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Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Art Spiegelman's Experiments in Pornography
ORE Open Research Exeter TITLE Art Spiegelman’s ‘Little Signs of Passion’ and the Emergence of Hard-Core Pornographic Feature Film AUTHORS Williams, PG JOURNAL Textual Practice DEPOSITED IN ORE 20 August 2018 This version available at http://hdl.handle.net/10871/33778 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Art Spiegelman’s ‘Little Signs of Passion’ and the emergence of hard-core pornographic feature film Paul Williams In 1973 Bob Schneider and the underground comix1 creator Art Spiegelman compiled Whole Grains: A Book of Quotations. One of the aphorisms included in their book came from D. H. Lawrence: ‘What is pornography to one man is the laughter of genius to another’.2 Taking a cue from this I will explore how Spiegelman’s comic ‘Little Signs of Passion’ (1974) turned sexually explicit subject matter into an exuberant narratological experiment. This three-page text begins by juxtaposing romance comics against hard-core pornography,3 the former appearing predictable and artificial, the latter raw and shocking, but this initial contrast breaks down; rebutting the defenders of pornography who argued that it represented a welcome liberation from repressive sexual morality, ‘Little Signs of Passion’ reveals how hard-core filmmakers turned fellatio and the so-called money shot (a close-up of visible penile ejaculation) into standardised narrative conventions yielding lucrative returns at the box office. -
Chris Ware's Jimmy Corrigan
Chris Ware’s Jimmy Corrigan Chris Ware’s Jimmy Corrigan : Honing the Hybridity of the Graphic Novel By DJ Dycus Chris Ware’s Jimmy Corrigan : Honing the Hybridity of the Graphic Novel, by DJ Dycus This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by DJ Dycus All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-3527-7, ISBN (13): 978-1-4438-3527-5 For my girls: T, A, O, and M TABLE OF CONTENTS List of Figures............................................................................................. ix CHAPTER ONE .............................................................................................. 1 INTRODUCTION TO COMICS The Fundamental Nature of this Thing Called Comics What’s in a Name? Broad Overview of Comics’ Historical Development Brief Survey of Recent Criticism Conclusion CHAPTER TWO ........................................................................................... 33 COMICS ’ PLACE WITHIN THE ARTISTIC LANDSCAPE Introduction Comics’ Relationship to Literature The Relationship of Comics to Film Comics’ Relationship to the Visual Arts Conclusion CHAPTER THREE ........................................................................................ 73 CHRIS WARE AND JIMMY CORRIGAN : AN INTRODUCTION Introduction Chris Ware’s Background and Beginnings in Comics Cartooning versus Drawing The Tone of Chris Ware’s Work Symbolism in Jimmy Corrigan Ware’s Use of Color Chris Ware’s Visual Design Chris Ware’s Use of the Past The Pacing of Ware’s Comics Conclusion viii Table of Contents CHAPTER FOUR ....................................................................................... -
From Clay Depths to Interdisciplinary Heights by Todd Garner
April 1998 1 2 CERAMICS MONTHLY April 1998 Volume 46 Number 4 “3 Bottles” by Jason Hess at the Michael Sherrill teaching a Ferrin Gallery in Northampton, workshop at the Arrowmont Massachusetts. School of Arts and Crafts in 43 Gatlinburg, Tennessee. FEATURES 31 31 1998 Summer Workshops Opportunities in the U.S. and abroad for all skill levels 35 Monarch National Competition 120 works by artists from the U.S. and Canada 39 The Making of Giants by Elaine F. Godoivsky Workshop experience with Arnie Zimmerman 43 Introductions New or emerging artists at the Ferrin Gallery 44 Glasgow’s Miles Better An American in Scotland by Todd Garner 47 Minnesota Invitational Works by over 50 artists at the Northern Clay Center Tenement sculpture 48 From Clay Depths to Interdisciplinary Heights by Todd Garner. by P.A. Chatary Creating a tile mural illustrating aspects of the sciences 44 52 Friends and Inspirations Potters working outside the mainstream 5 5 Carol Townsend by Jeanne Raffer-Beck David Wright throwing Brushed and incised slips on handbuilt vessels salt into a recycled kiln. 58 Where You’ve Been Is Good and Gone; 67 All You Keep Is the Gettin’ Thereby Steven Hill Thoughts on process and growth 65 Blue Plate Specialby Jeff Huebner Not your usual dining experience The cover: Wood-fired 67 Recycle That Old Kilnby David G. Wright Handbuilt, slip-decorated earthenware pitcher by stoneware by Carol Townsend. Douglas Browe; see page 52. A surprising way to extend the life of your kiln Photo: Tom Liden. 55 April 1998 3 UP FRONT 12 Shoichi Ida Sculpture and works on paper at BraunsteinlQuay Gallery in San Francisco 12 Jerome Artists Exhibition Editor Ruth C. -
ABRAMS Returns to San Diego Comic-Con 2019 Booth #1216
For Immediate Release Contact: Maya Bradford, Publicity Manager ABRAMS 212.229.7188 [email protected] ABRAMS Returns to San Diego Comic-Con 2019 Booth #1216 New York, NY; July 2019: ABRAMS returns to San Diego Comic-Con and will participate in nineteen panels, offer author signings in the Autograph Area, sell exciting Comic-Con exclusives and special signed books, and share sneak peeks of the fall 2019 list. There will be in-booth discounts on all books, galley giveaways, and new books for sale. In addition, Abrams will be revealing exclusive, new information on forthcoming 2020 titles at the Abrams ComicArts 10th Anniversary panel on Saturday, 7/20. A full announcement on these titles will be forthcoming after they are shared at the show. San Diego Comic-Con Exclusives: Avatar, The Last Airbender: The Rise of Kyoshi The epic saga from the world of Avatar: The Last Airbender begins! This exclusive edition of the new novel features a stunning variant cover and will be available only to Con attendees. Copies will be available for purchase at the Abrams booth and Autographing Area while supplies last. Magic: The Gathering: Rise of the Gatewatch - EARLY ON SALE! This giftable visual reference guide, sure to appeal to new and longtime Magic fans alike, is on sale July 23—advance copies will be available for purchase with a 25% discount while supplies last. Star Wars Art: Ralph McQuarrie 2020 collectible poster calendar This unique oversize calendar transforms into thirteen 16 x 20-inch art prints that can hang in any galaxy! Celebrate SDCC with an exclusive 14 x 11-inch bonus print (and 25% off) with purchase while supplies last. -
“We're Not Rated X for Nothin', Baby!”
