{TEXTBOOK} Meet the Artist Vincent Van Gogh
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Vincent Van Gogh, Auvers, 1890 Oil on Jute, 36 X 36 In
Vincent van Gogh, Auvers, 1890 Oil on jute, 36 x 36 in. (91.4 x 91.4 cm.) New York Private Collection Fig. 1 Vincent van Gogh, Auvers, 1890 Oil on jute, 36 x 36 in. (91.4 x 91.4 cm.) Signed on verso, ‘Vincent’ New York Private Collection Auvers,1890, Vincent van Gogh This is the discovery of a full-size van Gogh painting, one of only two in the past 100 years. The work depicts a view of a landscape at Auvers-sur-Oise, the town north of Paris where he spent the last two months of his life. The vista shows a railroad line crossing wheat fields. Auvers, 1890 (Figs. 1-13) is van Gogh’s largest and only square painting. This unique format was chosen to represent a panorama of the wheat fields of the region, of which parts are shown in many of his other paintings of the Auvers landscape. The present painting portrays the entire valley of the Oise as a mosaic of wheat fields, bisected by the right of way of a railway and a telegraph line. The center depicts a small railway station with station houses and a rail shunt, the line disappearing into the distant horizon. The painting is in its original, untouched ondition.c The support is coarse burlap on the original stretcher. The paint surface is a thick impasto that has an overall broad grid pattern of craquelure consistent with a painting of its age. The verso of the painting bears the artist’s signature, Vincent, in black pigment. -
Vincent Van Gogh the Starry Night
Richard Thomson Vincent van Gogh The Starry Night the museum of modern art, new york The Starry Night without doubt, vincent van gogh’s painting the starry night (fig. 1) is an iconic image of modern culture. One of the beacons of The Museum of Modern Art, every day it draws thousands of visitors who want to gaze at it, be instructed about it, or be photographed in front of it. The picture has a far-flung and flexible identity in our collective musée imaginaire, whether in material form decorating a tie or T-shirt, as a visual quotation in a book cover or caricature, or as a ubiquitously understood allusion to anguish in a sentimental popular song. Starry Night belongs in the front rank of the modern cultural vernacular. This is rather a surprising status to have been achieved by a painting that was executed with neither fanfare nor much explanation in Van Gogh’s own correspondence, that on reflection the artist found did not satisfy him, and that displeased his crucial supporter and primary critic, his brother Theo. Starry Night was painted in June 1889, at a period of great complexity in Vincent’s life. Living at the asylum of Saint-Rémy in the south of France, a Dutchman in Provence, he was cut off from his country, family, and fellow artists. His isolation was enhanced by his state of health, psychologically fragile and erratic. Yet for all these taxing disadvantages, Van Gogh was determined to fulfill himself as an artist, the road that he had taken in 1880. -
Visual Focus of Attention Actively Associates Relevancy in Eye
Journal of Business Theory and Practice ISSN 2372-9759 (Print) ISSN 2329-2644 (Online) Vol. 3, No. 2, 2015 www.scholink.org/ojs/index.php/jbtp Visual Focus of Attention Actively Associates Relevancy in Eye Movements Gufran Ahmad1* 1 College of Computer Sciences and Information Systems, Jazan University, Jazan, Saudi Arabia * Gufran Ahmad, E-mail: [email protected] Abstract Advancements in the studies of eye movements have excelled beyond frontiers and transited into the phase of next generation splendidly. The business applications, like online shopping, advertisement, web designing, search engine optimization, of eye movement studies in real world scenarios have started to dominate as well. Tracking of eye movements can communicate the underlying mechanism of visual perception and dynamics of humans’ cognition that are of prime concerns for a number of social, economic, and scientific purposes. In this study, we conducted a series of eye tracking experiments to verify our hypothesis