By the New York T

Total Page:16

File Type:pdf, Size:1020Kb

By the New York T BIOGRAPHIES OF JUDGES SYMPHONETTE COMPETITION LANDON SCHOOL MARCH 17, 5 P.M. Described as an “energetic” conductor who leads with “clear authority and enthusiasm” by the New York Times after his Carnegie Hall debut, Indian American conductor Ankush Kumar Bahl is currently an Assistant Conductor with the Orchestre National de France and has recently began his post as the Assistant Conductor of the National Symphony Orchestra (Washington, D.C). Mr Bahl is the proud recipient both the 2011 Sir Georg Solti Career Assistance Award and the 2009 Felix Mendelssohn Bartholdy Scholarship. The later, prestigious award enabled him to spend time in Leipzig, Germany working privately with Maestros Kurt Masur, Riccardo Chailly, and the Gewandhaus Orchestra as the city of Leipzig celebrated the 200th anniversary of Mendelssohn’s birth. Recent seasons have included his debuts with the Royal Concertgebouw Orchestra (replacing Kurt Masur), the National Opera Orchestra of Nancy, Portland (Maine) Symphony Orchestra and the Indianapolis Symphony. Formerly the Music Director of the New Jersey Youth Symphony, Mr. Bahl has also worked as an Assistant Conductor with the Prague Symphony Orchestra, New Jersey Symphony Orchestra, Kansas City Symphony, Ridgefield Symphony Orchestra, and the New York Youth Symphony. In addition to regularly assisting Maestro Masur at the Orchestre National de France, Bahl has also been fortunate to do so at the Royal Concertgebouw Orchestra and the Leipzig Gewandhaus Orchestra. A native of the San Francisco Bay Area, Bahl received a double degree in music and rhetoric from the University of California at Berkeley. He has been a conducting fellow at the Aspen Music Festival and completed his master’s degree in orchestral conducting at the Manhattan School of Music with teachers Zdenek Macal, George Manahan and David Gilbert. Mr. Bahl’s primary conducting teachers have also included Kurt Masur, Christoph Eschenbach, Kenneth Kiesler, Alasdair Neale, and David Milnes. Bahl has participated in master classes or workshops with Sir Colin Davis, Michael Tilson Thomas, David Zinman, David Robertson, James Conlon, Sergiu Comissiona, Gunther Schuller, Gustav Meier, Larry Rachleff, Michael Stern, and Jorma Panula. Mr. Bahl currently spends his summers in Vermont as a frequent guest conductor of the Kinhaven Music School in addition to other summer festivals in the US and abroad. For inquiries and additional information about Mr. Bahl, please visit www.boleroartists.com/akb. ______________________________________________________________________________ Now in his fourth season as Principal Conductor of the Washington Sinfonietta following a season as its Principal Guest Conductor, acclaimed by the Washington Post as “…one of Washington's premier conductors of both old and new music…”, Joel Lazar was Music Director of the JCC Symphony Orchestra from 1988 through 2008 and continues with that orchestra in its new identity as the Symphony of the Potomac. He conducted the Theater Chamber Players in engagements at the Kennedy Center, the Library of Congress and on tour from 1986 to 2003, and has appeared as guest conductor with many orchestras and contemporary music ensembles in the Washington area. During the 1990s, he was Music Director of Alexandria-based Opera Americana, and has been Principal Conductor for the In Series’ opera productions since 1991. A cover conductor for the National Symphony Orchestra from 1997 to 2001, Joel Lazar shared the stage with Music Director Leonard Slatkin in critically praised and enthusiastically received performances of Ives’ Fourth Symphony in April 2001. A native New Yorker, Joel Lazar received undergraduate and graduate degrees in music from Harvard University, where he studied with Pierre Boulez, Walter Piston and Randall Thompson. In conductors' courses at Aspen and Tanglewood he worked with Izler Solomon, Walter Susskind, Richard Burgin and Erich Leinsdorf, and at the Shenandoah Festival