CORSO DI DOTTORATO IN “LE FORME DEL TESTO” Curriculum: Linguistica, Filologia e Critica Ciclo XXXI Coordinatore: prof. Luca Crescenzi “We’re not rated X for nothin’, baby!” Satire and Censorship in the Translation of Underground Comix Dottoranda: Chiara Polli Settore scientifico-disciplinare L-LIN/12 Relatore: Prof. Andrea Binelli Anno accademico 2017/2018 CONTENTS CONTENTS ........................................................................................................................................................................ 1 INTRODUCTION ............................................................................................................................................................. 3 SECTION 1: FROM X-MEN TO X-RATED ............................................................................................................ 11 Chapter 1. “DEPRAVITY FOR CHILDREN – TEN CENTS A COPY!” ......................................................... 12 1.1. A Nation of Stars and Comic Strips ................................................................................................................... 12 1.2. Comic Books: Shades of a Golden Age ............................................................................................................ 24 1.3. Comics Scare: (Self-)Censorship and Hysteria ................................................................................................. 41 Chapter 2. “HAVE YOU EVER SEEN THE RAIN?”: RISE AND FALL OF A COUNTERCULTURAL REVOLUTION ................................................................................................................................................................ -
Stony Brook University
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Graphic Memoir and the Cartoonist’s Memory A Dissertation Presented by Alice Claire Burrows to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Comparative Literature Stony Brook University August 2016 Stony Brook University The Graduate School Alice Claire Burrows We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. _________________________________________________________ Raiford Guins, Professor, Chairperson of Defense _________________________________________________________ Robert Harvey, Distinguished Professor, Cultural Analysis & Theory, Dissertation Advisor _________________________________________________________ Krin Gabbard, Professor Emeritus, Cultural Analysis & Theory _________________________________________________________ Sandy Petrey, Professor Emeritus, Cultural Analysis & Theory _________________________________________________________ David Hajdu, Associate Professor, Columbia University, Graduate School of Journalism This dissertation is accepted by the Graduate School ___________________________ Charles Taber Dean of the Graduate School ii Abstract of the Dissertation -
2019 Directory
2019 DIRECTORY AMY FROMMER’S GOODMAN TRAVEL INVESTMENT & RETIREMENT PLANNING TO YOUR GOOD PROBLEM HEALTH SOLVED HINTS FROM HELOISE KFS COMICS The Amazing Spider-Man The Brilliant Mind of Edison Lee by Stan Lee and Larry Lieber. by John Hambrock. Meet Edison Since bitten by a radioactive Lee, a 10-year-old boy genius who spider, Peter Parker’s adventures always has something to say about as Spider-Man have climbed in American politics and culture. D&S popularity and excitement. Also available in Spanish. D&S Bringing Up Father by Frank Johnson. Maggie and Arctic Circle Jiggs were the first comic stars to by Alex Hallatt. Oscar, Ed and achieve worldwide fame. Reprints Gordo are three migrant penguins only. Also available in Spanish. D&S The Amazing Spider-Man Beetle Bailey who leave Antarctica for a new life in the North Pole in this green- Buckles themed strip. D&S by David Gilbert. He’s not a dog, he’s family! Clever canine that Baby Blues he is, Buckles has happily barked by Rick Kirkman and Jerry Scott. his way into owners Paul’s and The hysterically hectic days of a Jill’s hearts—and the hearts of young family of five are filled with readers—as he discovers unique dirty diapers and wild antics. Also adventures from his backyard to available in Spanish. D&S the outer reaches of the great unknown beyond the fence. D&S Barney Google and Carpe Diem Arctic Circle Between Friends Snuffy Smith Niklas Eriksson“seizes the day” with by John Rose. Snuffy Smith is a irreverent humor. -
2News Summer 05 Catalog