that during human eye movements, the visual focus of attention dynamically associated relevant constituents of artistic portrait. We collected the eye movement data of participants who regarded artistic portraits during active viewing. The trails produced from eye tracking system during portrait viewing traced connected focuses of attention in eye movements based on relevancy in visual contexts. These experimental facts validated the hypothesis that visual focus of attention actively associated relevancy in eye movements. Keywords associative relevancy, cognition, eye movements, visual focus of attention 1. Introduction and Background Eye movement is one of the research studies which have prospered rapidly due to immense demands and interests of interdisciplinary researches, like human and developmental psychology, psycholinguistic and readings, neuroscience, vision research, usability studies, business marketing and advertising research, ophthalmology, human computer interaction, etc. -
From Left to Right Don Manuel Osorio Manraque De Zuniga Sunday Afternoon at the Island of La Grande Jatte Young Gi
Some of the art seen on the walls in “Library Mouse, a Museum Adventure” is my interpretation of real paintings, meant to resemble the art as closely as possible so that children can recognize the source material. Other paintings in my book are “parodies” of famous paintings, substituting mouse heads for the humans originally found in the artwork! Below is a list of the original art that inspired me in my illustrations. Where possible, I’ve provided links to websites where you can get more information. FRONT COVER: from left to right Painted Screen by Ogata Korin eighteenth century, in the Don Manuel Osorio Manraque De Zuniga collection of the Metropolitan Museum of Art, by Francisco Goya painted in 1784, in the New York collection of the Metropolitan Museum of Art, New York On the Terrace by Pierre Auguste Renoir painted in 1881, Sunday Afternoon in the collection of the Art Institute of Chicago at the Island of La Grande Jatte by Georges Seurat painted in 1884, in the PAGE 3: clockwise from right collection of the Art Institute of Chicago Palazzo De Mula, Venice Young Girl Reading by Claude Monet painted in 1908, in the collection by Jean-Honore’ Fragonard painted around of the National Gallery, Washington D.C. 1770, in the collection of the National Gallery, Washington D.C. At the Races in the Countryside by Edgar Degas painted in 1869, in the collection BACK COVER: center of the Boston Museum of Fine Art Napoleon Crossing the Alps Eight-Planked Bridge by Jacques-Louis David painted between 1801- by Ogata Korin painted around 1711, -
Landscape Analysis
Post –course Support Course ID: ECP020120030 Event ID: AB Date: 10 – 14 /6/2013 Chan Wai Yin, Doris (Baptist Lui Ming Choi Secondary School) Lesson Plan: Introduction to Landscape Painting Grades: Form 1 Duration: 1 double periods 1. know what a landscape is Learning Objectives: Students will: My suggestion is that you guide the SS to view the paintings by asking certain 1. know what is landscape painting questions. From the answers to those 2. compare foreground, mid-ground and background in landscape painting questions, you will end up with the 3. explore art techniques such as scale and overlapping to create the illusion of distance. definition of a landscape. In Points 2 and 4. observe and discuss types of horizon lines as an important element in landscape painting. 4, you seem to be telling them afterwards, whereas your questions should be guiding them to see it the way Procedures you want them to. So, for example, you 1. Showing students the following images, ask them to look at them carefully. Ask students to describe what is in the artworks. could jointly with the students ask these kinds of questions: “All of these paintings here are the same kind of painting. Tell me what these three have in common - what is the same about them?” They should say that they all show the sky and they all have trees. If they cannot give you any more, then tell them that 2 have people but are the people important in the painting. How do we know they are not important? (size) Then contrast the 3 paintings and ask what one has that the other(s) Vincent Van Gogh; Yellow Wheat Field Vincent Van Gogh; Flower Bed Vincent Van Gogh; Starry Night over the doesn’t/don’t have. -
