Racism Perspective As Reflected in Bob Marley's and the Wailer's Songs
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/ 84893 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications Culture is a Weapon: Popular Music, Protest and Opposition to Apartheid in Britain David Toulson A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History University of Warwick Department of History January 2016 Table of Contents Acknowledgements………………………………………………………………...iv Declaration………………………………………………………………………….v Abstract…………………………………………………………………………….vi Introduction………………………………………………………………………..1 ‘A rock concert with a cause’……………………………………………………….1 Come Together……………………………………………………………………...7 Methodology………………………………………………………………………13 Research Questions and Structure…………………………………………………22 1)“Culture is a weapon that we can use against the apartheid regime”……...25 The Cultural Boycott and the Anti-Apartheid Movement…………………………25 ‘The Times They Are A Changing’………………………………………………..34 ‘Culture is a weapon of struggle’………………………………………………….47 Rock Against Racism……………………………………………………………...54 ‘We need less airy fairy freedom music and more action.’………………………..72 2) ‘The Myth -
The Dub Issue 15 August2017
AIRWAVES DUB GREEN FUTURES FESTIVAL RADIO + TuneIn Radio Thurs - 9-late - Cornerstone feat.Baps www.greenfuturesfestivals.org.uk/www.kingstongreenradi o.org.uk DESTINY RADIO 105.1FM www.destinyradio.uk FIRST WEDNESDAY of each month – 8-10pm – RIDDIM SHOW feat. Leo B. Strictly roots. Sat – 10-1am – Cornerstone feat.Baps Sun – 4-6pm – Sir Sambo Sound feat. King Lloyd, DJ Elvis and Jeni Dami Sun – 10-1am – DestaNation feat. Ras Hugo and Jah Sticks. Strictly roots. Wed – 10-midnight – Sir Sambo Sound NATURAL VIBEZ RADIO.COM Daddy Mark sessions Mon – 10-midnight Sun – 9-midday. Strictly roots. LOVERS ROCK RADIO.COM Mon - 10-midnight – Angela Grant aka Empress Vibez. Roots Reggae as well as lo Editorial Dub Dear Reader First comments, especially of gratitude, must go to Danny B of Soundworks and Nick Lokko of DAT Sound. First salute must go to them. When you read inside, you'll see why. May their days overflow with blessings. This will be the first issue available only online. But for those that want hard copies, contact Parchment Printers: £1 a copy! We've done well to have issued fourteen in hard copy, when you think that Fire! (of the Harlem Renaissance), Legitime Defense and Pan African were one issue publications - and Revue du Monde Noir was issued six times. We're lucky to have what they didn't have – the online link. So I salute again the support we have from Sista Mariana at Rastaites and Marco Fregnan of Reggaediscography. Another salute also to Ali Zion, for taking The Dub to Aylesbury (five venues) - and here, there and everywhere she goes. -
Bob Marley – Wikipédia, a Enciclopédia Livre
Bob Marley – Wikipédia, a enciclopédia livre http://pt.wikipedia.org/w/index.php?title=Bob_Marley&printable=yes Bob Marley Origem: Wikipédia, a enciclopédia livre. Robert Nesta Marley , mais conhecido como Bob Marley (Nine Mile, 6 de fevereiro de 1945 — Miami, Bob Marley 11 de maio de 1981), foi um cantor, guitarrista e compositor jamaicano, o mais conhecido músico de reggae de todos os tempos, famoso por popularizar o gênero. Marley já vendeu mais de 75 milhões de discos.1 A maior parte do seu trabalho lidava com os problemas dos pobres e oprimidos. Levou, através de sua música, o movimento rastafári e suas ideias de paz, irmandade, igualdade social, libertação, resistência, liberdade e amor universal ao mundo. A música de Marley foi fortemente influenciada pelas questões sociais e políticas de sua terra natal, fazendo com que considerassem-no a voz do povo negro, pobre e oprimido da Jamaica. A África e seus problemas como a miséria, guerras e domínio europeu também foram Bob Marley durante apresentação em Estocolmo no dia 19 de junho centro de assunto de suas músicas, por tratar-se da terra de 1978. sagrada do movimento rastafári. Informação geral Hoje pode ser considerado o primeiro e maior astro Nome completo Robert Nesta Marley musical do Terceiro Mundo e a maior voz deste. Suas Também Rei do Reggae músicas mais conhecidas são " I Shot the Sheriff "," No conhecido(a) Woman, No Cry"," Could You Be Loved "," Stir It Up como "," Get Up, Stand Up "," Jamming "," Redemption Song Nascimento 6 de Fevereiro de 1945 "," One Love/People Get Ready "e," Three Little Birds Nine Mile, Saint Ann ", e tambem lançamentos póstumos como " Buffalo Jamaica Soldier "e" Iron Lion Zion ". -
