Bramshott & Liphook Parish Council

Total Page：16

File Type：pdf, Size：1020Kb

BRAMSHOTT & LIPHOOK PARISH COUNCIL www.bramshottandliphook-pc.gov.uk Mr A S R GROVES CLERK THE PARISH OFFICE HASKELL CENTRE Tel: 01428 722988 MIDHURST ROAD Fax: 01428 727335 LIPHOOK e-mail: council@bramshottandliphook- HAMPSHIRE GU30 7TN pc.gov.uk PRESS RELEASE “The Other Boleyn Girl” The next showing at the Liphook Millennium Centre Cinema in Liphook will be “The Other Boleyn Girl” on Friday 4 July. A sumptuous and sensual tale of intrigue, romance and betrayal set against the backdrop of a defining moment in European history. The film is about the sisters, Anne Boleyn (Natalie Portman) and Mary Boleyn (Scarlett Johansson), who are both fighting for the affection of King Henry VIII (Eric Bana). Although initially reluctant to become Henry's mistress, Mary comes to fall for the King, while Anne is only interested in securing her own status. Their father, Sir Thomas Boleyn, and uncle, the Duke of Norfolk, engineer the sisters' coming to Henry's attention in the first place, capitalizing on his dissatisfaction with his wife, Catherine of Aragon, who has failed to bear him a living son. “The Other Boleyn Girl” is the 2008 film adaptation of the novel of the same title by British author Philippa Gregory and a remake of a BBC television film of the same name also based on Philippa Gregory's novel. The film was directed by Justin Chadwick from a script by Peter Morgan (who also wrote a two-part television drama on Henry VIII in 2003). Doors open at 7.30pm and the performance starts at 8.00 pm. Tickets are priced at £4 with a concession of £3.00 for OAP (60 and over). Tickets are available from the Liphook Millennium Centre 01428 723889, Bramshott & Liphook Parish Council Office 01428 722988, and on the door. Tickets can also be ordered by email [email protected] for collection and payment on the night. A bar will be open and a range of refreshments will be on sale. The film is classified as 12A; suitable for 12 years and over. No-one younger than 12 may see a “12A” film in a cinema unless accompanied by an adult. The Cinema Licence for the Liphook Millennium Hall requires that children under the age of 15 can only be admitted if accompanied by an adult. 30 June 2008 .

Copy Link

Recommended publications

“A Mirror of Men”: Sovereignty, Performance, and Textuality in Tudor England, 1501-1559 by Jessica Erin Riddell a Thesis
“A Mirror of Men”: Sovereignty, Performance, and Textuality in Tudor England, 1501-1559 by Jessica Erin Riddell A thesis submitted to the Department of English In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada February, 2009 Copyright © Jessica Erin Riddell, 2009 ABSTRACT Sixteenth-century England witnessed both unprecedented generic experimentation in the recording of spectacle and a shift in strategies of sovereign representation and subject formation: it is the central objective of this dissertation to argue for the reciprocal implication of these two phenomena. Henry VII, Henry VIII, and Elizabeth I used performance to legitimate their authority. Aristocratic and civic identities, in turn, were modelled on sovereign identity, which was disseminated through narratives in civic entries, tournaments, public progresses, and courtly pageantry. This dissertation investigates the relationship between ritualized social dramas (a marriage, birth, and coronation) and the mechanisms behind the recording and dissemination of these performances in courtly and civic texts in England from 1501 to 1559. Focussing on The Receyt of the Ladie Kateryne (London 1501), The Great Tournament Roll of Westminster (Westminster 1511), and The Quenes Maiesties Passage (London 1559), this project attempts to understand the role performance texts played in developing conceptions of social identity. Specifically, this dissertation seeks to demonstrate that a number of new hybrid genres emerged in Tudor England to record ritualized social dramas. I argue that each of the texts under scrutiny stands out as a unique record of performance as their authors use unprecedented narrative strategies to invest their accounts with “liveness,” situating the reader as a “spectator” of the sovereign within a performative context.
