David Bowie Day-In Day-Out Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

David Bowie Day-In Day-Out mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Day-In Day-Out Country: New Zealand Released: 1987 Style: Synth-pop MP3 version RAR size: 1652 mb FLAC version RAR size: 1918 mb WMA version RAR size: 1465 mb Rating: 4.4 Votes: 921 Other Formats: MMF WAV MP1 MIDI AAC MP3 FLAC Tracklist A Day-In Day-Out (Single Version) 4:10 B Julie 3:40 Companies, etc. Manufactured By – EMI (NZ) Ltd. Phonographic Copyright (p) – David Bowie Published By – Copyright Control Credits Producer – David Richards Written-By – David Bowie Written-By, Producer – David Bowie Notes On labels: ℗ 1987 David Bowie under license to EMI America Records, a division of Capitol Records, Inc. (on label circumference) Manufactured by EMI N.Z. Ltd. "Julie" is not available on the LP "Never Let Me Down". Released in a generic EMI Records company sleeve, Barcode and Other Identifiers Matrix / Runout (Side A label): X503003A Matrix / Runout (Side B label): X503118 Other versions Category Artist Title (Format) Label Category Country Year EA 230, EAX David EMI America, EA 230, EAX Day-In Day-Out (7") UK 1987 230 Bowie EMI America 230 David Day-In Day-Out (12", 9951 036 EMI America 9951 036 Brazil 1987 Bowie Promo) Day-In Day-Out (7" SPRO David Dance Edit / Extended SPRO EMI America US 1987 9996/9997 Bowie Dance Mix) (12", Maxi, 9996/9997 Promo) Day-In Day-Out David V-19234 (Extended Dance Mix) EMI America V-19234 US 1987 Bowie (12", Single) David Day-In Day-Out (Remix) 12 EAX 230 EMI America 12 EAX 230 UK 1987 Bowie (12") Related Music albums to Day-In Day-Out by David Bowie David Bowie / Pat Metheny Group - This Is Not America David Bowie - Bowie From Station To Station David Bowie - Never Let Me Down (Single Version) David Bowie - The Best Of Bowie David Bowie - China Girl David Bowie - Tonight David Bowie Live On Stage David Bowie, - David Bowie - Time Will Crawl David Bowie - David Bowie, - Black Star david bowie - collection blanche David Bowie - Tonight.

Copy Link

Recommended publications

Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
[Show full text]
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
[Show full text]
The Rolling Stones and Performance of Authenticity
University of Kentucky UKnowledge Theses and Dissertations--Art & Visual Studies Art & Visual Studies 2017 FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY Mariia Spirina University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2017.135 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Spirina, Mariia, "FROM BLUES TO THE NY DOLLS: THE ROLLING STONES AND PERFORMANCE OF AUTHENTICITY" (2017). Theses and Dissertations--Art & Visual Studies. 13. https://uknowledge.uky.edu/art_etds/13 This Master's Thesis is brought to you for free and open access by the Art & Visual Studies at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Art & Visual Studies by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
[Show full text]
Sheet for Teachers
martha mooke & Composers and Schools in Concert Composer Workshop Classical/Electronics/Experimental Cue Sheet for Teachers Recommended for grades 9 - 12 string programs Workshop Description In this three-period, hands-on workshop called “The Creative Spirit Unleashed”, world-renowned performer and improviser Martha Mooke will address methods for developing a creative voice in an encouraging, supporting, and nurturing atmosphere. Students will be guided to experiment with non-traditional instrumental techniques and musical ideas to overcome inhibitions and the fear of making ‘mistakes’, through ensemble and peer-to-peer partnering performance activities. Students will also develop tools to create their own compositions. Instructional Goals Teaching Artist, Martha Mooke • Explore extended techniques on instruments Martha Mooke, composer/electro-acoustic • Learn to improvise violist, a pioneer of electric five-string viola, • Create original compositions and transcribe into notation transcends musical boundaries by synthesizing classical music training with extended techniques, • Listen, analyze, and describe music electronics and improvisation. A Yamaha • Evaluate music performances Artist and leading clinician on electric and contemporary approaches to string playing, • Cultivate teamwork through ensemble playing and peer support she has received awards from ASCAP, Meet the on solo performances Composer and Arts International. Course Outline Mooke is founder/violist of the electro-acoustic Period 1: Introduction of extended techniques. Conceptualize and Scorchio Quartet. Recording with David Bowie, discuss ideas for creating an original composition through improvisation Philip Glass, Trey Anastasio she has toured exercises. Students are assisted in their compositional process from internationally with Barbra Streisand, Peter brainstorming to outlining to notating. Gabriel, Andrea Bocelli, Star Wars in Concert, and Period 2: Begins with warm-ups and improvisation exercises.