Reggae På Jamaica– En Oversigt
Reggae på Jamaica – en oversigt Indhold Jamaica ...................................................................................................1 Reggae-musikken ..................................................................................1 Ska ........................................................................................................1 Rock Steady .........................................................................................2 Reggae ..................................................................................................2 Bob Marley .......................................................................................3 Roots reggae og rasta ..........................................................................4 Dub, sound systems og toasting .........................................................5 Two-tone og ska-punk .........................................................................5 Litteratur ................................................................................................5 Jamaica Jamaica er en ø i Caribien syd for Cuba; den er ¼ så stor som Danmark og der bor ca. 2,9 mill. men- nesker (2012), ca. 90% er efterkommere af slaver. Slaveriet blev afskaffet i 1835. Der var en oprinde- lig indiansk befolkning, da Columbus opdagede øen i 1494, men den blev hurtigt udryddet. Først var Jamaica en spansk koloni, derefter engelsk indtil selvstændigheden i 1962. Reggae-musikken Ska Skamusikken var en musik og -dansestil, der kom frem i starten af 1960’erne og som var inspireret -
Shilliam, Robbie. "Dread Love: Reggae, Rastafari, Redemption." the Black Pacific: Anti- Colonial Struggles and Oceanic Connections
Shilliam, Robbie. "Dread Love: Reggae, RasTafari, Redemption." The Black Pacific: Anti- Colonial Struggles and Oceanic Connections. London: Bloomsbury Academic, 2015. 109–130. Bloomsbury Collections. Web. 23 Sep. 2021. <http://dx.doi.org/10.5040/9781474218788.ch-006>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 23 September 2021, 11:28 UTC. Copyright © Robbie Shilliam 2015. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Dread Love: Reggae, RasTafari, Redemption Introduction Over the last 40 years roots reggae music has been the key medium for the dissemination of the RasTafari message from Jamaica to the world. Aotearoa NZ is no exception to this trend wherein the direct action message that Bob Marley preached to ‘get up stand up’ supported the radical engagements in the public sphere prompted by Black Power.1 In many ways, Marley’s message and demeanour vindicated the radical oppositional strategies that activists had deployed against the Babylon system in contradistinction to the Te Aute Old Boy tradition of tactful engagement. No surprise, then, that roots reggae was sometimes met with consternation by elders, although much of the issue revolved specifically around the smoking of Marijuana, the wisdom weed.2 Yet some activists and gang members paid closer attention to the trans- mission, through the music, of a faith cultivated in the Caribbean, which professed Ethiopia as the root and Haile Selassie I as the agent of redemption. And they decided to make it their faith too. -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
Lyrics and the Law : the Constitution of Law in Music
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2006 Lyrics and the law : the constitution of law in music. Aaron R. S., Lorenz University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lorenz, Aaron R. S.,, "Lyrics and the law : the constitution of law in music." (2006). Doctoral Dissertations 1896 - February 2014. 2399. https://scholarworks.umass.edu/dissertations_1/2399 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2006 Department of Political Science © Copyright by Aaron R.S. Lorenz 2006 All Rights Reserved LYRICS AND THE LAW: THE CONSTITUTION OF LAW IN MUSIC A Dissertation Presented by AARON R.S. LORENZ Approved as to style and content by: Sheldon Goldman, Member DEDICATION To Martin and Malcolm, Bob and Peter. ACKNOWLEDGMENTS This project has been a culmination of many years of guidance and assistance by friends, family, and colleagues. I owe great thanks to many academics in both the Political Science and Legal Studies fields. Graduate students in Political Science have helped me develop a deeper understanding of public law and made valuable comments on various parts of this work. -
