DOCSLIB.ORG

Still on the Road: 2002 US Fall Tour

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Still on the Road: 2002 US Fall Tour STILL ON THE ROAD 2002 US FALL TOUR OCTOBER 4 Seattle, Washington Key Arena, Seattle Center 5 Eugene, Oregon MacArthur Court, University Of Oregon 7 Red Bluff, California Pauline Davis Pavilion, Tehama County Fairgrounds 8 Sacramento, California Memorial Auditorium 9 Sacramento, California Memorial Auditorium 11 Berkeley, California Greek Theatre, University Of California 12 Berkeley, California Greek Theatre, University Of California 13 Lake Tahoe, Nevada Harrah's South Shore Room, Harrah's Casino – Early show 13 Lake Tahoe, Nevada Harrah's South Shore Room, Harrah's Casino – Late show 15 Los Angeles, California Wiltern Theatre 16 Los Angeles, California Wiltern Theatre 17 Los Angeles, California Wiltern Theatre 19 San Diego, California Open Air Theatre, San Diego State University 20 Las Vegas, Nevada The Joint, Hard Rock Hotel & Casino 21 Phoenix, Arizona Arizona Veterans Memorial Coliseum Arena, Arizona State Fair 23 Tucson, Arizona Anselmo Valencia Amphitheater, Casino Del Sol 25 Bernalillo, New Mexico Events Center, Santa Ana Star Casino 26 Denver, Colorado Pepsi Center 28 Kansas City, Missouri Uptown Theatre 29 Ames, Iowa Hilton Coliseum, Iowa State University 30 St. Paul, Minnesota Excel Energy Center NOVEMBER 1 Rosemont, Illinois Allstate Arena 2 Dayton, Ohio Dayton Hara Arena 3 Kent, Ohio Gymnasium, Kent State University 5 Indianapolis, Indiana Murat Egyptian Room, Murat Centre – early show 5 Indianapolis, Indiana Murat Egyptian Room, Murat Centre – late show 7 Ann Arbor, Michigan Crisler Arena, University Of Michigan 8 Pittsburgh, Pennsylvania A.J. Palumbo Center, Duquesne University 9 Elmira, New York Coach USA Center 11 New York City, New York Madison Square Garden 13 New York City, New York Madison Square Garden 15 Philadelphia, Pennsylvania First Union Center 16 Boston, Massachusetts Fleet Center 17 Hartford, Connecticut Civic Center Coliseum 20 Kingston, Rhode Island Ryan Center, University Of Rhode Island 21 Wilkes Barre, Pennsylvania First Union Center 22 Fairfax, Virginia Patriot Center, George Mason University Bob Dylan: Still On The Road – 2002 US Fall Tour Bob Dylan: Still On The Road – 2002 US Fall Tour 24270 Key Arena Seattle Center Seattle, Washington 4 October 2002 1. Solid Rock 2. Lay Lady Lay 3. Tombstone Blues 4. Accidentally Like A Martyr (Warren Zevon) 5. I'll Be Your Baby Tonight 6. Brown Sugar (Mick Jagger/Keith Richards) 7. Don't Think Twice, It's All Right 8. It's Alright, Ma (I'm Only Bleeding) 9. Love Minus Zero/No Limit 10. Boom Boom Mancini (Warren Zevon) 11. Searching For A Soldier's Grave (Johnnie Wright, Jim Anglin, Jack Anglin) 12. Mr. Tambourine Man 13. Honest With Me 14. To Ramona 15. High Water (For Charley Patton) 16. Mutineer (Warren Zevon) 17. Floater (Too Much To Ask) 18. Summer Days — 19. Like A Rolling Stone 20. Knockin' On Heaven's Door 21. All Along The Watchtower Concert # 1454 of The Never-Ending Tour. First concert of the 2002 US Fall Tour. 2002 concert # 71. Concert # 55 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion). 