with Richard Lert. From 1961 until 1971 he taught and conducted at Harvard, New York University and the University of Virginia. In 1969 Joel Lazar was elected to honorary membership in the Bruckner Society of America. Through colleagues in the Society he met the legendary Jascha Horenstein, master interpreter of Mahler and Bruckner and, in 1971, received a fellowship enabling him to spend two years overseas as Horenstein's personal assistant, the only young conductor ever to serve in this capacity. After Horenstein's death in 1973, he acted as his mentor's artistic executor, inheriting his extensive music library and completing his recording of Carl Nielsen's opera, Saul and David, with an international cast including Boris Christoff. ______________________________________________________________________________ Peter Wilson is an engaging and multifaceted American violinist and conductor whose musicianship has been noted as “first-class” by The Washington Post. He currently serves as Music Director of the Waynesboro Symphony Orchestra and Concertmaster of the American Festival Pops Orchestra of Washington, DC. In addition, he is Music Director of TYOF (The Youth Orchestras of Fairfax) and conductor of its flagship ensemble, the United Youth Symphony Orchestra. He also has conducted such renowned institutions as the National Symphony Orchestra and the National Gallery Orchestra. Highly respected throughout the National Capital Region, he has performed as a violinist of The White House for over two decades as a member of “The President’s Own” United States Marine Band, where he serves as String Section Commander. A musician in great demand for his high energy, versatility, and commitment to quality, he is also an active guest conductor, soloist, chamber musician, recording artist, and performance clinician throughout the United States. He holds music degrees from Northwestern University and The Catholic University of America where he earned a Doctor of Musical Arts. Dr. Wilson began his professional career as Concertmaster of the Walt Disney World Orchestra. He has appeared as soloist with Rosemary Clooney, Renée Fleming, Bernadette Peters, and composer/conductor John Williams. For 12 years he served as a lecturer at Catholic University where he was Resident Conductor while teaching courses in conducting and string techniques. In addition, he is cofounder and violinist of the acclaimed string duo "Bridging the Gap" (with bassist Aaron Clay), which has been hailed for “superior arrangements and uncommon musicianship” by The Washington Post. In 2008, Dr. Wilson was one of only nine conductors selected to work with Leonard Slatkin in the acclaimed National Conducting Institute. In 2009, he performed with Stevie Wonder at the Library of Congress in the World Premiere of Mr. Wonder’s “Sketches of a Life." Dr. Wilson was the first musician ever to receive the Governor’s Award for Exceptional Achievement in the Arts in his native West Virginia and he has appeared in international magazines to include The Strad, which stated, “[Wilson] made music that had the stamp of quality.” .
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • From the Violin Studio of Sergiu Schwartz
    CoNSERVATORY oF Music presents The Violin Studio of Sergiu Schwartz SPOTLIGHT ON YOUNG VIOLIN VIRTUOSI with Tao Lin, piano Saturday, April 3, 2004 7:30p.m. Amamick-Goldstein Concert Hall de Hoernle International Center Program Polonaise No. 1 in D Major ..................................................... Henryk Wieniawski Gabrielle Fink, junior (United States) (1835 - 1880) Tambourin Chino is ...................................................................... Fritz Kreisler Anne Chicheportiche, professional studies (France) (1875- 1962) La Campanella ............................................................................ Niccolo Paganini Andrei Bacu, senior (Romania) (1782-1840) (edited Fritz Kreisler) Romanza Andaluza ....... .. ............... .. ......................................... Pablo de Sarasate Marcoantonio Real-d' Arbelles, sophomore (United States) (1844-1908) 1 Dance of the Goblins .................................................................... Antonio Bazzini Marta Murvai, senior (Romania) (1818- 1897) Caprice Viennois ... .... ........................................................................ Fritz Kreisler Danut Muresan, senior (Romania) (1875- 1962) Finale from Violin Concerto No. 1 in g minor, Op. 26 ......................... Max Bruch Gareth Johnson, sophomore (United States) (1838- 1920) INTERMISSION 1Ko<F11m'1-za from Violin Concerto No. 2 in d minor .................... Henryk Wieniawski ten a Ilieva, freshman (Bulgaria) (1835- 1880) llegro a Ia Zingara from Violin Concerto No. 2 in d minor
    [Show full text]
  • Mahler, Petra Lang, Royal Concertgebouw
    Mahler Symphony No. 3 / Bach Suite mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Symphony No. 3 / Bach Suite Country: Europe Released: 2004 Style: Romantic, Modern MP3 version RAR size: 1829 mb FLAC version RAR size: 1389 mb WMA version RAR size: 1509 mb Rating: 4.4 Votes: 858 Other Formats: RA XM ADX MMF ASF APE VOC Tracklist Symphony No. 3 In D Minor 1-1 1. Kräftig - Entschieden 35:00 1-2 2. Tempo Di Menuetto. Sehr Mäßig 9:44 1-3 3. Comodo. Scherzando. Ohne Hast 17:25 2-1 4. Sehr Langsam. Misterioso - 'o Mensch! Gib Acht!' 10:11 5. Lustig Im Tempo Und Keck Im Ausdruck - 'bimm Bamm. .Es 2-2 10:18 Sungen Drei Engel' 2-3 6. Langsam. Ruhevoll. Empfunden 23:10 Bach Suite (Arr. Mahler) 2-4 1. Overture 6:32 2-5 2. Rondeau - Badinerie 3:45 2-6 3 Air 5:06 2-7 4. Gavottes 1. And 2. 3:37 Companies, etc. Phonographic Copyright (p) – Decca Music Group Limited Copyright (c) – Decca Music Group Limited Recorded At – Grote Zaal, Concertgebouw, Amsterdam Credits Arranged By – Gustav Mahler (tracks: 2-4 to 2-7) Choir – Netherlands Children's Choir (tracks: 1 to 2-3), Prague Philharmonic Choir* (tracks: 1 to 2-3) Composed By – Gustav Mahler (tracks: 1 to 2-3), Johann Sebastian Bach (tracks: 2-4 to 2-7) Conductor – Riccardo Chailly Edited By – Ian Watson , Jenni Whiteside Engineer – Andrew Hallifax (tracks: 1-1 to 2-3), Graham Meek (tracks: 2-4 to 2-7) Executive Producer – Andrew Cornall Liner Notes – Donald Mitchell Mezzo-soprano Vocals – Petra Lang (tracks: 1 to 2-3) Mixed By – Jonathan Stokes Orchestra – Royal Concertgebouw Orchestra* Notes - Recording dates: 5-9 May 2003 (Symphony No.
    [Show full text]
  • Xm Radio to Broadcast New Series of Baltimore Symphony Orchestra Concerts in 2007-2008 Season
    NEWS RELEASE XM RADIO TO BROADCAST NEW SERIES OF BALTIMORE SYMPHONY ORCHESTRA CONCERTS IN 2007-2008 SEASON 6/14/2007 SEPT. 27 SERIES DEBUT TO BE BROADCAST LIVE FROM STRATHMORE, FEATURING MARIN ALSOP’S INAUGURAL CONCERT AS BSO MUSIC DIRECTOR Washington, D.C., and Baltimore, Md. June 14, 2007 – XM, the nation’s leading satellite radio service with more than 8 million subscribers, and the Baltimore Symphony Orchestra (BSO) announced today that XM will broadcast eight performances during the Baltimore Symphony’s 2007-2008 season on XM Classics (XM 110), one of XM’s three classical music channels. The series will debut with a live broadcast on September 27, 2007, the inaugural concert of the music directorship of Marin Alsop, the dynamic conductor who that evening will become the first female music director of a major American orchestra. This series marks the BSO’s foray into satellite radio, gaining exposure for the orchestra to a much broader national audience as it enters a new artistic chapter under Marin Alsop. The historic inaugural concert marking Maestra Alsop’s directorship features John Adams’ Fearful Symmetries, and a hallmark of Alsop’s repertoire, Gustav Mahler’s Symphony No. 5, and will be broadcast live on XM Classics from the Music Center at Strathmore in N. Bethesda, Md. at 8 p.m. ET on Thursday, September 27, with an encore broadcast on Sunday, September 30, at 3 p.m. ET. The live broadcast will be the first of its kind at the Music Center at Strathmore since the performing arts venue opened in February 2005.