Sly & Robbie – Primary Wave Music
SLY & ROBBIE facebook.com/slyandrobbieofficial Imageyoutube.com/channel/UC81I2_8IDUqgCfvizIVLsUA not found or type unknown en.wikipedia.org/wiki/Sly_and_Robbie open.spotify.com/artist/6jJG408jz8VayohX86nuTt Sly Dunbar (Lowell Charles Dunbar, 10 May 1952, Kingston, Jamaica, West Indies; drums) and Robbie Shakespeare (b. 27 September 1953, Kingston, Jamaica, West Indies; bass) have probably played on more reggae records than the rest of Jamaica’s many session musicians put together. The pair began working together as a team in 1975 and they quickly became Jamaica’s leading, and most distinctive, rhythm section. They have played on numerous releases, including recordings by U- Roy, Peter Tosh, Bunny Wailer, Culture and Black Uhuru, while Dunbar also made several solo albums, all of which featured Shakespeare. They have constantly sought to push back the boundaries surrounding the music with their consistently inventive work. Dunbar, nicknamed ‘Sly’ in honour of his fondness for Sly And The Family Stone, was an established figure in Skin Flesh And Bones when he met Shakespeare. Dunbar drummed his first session for Lee Perry as one of the Upsetters; the resulting ‘Night Doctor’ was a big hit both in Jamaica and the UK. He next moved to Skin Flesh And Bones, whose variations on the reggae-meets-disco/soul sound brought them a great deal of session work and a residency at Kingston’s Tit For Tat club. Sly was still searching for more, however, and he moved on to another session group in the mid-70s, the Revolutionaries. This move changed the course of reggae music through the group’s work at Joseph ‘Joe Joe’ Hookim’s Channel One Studio and their pioneering rockers sound. -
Redalyc.BOB MARLEY: MEMÓRIAS, NARRATIVAS E PARADOXOS DE
Revista Brasileira do Caribe ISSN: 1518-6784 [email protected] Universidade Federal do Maranhão Brasil Rabelo, Danilo BOB MARLEY: MEMÓRIAS, NARRATIVAS E PARADOXOS DE UM MITO POLISSÊMICO Revista Brasileira do Caribe, vol. 18, núm. 35, julio-diciembre, 2017, pp. 135-164 Universidade Federal do Maranhão Sao Luís, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=159154124010 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto BOB MARLEY: MEMÓRIAS, NARRATIVAS E PARADOXOS DE UM MITO POLISSÊMICO1 BOB MARLEY: MEMORIES, NARRATIVES AND PARADOXES OF A POLYSEMOUS MYTH Danilo Rabelo Universidade Federal de Goiás, Brasil.2 Resumo Por meio da narrativa biográfica de Bob Marley (1945-1981), o artigo analisa como diferentes imagens e memórias sobre o cantor foram sendo elaboradas durante sua vida e após a sua morte, tentando estabelecer os significados, apropriações, estratégias políticas e interesses em jogo. Como mais famoso porta-voz do reggae e do rastafarismo, as memórias sobre Marley revelam as contradições e paradoxos da sociedade envolvente jamaicana quanto ao uso das imagens elaboradas sobre o cantor. Palavras-Chave: Bob Marley; Reggae; Rastafari; Jamaica; Memória. Abstract Through the biographical narrative of Bob Marley (1945-1981), the article analyzes how different images and memories about the singer were elaborated during his life and after his death, trying to establish the meanings, appropriations, political strategies and interests at stake. As the most celebrated spokesman for reggae and Rastafarianism, Marley’s memoirs reveal the contradictions and paradoxes of Jamaican society surrounding the use of elaborated images of the singer. -
Music & Entertainment Auction