1, 2, 7-9, 11, 12, 14, 20 acoustic with the band. 1-5, 8, 13, 15-17 Bob Dylan (piano). 2 Bob Dylan (harmonica). 6, 11, 20 Larry Campbell & Charlie Sexton (backup vocals). Notes LB-numbers for this concert: LB-0692, LB-1248. Live debuts of Accidentally Like A Martyr, Brown Sugar, Boom Boom Mancini and Mutineer. First piano playing by Bob Dylan since Stuttgart 16 June 1991. Other Bob Dylan concerts in Seattle, Washington: 9 February 1974 Coliseum 9 February 1974 Coliseum 10 November 1978 Hec Edmondson Pavilion, University Of Washington 13 January 1980 Paramount Northwest Theatre 14 January 1980 Paramount Northwest Theatre 15 January 1980 Paramount Northwest Theatre 29 November 1980 Paramount Northwest Theatre 27 April 1992 Paramount Theater 28 April 1992 Paramount Theater 21 August 1993 Memorial Stadium 2 June 1995 Paramount Theater 3 June 1995 Paramount Theater 4 June 1995 Paramount Theater Bob Dylan: Still On The Road – 2002 US Fall Tour 6 October 2001 Key Arena, Seattle Center 7 March 2005 Paramount Northwest Theatre 8 March 2005 Paramount Northwest Theatre 9 March 2005 Paramount Northwest Theatre 16 July 2005 Benaroya Hall 13 October 2006 Key Arena, Seattle Center 4 October 2009 The Moore Theatre 5 October 2009 WaMu Theatre 4 September 2010 Seattle Center Coliseum 13 October 2012 Key Arena, Seattle Center 17 October 2014 Paramount Theatre 18 October 2014 Paramount Theatre 19 October 2014 Paramount Theatre Stereo audience recording, 120 minutes. Session info updated 27 October 2014. Bob Dylan: Still On The Road – 2002 US Fall Tour 24280 MacArthur Court University Of Oregon Eugene, Oregon 5 October 2002 1. Maggie's Farm 2. Just Like A Woman 3. Tombstone Blues 4. Accidentally Like A Martyr (Warren Zevon) 5. Watching The River Flow 6. Brown Sugar (Mick Jagger/Keith Richards) 7. Forever Young 8. It's Alright, Ma (I'm Only Bleeding) 9. It's All Over Now, Baby Blue 10. Lawyers Guns And Money (Warren Zevon) 11. A Voice From On High (Bill Monroe/Bessie Lee Mauldin) 12. Señor (Tales Of Yankee Power) 13. Honest With Me 14. Friend Of The Devil (Jerry Garcia - Robert Hunter - John Dawson) 15. Lonesome Day Blues 16. Mutineer (Warren Zevon) 17. Moonlight 18. Summer Days — 19. Like A Rolling Stone 20. Knockin' On Heaven's Door 21. All Along The Watchtower Concert # 1455 of The Never-Ending Tour. Second concert of the 2002 US Fall Tour. 2002 concert # 72. Concert # 56 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion). 2, 7-9, 11, 12, 14, 20 acoustic with the band. 1-5, 8, 13, 15-17 Bob Dylan (piano). 6, 7, 14, 20 Larry Campbell & Charlie Sexton (backup vocals). Notes LB-numbers for this concert: LB-0675, LB-1249, LB-6608, LB-6612. Live debut of Lawyers Guns And Money. Other Bob Dylan concerts in Eugene, Oregon: 19 July 1987 Autzen Stadium 30 April 1992 The Hult Center For The Performing Arts 30 May 1995 The Hult Center For The Performing Arts 31 May 1995 The Hult Center For The Performing Arts 24 September 1998 McArthur Court, University Of Oregon 14 June 1999 EMU Ballroom, University of Oregon 8 October 2009 McArthur Court, University Of Oregon 7 June 2016 Cuthbert Amphitheater 11 new songs (52%) compared to previous concert. 