[Show full text]
The Cinematic Worlds of Michael Jackson
MA 330.004 / MA430.005 /AMST 341.002 Fall 2016 Revised: 10-7-16 The Cinematic Worlds of Michael Jackson Course Description: From his early years as a child star on the Chitlin’ Circuit and at Motown Records, through the concert rehearsal documentary This is It (released shortly after his death in 2009), Michael Jackson left a rich legacy of recorded music, televised performances, and short films (a description he preferred to “music video”). In this course we’ll look at Jackson’s artistic work as key to his vast influence on popular culture over the past 50 years. While we will emphasize the short films he starred in (of which Thriller is perhaps the most famous), we will also listen to his music, view his concert footage and TV appearances (including some rare interviews) and explore the few feature films in which he appeared as an actor/singer/dancer (The Wiz, Moonwalker). We’ll read from a growing body of scholarly writing on Jackson’s cultural significance, noting the ways he drew from a very diverse performance and musical traditions—including minstrelsy, the work of dance/choreography pioneers like Fred Astaire and Gene Kelly, and soul/funk legends like James Brown and Jackie Wilson—to craft a style uniquely his own. Crucially, we will ask how Jackson’s shifting public persona destabilize categories of gender, sexuality, and race----in a manner that was very different from his contemporaries: notably, the recently-deceased David Bowie and Prince. Elevated to superstardom and then made an object of the voracious cultural appetite for scandal, Michael Jackson is now increasingly regarded as a singularly influential figure in the history of popular music and culture.
[Show full text]
Radio Drive® Featuring - Kevin Gullickson
Radio Drive® Featuring - Kevin Gullickson Radio Drive is an Alternative Pop Rock band featuring Kevin Gullickson. As the engine behind Radio Drive, Kevin has won international awards and nominations for his songs and music videos. The music of Radio Drive is being aired on radio around the world alongside major artists and is receiving rave reviews by music critics. He has been featured on web zines and radio shows in Europe, Canada and the USA. Kevin’s music has landed on charts on indie stations around the world, including Canada, Germany, the UK and the South Pacific. His music has been used on shows airing on Animal Planet, National Geographic, Comedy Central, Fox Channels, History Channel, Spike TV and Discovery Channel in the USA and TV programs in England, Mexico, New Zealand and Australia. Kevin’s 2014 release of “A Taste of Heaven” was raved about by critics and received massive radio play on indie stations around the world, winning awards and nominations. The following year, in mid August 2015 Kevin finished a project with internationally recognized producer, Stuart Epps. Stuart has worked with some of the most influential artists in music, including George Harrison, Bill Wyman, Jimmy Page, Elton John, Oasis and more. Kevin now has the honor of being listed among the artists Stuart has worked with. The result is a magnificent song entitled “Humanity”. In 2017 Kevin was chosen by BEM Wireless to endorse their products. In April 2018 Kevin released his 5th full album titled “She Colors My World”, mastered by Robert L. Smith at Defy Recordings (credits include David Bowie, Aerosmith, Paul McCartney, just to name a few).
