5 letters. answer: piano 7. Also called Farsi, this is the language spoken in Iran and also describes longhaired cats - 7 letters. answer: Persian 8. This Pokemon is a tadpole found by fishing in Kanto and Johto. It has a swirl on its stomach. - 7 letters. answer: Poliwag 9. This is the last name of Jordan and Carson, brothers who work with Chad Ocho Cinco – 6 letters. answer: Palmer [on the Cincinati Bengals] 10.