11 new songs for this tour. Stereo audience recording, 120 minutes. Session info updated 7 July 2016. Bob Dylan: Still On The Road – 2002 US Fall Tour 24290 Pauline Davis Pavilion Tehama County Fairgrounds Red Bluff, California 7 October 2002 1. Rainy Day Women # 12 & 35 2. You're A Big Girl Now 3. Tombstone Blues 4. Accidentally Like A Martyr (Warren Zevon) 5. Watching The River Flow 6. Brown Sugar (Mick Jagger/Keith Richards) 7. My Back Pages 8. It's Alright, Ma (I'm Only Bleeding) 9. I Shall Be Released 10. Cold Irons Bound 11. One Too Many Mornings 12. A Hard Rain's A-Gonna Fall 13. Honest With Me 14. It Ain't Me, Babe 15. High Water (For Charley Patton) 16. Mutineer (Warren Zevon) 17. Floater (Too Much To Ask) 18. Summer Days — 19. Like A Rolling Stone 20. Knockin' On Heaven's Door 21. All Along The Watchtower Concert # 1456 of The Never-Ending Tour. Third concert of the 2002 US Fall Tour. 2002 concert # 73. Concert # 57 with the 13th Never-Ending Tour Band: Bob Dylan (vocal & guitar), Charlie Sexton (guitar), Larry Campbell (guitar, mandolin, pedal steel guitar & electric slide guitar), Tony Garnier (bass), George Recile (drums & percussion). 7-9, 11, 12, 14, 20 acoustic with the band. 1-5, 8, 9, 12, 14-17 Bob Dylan (piano). 9, 14 Bob Dylan (harmonica). 1 Larry Campbell (slide guitar). 2, 11, 16 Larry Campbell (pedal steel guitar). 7 Larry Campbell (fiddle). 8, 12 Larry Campbell (cittern). 6, 9, 20 Larry Campbell & Charlie Sexton (backup vocals). Bootlegs Red Bluff 2002, Crystal Cat 2CD. I Ain't No Judas. Tambourine Man Records TMR 046/47. Don't Shoot the Piano Player. No label. Bob Dylan: Still On The Road – 2002 US Fall Tour Official release 16 released on Warren Zevon: Enjoy Every Sandwich - The songs of Warren Zevon, Rykodisc RCD17304, 18 October 2004. Notes LB-numbers for this concert: LB-0660, LB-1002, LB-8348, LB-9807. The Pauline Davis Pavilion is a "livestock arena", a small barn-like structure with a dirt floor in front of the stage and bleachers in the back. Previous Bob Dylan concert in Red Bluff, California: 1 May 1992 Pauline Davis Pavilion, Tehama County Fairgrounds 10 new songs (47%) compared to previous concert. 8 new songs for this tour. Stereo audience recording, 120 minutes. Session info updated 24 September 2012. Bob Dylan: Still On The Road – 2002 US Fall Tour 24300 Memorial Auditorium Sacramento, California 8 October 2002 1. Maggie's Farm 2. Tonight I'll Be Staying Here With You 3. Tombstone Blues 4. The End Of The Innocence (Don Henley/Bruce Hornsby) 5. I'll Be Your Baby Tonight 6. Brown Sugar (Mick Jagger/Keith Richards) 7. Masters Of War 8. It's Alright, Ma (I'm Only Bleeding) 9. Boots Of Spanish Leather 10. Cold Irons Bound 11. It's All Over Now, Baby Blue 12. Old Man (Neil Young) 13. Honest With Me 14. One Too Many Mornings 15. High Water (For Charley Patton) 16. Mutineer (Warren Zevon) 17. Moonlight 18. Summer Days — 19. Like A Rolling Stone 20. Knockin' On Heaven's Door 21.
