2013 Founders Day
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Aetna 2008 African American History Calendar
© 2007 Aetna Inc. Aetna 2007 © Aetna 2008 African American History Calendar Health Marginal Literacy, A Growing Issue in Health Care Literacy By Janet Ohene-Frempong, M.S. Patients are often confused. Health care But there’s also good news: Reading scores for blacks and concepts. They may be unclear about what to do and providers often don’t know it. have gone up in the 10 years since the last national why to do it. They read well. But, they are just not familiar Many people are not aware of the problem of marginal survey was conducted. So the gap is closing. with complex health care issues and systems. They have literacy, which means being able to read, but not with low health literacy. real skill. Individuals fall into poor health for many reasons. Shame can get in the way of good There also are many reasons why people fail to follow health care. Steps can be taken to address the issue. through on what their health care providers ask them to People go out of their way to hide from their doctors that they Marginal health literacy is a serious problem. Steps can do. One main reason for both of these issues can be linked can’t read well. This is true no matter what a person’s age or be taken to correct it: to reading skills. More people than we think do not read race. Researchers have shown that “because of the shame that Expand awareness across the nation about this issue. they hold, some patients may be intimidated and less likely to well. -
Finding Aid to the Historymakers ® Video Oral History with Mattiwilda Dobbs Janzon
Finding Aid to The HistoryMakers ® Video Oral History with Mattiwilda Dobbs Janzon Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Janzon, Mattiwilda Dobbs, 1925-2015 Title: The HistoryMakers® Video Oral History Interview with Mattiwilda Dobbs Janzon, Dates: March 1, 2005 Bulk Dates: 2005 Physical 5 Betacame SP videocasettes (2:25:17). Description: Abstract: Opera singer Mattiwilda Dobbs Janzon (1925 - 2015 ) was the first African American woman to appear in a principal role at La Scala Opera House in Milan. Dobbs also desegregated the San Francisco Opera Company and performed at the Metropolitan Opera in New York. Dobbs passed away on December 8, 2015 in Atlanta, Georgia. Janzon was interviewed by The HistoryMakers® on March 1, 2005, in Arlington, Virginia. This collection is comprised of the original video footage of the interview. Identification: A2005_056 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Opera singer Mattiwilda Dobbs was born on July 11, 1925 in Atlanta, Georgia. The fifth of six daughters, she sang her first solo at age six and began her musical studies in piano during Dobbs’ childhood. A member of the last graduating class from Atlanta University Lab School, Dobbs earned her high school diploma in 1942. Receiving her B.A. degree in music from Spelman College in 1946, Dobbs began her formal voice training under the direction of Naomi Maise and Willis Laurence James. After graduating, she studied with Lotte Leonard and Pierre Bernac and attended the Mannes College of Music and the Berkshire Music Center’s Opera Workshop. -
Press Release
Joye Griffin Toni Thompson UNCF Toni Thompson PR 703-205-3480 Office 310-702-0926 703-483-5398 Mobile [email protected] [email protected] Press Release VIVICA A. FOX, KEVIN FRAZIER, MO’NIQUE, SHEMAR MOORE, SHAUN ROBINSON, AND RAVEN-SYMONÉ AMONG THOSE SCHEDULED TO PRESENT AT UNCF’s A N EVENING OF STARS ® TRIBUTE TO PATTI LABELLE PRESENTED BY TARGET Mario and Big Daddy Kane Join Performers FAIRFAX, Va. (August 27, 2008) – UNCF–the United Negro College Fund– today announced an all-star line-up of presenters and performers scheduled to appear on its 30 th anniversary annual television special, An Evening of Stars ® Tribute to Patti LaBelle . Super Station WGN’s Merri Dee, Vivica A. Fox, Entertainment Tonight correspondent Kevin Frazier, Tom Joyner, BET Chairman and CEO Debra Lee, LisaRaye McCoy, Duane Martin, Mo’Nique, Shemar Moore, Holly Robinson