Vincent Van Gogh, Who Grew up Walking the Dutch Countryside
"Sorrowful yet always rejoicing," Vincent van Gogh, who grew up walking the Dutch countryside, traveled through life seeking the eternal "Light that rises in the darkness"- like these swans readying for flight south of Amsterdam. From the pain and beauty of his journey, he created masterworks of passion, including penetrating self-portraits, such as this one at age 34. Van Gogh likened painting to performing music. "Whether I really sang a lullaby in colors," he wrote, "I leave to the critics." National Geographic, October, 1997 By JOEL L. SWERDLOW, ASSISTANT EDITOR Photographs by LYNN JOHNSON THE LETTERS FROM VINCENT VAN GOGH to his brother Theo are yellowed. Some are torn at the corners or have holes from aging. Acid from ink eats through the cheap paper. I have come to this bombproof vault in the cellar of the Van Gogh Museum in Amsterdam to begin my search for Vincent. Who was this man who said he "sang a lullaby in colors:' and why does he have such a hold on us? His paintings sell for the most money; his exhibitions attract the highest number of visitors; reproductions of his work-on socks, sheets, party napkins, coffee cups-permeate homes and offices; the song "Vincent" has sold more than ten million copies since 1971; movies mythologize his life. No other artist, at any time in any culture, has been more popular. THE 650 LETTERS from Vincent to Theo fill three volumes. Their first surprise is immediate: I knew that Theo financed Vincent's painting and had assumed Theo was the big brother. -
Impressionist Visions
THE NEW YORK TIMES, SUNDAY, JULY 7, 2002 IMPRESSIONIST VISIONS Not far from Paris, two sleepy villages, Auvers-sur-Oise and Ornans, bring to mind the paintings of van Gogh, Daubigny and Courbet that they inspired By Dana Micucci hile living in Paris some 10 years ago, I developed Photographs by Wendy Lamm/Contrasto, for The New York Times an obsession: visiting the Scenes in Auvers-sur-Oise. Notre Dame, made famous by van Gogh, whose grave is in a cemetery not far away homes and haunts of art- respite from the disruptive city. In Auvers he vast wheat and cornfields under the shifting Wists and writers, hoping, perhaps, to spark a found a setting that was “profoundly beauti- clouds and swiftly changing light of the lIe- little inspiration of my own. Soon, I happily ful ... among other things, many old thatched de-France sky. A road lined poplars discovered that my aesthetic indulgences roofs, which are getting rare,” he wrote to his In the mid-1900’s, after the railroad put need not be confined to the capital. brother Theo shortly after his arrival. Auvers less than an hour from Paris, land- the small inn and cafe owned by the Ravoux In the villages of Auvers-sur-Oise and Or- Today, the village of about 6,500 still scape painters like Daubigny and Corot, Pis- family. Painstakingly restored by the Bel- nans, each a day’s train excursion from Paris, brings to mind the paintings it inspired. Here sarro and Cezanne also came to paint from gian entrepreneur Dominique-Charles Jans- are the homes and studios of several celebrat- are the narrow, twisting streets fringed with nature. -
Mondrian and De Stijl
Exhibition November 11, 2020 – March 1, 2021 Sabatini Building, Floor 1 Mondrian and De Stijl Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture no. III), 1938 Fondation Beyeler, Riehen/Basel, Beyeler Collection. © Mondrian/Holtzman, 2020 The work of the Dutch artist Piet Mondrian within the context of the movement De Stijl [The Style] set the course of geometric abstract art from the Netherlands and contributed to the drastic change in visual culture after the First World War. His concept of beauty based on the surface, on the structure and composition of color and lines, shaped a novel and innovative style that aimed at breaking down the