Load more

Recommended publications
  • Comprehensive Annual Financial Report Photos Used with Permission of Pacers Sports & Entertainment Used with Permission of Pacers Photos Indiana Basketball
    FINANCIAL SECTION COMPREHENSIVE ANNUAL FINANCIAL REPORT Photos used with permission of Pacers Sports & Entertainment used with permission of Pacers Photos Indiana Basketball Professional basketball came to Indianapolis in 1967 when eight businessmen invested a few thousand dollars apiece to create the Indiana Pacers franchise as a charter member of the American Basketball Association (ABA). The nickname “Pacers” was decided on through a collective decision of the original investors. It was a combination of the state’s rich history with the harness racing pacers and the pace car used for the running of the Indianapolis 500. The Pacers became a member of the National Basketball Association (NBA) in 1976 as a result of the ABA-NBA merger. They originally played in the Indiana State Fairgrounds Coliseum, but moved to the Market Square Arena in downtown Indianapolis in 1974 where they stayed for 25 years. They moved to Bakers Life Fieldhouse in 1999 where they currently reside. Over the years the Pacers have been home to a number of top talent including five Hall of Fame members: Reggie Miller, Chris Mullin, Alex English, Mel Daniels and Roger Brown. The team won three championships while in the ABA and eight division titles so far in the NBA. They were also the Eastern Conference champions in 2000. 2 - State of Indiana - Comprehensive Annual Financial Report Comprehensive Annual Financial Report - State of Indiana - 3 4 - State of Indiana - Comprehensive Annual Financial Report Comprehensive Annual Financial Report - State of Indiana - 5
    [Show full text]
  • 4800-24 N. Sheridan Rd
    4800-4824 N. Sheridan Road For Lease Chicago, IL 60640 | Uptown Retail Property ±920 SF, ±1,840 SF and ±8,271 SF available DEMOGRAPHICS Located at the NWC of Sheridan & Lawrence in Chicago’s .25 MILE .5 MILE 1 MILE Uptown neighborhood Estimated Population 11,251 29,869 70,371 Neighborhood convenience center is anchored by Wintrust Bank, H&R Block, KFC and Cricket Wireless Adj. Daytime 9,465 22,979 48,079 Demographics Less than two blocks from the CTA Red Line Lawrence 'L' Station (1M annual riders) Estimated Households 5,183 14,801 38,090 Walking distance to Uptown's notable attractions including Estimated Average $57,285 $60,386 $79,048 The Green Mill, The Riviera Theatre, Uptown Theatre, and the Household Income Aragon Ballroom Dense population surrounding the center Great visibility and parking, pylon signage available MARK FREDERICKS TREVOR JACK DOUG RENNER 312.275.3109 312.275.3128 312.275.3137 [email protected] [email protected] [email protected] © 2018 All information supplied is from sources deemed reliable and is furnished subject to errors, omissions, modifications, removal of the listing from sale or lease, and to any listing conditions, including the rates and manner of payment of commissions for particular offerings, the terms of which are available to principals or duly licensed brokers. Any square footage dimensions set forth are approximate. BAUM REALTY GROUP • 1030 W CHICAGO AVE , SUITE 200 • CHICAGO, IL 60642 • 312.666.3000 • BAUMREALTY.COM 4800-4824 N. Sheridan Road For Lease Chicago, IL 60640 | Uptown
    [Show full text]
