Gonzo Weekly #149
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Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 110 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 110 CONGRESS, FIRST SESSION Vol. 153 WASHINGTON, MONDAY, JUNE 18, 2007 No. 98 House of Representatives The House met at 12:30 p.m. and was mismanagement, corruption, and a per- In this program, people receive an called to order by the Speaker pro tem- petual dependence upon foreign aid and overnight transfer from an American pore (Ms. HIRONO). remittances. Mexico must make tough bank account to a Mexican one. The f decisions and get its economy in shape. two central banks act as middlemen, Until then, Madam Speaker, we will taking a cut of about 67 cents no mat- DESIGNATION OF SPEAKER PRO continue to face massive immigration ter what the size of the transaction. TEMPORE from the south. According to Elizabeth McQuerry of The SPEAKER pro tempore laid be- While we are painfully aware of the the Federal Reserve, banks then typi- fore the House the following commu- problems illegal immigration is caus- cally charge $2.50 to $5 to transfer ing our society, consider what it is nication from the Speaker: about $350. In total, this new program doing to Mexico in the long run. The WASHINGTON, DC, cuts the costs of remittances by at June 18, 2007. massive immigration is draining many least half. In America, 200 banks are I hereby appoint the Honorable MAZIE K. villages across Mexico of their impor- now signed up for this service com- HIRONO to act as Speaker pro tempore on tant labor pool. -
Varsity Jazz
Varsity Jazz Jazz at Reading University 1951 - 1984 By Trevor Bannister 1 VARSITY JAZZ Jazz at Reading University 1951 represented an important year for Reading University and for Reading’s local jazz scene. The appearance of Humphrey Lyttelton’s Band at the University Rag Ball, held at the Town Hall on 28th February, marked the first time a true product of the Revivalist jazz movement had played in the town. That it should be the Lyttelton band, Britain’s pre-eminent group of the time, led by the ex-Etonian and Grenadier Guardsman, Humphrey Lyttelton, made the event doubly important. Barely three days later, on 3rd March, the University Rag Committee presented a second event at the Town Hall. The Jazz Jamboree featured the Magnolia Jazz Band led by another trumpeter fast making a name for himself, the colourful Mick Mulligan. It would be the first of his many visits to Reading. Denny Dyson provided the vocals and the Yew Tree Jazz Band were on hand for interval support. There is no further mention of jazz activity at the university in the pages of the Reading Standard until 1956, when the clarinettist Sid Phillips led his acclaimed touring and broadcasting band on stage at the Town Hall for the Rag Ball on 25th February, supported by Len Lacy and His Sweet Band. Considering the intense animosity between the respective followers of traditional and modern jazz, which sometimes reached venomous extremes, the Rag Committee took a brave decision in 1958 to book exponents of the opposing schools. The Rag Ball at the Olympia Ballroom on 20th February, saw Ken Colyer’s Jazz Band, which followed the zealous path of its leader in keeping rigidly to the disciplines of New Orleans jazz, sharing the stage with the much cooler and sophisticated sounds of a quartet led by Tommy Whittle, a tenor saxophonist noted for his work with the Ted Heath Orchestra. -
Jeff's History Project
