View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online Kunapipi Volume 26 Issue 1 Article 13 2004 Jamaica’s first dub poets: Early Jamaican deejaying as a form of oral poetry Eric Doumerc Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Doumerc, Eric, Jamaica’s first dub poets: Early Jamaican deejaying as a form of oral poetry, Kunapipi, 26(1), 2004. Available at:https://ro.uow.edu.au/kunapipi/vol26/iss1/13 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library:
[email protected] Jamaica’s first dub poets: Early Jamaican deejaying as a form of oral poetry Abstract Dub poetry is usually taken to refer to a particular type of ‘performance poetry’, a brand of oral poetry performed to the accompaniment of reggae music. The term ‘dub poetry’ itself is thought to have been invented by the Jamaican poet Oku Onuora to describe a form of oral art that had been developing in Jamaica since the early 1970s. Oku Onuora defined the term in an interview conducted with the poet and critic Mervyn Morris in 1979. This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol26/iss1/13 129 129 ERIC DOUMERC ERIC DOUMERC Jamaica’s First Dub Poets: Early Jamaica’s First Dub Poets: Early Jamaican Deejaying as a Form of Oral Jamaican Deejaying as a Form of Oral Poetry Poetry Dub poetry is usually taken to refer to a particular type of ‘performance poetry’, Dub poetry is usually taken to refer to a particular type of ‘performance poetry’, a brand of oral poetry performed to the accompaniment of reggae music.