frontiers between disciplines and surpassing the traditional limits of pictorial space. De Stijl, the magazine of the same name founded in 1917 by the painter and critic Theo van Doesburg, was the platform for spreading the ideas of this new art and overcoming traditional Dutch provincialism. Contrary to what has often been said, the members of De Stijl did not pursue a utopia but a world where collaboration between all disciplines would make it possible to abolish hierarchies among the arts. These would thus be freed to merge together and give rise to something new, a reality better adapted to the world of modernity that was just starting to be glimpsed. Piet Mondrian (Amersfoort, Netherlands, 1872-New York, 1944) is considered one of the founders of this new art. His progressive ideas about the relationship between art and society grew from the deep- rooted Dutch realist tradition inherited from the seventeenth century. -
Guide to International Decorative Art Styles Displayed at Kirkland Museum
1 Guide to International Decorative Art Styles Displayed at Kirkland Museum (by Hugh Grant, Founding Director and Curator, Kirkland Museum of Fine & Decorative Art) Kirkland Museum’s decorative art collection contains more than 15,000 objects which have been chosen to demonstrate the major design styles from the later 19th century into the 21st century. About 3,500 design works are on view at any one time and many have been loaned to other organizations. We are recognized as having one of the most important international modernist collections displayed in any North American museum. Many of the designers listed below—but not all—have works in the Kirkland Museum collection. Each design movement is certainly a confirmation of human ingenuity, imagination and a triumph of the positive aspects of the human spirit. Arts & Crafts, International 1860–c. 1918; American 1876–early 1920s Arts & Crafts can be seen as the first modernistic design style to break with Victorian and other fashionable styles of the time, beginning in the 1860s in England and specifically dating to the Red House of 1860 of William Morris (1834–1896). Arts & Crafts is a philosophy as much as a design style or movement, stemming from its application by William Morris and others who were influenced, to one degree or another, by the writings of John Ruskin and A. W. N. Pugin. In a reaction against the mass production of cheap, badly- designed, machine-made goods, and its demeaning treatment of workers, Morris and others championed hand- made craftsmanship with quality materials done in supportive communes—which were seen as a revival of the medieval guilds and a return to artisan workshops. -
Van Gogh Museum Journal 2002
Van Gogh Museum Journal 2002 bron Van Gogh Museum Journal 2002. Van Gogh Museum, Amsterdam 2002 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012200201_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword In 2003 the Van Gogh Museum will have been in existence for 30 years. Our museum is thus still a relative newcomer on the international scene. Nonetheless, in this fairly short period, the Van Gogh Museum has established itself as one of the liveliest institutions of its kind, with a growing reputation for its collections, exhibitions and research programmes. The past year has been marked by particular success: the Van Gogh and Gauguin exhibition attracted record numbers of visitors to its Amsterdam venue. And in this Journal we publish our latest acquisitions, including Manet's The jetty at Boulogne-sur-mer, the first important work by this artist to enter any Dutch public collection. By a happy coincidence, our 30th anniversary coincides with the 150th of the birth of Vincent van Gogh. As we approach this milestone it seemed to us a good moment to reflect on the current state of Van Gogh studies. For this issue of the Journal we asked a number of experts to look back on the most significant developments in Van Gogh research since the last major anniversary in 1990, the centenary of the artist's death. Our authors were asked to filter a mass of published material in differing areas, from exhibition publications to writings about fakes and forgeries. To complement this, we also invited a number of specialists to write a short piece on one picture from our collection, an exercise that is intended to evoke the variety and resourcefulness of current writing on Van Gogh. -