Jeff's History Project Liverpool then and now My Liverpool Project • My name is Jeffrey Thomas Harrop • I have been living in Liverpool for 49 Years • I support Liverpool FC. I watch every home game on dvd and away game • I was born in Liverpool and raised in Hunts Cross as a child • My project is to explain how good my work is and I work very Hard • My project is about the years I have lived in Liverpool Where I have lived in Liverpool • I used to live in 55 Hill foot Avenue with my mum and dad • I spend my childhood at home • I was born in may 3rd 1963 • My dad worked in Standard Triumph • My mum worked in mpte in Hatton Garden • I don’t remember my 1st Birthday 1964 Where I went to school • I went to Otterspool school for boys in 1975. I was in the Juniors where I learned sums and law and woodwork • I left Otterspool school and I joined Holt Hall and I left there to join Riversdale College to do a car care course • I went to Greenways school with John Rand Carl Riley and Leanne Darby Where I like to go in Liverpool • Town • Bootle - The Strand • Speke • The Royal British Legion • West Darby Road shops • The Black-E My Favourite Buildings • The Palm House • The Liverpool Waterfront • St George’s Hall • The Cavern • The Royal Liver • Sefton Park • Albert Dock • The Anglican Cathedral • Echo Arena What I am interested in • The Bay City Rollers • The Incredible Hulk tv series • Crossroads • Emmerdale – Plane crash of 1993 • Kight Rider • Coronation Street THE Incredible HULK • Dr David Banner was played by the late Bill Bixby he died of prosate cancer in 1993 • The Hulk was played the muscle man Lou Ferrigno and this was his first gig • Jack McGee was played by Jack Colvin. -
Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
Diggin’ You Like Those Ol’ Soul Records 181 Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America Tammy L. Kernodle Today’s absolutist varieties of Black Nationalism have run into trouble when faced with the need to make sense of the increasingly distinct forms of black culture produced from various diaspora populations. The unashamedly hybrid character of these black cultures continually confounds any simplistic (essentialist or antiessentialist) understanding of the relationship between racial identity and racial nonidentity, between folk cultural authenticity and pop cultural betrayal. Paul Gilroy1 Funk, from its beginnings as terminology used to describe a specific genre of black music, has been equated with the following things: blackness, mascu- linity, personal and collective freedom, and the groove. Even as the genre and terminology gave way to new forms of expression, the performance aesthetic developed by myriad bands throughout the 1960s and 1970s remained an im- portant part of post-1970s black popular culture. In the early 1990s, rhythm and blues (R&B) splintered into a new substyle that reached back to the live instru- mentation and infectious grooves of funk but also reflected a new racial and social consciousness that was rooted in the experiences of the postsoul genera- tion. One of the pivotal albums advancing this style was Meshell Ndegeocello’s Plantation Lullabies (1993). Ndegeocello’s sound was an amalgamation of 0026-3079/2013/5204-181$2.50/0 American Studies, 52:4 (2013): 181-204 181 182 Tammy L. Kernodle several things. She was one part Bootsy Collins, inspiring listeners to dance to her infectious bass lines; one part Nina Simone, schooling one about life, love, hardship, and struggle in post–Civil Rights Movement America; and one part Sarah Vaughn, experimenting with the numerous timbral colors of her voice. -
MUSIC & VIDEO WEEK JUNE 13, 1981 Edited by JIM EVANS Rollers
MUSIC & VIDEO WEEK JUNE 13, 1981 Edited by JIM EVANS Mills back in the Rollers return with production chair Epic world deal produced many of their successes, returns to the production scat for the first lime in more than five years in the UK with the release of THE ROLLERS, formerly singer-sonywritcr John Kristian's Pope John Paul single on Recorded known as the Bay City Rollers, Delivery Records. , fiv have signed worldwide to Epic Mills has lived in Los Angeles for several years, returning to the UK Records. infrequently, but during a recent visit he produced Knstian s single at Strawberry Studios. , A case of "seen it all before"? or Although Kristian normally writes his own material, Popen should we lake heed of the Epic John Paul was actually composed two years ago by Chris Andrews, press