ABRAMS Returns to San Diego Comic-Con 2019 Booth #1216
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Randy Duncan, Matthew J. Smith and Paul Levitz, the Power of Comics (Bloomsbury, 2014, 2Nd Edition)
Randy Duncan, Matthew J. Smith and Paul Levitz, The Power of Comics (Bloomsbury, 2014, 2nd edition) The strength of this work lies in the ambitious scope of both its breadth and depth. The authors make assumptions that the reader is interested and motivated to work to fill the knowledge gaps that a critical work of this magnitude entails (382 pages not counting the glossary or extensive bibliography). Comic book creators, readers and critics will all find some, if not all, portions of this book a rewarding read. Having said that, the form of the book clearly signals that a primary audience is students (high school and early undergraduate. Three main units – History, Form, Culture – are broken into chapters. In turn, each chapter is bookended by objectives at the start and with discussion questions, activities, readings and scholarly sources at the end. While there is an early assumption that readers may be unfamiliar with media theory (in the introduction the word ‘medium’ is defined), the later chapters don’t shy away from more complex ideas such as the comprehension and creation of hermeneutic images. This traversal from basic foundations through to higher-level critical and practical considerations, and the variety of possible types of analyses introduced, creates an interesting trajectory that offers something new to readers both new and experienced. Although they first appeared in the US in the early 1930s, there has been a resurgence of interest in the comic book (comic) form since the 1980s. Key works such as Art Spiegelman’s Maus: A Survivor’s Tale; Alan Moore, Dave Gibbons and John Higgins’s influential collaboration on The Watchmen, and Frank Miller’s A Dark Knight Returns were on the shelves by late 1986. -
Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way. -
Starlog Magazine Issue
23 YEARS EXPLORING SCIENCE FICTION ^ GOLDFINGER s Jjr . Golden Girl: Tests RicklBerfnanJponders Er_ her mettle MimilMif-lM ]puTtism!i?i ff?™ § m I rifbrm The Mail Service Hold Mail Authorization Please stop mail for: Name Date to Stop Mail Address A. B. Please resume normal Please stop mail until I return. [~J I | undelivered delivery, and deliver all held I will pick up all here. mail. mail, on the date written Date to Resume Delivery Customer Signature Official Use Only Date Received Lot Number Clerk Delivery Route Number Carrier If option A is selected please fill out below: Date to Resume Delivery of Mail Note to Carrier: All undelivered mail has been picked up. Official Signature Only COMPLIMENTS OF THE STAR OCEAN GAME DEVEL0PER5. YOU'RE GOING TO BE AWHILE. bad there's Too no "indefinite date" box to check an impact on the course of the game. on those post office forms. Since you have no Even your emotions determine the fate of your idea when you'll be returning. Everything you do in this journey. You may choose to be romantically linked with game will have an impact on the way the journey ends. another character, or you may choose to remain friends. If it ever does. But no matter what, it will affect your path. And more You start on a quest that begins at the edge of the seriously, if a friend dies in battle, you'll feel incredible universe. And ends -well, that's entirely up to you. Every rage that will cause you to fight with even more furious single person you _ combat moves. -
Temple University Magazine Winter 2015
WINTER 2015 UNIVERSITY MAGAZINE TOXIC SHOCK A Temple researcher solves Naples’ cancer riddle. Joseph Labolito V. 22 STUDENTS BROTHERLY LOVE Temple students mentor college-age adults with intellectual disabilities through the Academy for Adult Learning. On campus, in Philadelphia and around the world, Owls spark change that matters. In this issue, students mentor adults with intellectual disabilities; the university offers a new admissions option; a dental program provides care to children in North Philadelphia; and a researcher exposes cancer rates in Italy. TEMPLETEMPLE 2 Letters 3 From the President 4 Campus Voice 5 News 14 Alumni News 37 Class Notes 52 The Last Word 72 143 73 144 74 145 75 146 76 147 77 148 78 149 79 150 80 151 81 152 82 153 83 154 84 155 85 156 86 157 87 158 88 159 89 160 90 161 91 162 92 163 93 164 94 165 95 166 96 167 97 168 98 169 99 170 100 171 16 10126 172 32 RESEARCH ALUMNI COMMUNITY IN THE LAND OF POISON AND FIRE TEST CASE FILLING A NEED A Temple cancer researcher from Naples, Temple now offers an admissions option A program of the Kornberg School of Italy, fights the disease in his lab and in that doesn’t require standardized-test results. Dentistry links low-income children in North his hometown. Philadelphia with preventive dental care. 10 Innovation Dedication: In the new Science Education and Research Center, scientists and students pioneer groundbreaking research. ON THE COVER: Illustration by Eleanor Grosch WINTER 2015 LETTERS During WWII, I was assigned to the 142nd General Hospital in Kolkata, India, from 1945 to 1946. -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Art Spiegelman's Experiments in Pornography