Hugo Marsh Neil Thomas Forrester (Director) Shuttleworth (Director) (Director) Music & Entertainment Auction Tuesday 19th February 2019 at 10.00 Viewing: For enquiries relating to the auction Monday 18th February 2019 10:00 - 16:00 please contact: 09:00 morning of auction Otherwise by Appointment Saleroom One 81 Greenham Business Park NEWBURY RG19 6HW Telephone: 01635 580595 Christopher David Martin David Howe Fax: 0871 714 6905 Proudfoot Music & Music & Email: [email protected] Mechanical Entertainment Entertainment Music www.specialauctionservices.com As per our Terms and Conditions and with particular reference to autograph material or works, it is imperative that potential buyers or their agents have inspected pieces that interest them to ensure satisfaction with the lot prior to auction; the purchase will be made at their own risk. Special Auction Services will give indications of the provenance where stated by vendors. Subject to our normal Terms and Conditions, we cannot accept returns. ORDER OF AUCTION Music Hall & other Disc Records 1-68 Cylinder Records 69-108 Phonographs & Gramophones 109-149 Technical Apparatus 150-155 Musical Boxes 156-171 Jazz/ other 78s 172-184 Vinyl Records 185-549 Reel to Reel Tapes 550-556 CDs/ CD Box Sets 557-604 DVDs 605-612 Music Memorabilia 613-658 Music Posters 659-666 Film & Entertainment Memorabilia Including items from the Estate of John Inman 667-718 Film Posters 719-743 Musical Instruments 744-759 Hi-Fi 760-786 2 www.specialauctionservices.com MUSIC HALL & OTHER DISC RECORDS 18. Music hall and similar records, 10 inch, 67, by Geo Robey (G & T 2-2721 & 18 1. -
Bob Marley Background Informations
Bob Marley Background informations: Birth name: Robert Nesta Marley Also known as: Tuff Gong Born: February 6, 1945 Nine Miles, Saint Ann, Jamaica Died: May 11, 1981 Genre: Reggae, ska, rocksteady Occupation: Singer, songwriter, guitarist Instrument: Guitar, vocals Years active: 1962 – 1981 Label: Studio One, Beverley’s Upseeter/ Trojan Island/Tuff Gong Associated acts: The wailers Band, The Wailers HITS: . I shot the sheriff, . No woman, No cry, . Three little birds, . Exodus, . Could you be loved, . Jamming, . Redemption song . One love[one of his most famous love songs] Bob Marley once reflected: I don’t have prejudice against myself. My father was white and my mother was black. Them call me half-caste or whatewer. Me don’t dip on nobady’s side. Me don’t dip on the black man’s side or the white man’s side. Me dip on God’s side, the one who create me and cause me to come from black and white. Musical career: Bob Marley, Bunny Livingston, Peter McIntosh, Junior Braitheaite, Beverley Kelso and Cherry Smith – rocksteady group first named “The Teenagers”. Later “The Wailing Rudeboys”, then to “The Wailing Wailers”, and finally to “The Wailers”. Albums: * The Wailing Wailers 1966 * The Best of the Wailers 1970 * Soul Rebels 1970 * Soul Revolution 1971 * Soul Revolution Part II 1971 * African Herbsman 1973 * Catch a Fire 1973 [Wailers first album] * Burnin' 1973 * Rasta Revolution 1974 * Natty Dread 1974 * Rastaman Vibration 1976 * Exodus 1977 * Kaya 1978 * Survival 1979 * Uprising 1980 * Confrontation (izdano po Marleyjevi smrti) 1983 Bob Marley’s 13 childrens: . Imani Carole, born May 22, 1963, to Cheryl Murray; . -
The Dub June 2018
1 Spanners & Field Frequency Sound System, Reading Dub Club 12.5.18 2 Editorial Dub Front cover – Indigenous Resistance: Ethiopia Dub Journey II Dear Reader, Welcome to issue 25 for the month of Levi. This is our 3rd anniversary issue, Natty Mark founding the magazine in June 2016, launching it at the 1st Mikey Dread Festival near Witney (an event that is also 3 years old this year). This summer sees a major upsurge in events involving members of The Dub family – Natty HiFi, Jah Lambs & Lions, Makepeace Promotions, Zion Roots, Swindon Dub Club, Field Frequency Sound System, High Grade and more – hence the launch of the new Dub Diary Newsletter at sessions. The aim is to spread the word about forthcoming gigs and sessions across the region, pulling different promoters’ efforts together. Give thanks to the photographers who have allowed us to use their pictures of events this month. We welcome some new writers this month too – thanks you for stepping up Benjamin Ital and Eric Denham (whose West Indian Music Appreciation Society newsletter ran from 1966 to 1974 and then from 2014 onwards). Steve Mosco presents a major interview with U Brown from when they recorded an album together a few years ago. There is also an interview with Protoje, a conversation with Jah9 from April’s Reggae Innovations Conference, a feature on the Indigenous Resistance collective, and a feature on Augustus Pablo. Welcome to The Dub Editor – Dan-I [email protected] The Dub is available to download for free at reggaediscography.blogspot.co.uk and rastaites.com The Dub magazine is not funded and has no sponsors.