release? who wrote many hits for Sandic Shaw and Adam haith during the "The Rollers have a different, Sixties. The song, a ballad, is described as "a genuine tribute to all fresh outlook on the current music that the Pope stands for". _ . biz scene," it says. They have no The single is to be rush-released by Recorded Delivery — distributed intention of becoming ghosts of by RCA — in the next couple of weeks. Recorded Delivery boss Paul pop's past. Their first album on Epic Murphy comments: "This will be the first of several co-ventures is Ricochet, a more mature, more between the label and Gordon Mills." advanced, more musical Rollers. "The music itself is all original from afficianados of rock, pop and Alan Longmuir, David Betteridge and reflects their songwriting hi-tec music alike." (managing director CBS Records), Duran Duran debut on EMI abilities, the gift of melody and lyric • Pictured cementing the deal that Mike Wilkie (Epic), Ian Groves coupled with superb musicianship could bring Rollermania back to (Epic), Jonathan Morrish (EPA THE DEBUT album from Duran acquired from years of experience these shores arc (1 to r): Roger publicity). -
Gonzo Weekly #294
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 have come out nearly every week, for nearly three hundred weeks, and hope that we continue to do so for a long time to come. With this issue, we are breaking new ground. A few weeks ago, Alan asked me whether I would be interested in a picture led article about the rewilding of parts of Britain’s coastline. Rewilding is one of the things about which I am very passionate. Indeed, in the other magazine which I publish – Animals & Men, the journal of the Centre for Fortean Zoology – rewilding is one of the regular tropes within its journalistic mix. For those of you not aware, rewilding – Dear friends, as defined by Rewilding Britain – is: Welcome to another issue of this “Rewilding is the large-scale restoration peculiar, although often rather erudite of ecosystems where nature can take care magazine. I am very pleased with it, and of itself. It seeks to reinstate natural am fascinated to see the way that it has processes and, where appropriate, taken on a life of its own, and gone off missing species – allowing them to shape into stylistic tangents that I would never the landscape and the habitats within. have conceived back in 2012, when we started. I still find it remarkable that we Rewilding encourages a balance between 4 Both from a moral, and a pragmatic, point of view, I believe that every attempt should be made to bring as much as possible of the United Kingdom back to a semblance of its natural state people and the rest of nature where each This magazine has always had a broadly can thrive. -
Joe Cocker GREAT ENCOUNTERS of the BEST KIND 'Don't Let Them Happen Without You)
September 30, 1978 Joe Cocker www.americanradiohistory.com GREAT ENCOUNTERS OF THE BEST KIND 'Don't let them happen without you). International Record and Music Publishing Market January 19 - 25 1979. Palais des Festivals - Cannes - France. In 1978 : 52 countries represented, 1.238 firms, 5.050 participants. Bernard Chevry Commissaire Général. Xavier Roy : International Manager. : Information and reservations : UNITED KINGDOM : U.S.A. FRANCE International Equipment and Services 30 Rockefeller Plaza, Suite 4535 3 rue Garnier - 92200 Neuilly Exhibition Organisation Ltd, New York, N. Y. 10020 - W. 1. (212) 489.1360 - Telex : 235309 OVh Tel. : 747.84.00 - Telex : 630547 F MIP/MID 43 Conduit Street London Tel.: Christian Bourguignon Tel. : (01) 439.6801 - Telex : 25230 MIPTV/Midem LDN John Nathan International Sales Executive Liz Sokoski,U.K. Representative International Representative Midem. The winner's date. www.americanradiohistory.com VOLUME XL - NUMBER 20 - September 30, 1978 THE INTERNATIONAL MUSIC RECORD WEEKLY COSH BOX GEORGE ALBERT President and Publisher EDITORIAL MEL ALBERT Reaching For The Masses Vice President and General Manager Two