COMICS’ BRONZE AGE AND BEYOND! February 2015 No.78$8.95 ISSUE! 0 1 1 82658 27762 8 Batman’s Weirdest Team-Ups • Orlando’s Weird Adventure Comics • Weird War Tales • Weird Mystery Tales Ditko’s Shade the Changing Man & Stalker • Chaykin’s Iron Wolf • Crumb’s Weirdo • Starlin & Wrightson’s The Weird Volume 1, Number 78 February 2015 Celebrating the Best Comics of the '70s, '80s, Comics’ Bronze Age and Beyond! '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alan Craddock COVER DESIGNER WEIRD logo TM & © DC Comics. Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Mark Arnold Carol Lay Terry Austin Paul Levitz Peter Bagge Andy Mangels Dewey Cassell Scott Nickel Howard Chaykin Luigi Novi Shaun Clancy Dennis O’Neil Jon B. Cooke Gary Panter Robert Crumb Martin Pasko FLASHBACK: Weird Batman Team-Ups . .2 DC Comics Tom Powers The Caped Crusader’s out-of-the-ordinary co-stars J. M DeMatteis Sasa Rakezic Mark Evanier Bob Rozakis FLASHBACK: Orlando’s Weird Adventures . .10 Mary Fleener Rac Shade The comic-book smorgasbord that was Joe Orlando’s Adventure Comics Drew Friedman Steve Skeates Carl Gafford Jim Starlin BEYOND CAPES: Those Were Weird Times: Weird Mystery Tales . .23 Macedonio Garcia Bryan D. Stroud From Kirby to Destiny to Eve, you never knew who or what you’d find in this DC title Mike Gold Pvt. “Lucky” Taylor Grand Comics Steven Thompson BEYOND CAPES: The Horrors of Combat: Weird War Tales . .31 Database Carol Tyler This bizarre battle book proved that war really was hell Robert Greenberger Jim Vadeboncoeur Bill Griffith Don Vaughan BEYOND CAPES: IronWolf . -
The Rip Off Press Mail Order Catalog
The Rip Off Press Mail Order Catalog Absolutely No Pictures Edition Stuff for sale December 2018 THE NO PICTURES VERSION OF THE RIP OFF PRESS MAIL ORDER CATALOG Need to see pictures of the items we sell? Visit our website! If you don't own a com- If phoning in your order (Charged to one of the aforementioned cards only): Call puter, go to your public library and somebody will be happy to help you log on: www. 530 885-8183 (toll free inside US only, 888-978-3049). Have your want list and ripoffpress.com. You can order online using Visa, MasterCard, or American Express, or your charge card handy. We’ll take it from there. We are usually available to answer save a cart and then email or call us. We can access the cart online, check stock, and the phone in person from 8 a.m. to 3 p.m. and 5 p.m. to 10 p.m. Pacific time, Monday give you a total you can use to pay us via Paypal or check/money order. through Friday. Weekend hours vary. Ordering for Delivery Outside the U.S. PLACING YOUR ORDER Payment must be made in US Dollars. Checks or money orders must be payable Sorry, we do not ship C.O.D.! through a U.S. bank, so charge cards or Paypal are the preferred payment method. We With orders to be mailed in we accept US checks or money orders, Visa, ship via International Priority Mail (First Class on posters), which generally takes a week Mastercard, and American Express. -
Underground Comics Syndicate Proofs Collection
Special Collections 401 Ellis Library Columbia, MO 65201 & Rare Books (573) 882-0076 [email protected] University of Missouri Libraries http://library.missouri.edu/specialcollections/ Underground Comics Syndicate Proofs Collection Scope and Content Note The collection consists of a sample of underground comics published by Rip Off Press, and includes the work of comic artists Ted Richards, Fran Stack (Foolbert Sturgeon), Dave Sheridan, Gilbert Shelton, Harry Driggs (R. Diggs), Bill Griffith, J. Michael Leonard, Sheridan Anderson, Larry Gonick, and Joel Beck. Provenance The collection was donated as a gift to the University of Missouri, Special Collections and Rare Books on December 1, 1991, by artist Frank Stack. Biographical/Descriptive Note The Rip Off Press was founded on January 17, 1969, in San Francisco, California, by Fred Todd, Dave Moriarty, and cartoonists Gilbert Shelton and Jack Jackson. The first Comix Rip Off Press was published in 1969. As the underground comics market petered out in the mid-to-late 1970s, Rip off Press shifted its focus to other cartoonists and other comics (including their long- running anthology Rip Off Comix). After the collapse of the Direct Market in the early 1990s, Rip off Press began cutting costs and gradually pulled out of publishing. Source: Wikipedia: en.wikipedia.org/wiki/Rip_Off_Press The Cartoonists: Gilbert Shelton was born May 31, 1940 in Houston, Texas. While attending the University of Texas at Austin, he published his early cartoons in the University of Texas humor magazine, The Texas Ranger. After graduation, Shelton moved to New York City and got a job editing automotive magazines. The idea for Wonder Wart-Hog came to him in 1961, and he created Fat Freddy’s Cat in 1969.