    [Show full text]
  • A Culture of Recording: Christopher Raeburn and the Decca Record Company
    A Culture of Recording: Christopher Raeburn and the Decca Record Company Sally Elizabeth Drew A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Arts and Humanities Department of Music This work was supported by the Arts & Humanities Research Council September 2018 1 2 Abstract This thesis examines the working culture of the Decca Record Company, and how group interaction and individual agency have made an impact on the production of music recordings. Founded in London in 1929, Decca built a global reputation as a pioneer of sound recording with access to the world’s leading musicians. With its roots in manufacturing and experimental wartime engineering, the company developed a peerless classical music catalogue that showcased technological innovation alongside artistic accomplishment. This investigation focuses specifically on the contribution of the recording producer at Decca in creating this legacy, as can be illustrated by the career of Christopher Raeburn, the company’s most prolific producer and specialist in opera and vocal repertoire. It is the first study to examine Raeburn’s archive, and is supported with unpublished memoirs, private papers and recorded interviews with colleagues, collaborators and artists. Using these sources, the thesis considers the history and functions of the staff producer within Decca’s wider operational structure in parallel with the personal aspirations of the individual in exerting control, choice and authority on the process and product of recording. Having been recruited to Decca by John Culshaw in 1957, Raeburn’s fifty-year career spanned seminal moments of the company’s artistic and commercial lifecycle: from assisting in exploiting the dramatic potential of stereo technology in Culshaw’s Ring during the 1960s to his serving as audio producer for the 1990 The Three Tenors Concert international phenomenon.
    [Show full text]
  • Love Triangle Broadcast Live on Nscmf.Org Institute of Music and San Francisco Moscow
    nstage/offstage Tonight’s concert is being of the faculties at the Cleveland Tchaikovsky Piano Competition in Love Triangle broadcast live on nscmf.org Institute of Music and San Francisco Moscow. Wolfram has appeared as Friday, September 11, 2O2O / 7:3O PM and presented without an Conservatory of Music. Kosower is the a soloist with many of the greatest intermission. first cellist to record the complete music orchestras of the world and has for solo cello of Alberto Ginastera, developed a special reputation as Romantic music of the Schumanns for the Naxos label. the rare concerto soloist who is also equally adept as a recitalist and Vadim Gluzman, violin and Johannes Brahms chamber musician. His benchmark artistic director recordings for the Naxos label Gluzman’s extraordinary artistry includes four CDs of Franz Liszt’s brings to life the glorious violinistic Opera Transcriptions. tradition of the 19th and 20th Robert Schumann I. Zart und mit Ausdruck Shterenberg / Wolfram centuries. Gluzman appears with Tender and with expression major orchestras around the Three Fantasy Pieces for Ilya Shterenberg, clarinet world such as the as the Berlin Principal clarinetist of the San clarinet and piano, op. 73 II. Lebhaft, leicht Philharmonic, Boston Symphony, Antonio Symphony and Principal Lively, light Chicago Symphony, Cleveland clarinetist of the ProMusica Chamber Orchestra, Israel Philharmonic, III. Rasch und mit Feuer Orchestra, Shterenberg balances a Quick and with fire Leipzig Gewandhaus, London busy career as an orchestral musician, Angela Yoffe, piano Symphony, Orchestre de Paris, chamber music performer, and a executive director Philadelphia Orchestra, and the soloist. He has been featured as a Pianist, producer, and educator, Royal Concertgebouw alongside Clara Schumann I.