[Show full text]
Tribute to David Bowie
Tribute to David Bowie By Jennifer Sage The world lost a magical, mystical, playful, brilliant artist on Sunday, January 10, 2016. I woke to the sad news and immediately found myself purchasing many of his songs that I didn’t already own. David Bowie was a big part of my youth. When I was a freshman in high school, I embroidered rock-and-roll artists’ names on my jeans (yeah, that was a thing back then). David Bowie had a coveted spot on my right knee. It was 1976, and the Bump was the big dance craze at the time. Bowie’s hit song “Fame,” filled with soul, was a perfect song for the Bump. To this day, I can’t hear that song without my mind going back to Saint Augustine High School dances in San Diego. All of the songs in my playlist were performed by David Bowie except one, “Lust for Life,” but he co-wrote it with Iggy Pop. The only other time I have done a profile tribute to a band or artist using solely their music was with REM, and that was to celebrate their retirement, not a death. Even after we lost such great artists as Michael Jackson or Whitney Houston, I could only bring myself to play a handful of their songs. There are many covers, remixes, and mashups of David Bowie songs that you could incorporate in your tribute playlist, as well as duets and other artists of his era, so you don’t have to play just Bowie songs. But before you dismiss the idea, remember that David Bowie’s art not only spanned decades, he also spanned many genres and styles.
[Show full text]
David Bowie's Urban Landscapes and Nightscapes
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 17 | 2018 Paysages et héritages de David Bowie David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger Electronic version URL: http://journals.openedition.org/miranda/13401 DOI: 10.4000/miranda.13401 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Jean Du Verger, “David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text”, Miranda [Online], 17 | 2018, Online since 20 September 2018, connection on 16 February 2021. URL: http://journals.openedition.org/miranda/13401 ; DOI: https://doi.org/10.4000/miranda.13401 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text 1 David Bowie’s urban landscapes and nightscapes: A reading of the Bowiean text Jean Du Verger “The Word is devided into units which be all in one piece and should be so taken, but the pieces can be had in any order being tied up back and forth, in and out fore and aft like an innaresting sex arrangement. This book spill off the page in all directions, kaleidoscope of vistas, medley of tunes and street noises […]” William Burroughs, The Naked Lunch, 1959. Introduction 1 The urban landscape occupies a specific position in Bowie’s works. His lyrics are fraught with references to “city landscape[s]”5 and urban nightscapes. The metropolis provides not only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics— music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context.
[Show full text]
De Classic Album Collection
DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M.
[Show full text]
ENG 350 Summer11
ENG 350: THE HISTORY OF HIP-HOP With your host, Dr. Russell A. Potter, a.k.a. Professa RAp Mondays and Wednesdays, 6:00-9:00, Craig-Lee 252 http://350hiphop.blogspot.com/ In its rise to the top of the American popular music scene, Hip-hop has taken on all comers, and issued beatdown after beatdown. Yet how many of its fans today know the origins of the music? Sure, people might have heard something of Afrika Bambaataa or Grandmaster Flash, but how about the Last Poets or Grandmaster CAZ? For this class, we’ve booked a ride on the wayback machine which will take us all the way back to Hip-hop’s precursors, including the Blues, Calypso, Ska, and West African griots. From there, we’ll trace its roots and routes through the ‘parties in the park’ in the late 1970’s, the emergence of political Hip-hop with Public Enemy and KRS-One, the turn towards “gangsta” style in the 1990’s, and on into the current pantheon of rappers. Along the way, we’ll take a closer look at the essential elements of Hip-hop culture, including Breaking (breakdancing), Writing (graffiti), and Rapping, with a special look at the past and future of turntablism and digital sampling. Our one required textbook, Bradley and DuBois’s Anthology of Rap (Yale University Press) is AVAILABLE AT THE OFF-CAMPUS BOOKSTORE ON SMITH ST. Films shown in part or in whole will include Bamboozled, Style Wars, The Freshest Kids: A History of the B-Boy, Wild Style, and Zebrahead; there will also be a Blog with a discussion board and a wide array of links to audio and text resources.