  • Cashbox Subscription: Please Check Classification;
    July 13, 1985 NEWSPAPER $3.00 v.'r '-I -.-^1 ;3i:v l‘••: • •'i *. •- i-s .{' *. » NE RIAA CERTIFICATIONS ANNOUNCED R.E.M. AFFILIATES LIVE-AID Crass Roots Audience Blossoms TWORK, GEAR FOR Story on Page 13 WEHIND THE BULLETS: TEARS FOR FEARS #1 MTV AWARDS ENTER NEXT PHASE GUEST EDITORIAL: AL KOOPER SUBSCRIPTION ORDER: PLEASE ENTER MY CASHBOX SUBSCRIPTION: PLEASE CHECK CLASSIFICATION; RETAILER ARTIST I NAME VIDEO JUKEBOXES DEALER AMUSEMENT GAMES COMPANY TITLE ONE-STOP VENDING MACHINES DISTRIBUTOR RADIO SYNDICATOR ADDRESS BUSINESS HOME APT. NO. RACK JOBBER RADIO CONSULTANT PUBLISHER INDEPENDENT PROMOTION CITY STATE/PROVINCE/COUNTRY ZIP RECORD COMPANY INDEPENDENT MARKETING RADIO OTHER: NATURE OF BUSINESS PAYMENT ENCLOSED SIGNATURE DATE USA OUTSIDE USA FOR 1 YEAR I YEAR (52 ISSUES) $125.00 AIRMAIL $195.00 6 MONTHS (26 ISSUES) S75.00 1 YEAR FIRST CLASS/AIRMAIL SI 80.00 01SHBCK (Including Canada & Mexico) 330 WEST 58TH STREET • NEW YORK, NEW YORK 10019 ' 01SH BOX HE INTERNATIONAL MUSIC / COIN MACHINE / HOME ENTERTAINMENT WEEKLY VOLUME XLIX — NUMBER 5 — July 13, 1985 C4SHBO( Guest Editorial : T Taking Care Of Our Own ^ GEORGE ALBERT i. President and Publisher By A I Kooper MARK ALBERT 1 The recent and upcoming gargantuan Ethiopian benefits once In a very true sense. Bob Geldof has helped reawaken our social Vice President and General Manager “ again raise an issue that has troubled me for as long as I’ve been conscience; now we must use it to address problems much closer i SPENCE BERLAND a part of this industry. We, in the American music business do to home.
    [Show full text]
  • Bob Dylan Performs “It's Alright, Ma (I'm Only Bleeding),” 1964–2009
    Volume 19, Number 4, December 2013 Copyright © 2013 Society for Music Theory A Foreign Sound to Your Ear: Bob Dylan Performs “It’s Alright, Ma (I’m Only Bleeding),” 1964–2009 * Steven Rings NOTE: The examples for the (text-only) PDF version of this item are available online at: http://www.mtosmt.org/issues/mto.13.19.4/mto.13.19.4.rings.php KEYWORDS: Bob Dylan, performance, analysis, genre, improvisation, voice, schema, code ABSTRACT: This article presents a “longitudinal” study of Bob Dylan’s performances of the song “It’s Alright, Ma (I’m Only Bleeding)” over a 45-year period, from 1964 until 2009. The song makes for a vivid case study in Dylanesque reinvention: over nearly 800 performances, Dylan has played it solo and with a band (acoustic and electric); in five different keys; in diverse meters and tempos; and in arrangements that index a dizzying array of genres (folk, blues, country, rockabilly, soul, arena rock, etc.). This is to say nothing of the countless performative inflections in each evening’s rendering, especially in Dylan’s singing, which varies widely as regards phrasing, rhythm, pitch, articulation, and timbre. How can music theorists engage analytically with such a moving target, and what insights into Dylan’s music and its meanings might such a study reveal? The present article proposes one set of answers to these questions. First, by deploying a range of analytical techniques—from spectrographic analysis to schema theory—it demonstrates that the analytical challenges raised by Dylan’s performances are not as insurmountable as they might at first appear, especially when approached with a strategic and flexible methodological pluralism.