    [Show full text]
  • Download Biography
    HAYDN RAWSTRON LIMITED Initially trained as a biologist, Kristinn Sigmundsson taught for a few years before becoming a singer, studying first at the Reykjavik Academy of Singing and then at the Hochschule für Musik und darstellende Kunst in Vienna, Austria. He began his career performing principally in his native Iceland, before going on to join the Hessische Staatstheater in Wiesbaden. As one of the world’s most sought after basses, Kristinn Sigmundsson regularly sings at the world's greatest opera houses: The MET, The Royal Opera House Covent Garden, L'Opéra National de Paris, where he has very nearly sung his entire repertoire, Vienna State Opera, Munich State Opera and the Semperoper Dresden. His broad repertoire extends from Don Basilio over Zaccaria to Gurnemanz. Some of his career highlights include, but are not limited to: Baron Ochs at the Maggio Musicale Florence; Il Kristinn Sigmundsson Commendatore in Munich, Berlin and New York; Baron Ochs and Vodnik in Rusalka at the MET; Gurnemanz Bass in Cologne and Florence; King Heinrich in Madrid; Hunding at the MET, in Naples, Venice and Cologne; Landgraf in Geneva and Amsterdam; Méphistophélès, King Marke, Sparafucile, Il Commendatore, Sarastro and Baron Ochs in San Francisco; Raimondo (Lucia di Lammermoor) in Munich, as well as Sarastro in Houston and Chile. Among some of Kristinn Sigmundsson’s past engagements were: Der fliegende Holländer (Daland) at the San Francisco Opera, the Opéra du Rhin Strasbourg and the Ravinia Festival, at which he also sang Don Giovanni (Commendatore)
    [Show full text]
  • Tong Chen, Conductor
    Tong Chen, conductor “Masterfully presented the Mendelssohn’s Fifth Symphony,” described the Leipzig Time. A prizewinner of the prestigious International Malko Conducting Competition, Tong Chen has quickly established herself as one of the most promising and exciting young conductors in her generation. Ms. Chen has worked with numerous orchestras across the globe, including Orquestra Sinfônica do Estado de São Paulo, Danish National Symphony Orchestra, Mikkelin Kaupunginorkesteri, Besançon Symphony Orchestra, Leipzig Symphony Orchestra, Bamberg Symphony Orchestra, Alabama Symphony Orchestra, Baltimore Symphony Orchestra, Charleston Symphony Orchestra, Richmond Symphony, Aspen Music Festival Orchestra, Manhattan School of Music Orchestra, Orchestra St. Luke’s, Peabody Symphony Orchestra, Xia Men Philharmonic, Qing Dao Symphony Orchestra, Guang Zhou Symphony Orchestra, and Shanghai Opera House, where she worked as the assistant Photo credit: Bob Plotkin conductor. 2019-2020 season’s highlight includes Tong’s debuts with New Jersey Symphony Orchestra, Shanghai Philharmonic, and Rutgers Symphony Orchestra; a return to Los Angeles Philharmonic working with Gustavo Dudamel and assisting Iván Fisher with Budapest Festival Orchestra at the Hollywood Bowl. This season marks her fifth anniversary as music director of Yonkers Philharmonic Orchestra. As an avid advocate of education, Chen taught orchestral conducting and led the orchestra program at Copland School of Music from 2012-2018. Summer 2019 marked her second years as the director of Queens College Conductor’s workshop, founded by Maurice Peress in 2010. Additionally, Tong is a regular guest conductor at Manhattan School of Music, Montclair State University, Manners Pre- college orchestra, and All-State Youth Orchestras in New York State area, as well as a guest lecturer at Shanghai Conservatory of Music.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • A List of Recommended Recordings (Weeks 1 Through 4)
    A List of Recommended Recordings (Weeks 1 Through 4) Week One: France François-Joseph Gossec Selected Symphonies Matthias Bamert conducts the London Mozart Players, on Chandos Hector Berlioz Symphonie fantastique Michael Tilson Thomas conducts the San Francisco Symphony, on RCA Victor Charles Munch conducts the Boston Symphony Orchestra, on RCA Victor Harold in Italy Charles Munch conducts the Boston Symphony Orchestra, on RCA Victor Symphonie Funèbre et Triomphale Colin Davis conducts the London Symphony, on Philips Romeo et Juliette Carlo Maria Giulini conducts the Chicago Symphony, on DGG Camille Saint-Saëns Symphony No. 3 in C Minor, Op. 78 (Organ) Christoph Eschenbach conducts the Philadelphia Orchestra, on Ondine Edo De Waart conducts the San Francisco Symphony, on Philips César Franck Symphony in D Minor Pierre Monteux conducts the Chicago Symphony, on RCA Victor Vincent d’Indy Symphony on a French Mountain Air Charles Munch conducts the Boston Symphony, on RCA Victor Symphony No. 2, Op. 57 Pierre Monteux conducts the San Francisco Symphony, on Sony Classical (Pierre Monteux Edition, available from ArkivMusic.com as a low-cost reprint CD.) Ernest Chausson Symphony in B-flat Major, Op. 20 Pierre Monteux conducts the San Francisco Symphony, on Sony Classical (Pierre Monteux Edition, available from ArkivMusic.com as a low-cost reprint CD.) Olivier Messiaen Turangalîla Symphony Riccardo Chailly conducts the Concertgebouw Orchestra, on Decca Week Two: Bohemia The Symphonies of Antonin Dvořák Istvan Kertesz conducts the London Symphony Orchestra, on Decca Witold Rowicki conducts the London Symphony Orchestra, on Decca Individual Symphonies: Symphony No. 7 in D Minor Iván Fischer conducts the Budapest Festival Orchestra, on Channel Classics Symphony No.
