Bob Marley and the Wailers “Compared Discography”
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Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Paroles Et Traduction De «Iron Lion Zion
Paroles et traduction de «Iron Lion Zion» Iron Lion Zion (Fer Lion Zion*) I am on the rock and then I check a stock Je suis sur le rocher et je vérifie des provisions I have to run like a fugitive to save the life i live J'ai dû courir comme un fugitif pour sauver la vie que je vis I'm gonna be Iron like a Lion in Zion (repeat) Je vais être de fer comme un lion a Zion (bis) Iron Lion Zion Fer, lion, Zion I'm on the run but I ain't got no gun Je suis sur la course et je n'ai aucun pistolet. See they want to be the star Regarde, ils veulent devenir des étoiles So they fighting tribal war Voilà pourquoi ils font des guerres tribales. And they saying Iron like a Lion in Zion Et ils se disent Iron like a Lion in Zion, De fer comme un lion a Zion Iron, Lion, Zion Fer, lion, Zion I'm on the rock, (running and you running) Je suis sur le rocher (cours et tu cours) I take a stock, (running like a fugitive) Prenant des provisions (courant comme un fugitif) I had to run like a fugitive just to save the life i live J'ai dû courir comme un fugitif pour sauver la vie que je vis I'm gonna be Iron like a Lion in Zion (repeat) Je vais être de fer comme un lion a Sion (bis) Iron, Lion, Zion Fer, lion, Zion Iron, Lion, Zion Fer, lion, Zion Iron, Lion, Zion Fer, lion, Zion Iron like a Lion in Zion De fer comme un lion a Zion Iron like a Lion in Zion De fer comme un lion a Zion Iron like a Lion in Zion De fer comme un lion a Zion Explications sur les paroles de la chanson Iron Lion Zion est une chanson écrite et enregistrée en avril 1973 ou 1974 par le chanteur et auteur- compositeur jamaïcain Bob Marley. -
Radio France. France Inter. Archives Papier Des Émissions De Valli « Système Disque » (2003-2008), « POP Etc
Radio France. France Inter. Archives papier des émissions de Valli « Système disque » (2003-2008), « POP etc. » (2008-2013), « I love USA (moi non plus) » (2004), « il était une femme » (2005), le prix Constantin (2004-2011). 2003-2013 Répertoire numérique détaillé du versement n° 20140302 Établi par Anne Briqueler, Service Archives écrites et Musée - Direction générale déléguée - Radio France Première édition électronique Archives nationales (France) Pierrefitte-sur-Seine 2014 1 https://www.siv.archives-nationales.culture.gouv.fr/siv/IR/FRAN_IR_055871 Cet instrument de recherche a été rédigé avec un logiciel de traitement de texte. Ce document est écrit en français. Conforme à la norme ISAD(G) et aux règles d'application de la DTD EAD (version 2002) aux Archives nationales, il a reçu le visa du Service interministériel des Archives de France le ..... 2 Archives nationales (France) Sommaire Radio France. France Inter. Archives papier des émissions de Valli. « Système 4 disque » (2003-2008), « Pop etc. » (2008-2013), « I love USA (moi non ... Émissions des grilles de rentrée : Système disque (2003-2008), Pop etc. (2008- 7 2013) Émissions de la grille d'été : I love USA (moi non plus) (2004), Il était une femme 28 (2005), Émissions animées par Valli à l'occasion du Prix Constantin 30 Carnets de notes de Valli 30 3 Archives nationales (France) INTRODUCTION Référence 20140302/1-20140302/82 Niveau de description groupe de documents Intitulé Radio France. France Inter. Archives papier des émissions de Valli. « Système disque » (2003-2008), « Pop etc. » (2008-2013), « I love USA (moi non plus) » (2004), « Il était une femme » (2005), « Le Prix Constantin » (2004-2011) Date(s) extrême(s) 2003-2013 Nom du producteur • Valli • Radio France Importance matérielle et support Le versement comporte 22 cartons d'archives de type « Armic » soit 6,82 ml. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors. -
Scarlet and Cream to Erderiam Troops UNL's Scarlet and Cream Singers Will Spend Part of Their Summer Entertaining U.S
18, 1934 Pano 10 Daily Nebraskan Wednesday, April Aits i !! II II ll Scarlet and Cream to erderiam troops UNL's Scarlet and Cream Singers will spend part of their summer entertaining U.S. troops "over there" or "up there " to be more accurate. Eight members of the 14 member troupe will per- form for military personnel stationed in St. Johns, : Newfoundland, Thulie, Greenland and Sondistrom, x Greenland. Barb Wright, director ofstudent programs for the university Alumni Association said the armed for- ces professional entertainment department, which is the would mem- organizing tour, allow only eight S e bers to visit. 1 v., X' J "We narrowed the group down solely on seniori- 4. r'l ty," she said. There are 14 in Scarlet and f normally singers L Cream, in addition to a four-piec- e band and three full-tim- e technicians. Since all the people making the trip are vocalists, the band will pre-tap- e some music to accompany the singing, she said. 1 The eight making the trip are Julie Beranek. a t - sophomore from Lincoln; Ellen Kollars, a sopho- more from Arlington; Julie Chadwick, a junior from Lincoln; Anna Baker, a junior from Lincoln; Mark Thornburg, a sophomore from Beatrice; Rod Weber, a freshman from Blair; John Kahle, a freshman from Kearney, and Rob Reeder, a sophomore from Lin- coln. Wright said this is the first time in the group's 1 history they have been asked to perform for the military. However, it is not the first time the troupe has performed overseas. -
EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/Dvds) D-48159 MÜNSTER KONTO NR
IRIE RECORDS GMBH IRIE RECORDS GMBH BANKVERBINDUNGEN: EINZELHANDEL NEUHEITEN-KATALOG NR. 122 RINSCHEWEG 26 IRIE RECORDS GMBH (CD/LP/10" & 12"/7"/DVDs) D-48159 MÜNSTER KONTO NR. 31360-469, BLZ 440 100 46 (VOM 01.02.2003 BIS 01.03.2003) GERMANY POSTBANK NL DORTMUND TEL. 0251-45106 KONTO NR. 35 60 55, BLZ 400 501 50 SCHUTZGEBÜHR: 1,00 EUR (+ PORTO) FAX. 0251-42675 SPARKASSE MÜNSTERLAND OST EMAIL: [email protected] HOMEPAGE: www.irie-records.de GESCHÄFTSFÜHRER: K.E. WEISS/SITZ: MÜNSTER/HRB 3638 ______________________________________________________________________________________________________________ IRIE RECORDS GMBH: DISTRIBUTION - WHOLESALE - RETAIL - MAIL ORDER - SHOP - YOUR SPECIALIST IN REGGAE & SKA -------------------------------------------------------------------------------------------------------------- GESCHÄFTSZEITEN: MONTAG/DIENSTAG/MITTWOCH/DONNERSTAG/FREITAG 13 – 19 UHR; SAMSTAG 12 – 16 UHR ______________________________________________________________________________________________________________ *** CDs *** HORACE ANDY....................... OUTTA DE VAULT (14 NEW TRACKS) PLUSH/POP CORN. (USA) (02/03). 20.99EUR MAYA ANGELOU...................... MISS CALYPSO.................. LIBERTY/REV-OLA (GBR) (57/03). 19.49EUR CALY ANTHONY B......................... STREET KNOWLEDGE (16 NEW TR.). ON THE CORNER.. (FRA) (02/03). 18.99EUR HEADLEY BENNETT................... POOLSIDE REGGAE (SAX INSTRUM.) REGGAE TODAY... (USA) (02/03). 19.99EUR BUSHMAN (RE-RELEASE).............. LIVE AT THE OPERA HOUSE....... ON THE CORNER.. (FRA) -
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The Bahamas Vegetation: The soil is thin, and generally infertile, but cultivation has produced exotic flowers (as well as subtropical fruit and vegetables) on the more developed islands. Some islands have large areas of pine forests. Forest covers 51 per cent of the land area and there was no significant loss of forest cover during 1990–2011. Wildlife: Animal life is restricted to small species, such as agouti, frogs, iguanas and bats. The Inagua National Park on Great Inagua Island is the home of more than 50,000 flamingos, the largest flock in the world and The Bahamas’ national bird. Main towns: Nassau (capital, pop. 241,200 in 2010) on New Providence; Freeport (44,300), West End (13,100) and High Rock (3,900) on Grand Bahama; Cooper’s Town (9,300) and Marsh Harbour (5,800) on Abaco; Freetown (4,300) and Spanish Wells (1,800) on Eleuthera; Andros Town (2,300) on Andros; and Clarence Town (1,700) on Long Island. Transport: The total road system extends to some 2,700 km, about 60 per cent of it paved. There are almost 1,000 km of roads on New Providence (some of which are privately owned), 209 km of roads on KEY FACTS city of Freeport. The other islands are known Eleuthera, 156 km on Grand Bahama, and collectively as the Family Islands or Out Joined Commonwealth: 1973 more than 885 km on the Out Islands. Islands. The islands lie on a submarine shelf Population: 377,000 (2013) which rises steeply from deep waters in the Main ports are Nassau (New Providence), Freeport (Grand Bahama) and Matthew Town GDP p.c. -
2007 Mary Gates Hall 12:00 – 5:00 Pm
Fostering a Community of Student Scholars UNIVERSITY OF WASHINGTON’S Tenth Annual Undergraduate Research Symposium A Decade of Celebrating Undergraduate Scholarship and Creativity 18 May 2007 MARY GATES HALL 12:00 – 5:00 PM PROCEEDINGS Created by the Undergraduate Research Program with the support of Undergraduate Academic Affairs, the Office of Research, and the Mary Gates Endowment for Students. The Tenth Annual Undergraduate Research Symposium is organized by the Undergraduate Research Program (URP), which facilitates research experiences for undergraduates in all academic disciplines. URP staff assist students in planning for an undergraduate research experience, identifying faculty mentors, projects, and departmental resources, defining research