    [Show full text]
  • Uptown Theater Nomination
    GOVERNMENT OF THE DISTRICT OF COLUMBIA HISTORIC PRESERVATION OFFICE HISTORIC PRESERVATION REVIEW BOARD APPLICATION FOR HISTORIC LANDMARK OR HISTORIC DISTRICT DESIGNATION New Designation __X___ Amendment of a previous designation _____ Please summarize any amendment(s) _______________________________________________ Property Name: Uptown Theater______________________________________ If any part of the interior is being nominated, it must be specifically identified and described in the narrative statements. Address 3426 Connecticut Avenue NW Washington, DC 20008 Square and lot number(s) Square 2069, Lot 0816 Affected Advisory Neighborhood Commission 3C Date of Construction: 1936 Date of major alteration(s) _______ Architect(s) _John J. Zink Architectural style(s): Moderne Original use Theater Present use Vacant/Not in Use Property owner Circle Management Company_____________________ ____________________ Legal address of property owner 4018 Brandywine Street NW Washington, DC 20016-1844 NAME OF APPLICANT(S) DC Preservation League and Cleveland Park Historical Society ___ If the applicant is an organization, it must submit evidence that among its purposes is the promotion of historic preservation in the District of Columbia. A copy of its charter, articles of incorporation, or by-laws, setting forth such purpose, will satisfy this requirement. Address/Telephone of applicant(s) 1221 Connecticut Avenue. NW Suite 5A, Washington, DC 200036; 202-783-5144 and P.O. Box 4862 Washington, DC 20008 Name and title of authorized representative: Rebecca Miller, Executive Director, DCPL and Rick Nash, President, Board of Directors, Cleveland Park Historical Society___________________ Signature of applicant representative: ______________________________ Date: 10/29/20 Signature of applicant representative: Date: 10/29/20 Name and telephone of author of application DC Preservation League 202-783-5144; Cleveland Park Historical Society 202-237-5241 Date received ___________ H.P.O.
    [Show full text]
  • Tax Increment Financing and Major League Venues
    Tax Increment Financing and Major League Venues by Robert P.E. Sroka A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Sport Management) in the University of Michigan 2020 Doctoral Committee: Associate Professor Judith Grant Long, Chair Professor Sherman Clark Professor Richard Norton Professor Stefan Szymanski Robert P.E. Sroka [email protected] ORCID iD: 0000-0001-6310-4016 © Robert P.E. Sroka 2020 DEDICATION This dissertation is dedicated to my parents, John Sroka and Marie Sroka, as well as George, Lucy, and Ricky. ii ACKNOWLEDGEMENTS Thank you to my parents, John and Marie Sroka, for their love and support. Thank you to my advisor, Judith Grant Long, and my committee members (Sherman Clark, Richard Norton, and Stefan Szymanski) for their guidance, support, and service. This dissertation was funded in part by the Government of Canada through a Social Sciences and Humanities Research Council Doctoral Fellowship, by the Institute for Human Studies PhD Fellowship, and by the Charles Koch Foundation Dissertation Grant. iii TABLE OF CONTENTS DEDICATION ii ACKNOWLEDGMENTS iii LIST OF TABLES v LIST OF FIGURES vii ABSTRACT viii CHAPTER 1. Introduction 1 2. Literature and Theory Review 20 3. Venue TIF Use Inventory 100 4. A Survey and Discussion of TIF Statutes and Major League Venues 181 5. TIF, But-for, and Developer Capture in the Dallas Arena District 234 6. Does the Arena Matter? Comparing Redevelopment Outcomes in 274 Central Dallas TIF Districts 7. Louisville’s KFC Yum! Center, Sales Tax Increment Financing, and 305 Megaproject Underperformance 8. A Hot-N-Ready Disappointment: Little Caesars Arena and 339 The District Detroit 9.