International Style in Archıtecture Rietveld Art Deco
08.12.2011 ARCHITECTURE IN THE FIRST HALF OF THE TWENTIETH CENTURY Adolf Loos & origins of the modern façade Cubism, De Stijl and New Conceptions of Space: The International Style in Archıtecture Rietveld Art Deco Week 11 WORLD HISTORY ART HISTORY ARCHITECTURAL HISTORY Wrights flight airplane 1903 Machintosh builds Hill House Einstein announces relativity theory 1905 First Fauve exhibit, Die Brücke founded Earthquake shakes San Francisco 1906 Gaudi starts building Casa Mila 1907 Brancusi carves first abstract sculpture 1908 Picasso and Braque found Cubism FAUVISM 1908-13 Ash Can painters introduced realism CUBISM EARLY Wright invents Prairie House 1910 Kandinsky paints first abstract canvas Adolf Loos builds Steiner house. 1911 Der Blaue Reiter formed Henry Ford develops assembly line 1913 Armory Show shakes up American art World War I declared 1914 CUBISM HIGH 1916 Dada begins FUTURISM Lenin leads Russian revolution 1917 De Stijl founded 1918 Bauhaus formed EXPRESSIONISM 1920s Mexican muralists active U.S. Women win vote 1920 Soviets suppress Constructivism LATE CUBISM LATE Hitler writes Mein Kampf 1924 Surrealists issue manifesto Gropius builds Bauhaus in Dessau Lindbergh flies solo across Atlantic 1927 Buckminister Fuller designs Dymaxian House Fleming discovers penicillin 1928 CONSTRUCTIVISM PRECISIONISM Stock Market crashes 1929 Le Corbusier’s Villa Savoy sets style for Modernism 1930s American scene painters popular, Social Realists paint political art Empire State Building opens FDR becomes President 1933 Commercial television begins 1939 U.S: enters WWII 1941 SURREALISM First digital computer developed 1944 Pope’s National Gallery is last major Classical building in U.S. Hiroshima hit with atom bomb 1945 Dubuffet coins term “L’Art Brut” Mahatma Gandhi assasinated, Israel founded 1948 People’s Republic of China founded 1949 Oral Contraceptive invented 1950 Abstract expressionism recognized 1952 Harold Rosenberg coins term “Action Painting” DNA structure discovered, Mt. -
Colour, Form, and Space: Rietveld Schröder House Challenging The
COLOUR, FORM AND SPACE RIETVELD SCHRÖDER HOUSE CHALLENGING THE FUTURE Marie-Thérèse van Thoor [ed.] COLOUR, FORM AND SPACE TU Delft, in collaboration with Centraal Museum, Utrecht. This publication is made possible with support from the Getty Foundation as part of its Keeping It Modern initiative. ISBN 978-94-6366-145-4 © 2019 TU Delft No part of these pages, either text or image, may be used for any purpose other than research, academic or non-commercial use. The publisher has done its utmost to trace those who hold the rights to the displayed materials. COLOUR, FORM AND SPACE RIETVELD SCHRÖDER HOUSE CHALLENGING THE FUTURE Marie-Thérèse van Thoor [ed.] COLOUR, FORM AND SPACE / Rietveld Schröder House challenging the Future 4 Contents CONTENTS INTRODUCTION 7 Marie-Thérèse van Thoor THE RESTORATION OF THE EXTERIOR 11 Marie-Thérèse van Thoor THE PAINTWORK AND THE COLOURS OF THE EXTERIOR 23 Marie-Thérèse van Thoor RESTORATION OF THE INTERIOR 35 Marie-Thérèse van Thoor THE HOUSE OF TRUUS SCHRÖDER: FROM HOME TO MUSEUM HOUSE 55 Natalie Dubois INDOOR CLIMATE IN THE RIETVELD SCHRÖDER HOUSE 91 Barbara Lubelli and Rob van Hees EPILOGUE 101 ENDNOTES 105 LITERATURE 113 ARCHIVES 114 CONVERSATIONS 114 COLOPHON 117 5 COLOUR, FORM AND SPACE / Rietveld Schröder House challenging the Future INTRODUCTION MARIE-THÉRÈSE VAN THOOR 6 Introduction INTRODUCTION MARIE-THÉRÈSE VAN THOOR The Rietveld Schröder House in Utrecht was designed in 1924 is also a milestone in the history of modern heritage restoration by Gerrit Thomas Rietveld (1888-1964) for Mrs Truus Schröder- and a manifesto for the concern for modern heritage in Schräder (1889-1985), as a home for her and her three young the Netherlands.