ORE Open Research Exeter TITLE Art Spiegelman’s ‘Little Signs of Passion’ and the Emergence of Hard-Core Pornographic Feature Film AUTHORS Williams, PG JOURNAL Textual Practice DEPOSITED IN ORE 20 August 2018 This version available at http://hdl.handle.net/10871/33778 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication Art Spiegelman’s ‘Little Signs of Passion’ and the emergence of hard-core pornographic feature film Paul Williams In 1973 Bob Schneider and the underground comix1 creator Art Spiegelman compiled Whole Grains: A Book of Quotations. One of the aphorisms included in their book came from D. H. Lawrence: ‘What is pornography to one man is the laughter of genius to another’.2 Taking a cue from this I will explore how Spiegelman’s comic ‘Little Signs of Passion’ (1974) turned sexually explicit subject matter into an exuberant narratological experiment. This three-page text begins by juxtaposing romance comics against hard-core pornography,3 the former appearing predictable and artificial, the latter raw and shocking, but this initial contrast breaks down; rebutting the defenders of pornography who argued that it represented a welcome liberation from repressive sexual morality, ‘Little Signs of Passion’ reveals how hard-core filmmakers turned fellatio and the so-called money shot (a close-up of visible penile ejaculation) into standardised narrative conventions yielding lucrative returns at the box office. -
The Journal of Research on Libraries and Young Adults
The Journal of Research on Libraries and Young Adults Volume 6: August 2015 www.yalsa.ala.org/jrlya Adolescent Females and the Graphic Novel: A Content Analysis Emily Simmons, ELA Teacher, Hernando Middle School Abstract Numerous studies of adolescent reading preferences have found that fewer females than males are drawn to reading graphic novels. Why? Adolescent readers are diverse in gender and race/ethnicity as well as the disabilities they represent. Do main characters in graphic novels reflect that diversity? Has representation changed over time? Using a content analysis approach, this study examined the main characters in a set of recommended popular graphic novels for teens to determine the percentage of female protagonists and how that percentage has changed over a seven-year period. Additionally, the race/ethnicity and any disabilities of the female main characters were analyzed. The 70 recommended graphic novels and illustrated nonfiction for teens ages 12 to 18 used for the study were found on YALSA’s “Top Ten Great Graphic Novels for Teens” lists from 2007 through 2013. Female main characters were found in 46% of the titles, with 24% of these titles having only female main characters while 22% had both female and male main characters; the female main characters represented three of five race categories identified by the U.S. Census Bureau and four of the fourteen disability classifications identified by IDEA. Introduction Enticing adolescents to read has been and remains today a core objective for librarians, educators, and parents. At any age, reading preferences reflect reading interests; therefore, it is essential for libraries and schools to provide a varied collection of books to meet a myriad of interests. -
BERNARD BAILY Vol
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” . -
TEXAS LIBRARY JOURNAL Published by the TEXAS LIBRARY ASSOCIATION Membership in TLA Is Open to Any Individual Or Institution Interested in 75 Texas Libraries