    [Show full text]
  • Lawrence to Bryn Mawr Modernization Project Area
    TRANSIT-ORIENTED DEVELOPMENT PLAN PRESENTATION LAWRENCE TO BRYN MAWR MODERNIZATION PROJECT AREA Purpose • Create a community-led vision for redevelopment in the neighborhood • Test specific concepts for CTA owned parcels • Expedite development post-construction Timing • Outgrowth of the community engagement process that began in 2009 • Planning Grant award from Federal Transit Administration • Coordination between transit project and development sites Transit-Oriented Development Plan Lawrence To Bryn Mawr Modernization Area Community Engagement 12 month process 22 stakeholder meetings including 3 open house meetings: • May 2017 – idea gathering • November 2017 – vision & goals; initial ideas • May 2018 – review of recommendations; next steps Aldermanic dialogue Website updates Transit-Oriented Development Plan Lawrence To Bryn Mawr Modernization Area TOD Planning Process TODAY Discovery Visioning Development Recommendations Implementation 2018 2020’s • Existing • Engagement • Concept • Public meeting • Select Conditions development developers • Vision • Final report • Market • Market testing • Zoning / Analysis • Principles and public review Goals • Engagement • Transit project • Construction coordination • Concept refinement • Aldermanic reviews Transit-Oriented Development Plan Lawrence To Bryn Mawr Modernization Area A Multi-Modal District Pedestrians • Enhanced pedestrian environment • Widened sidewalk on Hollywood Boulevard Transit • CTA Bryn Mawr, Berwyn, Argyle, and Lawrence stations • Increased transit service • #36, #81, #84,
    [Show full text]
  • The 34Th Annual Indiana High School Athletic Association Girls Basketball State Finals
    Welcome! The 34th Annual Indiana High School Athletic Association Girls Basketball State Finals Lucas Oil Stadium, Indianapolis, Indiana March 7, 2009 Session I, 10:30 a.m. EST Class A | Fort Wayne Canterbury (22-4) vs. Vincennes Rivet (23-1) Class 2A | Oak Hill (27-1) vs. Heritage Christian (25-1) Session II, 6:00 p.m. EST Class 3A | Fort Wayne Elmhurst (24-2) vs. Owen Valley (24-2) Class 4A | South Bend Washington (26-0) vs. Ben Davis (29-0) IHSAA Event Security Policy To help insure the safest and most secure atmosphere for this IHSAA State Final, event manage- ment will diligently maintain established security procedures and activities. This will require complete cooperation by all competing teams, contest officials and fans. Security will always have priority over convenience; therefore, if you are requested to cooperate with event personnel in any manner, please do so promptly. Your assistance will enable our staff to fulfill its responsibilities efficiently. IHSAA - Pure Spirit. Pure Sport! 1 Welcome to this championship event For more than 100 years, the IHSAA has enjoyed being a part of the journey to adulthood for thousands Special Thanks To Our Hosts of young Hoosiers. Knowing that the student-athletes we meet today will be the leaders of tomorrow, we are Lucas Oil Stadium grateful for the opportunity to help them as they learn 500 South Capital Avenue • Indpls., IN 46255 valuable life lessons through athletics. Executive Director Barney Levengood Currently in Indiana, over 160,000 students from 410 Stadium Director Mike Fox Event Coordinator Jennifer Ross different IHSAA member schools participate in high Ticket Office Manager Mary Dyar school athletics.
    [Show full text]
  • General Executive Board Meetings Book 1 James J
    REPORT OF THE GENERAL EXECUTIVE BOARD MEETINGS BOOK 1 JAMES J. CLAFFEY, JR., Thirteenth Vice REPORT OF THE President GENERAL EXECUTIVE In addition to the members of the Board, those BOARD MEETING present included: International Trustees Patricia A. White, Carlos Cota and Andrew C. Oyaas; CLC HELD AT THE Delegate Siobhan Vipond; Assistant to the President SHERATON GRAND Sean McGuire; Director of Communications Matthew Cain; Director of Broadcast Sandra England; LOS ANGELES, CA Political Director J. Walter Cahill, Assistant Political JANUARY 29 – FEBRUARY 2, 2018 Director Erika Dinkel-Smith; Assistant Directors of Motion Picture and Television Production Daniel CALL TO ORDER Mahoney and Vanessa Holtgrewe; Co-Director of The regular Mid-Winter meeting of the General Stagecraft Anthony DePaulo, Assistant Director of Executive Board of the International Alliance of Theatrical Stagecraft D. Joseph Hartnett; Assistant Director Stage Employees, Moving Picture Technicians, Artists of Education and Training Robyn Cavanagh; and Allied Crafts of the United States, Its Territories and International Representatives Ben Adams, Steve Canada convened at 10:00 a.m. on Monday, January 29, Aredas, Christopher “Radar” Bateman, Steve Belsky, 2018 in the California BCEF Ballrooms of the Sheraton Jim Brett, Peter DaPrato, Don Gandolini, Jr., Ron Grand, Los Angeles, California. Garcia, John Gorey, Scott Harbinson, Krista Hurdon, Kent Jorgensen, Steve Kaplan, Mark Kiracofe, Peter Marley, Fran O’Hern, Joanne Sanders, Stasia Savage, ROLL CALL Lyle Trachtenberg, and Jason Vergnano; Staff General Secretary-Treasurer James B. Wood called members Leslie DePree, Asha Nandlal, Alejandra the roll and recorded the following members present: Tomais, Marcia Lewis and MaryAnn Kelly. MATTHEW D.