Peete, Access Hollywood’s Shaun Robinson, VH1’s Celebrity Fit Club’s Dr. Ian Smith, Raven Symoné and Essence Cares founder Susan Taylor are among those slated to appear when the annual UNCF celebration of educational excellence is taped on September 13th at the Kodak Theatre in Hollywood. UNCF also announced that Mario and Big Daddy Kane will join fellow performers Yolanda Adams, Anita Baker, Wayne Brady, Fantasia, Jennifer Hudson, Brian McKnight and Dionne Warwick for its salute to Patti LaBelle. Beyoncé, Wyclef Jean and Mariah Carey will make special taped appearances. Patti LaBelle will receive the UNCF’s Award of Excellence for her longtime support of the organization. UNCF supports 60,000 students at 39 institutions and 900 colleges and universities around the country. -
2017 Convention Schedule
WEDNESDAY, JANUARY 4 2:00PM – 5:00PM Board of Directors Meeting Anacapa 6:00PM - 9:00PM Pre-Conference Dinner & Wine Tasting Villa Wine Bar 618 Anacapa Street, Santa Barbara 7:00PM – 10:00PM Opera Scenes Competition Rehearsal Grand Ballroom THURSDAY, JANUARY 5 8:00AM – 5:00PM Registration Grand Foyer 9:00AM – 5:00PM EXHIBITS Grand Foyer 9:00AM – 9:30AM MORNING COFFEE Grand Foyer Sponsored by the University of Colorado at Boulder College of Music 9:30AM-10:45AM Sierra Madre The 21st Century Way: Redefining the Opera Workshop Justin John Moniz, Florida State University Training programs have begun to include repertoire across varying genres in order to better equip young artists for prosperous careers in today’s evolving operatic canon. This session will address specific acting and movement methods geared to better serve our current training modules, offering new ideas and fresh perspectives to help redefine singer training in the 21st century. Panelists include: Scott Skiba, Director of Opera, Baldwin Wallace Conservatory; Carleen Graham, Director of HGOco, Houston Grand Opera; James Marvel, Director of Opera, University of Tennessee-Knoxville; Copeland Woodruff, Director of Opera Studies, Lawrence University. 11:00AM-12:45PM Opening Ceremonies & Luncheon Plaza del Sol Keynote Speaker: Kostis Protopapas, Artistic Director, Opera Santa Barbara 1:00PM-2:15PM The Janus Face of Contemporary American Opera Sierra Madre Barbara Clark, Shepherd School of Music, Rice University The advent of the 21st century has proven fertile ground for the composition -
Spring 2018 34
The The James Weldon Johnson Institute James Weldon Johnson Institute for the Study of Race and Difference SPRING/SUMMER 2018 In this Issue Letter from the Director Meeting the Moment 2 About the 2017–2018 Visiting Scholars Amrita Chakrabarti Myers: The Freedom Writer 3 Ashanté Reese: Dreaming a More Just World 6 Ashley Brown: Illuminating Athletes’ Place in Society and History 9 Derek Handley: Sharing the History That Speaks to Him 11 Felipe Hinojosa: Church Takeovers and Their Impact on Latino Religion 13 Justin Hosbey: Back Home and Very Gainfully Employed 15 Kyera Singleton: Archival ‘Play’ Yields Dissertation Topic 18 Taína Figueroa: On the Road to Becoming a Latina Feminist Philosopher 20 Alison M. Parker: Righting a Historical Wrong 22 Taylor Branch Delivers JWJI Distinguished Lecture 24 Looking Back at the Race and Difference Colloquium Series 27 Major Programs Calendar: 2017–2018 32 Teaching Race and History: Institute Course Offerings, Spring 2018 34 1 The James Weldon Johnson Institute Director’s Letter: Meeting the Moment Dear Friends of the James Weldon Johnson beyond to disseminate important findings that Institute, can empower and uplift communities across the country. Thank you for your continued support. We have had an eventful and productive academic year and We cannot do this important work without your would like to use its end—and this newsletter—to support. We are always humbled at the number of reflect on where we have been and look forward people who faithfully support us by attending our to next year. events. And we are forever grateful for those who are able to sustain us financially. -
Outstanding Drama Series