TEXAS LIBRARY JOURNALVolume 97, Number 1, Spring 2021 INSIDE: Libraries Provide Shelter from Winter Storm Uri TLA 2021 Exhibits Directory Intellectual Freedom Interlibrary Loan: Libraries as and Social Justice Saying Yes Matters Telehealth Providers Classroom Must-Haves Chapter Books SIMON & CHESTER: SUPER DETECTIVES! by Cale Atkinson 64 Pages | Ages 6-9 | Hardcover MEGABAT AND THE NOT-HAPPY BIRTHDAY ISBN 9780735267428 | Tundra Books by Anna Humphrey, iIllustrated by Kass Reich AVAILABLE NOW! 176 Pages | Ages 7-10 | Hardcover HOW TO PROMENADE WITH A PYTHON ISBN 9780735266049 | Tundra Books (AND NOT GET EATEN) by Rachel Poliquin, illustrated by Kathryn Durst AVAILABLE NOW! 84 Pages | Ages 6-9 | Hardcover Middle-Grade Novels ISBN 9780735266582 | Tundra Books AVAILABLE NOW! 2021 Lone Star Reading List For further resources, including downloadable materials, please visit www.tundrabooks.com @TundraBooks School and library customers, please order from your preferred wholesaler. #OWNVOICES | INDIGENOUS VOICES #OWNVOICES | ASIAN-AMERICAN VOICES ALICE FLECK’S RECIPES THE BARREN GROUNDS PETER LEE’S NOTES FROM THE FIELD FOR DISASTER by David A. Robertson by Angela Ahn, illustrated by Julie Kwon by Rachelle Delaney 256 Pages | Ages 10+ | Hardcover 312 Pages | Ages 9-12 | Hardcover 256 Pages | Ages 10-14 | Hardcover ISBN 9780735266100 | Puffin Canada ISBN 9780735268241 | Tundra Books ISBN 9780735269279 | Puffin Canada 72 | Texas LibraryAVAILABLE Journal NOW! SPRING 2021 AVAILABLE NOW! ON SALE MAY 11, 2021 PUFFIN CANADA CONTENTS TEXAS LIBRARY JOURNAL Published by the TEXAS LIBRARY ASSOCIATION Membership in TLA is open to any individual or institution interested in 75 Texas libraries. For advertising information, contact 75 President’s Perspective Kasey Hyde, TLA Vendor & Meeting Christina Gola Associate at: [email protected] 77 Editor’s Letter For editorial information, contact Wendy Woodland Wendy Woodland, TLA Director, Advocacy & Communications at: [email protected] Opinions expressed in Texas Library Journal are those of the authors and 78 are not necessarily endorsed by TLA. -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
Up-To-The-Minute Market Report: Market and Submission Trends in Children’S Publishing
UP-TO-THE-MINUTE MARKET REPORT: MARKET AND SUBMISSION TRENDS IN CHILDREN’S PUBLISHING Prepared for SCBWI Summer Spectacular – August 1, 2020 by Deborah Halverson A snapshot of the current acquisitions environment in children’s publishing, including the effects of the pandemic on market trends and submission and acquisitions trends in publishing houses and literary agencies. reating a snapshot of an industry as rich as children’s publishing is always an ambitious task. Doing so during a pandemic and a major C national cultural movement feels Herculean. Nonetheless, it is a task worthy of attempt. Writers and illustrators create books with publication in mind, if not centrally so, and understanding the marketplace and industry in which they strive for publication is important. I interviewed a dozen professionals across the industry—agents and editors, plus experts in marketing, supply chain, and statistical analysis. All told me, in one form or another, that the current health of our industry is “a mixed bag,” and that the industry will never be the same, in ways both good and bad. To a person, they all believe this industry—which has proven resilient through difficult times as recently as 2008’s Great Recession, and with its audience of young people turning to books for comfort, inspiration, entertainment, and enlightenment—is as essential as ever. This Market Re- port looks at that mixed bag, humbly offering a snapshot of where we are now, four-and-a-half months into the U.S.’s engagement with the pandemic. There will be shades of our pre-pandemic 2019 industry herein, and informed musings about an admittedly unpredictable future. -
Sunday Morning Grid 7/31/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 7/31/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program 2016 PGA Championship Final Round. (N) Å 4 NBC News (N) Å 2016 Ricoh Women’s British Open Championship Final Round. (N) Å Action Sports From Long Beach, Calif. (N) Å 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Paid Eye on L.A. Paid 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Paid Program Pregame MLS Soccer: Timbers at Sporting 13 MyNet Paid Program Paid Program 18 KSCI Man Land Mom Mkver Church Faith Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Martha Ellie’s Real Baking Project 28 KCET Wunderkind 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Ed Slott’s Retirement Road Map... From Forever Eat Dirt-Axe 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión Paid Program El Chavo (N) (TVG) Al Punto (N) (TVG) Netas Divinas (N) (TV14) Como Dice el Dicho (N) 40 KTBN Walk in the Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Pathway Super Kelinda John Hagee 46 KFTR Paid Choques El Príncipe (TV14) Fútbol Central Fútbol Choques El Príncipe (TV14) Fórmula 1 Fórmula 1 50 KOCE Odd Squad Odd Squad Martha Cyberchase Clifford-Dog WordGirl On the Psychiatrist’s Couch With Daniel Amen, MD San Diego: Above 52 KVEA Paid Program Enfoque Haywire (R) 56 KDOC Perry Stone In Search Lift Up J.