current superstar campaigns point up the in- trait is trying a new "sophisticated STAN MONTEIRO approach" involv- Director of Marketing creasing importance of creative merchandising ing the use of Haiku poetry in radio ads combined DAVE FULTON techniques in promoting record sales. And although with excerpts from some of the group's hard rock Editor In Chief Casablanca's Kiss marketing plan and Portrait's songs. The label hopes this campaign will increase J.B. CARMICLE Heart campaign employ divergent methods, both consumer and industry awareness of Heart's General Manager, East Coast show how innovative thinking can be used to create lyrically intelligent side as well as its ability to rock. -
Extra Special Supplement to the Great R&B Files Includes Updated
The Great R&B Pioneers Extra Special Supplement to the Great R&B Files 2020 The R&B Pioneers Series edited by Claus Röhnisch Extra Special Supplement to the Great R&B Files - page 1 The Great R&B Pioneers Is this the Top Ten ”Super Chart” of R&B Hits? Ranking decesions based on information from Big Al Pavlow’s, Joel Whitburn’s, and Bill Daniels’ popularity R&B Charts from the time of their original release, and the editor’s (of this work) studies of the songs’ capabilities to ”hold” in quality, to endure the test of time, and have ”improved” to became ”classic representatives” of the era (you sure may have your own thoughts about this, but take it as some kind of subjective opinion - with a serious try of objectivity). Note: Songs listed in order of issue date, not in ranking order. Host: Roy Brown - ”Good Rocking Tonight” (DeLuxe) 1947 (youtube links) 1943 Don’t Cry, Baby (Bluebird) - Erskine Hawkins and his Orchestra Vocal refrain by Jimmy Mitchell (sic) Written by Saul Bernie, James P. Johnson and Stella Unger (sometimes listed as by Erskine Hawkins or Jmmy Mitchelle with arranger Sammy Lowe). Originally recorded by Bessie Smith in 1929. Jimmy 1. Mitchell actually was named Mitchelle and was Hawkins’ alto sax player. Brothers Paul (tenorsax) and Dud Bascomb (trumpet) played with Hawkins on this. A relaxed piano gives extra smoothness to it. Erskine was a very successful Hawkins was born in Birmingham, Alabama. Savoy Ballroom ”resident” bandleader and played trumpet. in New York for many years. -
Claudettes Deliver Holiday Cheer by P.J
NATIONAL FOOTBALL CONFERENCE EAST NORTH Call (906) 932-4449 DAYAYSS ‘TIL CHRISTMAS Packers win Ironwood, MI 15 Green Bay beats Atlanta Redsautosales.com M-Sat. 10:30am-8pm, Sun. 10:30am-4pm 34-20 SPORTS • 9 DAILY GLOBE Monday, December 10, 2018 Partly cloudy yourdailyglobe.com | High: 28 | Low: 15 | Details, page 2 OH, WHAT FUN! Claudettes deliver holiday cheer By P.J. GLISSON [email protected] IRONWOOD – Excited patrons of the Historic Iron- wood Theatre packed the house for Saturday night’s annual Claudette Christmas show, during which they were clapping and cheering even before the acts began. Even musical director George Ackerman-Behr, who offered a pre-show warm-up by playing organ tunes such as “Winter Wonderland,” received cries of “We love you!” The Claudettes began the show by applying their jazzy dance skills to pop Christmas tunes, which eventually allowed for Santa Claus to run down one of the theatre SOUTH aisles, shouting “Ho, Ho, Ho!” before joining the ladies WEST onstage. Throughout the evening, the ladies also performed sev- eral other numbers, including a reindeer dance and glitzy routines set to fun holiday tunes, including “The 12 Days of Christmas.” The audience could not have loved them more. Overall, the evening pro- vided an extravaganza of tal- ent, with dancers, singers and musicians of all ages perform- ing anything from Christmas pop to Christian classics. A special treat came in the P.J. Glisson/Daily Globe way of Miles Mykkanen, an AS THE stars of Saturday night’s “Oh What Fun!” show at the Historic Ironwood Theatre, the Claudettes show their predictable style. -
Arturo O'farrill Ron Horton Steve Potts Stan Getz