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES The 42nd ANNUAL DAYTIME EMMY® AWARD NOMINATIONS Live Television Broadcast Airing Exclusively on Pop Sunday, April 26 at 8:00 p.m. EDT/5:00 p.m. PDT Daytime Creative Arts Emmy® Awards Gala on April 24th To be held at the Universal Hilton Individual Achievement in Animation Honorees Announced New York – March 31st, 2015 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 42nd Annual Daytime Emmy® Awards. The awards ceremony will be televised live on Pop at 8:00 p.m. EDT/5:00 p.m. PDT from the Warner Bros. Studios in Burbank, CA. “This year’s Daytime Emmy Awards is shaping up to be one of our most memorable events in our forty-two year history,” said Bob Mauro, President, NATAS. “With a record number of entries this year, some 350 nominees, the glamour of the historic Warner Bros. Studios lot and the live broadcast on the new Pop network, this year promises to have more ‘red carpet’ then at any other time in our storied-past!” “This year’s Daytime Emmy Awards promises a cornucopia of thrills and surprises,” said David Michaels, Senior Vice President, Daytime. “The broadcast on Pop at the iconic Warner Bros. Studios honoring not only the best in daytime television but the incomparable, indefatigable, Betty White, will be an event like nothing we’ve ever done before. Add Alex Trebek and Florence Henderson as our hosts for The Daytime Creative Arts Emmy Awards at the Universal Hilton with Producer/Director Michael Gargiulo as our crafts lifetime achievement honoree and it will be two galas the community will remember for a long time!” 1 In addition to our esteemed nominees, the following six individuals were chosen from over 130 entries by a live, juried panel in Los Angeles and will be awarded the prestigious Emmy Award at our Daytime Creative Arts Emmy Awards on April 24, 2015. -
“The Black Mecca.”
“The Black Mecca.” Gentrification in Black Central Harlem and its Complex Socio- Cultural Consequences. Author: Ine Sijberts Student Number Author: 4377761 Institution: Radboud Universiteit Nijmegen Department: Department of North-American Studies Date of Delivery: July 16, 2018 Supervisor: Dr. Dario Fazzi Email: [email protected] Second Reader: Dr. M. Roza Email: [email protected] MA Thesis / Sijberts, I. / s4377761 /2 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. Dario Fazzi Title of document: “The Black Mecca.” Gentrification in Black Central Harlem and its Complex Socio-Cultural Consequences. Name of course: Master Thesis North American Studies Date of submission: 16-07-2018 Word count: 25.037 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Ine Sijberts Student number: 4377761 MA Thesis / Sijberts, I. / s4377761 /3 Abstract Much of the literature on gentrification is written from an economic perspective, with many different sub-discussions within the larger gentrification debate. Research done through a social and cultural lens is mostly absent within these discussions. This thesis therefore sets out to clarify the main socio-cultural consequences of gentrification in black neighborhoods, taking Central Harlem as its main case study. Through a multidisciplinary framework this thesis positions itself at the crossroad of the social, cultural and political history fields. First, this thesis will start off with an explanation on gentrification and its deep connection with displacement practices. Next, it will address the relationship between gentrification and crime with a particular focus on race. -
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre
Record Series 1121-105.4, W. W. Law Music Collection-Compact Discs, Inventory by Genre Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) James Cotton Living the Blues James Cotton; Larry McCray; John Primer; Johnny B. Gayden; Brian Jones; Dr. John; Lucky Peterson; Joe Louis Walker 1994 1121-105-242 19 Blues (music) Willie Dixon Willie Dixon; Andy McKaie; Don Snowden 1988 1121-105-249 01 Oversized case; 2 CD box set Blues (music) Cincinnati Blues (1928-1936) Bob Coleman's Cincinnati Jug Band and Associates; Walter Coleman; Bob Coleman no date 1121-105-242 17 Found with CD album in Box #10, Item #28; Case was found separately Blues (music) Willie Dixon, The Big Three Trio Willie Dixon; The Big Three Trio 1990 1121-105-242 18 Blues (music) The Best of Muddy Waters Muddy Waters 1987 1121-105-242 08 Blues (music) The Roots of Robert Johnson Robert Johnson 1990 1121-105-242 07 Blues (music) The Best of Mississippi John Hurt Mississippi John Hurt; Bob Scherl 1987 1121-105-242 06 Blues (music) Bud Powell: Blues for Bouffemont Bud Powell; Alan Bates 1989 1121-105-242 36 Friday, May 11, 2018 Page 1 of 89 Genre Album title Contributor (s) Date Final Box # Item # Additional Notes Original CD Blues (music) Big Bill Broonzy Good Time Tonight Big Bill Broonzy 1990 1121-105-242 04 Blues (music) Bessie Smith The Collection Bessie Smith; John Hammond; Frank Walker 1989 1121-105-242 38 Blues (music) Blind Willie Johnson Praise God I'm Satisfied Blind Willie Johnson 1989 1121-105-242 20 Post-it note was found on the back of this CD case, photocopy made and placed in envelope behind CD. -
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HAS THE PAST PASSED? ON THE ROLE OF HISTORIC MEMORY IN SHAPING THE RELATIONS BETWEEN AFRICAN AMERICANS AND CONTEMPORARY AFRICAN MIGRANTS IN THE USA • DMITRI M. BONDARENKO • ABSTRACT ............................................................................................................................................... African Americans and contemporary African migrants to the USA do not form a single ‘Black community’. Their relations are characterized by simultaneous mutual attraction and repulsion. Based on field evidence, the article discusses the role played in it by the reflection in historic memory and place in mass consciousness of African Americans and African migrants of key events in Black American and African history: transatlantic slave trade, slavery, its abolition, and the Civil Rights Movement in the US, colonialism, anticolonial struggle, and the fall of apartheid regime in South Africa. It is shown that they see the key events of the past differently, and different events are seen as key by each group. Collective historic memory works more in the direction of separating the two groups from each other by generating and supporting contradictory or even negative images of mutual perception. ............................................................................................................................................... Keywords: African Americans, African migrants, USA, historic memory, intercultural interaction, mass consciousness Introduction1 In the 17th–19th centuries, in most countries of the New -
Albert E. Manley Presidential Collection
The Albert Manley Presidential Collection Box Folder Title Content Notes Numbers Correspondence Files Board of Trustee Box 1 Meeting Agendas and Minutes Minutes- November 15,1963 Board of Trustee Board of Meeting Agendas Trustee and Minutes Files Minutes- April 26,1963 Board of Trustee Meeting Agendas and Minutes Minutes- November 9,1962 Board of Trustee Meeting Agendas and Minutes Minutes- April 13, 1962 Board of Trustee Meeting Agendas and Minutes Minutes- November 10, 1961 Board of Trustee Meeting Agendas and Minutes Minutes- April 14,1961 Board of Trustee Meeting Agendas Minutes- November 11,1960 Board of Trustee Meeting Agendas and Minutes Minutes- April 22,1960 Board of Trustee Meeting Agendas and Minutes Minutes- November 13,1959 Board of Trustee Meeting Agendas and Minutes Minutes- April 3,1959 Board of Trustee Meeting Agendas and Minutes Minutes- November 7,1958 Board of Trustee Meeting Agendas and Minutes Minutes- April 18,1958 Board of Trustee Meeting Agendas and Minutes Minutes- November 22,1957 Board of Trustee Meeting Agendas and Minutes Minutes- April 12,1957 Board of Trustee Meeting Agendas and Minutes Minutes- November 9,1956 Board of Trustee Meeting Agendas and Minutes Minutes- April 13,1956 Board of Trustee Meeting Agendas and Minutes Minutes- November 18,1955 Board of Trustee Meeting Agendas and Minutes Minutes- April 23, 1954 Board of Trustee Meeting Agendas and Minutes Minutes- November 19,1954 Board of Trustee Meeting Minutes Minutes- November 16,1953 Board of Trustee Meeting Minutes Minutes- April 3,1952 Board -