[Show full text]
The Lady of the Rivers PDF Book
THE LADY OF THE RIVERS PDF, EPUB, EBOOK Philippa Gregory | 512 pages | 28 Feb 2012 | Simon + Schuster UK | 9781849836524 | English | London, United Kingdom The Lady of the Rivers PDF Book Page Count: Publisher: St. Can you tell us more about your charity, Gardens for The Gambia? Lively, vibrant, sensitive, descriptive, captures key events and struggles in the War of Roses. What frightens me is the sheer size of this series. In, closing, as Jacquetta abandons her friend Margaret for the house of York, so too, does Philippa Gregory abandon a much defamed Queen to the slanders of history. Consider serving foods from the time period at your book discussion. She brings the era she is exploring to life and always tells the story from such a personal point of view that you feel you are, or at least know, the main character. When Margaret of Anjou is brought over to England to marry King Henry of Lancaster, Jacquetta, as her relative, is retrieved from the countryside to befriend the new Queen. And that was supposedly years after Jacquetta lived. Like some of her characters, she practices alchemy, she spins gold from paper pages. I really got the feeling that the book was more of a chore for PG to write rather than a pleasure. It did start to pick up a little bit better after the half way point.. She is a direct descendant of Melusina, the water goddess of legend, and this lineage gives her some powers that separate her from the everyday people around her. As in Tattooist , the writing itself is workmanlike at best and often overwrought.
[Show full text]
The Love Letters of Henry VIII to Anne Boleyn Sources of the Love That Changed England Forever
Corso di Laurea Magistrale in Scienze del Linguaggio [LM5-08] Tesi di Laurea The Love Letters of Henry VIII to Anne Boleyn Sources of the Love that changed England Forever Relatore Prof.ssa Marina Buzzoni Correlatore Prof. Marco Infurna Laureando Susi Bellinello Matricola 829025 Anno Accademico 2016 / 2017 Ai miei genitori: senza di loro tutto ciò non sarebbe stato possibile. A Denis, che continua ad essere il raggio di sole che in mezzo alla pioggia crea l’arcobaleno. A Valentina che, nonostante la distanza, mi è sempre stata vicina. A tutti quelli che non hanno mai creduto che questo giorno arrivasse. Questa è la mia vittoria. 2 CONTENTS INTRODUCTION ...................................................................................................................... 7 CHAPTER I: HENRY AND ANNE: THE MOST HAPPY LOVE STORY THAT CHANGED HISTORY ............................................................................................................................... 12 I.1 Anne Boleyn: the woman who bewitched the heart of Henry VIII .............................. 12 I.1.2 Return to the English Court .................................................................................... 14 I.2 1527 - 1528: The Love Letters and the Great Matter .................................................... 17 I.3 1529: Two Queens for a Throne ................................................................................... 21 I.4 1530: Ainsi Sera, Groigne qui Groigne ........................................................................ 23 I.5
[Show full text]
The Opening of the Atlantic World: England's
THE OPENING OF THE ATLANTIC WORLD: ENGLAND’S TRANSATLANTIC INTERESTS DURING THE REIGN OF HENRY VIII By LYDIA TOWNS DISSERTATION Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy at The University of Texas at Arlington May, 2019 Arlington, Texas Supervising Committee: Imre Demhardt, Supervising Professor John Garrigus Kathryne Beebe Alan Gallay ABSTRACT THE OPENING OF THE ATLANTIC WORLD: ENGLAND’S TRANSATLANTIC INTERESTS DURING THE REIGN OF HENRY VIII Lydia Towns, Ph.D. The University of Texas at Arlington, 2019 Supervising Professor: Imre Demhardt This dissertation explores the birth of the English Atlantic by looking at English activities and discussions of the Atlantic world from roughly 1481-1560. Rather than being disinterested in exploration during the reign of Henry VIII, this dissertation proves that the English were aware of what was happening in the Atlantic world through the transnational flow of information, imagined the potentials of the New World for both trade and colonization, and actively participated in the opening of transatlantic trade through transnational networks. To do this, the entirety of the Atlantic, all four continents, are considered and the English activity there analyzed. This dissertation uses a variety of methods, examining cartographic and literary interpretations and representations of the New World, familial ties, merchant networks, voyages of exploration and political and diplomatic material to explore my subject across the social strata of England, giving equal weight to common merchants’ and scholars’ perceptions of the Atlantic as I do to Henry VIII’s court. Through these varied methods, this dissertation proves that the creation of the British Atlantic was not state sponsored, like the Spanish Atlantic, but a transnational space inhabited and expanded by merchants, adventurers and the scholars who created imagined spaces for the English.
[Show full text]
Biographical Appendix
Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville.
[Show full text]
The Spanish Princess Prem SC Fuse 05 05 19.Pdf
FOR IMMEDIATE RELEASE: Super Channel to premiere the STARZ Original Limited Series The Spanish Princess Premieres May 5 at 10 p.m. ET on Super Channel Fuse EDMONTON (April 8, 2019) – Super Channel is pleased to announce that it will premiere the STARZ Original Limited series, The Spanish Princess on Sunday, May 5 at 10 p.m. ET, day and date with its US premiere on STARZ. The third installment follows the Golden Globe® and Emmy® award-nominated STARZ Original Miniseries The White Queen and the critically acclaimed STARZ Original Limited Series The White Princess. Produced by Playground and All3 Media's New Pictures, the Limited Series is drawn from the global best-selling novels, “The Constant Princess” and “The King's Curse,” written by Philippa Gregory. To view the trailer for The Spanish Princess, click here. Returning to the world of Tudor royal court intrigue, The Spanish Princess is a vivid and captivating story told uniquely from the point of view of the women, which also sheds light on a previously untold corner of history: the lives of people of colour, living and working in 16th century London. Catherine of Aragon (Charlotte Hope) is the strong-willed young Princess of Spain, who has been promised the English throne since she was a child. She arrives in a grey, rain-lashed England with her glorious and diverse court including her ladies-in-waiting Lina (Stephanie Levi-John) - a Spanish noble of African Iberian descent - and the sweet and free-spirited Rosa (Nadia Parkes). When her husband Prince Arthur dies suddenly, the throne seems lost to Catherine until she devises an audacious plan and sets her sights on the new heir, the charismatic and headstrong Prince Harry who will one day rule as King Henry VIII.
[Show full text]
Learning and Court Culture: Women in the Court of Henry VIII
Learning and Court Culture: Women in the Court of Henry VIII The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Meadows, Jessica Nicole. 2021. Learning and Court Culture: Women in the Court of Henry VIII. Master's thesis, Harvard University Division of Continuing Education. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37369149 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Learning and Court Culture: Women in the Court of Henry VIII Jessica N. Meadows A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2021 Copyright 2021 Jessica N. Meadows Abstract This work details the lives and roles of the wives of Henry VIII as well as other female members of the British aristocracy, specifically during the reign of Henry VIII and the time immediately preceding and succeeding his reign. The research cited in this work show that female members of the nobility, particularly the wives of Henry VIII, were not completely independent of Henry VIII but gained independence through their own unique households and through the decisions they made in this space they could attain a certain level of autonomy. Women’s leadership within the household could translate into leadership outside of the household and allowed women to operate and hold power independently of their male counterparts, particularly when employing religious and patronage efforts.
[Show full text]
J\S-Aacj\ Cwton "Wallop., $ Bl Sari Of1{Ports Matd/I
:>- S' Ui-cfAarria, .tffzatirU&r- J\s-aacj\ cwton "Wallop., $ bL Sari of1 {Ports matd/i y^CiJixtkcr- ph JC. THE WALLOP FAMILY y4nd Their Ancestry By VERNON JAMES WATNEY nATF MICROFILMED iTEld #_fe - PROJECT and G. S ROLL * CALL # Kjyb&iDey- , ' VOL. 1 WALLOP — COLE 1/7 OXFORD PRINTED BY JOHN JOHNSON Printer to the University 1928 GENEALOGirA! DEPARTMENT CHURCH ••.;••• P-. .go CHRIST OF LATTER-DAY SAINTS Omnes, si ad originem primam revocantur, a dis sunt. SENECA, Epist. xliv. One hundred copies of this work have been printed. PREFACE '•"^AN these bones live ? . and the breath came into them, and they ^-^ lived, and stood up upon their feet, an exceeding great army.' The question, that was asked in Ezekiel's vision, seems to have been answered satisfactorily ; but it is no easy matter to breathe life into the dry bones of more than a thousand pedigrees : for not many of us are interested in the genealogies of others ; though indeed to those few such an interest is a living thing. Several of the following pedigrees are to be found among the most ancient of authenticated genealogical records : almost all of them have been derived from accepted and standard works ; and the most modern authorities have been consulted ; while many pedigrees, that seemed to be doubtful, have been omitted. Their special interest is to be found in the fact that (with the exception of some of those whose names are recorded in the Wallop pedigree, including Sir John Wallop, K.G., who ' walloped' the French in 1515) every person, whose lineage is shown, is a direct (not a collateral) ancestor of a family, whose continuous descent can be traced since the thirteenth century, and whose name is identical with that part of England in which its members have held land for more than seven hundred and fifty years.
[Show full text]
Chapter I Introduction
CHAPTER I INTRODUCTION A. Background of the Research There are many authors who write literature works in this world that can describe the reflection of the author's life or representative of human life today. Every literature work has purpose and meaning that the authors want to tell to the reader. One of the authors is Philippa Gregory. She wrote her novel entitled The Taming of the Queen which was launched in 2015. Philippa Gregory is a historical novelist. She was born in Kenya January 9, 1954. She graduated from the University of Sussex with a degree in History and received PhD in literature from the University of Edinburgh. In 2008, the University of Edinburgh made her the university`s Alumna of the Year. She holds an honorary degree from Teesside University and is a fellow of the University of Sussex and Cardiff and a Reagent for the University of Edinburgh. Her love for history and commitment to historical accuracy is the hallmark of her writing. Philippa Gregory is an established historian and writer when she discovered her interest in Tudor period and wrote the novel The Other Boleyn Girl, which was made into TV drama and a major film. In 2015, Philippa Gregory launched her novel entitled The Taming of the Queen which is one of her Tudor novels. In the novel The Taming of the Queen, Philippa writes about a strong-willed widowed women character named Katerynn Parr who marries King Henry VIII. When she is a little girl, she adores the young King Henry VIII when he is still a handsome and strong looking King.
[Show full text]
The University of Hull the Early Career of Thomas
THE UNIVERSITY OF HULL THE EARLY CAREER OF THOMAS, LORD HOWARD, EARL OF SURREY AND THIRD DUKE OF NORFOLK, 1474—c. 1525 being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Susan Elisabeth Vokes, B.A. September, 1988 Acknowledgements I should like to thank the University of Hull for my postgraduate scholarship, and the Institute of Historical Research and Eliot College, the Universiy of Kent, for providing excellent facilities in recent years. I am especially grateful to the Duke of Norfolk and his archivists for giving me access to material in his possession. The staff of many other archives and libraries have been extremely helpful in answering detailed enquiries and helping me to locate documents, and / regret that it is not possible to acknowledge them individually. I am grateful to my supervisor, Peter Heath, for his patience, understanding and willingness to read endless drafts over the years in which this study has evolved. Others, too, have contributed much. Members of the Russell/Starkey seminar group at the Institute of Historical Research, and the Late Medieval seminar group at the University of Kent made helpful comments on a paper, and I have benefitted from suggestions, discussion, references and encouragement from many others, particularly: Neil Samman, Maria Dowling, Peter Gwynn, George Bernard, Greg Walker and Diarmaid MacCulloch. I am particularly grateful to several people who took the trouble to read and comment on drafts of various chapters. Margaret Condon and Anne Crawford commented on a draft of the first chapter, Carole Rawcliffe and Linda Clerk on my analysis of Norfolk's estate accounts, Steven Ellis on my chapters on Surrey in Ireland and in the north of England, and Roger Virgoe on much of the thesis, including all the East Anglian material.
[Show full text]
LAPORAN PENELITIAN Semester Genap 2020-2021 Refleksi
LAPORAN PENELITIAN Semester Genap 2020-2021 Refleksi Feminisme Pada Tokoh Katherine of Aragon dalam Novel The Constant Princess Karya Philippa Gregory Oleh: Eka Yuniar Ernawati S.S., M.Si. Nurul Fitriani S.S., M.Pd. Fakultas Bahasa dan Budaya Jurusan Inggris Universitas Darma Persada Jakarta 2021 KATA PENGANTAR Puji syukur ke hadirat Allah Yang Maha Kasih yang selalu mencurahkan rahmat dan karunia-Nya, sehinga saya mampu menyelesaikan makalah yang berjudul: “Refleksi Feminisme Pada Tokoh Katherine of Aragon dalam Novel The Constant Princess Karya Philippa Gregory” ini sebagaimana mestinya. Penelitian ini merupakan salah satu syarat yang harus dilakukan guna memenuhi Beban Kerja Dosen (BKD) pada setiap semester di Jurusan Inggris, Fakultas Sastra, Universitas Darma Persada (UNSADA). Kami sangat menyadari bahwa karya ini dapat terselesaikan berkat bantuan dari berbagai pihak selama proses penelitian berlangsung. Maka, dalam kesempatan berharga ini, kami ingin menyampaikan ucapan terima kasih yang sebesar-besarnya kepada mereka yang telah membantu dan berkontribusi dalam bagi menyelesaikan penelitian ini. Penelitian ini saya sadari masih jauh dari kesempurnaan, oleh sebab itu, saya sangat mengharapan saran dan kritik membangun yang berguna untuk perbaikan kesempurnaannya. Jakarta, 10 Agustus 2021 Penulis 2 Refleksi Feminisme Pada Tokoh Katherine of Aragon dalam Novel The Constant Princess Karya Philippa Gregory Oleh: Eka Yuniar Ernawati S.S., M.Si. Nurul Fitriani S.S., M.Pd. ABSTRACT The point of this study is women’s image in the novel The Constant Princess by Philippe Gregory through Feminism perspective. It is a true story which tells Catherine of Aragon or Catalina, Princess of Spain, as the main character who was born and lived at the begining of story in Spain.
[Show full text]
New Light on Early Tudor Composers. XIX. Richard Davy Author(S): W
New Light on Early Tudor Composers. XIX. Richard Davy Author(s): W. H. Grattan Flood Source: The Musical Times, Vol. 62, No. 942 (Aug. 1, 1921), pp. 552-553 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/910005 . Accessed: 04/02/2015 11:42 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 128.235.251.160 on Wed, 4 Feb 2015 11:42:48 AM All use subject to JSTOR Terms and Conditions 552 THE MUSICAL TIMES-AUGUST I 192I sentimentaltosh, must not complain if classed with an English composer. Dr. R. R. Terry describes rest of tosh merchants. Meanwhile, regret no it as 'smooth, easy, and flowing; it displays a very Order of Biscuit at If were, high standard of contrapuntal technique; but, above recognised disposal. it is and This shouldaward it-First Class-to writerof advertise- all, expressive, virile, dramatic.' most is found in an ment. should to of interesting composition early Something go composer century MS.
[Show full text]