SEPTEMBER 2015—ISSUE 161 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM GARY BARTZ musical warrior ARTURO RON STEVE STAN O’FARRILL HORTON POTTS GETZ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East SEPTEMBER 2015—ISSUE 161 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : Arturo O’Farrill 6 by russ musto [email protected] Andrey Henkin: [email protected] Artist Feature : Ron Horton 7 by sean fitzell General Inquiries: [email protected] On The Cover : Gary Bartz 8 by james pietaro Advertising: [email protected] Encore : Steve Potts by clifford Allen Editorial: 10 [email protected] Calendar: Lest We Forget : Stan Getz 10 by george kanzler [email protected] VOXNews: LAbel Spotlight : 482 Music by ken waxman [email protected] 11 Letters to the Editor: [email protected] VOXNEWS 11 by katie bull US Subscription rates: 12 issues, $35 International Subscription rates: 12 issues, $45 In Memoriam 12 by andrey henkin For subscription assistance, send check, cash or money order to the address above or email [email protected] Festival Report 13 Staff Writers David R. Adler, Clifford Allen, CD Reviews 14 Fred Bouchard, Stuart Broomer, Katie Bull, Thomas Conrad, Ken Dryden, Donald Elfman, Miscellany 39 Brad Farberman, Sean Fitzell, Kurt Gottschalk, Tom Greenland, Event Calendar Alex Henderson, Marcia Hillman, 40 Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Russ Musto, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Alto saxophonist Gary Bartz (On The Cover) turns 75 this month and celebrates with two nights at Dizzy’s Club. -
Jazz Album Blogspot Download Jazz Album Blogspot Download
jazz album blogspot download Jazz album blogspot download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66b3a28e6c16163a • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Listen Jazz Easily : Download Jazz Album on Blogspot. We apologize for this inconvenience. Plz Visit To Get The Update. Thx! PS: Jazz is Free. Putumayo Presents French Cafe. 01 Paris Combo - Fibre De Verre 02 Serge Gainsbourg - Marilou Sous La Neige 03 Barbara - Si La Photo Est Bonne 04 Enzo Enzo - Juste Quelqu'un De Bien 05 Georges Brassens - Je M'suis Fait Tout Petit 06 Jane Birkin - Elaeudanla Tιitιia 07 Coralie Clιment - La Mer Opale 08 Mathieu Boogaerts - Ondulι 09 Brigitte Bardot - Un Jour Comme Un Autre 10 Paris Combo - On N'a Pas Besoin 11 Sanseverino - Mal T Mains 12 Baguette Quartette - En Douce 13 Polo - La Fιe Clochette. Django Reinhardt - Plays Solo. 01. Improvisation N°1 (2:59) 02. Parfum (3:02) 03. -
Jackson Page 1 of 24 Wayne Jackson, Zach Harpole, Joshua Kape, Amy
Jackson Page 1 of 24 Wayne Jackson, Zach Harpole, Joshua Kape, Amy There are two places in "Jackson" where the audio repeats itself for a few minutes, once in the middle and once towards the end. [0:00:00] Wayne Jackson: Hello. Check in. Check in. Check in. Joshua Kape: Recording? Okay. Wayne Jackson: I’m on. Joshua Kape: All right. Mr. Jackson, it’s an honor to be here to interview you. Wayne Jackson: Thank you. Joshua Kape: Of course, it’s for our Crossroads to Freedom digital archive. And the interview today will be posted on the archive, on the website. Wayne Jackson: Good. Zach Harpole: I’m Zach Harpole; I’m a senior at Rhodes College. Joshua Kape: And Joshua Kape, a sophomore at Rhodes College. Wayne Jackson: Zach, Josh. Zach Harpole: All right, just to start off today, just tell us a bit about like where you were born and your childhood growing up. Wayne Jackson: Well, I was born in Memphis Hospital here in Memphis in 1941. And we moved directly after that to West Memphis, where my mother and father lived. She was a secretary for a real estate company and dad sold insurance. And that’s where I was raised, in that environment. A small town. And we lived on a hill high at the - we lived on a- [0:01:00] -you want me to speak up or are we okay? We lived on a hill and it was the highest hill in West Memphis. We never got – everybody else got flooded; we didn’t get flooded.