    [Show full text]
  • Wolf & Rissmiller
    Tea'" Year of PubUcatlea Volume 30, Number Z8 pc San Diego Wednesday, March 16, 1977 "thiS is Peter Frampton reminding you to pick up your copy of the official Wolf & Rissmiller Concert Guide ... don't buy tickets without it." "KLOS in coordination with Steve Wolf and Jim Rissmiller announce the return of Pink Floyd ... " Without any stretch of the imagination, the firm of Wolf & Rissmiller is known in most of the households of Southern California. Be it radio an- Wolf & Rissmiller: Concert Promoters ExtraoldiDaire nouncements for their shows or their Concert Guide, or by the ads they place in most newspapers, this best known of Southern California's rock promotional firms has made its . presence known. But how did this organization come to be? The story, as it turns out, evolves along with the entire spectrum of rock music. The middle '60s saw very little activity in the realm of rock concert promotions. It was, to say the least, a vast and mostly untapped resource. But the arrival of the Beatles in Los Angeles in 1965 seemed to change all that. Steve Wolf, who started out in show business at the Universal Studios mailroom, along with Bob Ewbanks, best known as "The Newlywed Game" emcee, made good use of a golden ee.tlllaed _ hie % ........... .,. W~.I."",,,,,,,,,,,,, ..... Wedaesday, March II, 1t77 I rhuill i " "'s Page 3 ·ssmillel... Rainbow and Unicorn art, film deal a nd nature stage tween acts ammounClIl1 upcomlOg Olt. l!L becomes even smaller. For us it's a volume Dusiness, Rissmiller concerts. Vallon, the son of a ForeIgn C4-th zd fnm Pal.
    [Show full text]
  • Bob Dylan Musician, Keith Negus. This File Contains the Pre-Proof
    Bob Dylan Musician, Keith Negus. This file contains the pre-proof versions of Chapter One and Chapter Five from Bob Dylan, presented here in this format with the permission of Equinox Publishing. I have called this text Bob Dylan Musician because this was the original agreed title of the book right up to the moment just before publication when pressure from the US publisher resulted in the term ‘musician’ being reluctantly (from my perspective) expunged from the title. That word – musician – was there to concisely signal how my approach differs from most other books on Bob Dylan. I am interested in his work and practice as a musician, rather than his lyrics as poetry or the relationship between his biography and musical art. The book contains five chapters, so these two chapters introduce and conclude the study. If anyone would like electronic copies of additional chapters I am happy to provide these, as long as they are used only for research and teaching. Keith Negus June 2013 CHAPTER ONE Surroundings On 31 October 1964 Bob Dylan performed at the Philharmonic Hall in New York City, just two years after signing a recording contract and with four albums already released. Having quickly gained recognition as a folk ‘protest singer’ he was rapidly moving away from songs of social commentary and ‘finger pointing’. Dylan was beginning to use the popular song in a new and radical manner to explore more internal or subjective experiences, whilst experimenting with the sound, meaning and rhythm of words. Within three months, when recording his fifth album, no longer performing alone with acoustic guitar and harmonica, he was beginning to create an abrasive yet ethereal sonority, mixing the acoustic and electric textures of folk, electric blues, rock’n’roll, gospel, country and pop.
    [Show full text]
  • 1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
    BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so.
    [Show full text]