[Show full text]
Pink Floyd - Dark Side of the Moon Speak to Me Breathe on the Run Time the Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse
Pink Floyd - Dark Side of the Moon Speak to Me Breathe On the Run Time The Great Gig in the Sky Money Us and Them Any Colour You Like Brain Damage Eclipse Pink Floyd – The Wall In the Flesh The Thin Ice Another Brick in the Wall (Part 1) The Happiest Days of our Lives Another Brick in the Wall (Part 2) Mother Goodbye Blue Sky Empty Spaces Young Lust Another Brick in the Wall (Part 3) Hey You Comfortably Numb Stop The Trial Run Like Hell Laser Queen Bicycle Race Don't Stop Me Now Another One Bites The Dust I Want To Break Free Under Pressure Killer Queen Bohemian Rhapsody Radio Gaga Princes Of The Universe The Show Must Go On 1 Laser Rush 2112 I. Overture II. The Temples of Syrinx III. Discovery IV. Presentation V. Oracle: The Dream VI. Soliloquy VII. Grand Finale A Passage to Bangkok The Twilight Zone Lessons Tears Something for Nothing Laser Radiohead Airbag The Bends You – DG High and Dry Packt like Sardine in a Crushd Tin Box Pyramid song Karma Police The National Anthem Paranoid Android Idioteque Laser Genesis Turn It On Again Invisible Touch Sledgehammer Tonight, Tonight, Tonight Land Of Confusion Mama Sussudio Follow You, Follow Me In The Air Tonight Abacab 2 Laser Zeppelin Song Remains the Same Over the Hills, and Far Away Good Times, Bad Times Immigrant Song No Quarter Black Dog Livin’, Lovin’ Maid Kashmir Stairway to Heaven Whole Lotta Love Rock - n - Roll Laser Green Day Welcome to Paradise She Longview Good Riddance Brainstew Jaded Minority Holiday BLVD of Broken Dreams American Idiot Laser U2 Where the Streets Have No Name I Will Follow Beautiful Day Sunday, Bloody Sunday October The Fly Mysterious Ways Pride (In the Name of Love) Zoo Station With or Without You Desire New Year’s Day 3 Laser Metallica For Whom the Bell Tolls Ain’t My Bitch One Fuel Nothing Else Matters Master of Puppets Unforgiven II Sad But True Enter Sandman Laser Beatles Magical Mystery Tour I Wanna Hold Your Hand Twist and Shout A Hard Day’s Night Nowhere Man Help! Yesterday Octopus’ Garden Revolution Sgt.
[Show full text]
I Can't Explain David Bowie, Or Can I? by Brian Nickens As Early As 10
I Can’t Explain David Bowie, Or can I? By Brian Nickens As early as 10 years old I was listening to a steady diet of British Rock. The Beatles, Kinks, Rolling Stones and Cream were in full swing. I was the youngest of 5 children and retreating into my Bedroom alone listening to my older Brothers alBums Became my sanctuary. And Boy, could I listen! I rememBer lying on my Bedroom floor late at night with the record player turned down real low so my parents couldn’t hear. With my ear right against the speaker, I would analyze every tone, sound and lyric of all my favorite songs. By the time I was 14 years old I was already a legit Beatles connoisseur. I would listen to the guitar riffs on Taxman over and over, and over again. I loved the raunchy distorted guitar sounds. Then came Bowie! David and I: The year was 1973. I was 14 years old and went with a friend of mine to visit Marianna his “girlfriend”. When we arrived we were invited into the living room where she and a friend of hers had two albums of David Bowie. They insisted we hang out and listen. The albums were Aladdin Sane and Pin Ups. I was smitten By the sound of these records. I had never heard anything like it. Bowie's otherworldly look made the sounds even more intriguing. David Bowie instantly became my favorite singer. I didn’t have to think aBout it, or ponder it or even get used to the sound.
[Show full text]