goals, presenting and publishing research findings, obtaining academic credit, and seeking funding for their research. Students interested in becoming involved in research may contact the URP office in Mary Gates Hall Room 120 for an appointment or send an email to [email protected]. URP maintains a listing of currently available research projects and other resources for students and faculty at: http://www.washington.edu/research/urp/. Janice DeCosmo, Director Jennifer Harris, Associate Director Tracy Nyerges, Special Programs Coordinator and Adviser Jessica Salvador, Graduate Student Assistant James Hong, Staff Assistant The Undergraduate Research Program is a unit of the UW’s Undergraduate Academic Affairs UNIVERSITY OF WASHINGTON’S TENTH ANNUAL UNDERGRADUATE RESEARCH SYMPOSIUM PROCEEDINGS TABLE OF CONTENTS POSTER SESSIONS 6 PRESENTATION SESSIONS 107 1A. SOCIAL AND CULTURAL IDENTITY 108 1B. POLITICS, POLICIES, AND NARRATIVES OF THE ENVIRONMENT 110 1C. TOWARD MENTAL HEALTH AND WELL-BEING 111 1D. MOLECULAR AND CELLULAR INTERACTIONS IN DEVELOPMENT 113 1E. APPLICATIONS OF DISCRETE METHODS 115 1F. -
Le Reggae.Qxp
1 - Présentation Dossier d’accompagnement de la conférence / concert du vendredi 10 octobre 2008 proposée dans le cadre du projet d’éducation artistique des Trans et des Champs Libres. “Le reggae” Conférence de Alex Mélis Concert de Keefaz & D-roots Dans la galaxie des musiques actuelles, le reggae occupe une place singulière. Héritier direct du mento, du calypso et du ska, son avènement en Jamaïque à la fin des années soixante doit beaucoup aux musiques africaines et cubaines, mais aussi au jazz et à la soul. Et puis, il est lui-même à la source d'autres esthétiques comme le dub, qui va se développer parallèlement, et le ragga, qui apparaîtra à la fin des années quatre-vingt. Au cours de cette conférence, nous retracerons la naissance du reggae sur fond de "sound systems", de culture rastafari, et des débuts de l'indépendance de la Jamaïque. Nous expliquerons ensuite de quelle façon le reggae des origi- nes - le "roots reggae" - s'est propagé en s'"occidentalisant" et en se scindant en plusieurs genres bien distincts, qui vont du très brut au très sophistiqué. Enfin, nous montrerons tous les liens qui se sont tissés au fil des années entre la famille du reggae et celles du rock, du rap, des musiques électroniques, de la chanson, sans oublier des musiques spécifiques d'autres régions du globe comme par exemple le maloya de La Réunion. Alors, nous comprendrons comment la musique d'une petite île des Caraïbes est devenue une musique du monde au sens le plus vrai du terme, puisqu'il existe aujourd'hui des scènes reggae et dub très vivaces et toujours en évolution sur tous les continents, des Amériques à l'Afrique en passant par l'Asie et l'Europe, notamment en Angleterre, en Allemagne et en France. -
Country Airplay Charts
Country Update BILLBOARD.COM/NEWSLETTERS APRIL 20, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Barrett Finds ‘Hope’ At The Top Country Expands Style, Boundaries >page 5 With Increasing Pop Partnerships Recording Continues With Studios Closed Country is by definition a form of popular music, but the mod- On The Charts, page 5); Blake Shelton and pop/rock vocalist >page 11 ern version has popped up even more. Gwen Stefani rank No. 2 with “Nobody But You”; Brett Young, Artists from other genres are seemingly working with coun- who is at No. 3 with “Catch,” is simultaneously working “I Do,” try acts in greater numbers than ever, and a flurry of activity a tech-driven duet with European pop singer Astrid S; and Mor- surrounding the past weekend underscored the trend: gan Wallen, whose “Chasin’ You” is No. 4, already has snagged Country’s Happiest • Gabby Barrett unveiled an alternate version of “I Hope” a gold single from the RIAA for “Heartless,” which is featured Song Is… f e a t u r i n g p o p on that forthcom- >page 12 singer-songwriter- ing Diplo album. producer Charlie “My music is on Puth on April 17. the redneck side • E D M a r t i s t of things,” says Springsteen Born Diplo issued a col- Wallen, drawing a To Air In NYC laboration with comparison with >page 12 Blanco Brown, “Do the pop percussion Si Do,” on April 17 in “Heartless.” while announcing “But me and my Makin’ Tracks: the May 29 release buddies back home, Hambrick’s ‘Forever’ of a country-themed we listened to old- Soul album, Diplo Pres- s c h o o l c o u nt r y ents Thomas Wesley music, we listened >page 16 WALLEN LEGEND BALLERINI Chapter 1: Snake to old country/rock, Oil, featuring Cam, but sometimes Zac Brown, Danielle Bradbery and Thomas Rhett. -
The Music of Relationality in the Cinema of Claire Denis
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections.