DOCSLIB.ORG

New Light on Early Tudor Composers. XIX. Richard Davy Author(S): W

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
New Light on Early Tudor Composers. XIX. Richard Davy Author(S): W New Light on Early Tudor Composers. XIX. Richard Davy Author(s): W. H. Grattan Flood Source: The Musical Times, Vol. 62, No. 942 (Aug. 1, 1921), pp. 552-553 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/910005 . Accessed: 04/02/2015 11:42 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 128.235.251.160 on Wed, 4 Feb 2015 11:42:48 AM All use subject to JSTOR Terms and Conditions 552 THE MUSICAL TIMES-AUGUST I 192I sentimentaltosh, must not complain if classed with an English composer. Dr. R. R. Terry describes rest of tosh merchants. Meanwhile, regret no it as 'smooth, easy, and flowing; it displays a very Order of Biscuit at If were, high standard of contrapuntal technique; but, above recognised disposal. it is and This shouldaward it-First Class-to writerof advertise- all, expressive, virile, dramatic.' most is found in an ment. should to of interesting composition early Something go composer century MS. belonging to Eton College; though, as well-should toss him Biscuitette. I6th balladettes alas! through vandalism, only forty-three perfect compositions remain out of the ninety-eight which Restaurant music long since a noisy in the Index. Of these ,bore-- appear forty-three, now become positive obstacle to busy man's Richard Davy contributedsix, namely,'O Domine taking nourishment. Hungry and hurried last celi terreque creator' (five parts), 'In honore night-unusual experience-the former,that is- summe matris' (five parts), 'Salve Jesu Mater totteredfainting into ever-open door of popular vere' (five parts),' Stabat Mater' (five parts), 'Virgo and 'Salve restaurant-sank into seat-huge place-got up templum'(five parts), Regina' (fiveparts). The books to regardless-dreamt-I-dwelt-in-marble-hallskind of 'Pryke-Song' belonging King's Secured attention of College, Cambridge, in 1529, contain an 'Autem' thing. neat-handed Phyllis and there are other him modest order by Davy, compositions by -gave befittinghumble journalist. in the Harleian MS., 17o9, St. John's College, and Crash from orchestraat far end of hall about the Cambridge University Library, as well as a furlong away-burly baritone burst into three three-partsongs with English words in the ballad - 761 diners ceased stoking- same famous Fayrfax MS. in the British Museum number of forks suspended between plate and (Add. MSS. 5465). Two of his English carols each due of victuals- are very interesting, namely, 'Ah I blessed Jhesul' mouth, bearing portion * strong-alien-throat of and 'Ah, my hart, remember.' baritone going brass-- we have such admirable of foreheadof ditto--lungsof leather-glad thereis a Yet, though specimens Davy's sacred and secular works, Dr. Terry says that between us. Meanwhile pangs of hunger furlong 'as a composer he is entirely unknown to-day,' and developing rapidly-that sinking feeling-beckon that regarding his biography very little is known neat-handedPhyllis. 'Is food coming?' Phyllis save that 'he flourished in the late 15th and early very sorryand all that-cannot fetch food till I6th centuries.' Up to the present, the only details song over-instructions-much as place is worth. of Davy's life are in the very brief sketch of him Ventureto explain'came for food,not forconcert. contributed to the new edition of Grove's ' Dictionary Have no use for concert just now, but immediate of Music and Musicians' (I904)-and these details are and use for food. Point of view one solitary paragraph of less than four lines- pressing It is as to the new to -- - calls- by Mr. J. F. R. Stainer. well give evidently Phyllis nonplussed text in order to show how is the information officer another alien. 'Ver' meagre superior ; sorry! that has been hitherto unearthed regarding such a No can streekt orders-silence while ze do; distinguished composer: 'Richard Davy or Davys, a museek; she not long now-near feenish.' In composer of some repute, was choirman, organist, support of plea, indicated suspended forks and informator chorislarum at Magdalen College, (only 760 now, one impatientclient silently wolfing Oxford, from 1490 to 1492.' under cover of eveningpaper). Nothingfor it but After patient research I have not been able to wait. When song ended at long last forks got thoroughly to unravel the mystery that seems to ihe life Richard I have busy again, and Phyllis procured food. Managed enshroud story.of Davy, yet to bolt it-then bolted as succeeded in piecing together a few new facts that myselfjust Leather-lungs serve as a basis for a future musical historian. on hind for another Shall avoid may got legs song. First of as he was about sixteen when he entered restaurantin future. Don't like this of all, application Magdalen College,Oxford, we are safe in dating his old saw, 'No song,no supper.' Good deal to be said birth about the year 1467, and, as has been seen, he for its inversion,though. Dreamt last night was was appointed Organist and Master of the Choristers at West-End concert-hall--consultedprogramme of his College in 14go-remaining in officefor two and waited for firstsong. Attendantapproached years. Possibly he remained at Oxford for some respectfully-Sorryto keep me waiting,but rule time longer (probably for the sake of his divinity and became a in at which date of management, 'No supper, no song.' Tit-bit studies), priest 1497, with sauce Richard Parker was appointed organist. to-night,'C6telette Ernest, Diaghilev.' fact of a in Would I wait for till I have eaten ? The Davy being priest 1497 disposes kindly song of the made to me a few a Would I? Would I Cutlet suggestion years ago by not? delicious-just clerk in the Public Record Office, that possibly he decided, after all, much to be said in favour of was to be identified with Richard Davy, who was encores, when woke up. granted an annuity of 6d. a day on February 15, i 501. This suggestion cannot stand, because the NEW LIGHT ON EARLY TUDOR latter namesake was 'a yeoman of the crown, and COMPOSERS King's servant,' as is evident from the printed 'Calendar of Patent Rolls' of Henry VII. (T494- BY W. H. GRATTAN FLOOD XIX.-RICHARD DAVY 1509).Richard Davy was chaplain to Sir William One of the mostattractive items in the programmeBoleyn in 15o01, in which year was born Anne of the Holy Week music at Westminster Cathedral, Boleyn(grand-daughter of Sir William),destined to in 1921, was the performanceof the four-partbe the unfortunate wife of Henry VIII. His name Passion for Palm Richard Sunday, by Davy, " For much kind help in locatirg Davy's MSS. I am indebted to probably the earliest example of Passion Music by Mr. H. B. Ccllins, Mus. B. This content downloaded from 128.235.251.160 on Wed, 4 Feb 2015 11:42:48 AM All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES-AUGUST I 1921 553 appears in deeds of the years 1505 and I506; and thecrowd, and others. In Davy's score,a magnificent in the latteryear, on May 15, he was a partyto a effectis producedby theglorious setting of thewords : licence of alienation of the Manor of Stiffkey,in 'Vere filiusDei erat iste' (' Trulythis was the Son of Norfolk,to the use of Sir Thomas Boleyn. Another God'), assigned to the Centurionand the watchers deed mentionshim as one of the feofeesin a grant at the Crucifixion.In oppositionto the conventional of the Manors of Filby, Possewyk,West Lexham, methodadopted by othercomposers, who treatthese and Carbrooke(May 15, 1506),to the use of Thomas words'in awe-strickenaccents,' Davy 'makes it ring Boleyn, son and heir of William Boleyn, Knight, out as a triumphantconfession of faith.' Although deceased.* Apparently the priest-composerwas the firstthree Turba choruses are missing in the continuedin the serviceof Sir Thomas Boleynfrom Eton MS., and thoughthe trebleand tenorparts are 1506 to 1516, the principalfamily residence being also missingfrom the four choruses which follow, Blickling,in Norfolk. Dr. Terry has with rare skill supplied the missing Apropos of Sir Thomas Boleyn,whose father had choruses of the former from other portions of married one of the co-heiresses of the Earl of Davy's own music,which fit the wordsto perfection, Ormonde,an Irish traditionhas it thatAnne Boleyn and he has writtennew trebleand tenorparts for was born at the Castle of Carrick-on-Suir,in 1501, choruses 2 to 5 in the same contrapuntalstyle or early in 1502. Certainly,the popular idea that of the composerand the period,quite a triumphof thislady's birthtook place in 1507cannot be sustained, restoration. as she was a Dame-in-Waitingto the French Queen, So successful was the performanceof Davy's Claude, in 1519-a position that could scarcely be Passion Music at Westminster Cathedral on held by a girl of twelve! Thomas, 7th Earl of Palm Sunday that it will probably become a Ormonde,died onAugust8, 1515,leaving his immense permanentfeature of the liturgicalservices on that English estates,containing seventy-two manors, to day in future,just as Byrd's magnificentPassion his two daughters,the elder of whom (Anne) was Music is associated with the solemnitiesof'Good Dame St.
Load more

Recommended publications
  • “A Mirror of Men”: Sovereignty, Performance, and Textuality in Tudor England, 1501-1559 by Jessica Erin Riddell a Thesis
    “A Mirror of Men”: Sovereignty, Performance, and Textuality in Tudor England, 1501-1559 by Jessica Erin Riddell A thesis submitted to the Department of English In conformity with the requirements for the degree of Doctor of Philosophy Queen’s University Kingston, Ontario, Canada February, 2009 Copyright © Jessica Erin Riddell, 2009 ABSTRACT Sixteenth-century England witnessed both unprecedented generic experimentation in the recording of spectacle and a shift in strategies of sovereign representation and subject formation: it is the central objective of this dissertation to argue for the reciprocal implication of these two phenomena. Henry VII, Henry VIII, and Elizabeth I used performance to legitimate their authority. Aristocratic and civic identities, in turn, were modelled on sovereign identity, which was disseminated through narratives in civic entries, tournaments, public progresses, and courtly pageantry. This dissertation investigates the relationship between ritualized social dramas (a marriage, birth, and coronation) and the mechanisms behind the recording and dissemination of these performances in courtly and civic texts in England from 1501 to 1559. Focussing on The Receyt of the Ladie Kateryne (London 1501), The Great Tournament Roll of Westminster (Westminster 1511), and The Quenes Maiesties Passage (London 1559), this project attempts to understand the role performance texts played in developing conceptions of social identity. Specifically, this dissertation seeks to demonstrate that a number of new hybrid genres emerged in Tudor England to record ritualized social dramas. I argue that each of the texts under scrutiny stands out as a unique record of performance as their authors use unprecedented narrative strategies to invest their accounts with “liveness,” situating the reader as a “spectator” of the sovereign within a performative context.
    [Show full text]
  • CHURCH: Dates of Confirmation/Consecration
    Court: Women at Court; Royal Household. p.1: Women at Court. Royal Household: p.56: Gentlemen and Grooms of the Privy Chamber; p.59: Gentlemen Ushers. p.60: Cofferer and Controller of the Household. p.61: Privy Purse and Privy Seal: selected payments. p.62: Treasurer of the Chamber: selected payments; p.63: payments, 1582. p.64: Allusions to the Queen’s family: King Henry VIII; Queen Anne Boleyn; King Edward VI; Queen Mary Tudor; Elizabeth prior to her Accession. Royal Household Orders. p.66: 1576 July (I): Remembrance of charges. p.67: 1576 July (II): Reformations to be had for diminishing expenses. p.68: 1577 April: Articles for diminishing expenses. p.69: 1583 Dec 7: Remembrances concerning household causes. p.70: 1598: Orders for the Queen’s Almoners. 1598: Orders for the Queen’s Porters. p.71: 1599: Orders for supplying French wines to the Royal Household. p.72: 1600: Thomas Wilson: ‘The Queen’s Expenses’. p.74: Marriages: indexes; miscellaneous references. p.81: Godchildren: indexes; miscellaneous references. p.92: Deaths: chronological list. p.100: Funerals. Women at Court. Ladies and Gentlewomen of the Bedchamber and the Privy Chamber. Maids of Honour, Mothers of the Maids; also relatives and friends of the Queen not otherwise included, and other women prominent in the reign. Close friends of the Queen: Katherine Astley; Dorothy Broadbelt; Lady Cobham; Anne, Lady Hunsdon; Countess of Huntingdon; Countess of Kildare; Lady Knollys; Lady Leighton; Countess of Lincoln; Lady Norris; Elizabeth and Helena, Marchionesses of Northampton; Countess of Nottingham; Blanche Parry; Katherine, Countess of Pembroke; Mary Radcliffe; Lady Scudamore; Lady Mary Sidney; Lady Stafford; Countess of Sussex; Countess of Warwick.
    [Show full text]
  • The Love Letters of Henry VIII to Anne Boleyn Sources of the Love That Changed England Forever
    Corso di Laurea Magistrale in Scienze del Linguaggio [LM5-08] Tesi di Laurea The Love Letters of Henry VIII to Anne Boleyn Sources of the Love that changed England Forever Relatore Prof.ssa Marina Buzzoni Correlatore Prof. Marco Infurna Laureando Susi Bellinello Matricola 829025 Anno Accademico 2016 / 2017 Ai miei genitori: senza di loro tutto ciò non sarebbe stato possibile. A Denis, che continua ad essere il raggio di sole che in mezzo alla pioggia crea l’arcobaleno. A Valentina che, nonostante la distanza, mi è sempre stata vicina. A tutti quelli che non hanno mai creduto che questo giorno arrivasse. Questa è la mia vittoria. 2 CONTENTS INTRODUCTION ...................................................................................................................... 7 CHAPTER I: HENRY AND ANNE: THE MOST HAPPY LOVE STORY THAT CHANGED HISTORY ............................................................................................................................... 12 I.1 Anne Boleyn: the woman who bewitched the heart of Henry VIII .............................. 12 I.1.2 Return to the English Court .................................................................................... 14 I.2 1527 - 1528: The Love Letters and the Great Matter .................................................... 17 I.3 1529: Two Queens for a Throne ................................................................................... 21 I.4 1530: Ainsi Sera, Groigne qui Groigne ........................................................................ 23 I.5
    [Show full text]
  • The Opening of the Atlantic World: England's
    THE OPENING OF THE ATLANTIC WORLD: ENGLAND’S TRANSATLANTIC INTERESTS DURING THE REIGN OF HENRY VIII By LYDIA TOWNS DISSERTATION Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy at The University of Texas at Arlington May, 2019 Arlington, Texas Supervising Committee: Imre Demhardt, Supervising Professor John Garrigus Kathryne Beebe Alan Gallay ABSTRACT THE OPENING OF THE ATLANTIC WORLD: ENGLAND’S TRANSATLANTIC INTERESTS DURING THE REIGN OF HENRY VIII Lydia Towns, Ph.D. The University of Texas at Arlington, 2019 Supervising Professor: Imre Demhardt This dissertation explores the birth of the English Atlantic by looking at English activities and discussions of the Atlantic world from roughly 1481-1560. Rather than being disinterested in exploration during the reign of Henry VIII, this dissertation proves that the English were aware of what was happening in the Atlantic world through the transnational flow of information, imagined the potentials of the New World for both trade and colonization, and actively participated in the opening of transatlantic trade through transnational networks. To do this, the entirety of the Atlantic, all four continents, are considered and the English activity there analyzed. This dissertation uses a variety of methods, examining cartographic and literary interpretations and representations of the New World, familial ties, merchant networks, voyages of exploration and political and diplomatic material to explore my subject across the social strata of England, giving equal weight to common merchants’ and scholars’ perceptions of the Atlantic as I do to Henry VIII’s court. Through these varied methods, this dissertation proves that the creation of the British Atlantic was not state sponsored, like the Spanish Atlantic, but a transnational space inhabited and expanded by merchants, adventurers and the scholars who created imagined spaces for the English.
    [Show full text]
  • Tna Prob 11/27/398
    THE NATIONAL ARCHIVES PROB 11/27/398 1 ________________________________________________________________________ SUMMARY: The document below is the Prerogative Court of Canterbury copy of the will, dated 28 October 1538 and proved 23 January 1539, of Alice Boleyn Clere (c.1487 - 1 November 1538), whose grandson, Sir Edward Clere (15 June 1536 – 8 June 1606), purchased Oxford’s manor of Weybourne. FAMILY BACKGROUND For the Boleyn family, see: Francis Blomefield, 'Hundred of South Erpingham: Blickling', in An Essay Towards A Topographical History of the County of Norfolk: Volume 6 (London, 1807), pp. 381-409. British History Online http://www.british-history.ac.uk/topographical-hist- norfolk/vol6/pp381-409 [accessed 30 December 2017]. The testatrix was the daughter of Sir William Boleyn (c.1451-1505) and Margaret Butler (d. before 20 March 1540), younger daughter and co-heiress of Thomas Butler (d. 3 August 1515), 7th Earl of Ormond, by his first wife, Anne Hankford (1431 – 13 November 1485), daughter and co-heiress of Sir Richard Hankford by his second wife, Anne Montagu, eldest daughter of John de Montagu, 3rd Earl of Salisbury. See Richardson, Douglas, Plantagenet Ancestry, 2nd ed., 2011, Vol. I, pp. 455-7 (hereafter PA). The testatrix is said to have had six brothers and four sisters: -Thomas Boleyn (c.1477 – 12 March 1539), Earl of Wiltshire and Ormond, who married Elizabeth Howard (d.1538), eldest daughter of Thomas Howard (1443-1524), 2nd Duke of Norfolk, by his first wife, Elizabeth Tilney (d. 3 April 1538), daughter and heiress of Frederick Tilney, esquire, by whom he was the father of three sons, Henry Boleyn, Thomas Boleyn, George Boleyn (c.1504-1536), Viscount Rochford, and two daughters, Mary Boleyn and Queen Anne Boleyn, mother of Elizabeth I.
    [Show full text]
  • Biographical Appendix
    Biographical Appendix The following women are mentioned in the text and notes. Abney- Hastings, Flora. 1854–1887. Daughter of 1st Baron Donington and Edith Rawdon- Hastings, Countess of Loudon. Married Henry FitzAlan Howard, 15th Duke of Norfolk, 1877. Acheson, Theodosia. 1882–1977. Daughter of 4th Earl of Gosford and Louisa Montagu (daughter of 7th Duke of Manchester and Luise von Alten). Married Hon. Alexander Cadogan, son of 5th Earl of Cadogan, 1912. Her scrapbook of country house visits is in the British Library, Add. 75295. Alten, Luise von. 1832–1911. Daughter of Karl von Alten. Married William Montagu, 7th Duke of Manchester, 1852. Secondly, married Spencer Cavendish, 8th Duke of Devonshire, 1892. Grandmother of Alexandra, Mary, and Theodosia Acheson. Annesley, Katherine. c. 1700–1736. Daughter of 3rd Earl of Anglesey and Catherine Darnley (illegitimate daughter of James II and Catherine Sedley, Countess of Dorchester). Married William Phipps, 1718. Apsley, Isabella. Daughter of Sir Allen Apsley. Married Sir William Wentworth in the late seventeenth century. Arbuthnot, Caroline. b. c. 1802. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. She did not marry. Arbuthnot, Marcia. 1804–1878. Daughter of Rt. Hon. Charles Arbuthnot. Stepdaughter of Harriet Fane. Married William Cholmondeley, 3rd Marquess of Cholmondeley, 1825. Aston, Barbara. 1744–1786. Daughter and co- heir of 5th Lord Faston of Forfar. Married Hon. Henry Clifford, son of 3rd Baron Clifford of Chudleigh, 1762. Bannister, Henrietta. d. 1796. Daughter of John Bannister. She married Rev. Hon. Brownlow North, son of 1st Earl of Guilford, 1771. Bassett, Anne. Daughter of Sir John Bassett and Honor Grenville.
    [Show full text]
  • Learning and Court Culture: Women in the Court of Henry VIII
    Learning and Court Culture: Women in the Court of Henry VIII The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Meadows, Jessica Nicole. 2021. Learning and Court Culture: Women in the Court of Henry VIII. Master's thesis, Harvard University Division of Continuing Education. Citable link https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37369149 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Learning and Court Culture: Women in the Court of Henry VIII Jessica N. Meadows A Thesis in the Field of History for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2021 Copyright 2021 Jessica N. Meadows Abstract This work details the lives and roles of the wives of Henry VIII as well as other female members of the British aristocracy, specifically during the reign of Henry VIII and the time immediately preceding and succeeding his reign. The research cited in this work show that female members of the nobility, particularly the wives of Henry VIII, were not completely independent of Henry VIII but gained independence through their own unique households and through the decisions they made in this space they could attain a certain level of autonomy. Women’s leadership within the household could translate into leadership outside of the household and allowed women to operate and hold power independently of their male counterparts, particularly when employing religious and patronage efforts.
    [Show full text]
  • BUTLER FAMILY HISTORY the Butler Family
    BUTLER FAMILY HISTORY The Butler Family,(de Butler in Gaelic and French), whose name comes from the French word "bouteleur" or "butler" is a noble family of Anglo-Norman origin, famous in the history of Ireland, where she was established in 1206. It is the only one comparable to the Geraldine, who was its neighbor and her worst rival. The Butler family is the 20th oldest subsisting aristocratic family in France,and one of the oldest in England and Ireland,dating back to the Norman conquest by William the Conqueror. She has many existing branches, not only in the UK but also in France, Spain,Germany and America. Origin and history The Butler family, which is believed to be of the family of the Counts of Brionnel arrived in England with William the Conqueror in 1066 during the Norman conquest,and received many lands and titles after participating in the Battle of Hastings. It has a proven lineage that begins with Hervey Gaultier, who owned the manor of Newton in Suffolk at the time of King Henry II (1154-1189). From the large survey of 1212, he had married in 1160 his son Walteri or Galtier Matilda or Maud, daughter of Thibaud de Valognes, who became lord of Parham to Plomesgate in Suffolk County and whose sister had married Berthe Ranulf Glanville, chief justice of the king. There are three known sons, Hubert, Archbishop of Canterbury in 1193, Rotgier, Hamo and Theobald (1206). The latter became Grand Bouteiller (or "boteleur"),an hereditary office which will give the family name "Butler".
    [Show full text]
  • Ives Sample Chapter the Life and Death of Anne Boleyn.Pdf
    Ives/Anne Boleyn Final Proof 8.6.2004 10:18pm page 1 part i Backgrounds and Beginnings Ives/Anne Boleyn Final Proof 8.6.2004 10:18pm page 2 Ives/Anne Boleyn Final Proof 8.6.2004 10:18pm page 3 1 A Courtier’s Daughter NNE Boleyn was born, so tradition goes, at the fairy-tale castle of A Hever in the Weald of Kent. Reconstructed by the Astor family in the twentieth century, Hever remains a romantic shrine to Anne and her love affair with Henry VIII. Unfortunately for romance and tradition, Anne was in fact born in Norfolk, almost certainly at the Boleyn home at Blickling, fifteen miles north of Norwich. The church there still has brasses of the family. The Boleyns certainly owned Hever, although it was less a castle than a comfortable manor-house which her great-grandfather, Geoffrey, had built within an existing moat and curtain wall, and it did become the principal residence of her parents. But Matthew Parker, who became archbishop of Canterbury in 1559 and had earlier been one of Anne’s private chaplains, was quite specific that she came, as he did, from Norfolk.1 Tradition also tells us that the Boleyns were a family of London merchants, and again tradition leads us astray. Anne Boleyn was born a great lady. Her father, Thomas, was the eldest son of Sir William Boleyn of Blickling, and her mother, Elizabeth, was the daughter of Thomas Howard, earl of Surrey, one of the premier noblemen in England. There was mercantile wealth in the family, but to get to that we have to go back to Geoffrey Boleyn, the builder of Hever.
    [Show full text]
  • J\S-Aacj\ Cwton "Wallop., $ Bl Sari Of1{Ports Matd/I
    :>- S' Ui-cfAarria, .tffzatirU&r- J\s-aacj\ cwton "Wallop., $ bL Sari of1 {Ports matd/i y^CiJixtkcr- ph JC. THE WALLOP FAMILY y4nd Their Ancestry By VERNON JAMES WATNEY nATF MICROFILMED iTEld #_fe - PROJECT and G. S ROLL * CALL # Kjyb&iDey- , ' VOL. 1 WALLOP — COLE 1/7 OXFORD PRINTED BY JOHN JOHNSON Printer to the University 1928 GENEALOGirA! DEPARTMENT CHURCH ••.;••• P-. .go CHRIST OF LATTER-DAY SAINTS Omnes, si ad originem primam revocantur, a dis sunt. SENECA, Epist. xliv. One hundred copies of this work have been printed. PREFACE '•"^AN these bones live ? . and the breath came into them, and they ^-^ lived, and stood up upon their feet, an exceeding great army.' The question, that was asked in Ezekiel's vision, seems to have been answered satisfactorily ; but it is no easy matter to breathe life into the dry bones of more than a thousand pedigrees : for not many of us are interested in the genealogies of others ; though indeed to those few such an interest is a living thing. Several of the following pedigrees are to be found among the most ancient of authenticated genealogical records : almost all of them have been derived from accepted and standard works ; and the most modern authorities have been consulted ; while many pedigrees, that seemed to be doubtful, have been omitted. Their special interest is to be found in the fact that (with the exception of some of those whose names are recorded in the Wallop pedigree, including Sir John Wallop, K.G., who ' walloped' the French in 1515) every person, whose lineage is shown, is a direct (not a collateral) ancestor of a family, whose continuous descent can be traced since the thirteenth century, and whose name is identical with that part of England in which its members have held land for more than seven hundred and fifty years.
    [Show full text]
  • The Manuscript Libretto of 'Faust' Author(S): Camille Saint-Saëns and Fred Rothwell Source: the Musical Times, Vol
    The Manuscript Libretto of 'Faust' Author(s): Camille Saint-Saëns and Fred Rothwell Source: The Musical Times, Vol. 62, No. 942 (Aug. 1, 1921), pp. 553-557 Published by: Musical Times Publications Ltd. Stable URL: http://www.jstor.org/stable/910006 Accessed: 04-11-2015 22:21 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Musical Times Publications Ltd. is collaborating with JSTOR to digitize, preserve and extend access to The Musical Times. http://www.jstor.org This content downloaded from 137.189.170.231 on Wed, 04 Nov 2015 22:21:24 UTC All use subject to JSTOR Terms and Conditions THE MUSICAL TIMES-AUGUST I 1921 553 appears in deeds of the years 1505 and I506; and thecrowd, and others. In Davy's score,a magnificent in the latteryear, on May 15, he was a partyto a effectis producedby theglorious setting of thewords : licence of alienation of the Manor of Stiffkey,in 'Vere filiusDei erat iste' (' Trulythis was the Son of Norfolk,to the use of Sir Thomas Boleyn. Another God'), assigned to the Centurionand the watchers deed mentionshim as one of the feofeesin a grant at the Crucifixion.In
    [Show full text]
  • The Eldest Daughter’
    1 ‘The Eldest Daughter’ lickling Hall, one of England’s greatest Jacobean show- B piece mansions, lies not two miles north-west of Aylsham in Norfolk. It is a beautiful place, surrounded by woods, farms, sweeping parkland and gardens – gardens that were old in the fifteenth century, and which once surrounded the fifteenth-century moated manor house of the Boleyn family, the predecessor of the present building. That house is long gone, but it was in its day the cradle of a remarkable dynasty; and here, in those ancient gardens, and within the mellow, red-brick gabled house, in the dawning years of the sixteenth century, the three children who were its brightest scions once played in the spacious and halcyon summers of their early childhood, long before they made their dramatic début on the stage of history: Anne Boleyn, who would one day become Queen of England; her brother George Boleyn, who would also court fame and glory, but who would ultimately share his sister’s tragic and brutal fate; and their sister Mary Boleyn, who would become the mistress of kings, and gain a notoriety that is almost certainly undeserved. Blickling was where the Boleyn siblings’ lives probably 728AA_tx.indd 7 26/06/2012 08:24 Mary Boleyn began, the protective setting for their infant years, nestling in the broad, rolling landscape of Norfolk, circled by a wilderness of woodland sprinkled with myriad flowers such as bluebells, meadowsweet, loosestrife and marsh orchids, and swept by the eastern winds. Norfolk was the land that shaped them, that remote corner of England that had grown pros- perous through the wool-cloth trade, its chief city, Norwich – which lay just a few miles to the south – being second in size only to London in the Boleyns’ time.
    [Show full text]