Received by the Regents February 20, 2020
The University of Michigan Office of Development Unit Report of Gifts Received 4 Year Report as of December 31, 2019 Transactions Dollars Fiscal Year Ended June 30, Fiscal Fiscal Fiscal Year Ended June 30, Fiscal Fiscal YTD YTD YTD YTD Unit 2017 2018 2019 December 31, 2018 December 31, 2019 2017 2018 2019 December 31, 2018 December 31, 2019 A. Alfred Taubman College of Architecture and Urban Planning 890 785 834 469 474 4,761,133 6,664,328 4,858,713 3,905,392 4,367,777 Penny W. Stamps School of Art and Design 565 644 615 366 348 2,052,654 2,133,117 1,795,126 1,236,963 1,466,436 Stephen M. Ross School of Business 8,418 7,897 7,610 4,332 3,801 32,333,848 31,703,408 41,662,544 26,456,778 20,994,441 School of Dentistry 1,822 1,782 1,920 980 896 6,492,684 4,201,101 3,080,617 1,618,436 1,780,580 School of Education 2,412 2,336 2,557 1,375 1,620 5,938,803 8,474,970 11,298,726 4,507,986 3,578,827 College of Engineering 7,961 7,321 7,459 4,051 3,983 29,135,173 33,935,813 31,682,539 17,337,173 12,892,451 School for Environment and Sustainability 929 900 918 501 556 2,691,334 4,469,385 2,220,414 1,433,307 3,301,149 Horace H. Rackham School of Graduate Studies 2,935 2,508 2,617 1,456 1,400 5,531,888 5,010,647 6,083,214 4,218,373 1,010,695 School of Information 1,328 1,446 1,345 757 706 921,261 1,189,629 3,412,544 2,459,072 670,461 School of Kinesiology 975 1,016 988 525 539 1,361,012 1,014,328 1,394,594 460,816 842,877 Law School 5,984 5,800 5,588 2,967 2,972 14,320,487 24,615,924 12,771,100 7,008,304 8,169,805 College of Literature, Science, and the Arts 17,344 17,407 19,014 10,787 10,625 49,141,904 44,983,558 57,532,052 35,592,264 20,851,552 School of Music, Theatre & Dance 4,583 5,221 4,293 2,632 2,440 8,149,703 6,950,036 10,541,563 5,044,782 3,677,925 School of Nursing 1,695 1,693 1,728 972 859 2,891,012 2,638,340 2,999,712 1,589,844 1,764,274 College of Pharmacy 1,097 1,035 984 521 502 3,273,265 3,451,305 1,945,261 1,230,664 1,207,111 School of Public Health 1,735 1,738 1,760 965 980 7,688,432 11,536,036 4,915,632 1,979,543 1,326,949 Gerald R. -
Capa Oficial
Franciéle Carneiro Garcês da Silva Organizadora Mulheres Negrasna BIBLIOTECONOMIA NYOTA soluções gráficas Franciéle Carneiro Garcês da Silva Organizadora MULHERES NEGRAS NA BIBLIOTECONOMIA Florianópolis, SC Rocha Gráfica e Editora Ltda. 2019 Nyota Coordenação do Selo Franciéle Carneiro Garcês da Silva Nathália Lima Romeiro Site: https://www.nyota.com.br/ Comitê Científico Andreia Sousa da Silva (UDESC) Priscila Sena (UFSC) Daniella Camara Pizarro (UDESC) Gláucia Aparecida Vaz (UFMG) Dirnéle Carneiro Garcez (UFSC) Graziela dos Santos Lima (UNESP) Nathália Lima Romeiro (UFMG) Andreza Gonçalves (UFMG) Bruno Almeida (UFBA) Erinaldo Dias Valério (UFG) Diagramação: Franciéle Carneiro Garcês da Silva Arte da Capa: Dirnéle Carneiro Garcez, Franciéle Carneiro Garcês da Silva. Revisão textual: Pedro Giovâni da Silva Ficha Catalográfica: Priscila Rufino Fevrier – CRB 7-6678 M958 Mulheres negras na Biblioteconomia / Franciéle Carneiro Garcês da Silva (Org.) - Florianópolis, SC: Rocha Gráfica e Editora, 2019. (Selo Nyota) 339 p. Inclui Bibliografia. Disponível em: <https://www.nyota.com.br/>. ISBN 978-85-60527-07-6 (e-book) ISBN 978-85-60527-06-9 (impresso) 1. Biblioteconomia. 2. Mulheres negras. 3. Biblioteconomia Negra. I. Silva, Franciéle Carneiro Garcês da. VI. Título. ESSA OBRA É LICENCIADA POR UMA LICENÇA CREATIVE COMMONS Atribuição – Uso Não Comercial – Compartilhamento pela mesma licença 3.0 Brasil1 É permitido: Copiar, distribuir, exibir e executar a obra Criar obras derivadas Condições: ATRIBUIÇÃO Você deve dar o crédito apropriado ao(s) autor(es) ou à(s) autora(s) de cada capítulo e às organizadoras da obra. NÃO-COMERCIAL Você não pode usar esta obra para fins comerciais. COMPARTILHAMENTO POR MESMA LICENÇA Se você remixar, transformar ou criar a partir desta obra, tem de distribuir as suas contribuições sob a mesma licença2 que este original.