    [Show full text]
  • 100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives
    100 Years of Extraordinary Historical Highlights from the Baltimore Symphony Orchestra Archives 1910s 1915 – Through a $6,000 grant from the city of Baltimore, the Baltimore Symphony Orchestra is founded as a branch of the city’s Department of Municipal Music, making it the only major American orchestra to be fully funded as a municipal agency. 1916 – On February 11, the Baltimore Symphony Orchestra performs its inaugural concerts to a standing- room-only crowd at The Lyric, under the direction of Music Director Gustav Strube. All three concerts comprising the first season at the Lyric are sold out. 1920s 1924 – On February 16, the BSO hosts its first children’s concert. The Baltimore Symphony youth concert series is the first to be established by an American orchestra. 1926 – The Baltimore Symphony makes its initial broadcast performance on WBAL Radio. 1930s 1930 - George Siemonn becomes the second music director of the orchestra. He conducts his opening concert, with the musicians now numbering 83, on November 23. 1935 - In late February, George Siemonn reluctantly resigns as music director and is replaced by Ernest Schelling. Forty-four musicians apply for the position. Schelling is well-known for his children’s concert series at Carnegie Hall. 1937 - Sara Feldman and Vivienne Cohn become the first women to join the Baltimore Symphony. The older members of the orchestra are supportive, but union members picket the hall with signs saying, “Unfair to Men,” which is reported in the New York Times. 1937 - Ernest Schelling becomes ill and is replaced by Werner Janssen. The dynamic young conductor and his wife, the celebrated film star Ann Harding, receive an enthusiastic response when they arrive in Baltimore.
    [Show full text]
  • Mahler's Symphony No. 10
    SCHEDULE OF EVENTS WEDNESDAY, MAY 17, 7:30PM [Concert] Gordon Gamm Theater at The Dairy Center • G. Kurtág: Signs, Games, Messages (Jelek, Játékok és Üzenetek) • D. Matthews: Romanza for Violin and Piano, op 119a (U.S. Premiere) • G. Mahler/A. Schnittke: Piano Quartet in a (fragments) • F. Schubert: String Quintet in C, D. 956, Op. posth. 163 THURSDAY, MAY 18, 1:30PM [Master Class] Boulder Public Library • The Conducting Fellows, Kenneth Woods, David Matthews and Mahler specialists. • Mahler: Lieder eines fahrenden Gesellen– Chamber version (Schoenberg) FRIDAY, MAY 19, 2:00PM [FILM] BOEDECKER THEATRE AT THE DAIRY CENTER, BOULDER • Ken Russell’s Mahler SATURDAY, MAY 20, [Symposium] (speaker order subject to change) • Morning Session – 8:30am – C-199 – Imig Building, CU Boulder • Frans Bouwman ”Transcribing Mahler 10: what does it show?” • David Matthews ”Mahler’s 10th Symphony – Restored to Life” • Kenneth Woods, Artistic Director and Conductor, Colorado MahlerFest “A Conductor’s Perspective on the Tenth Symphony” • Jerry Bruck assisted by Louise Bloomfield In“ Search of Mahler: A Personal Recollection” • Lunch – Atrium Lobby, ATLAS building, University of Colorado • Afternoon Session – 1:30pm - Rm 102 – ATLAS Building, CU Boulder • Panel Discussion with David Matthews, Kenneth Woods and Donald Fraser • Jason Starr’s “For the Love of Mahler – The Inspired Life of Henry-Louis de La Grange” Presented in Memory of Henry-Louis de La Grange SATURDAY, MAY 20, 7:30 PM [Orchestral Concert] Macky Auditorium, University of Colorado SUNDAY, MAY 21, 3:30 PM [Orchestral Concert] Macky Auditorium, University of Colorado • Sir Edward Elgar (arr. David Matthews): String Quartet in e, opus 83 – arranged for string orchestra (2010) (US Premiere) • Gustav Mahler: Symphony No.
    [Show full text]