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MIKE NUSSBAUM SAG-AFTRA, AEA FILM Men in Black Fatal Attraction Jerry and Tom House of Games Losing Isaiah Sailorman The Water Engine Gypsy Flying The Gladiators Desperate Hours Harry & Tonto* Field of Dreams Things Change Greatest Game of Their Lives His Brothers Keeper T.R. Baskin The Con The Monitors The Dreamers Rosen’s Son *Cannes Film Festival Award Winner MINI-SERIES Separate But Equal* Mafia Marriage *Emmy Nomination/Justice Felix Frankfurter TELEVISION Chicago Code Doubt (Pilot) The Commish (3 episodes) Brooklyn Bridge Class of ’96 Tattinger’s Archie (2 hour pilot) The Equalizer L.A. Law Room 227 The Trial of Shoeless Joe* Spenser for Fire The X Files Frazer Condition Critical (2 hour pilot) Cupid Early Edition *Emmy Award/Supporting Actor THEATRE (Selected Credits) ORIGINATED ROLES IN PREMIER PERFORMANCES A Life in the Theater Richard Goodman Theater David Mamet American Buffalo Teach St. Nicholas Theater David Mamet Glengarry Glen Ross Aaronow Golden-Broadway David Mamet The Shawl John Lincoln Center David Mamet Principia Scriptoria Einhorn Manhattan Theater Club Richard Nelson Mr. Gogol & Mr. Preen Gogol Lincoln Center Elaine May The Infidel Garvey Steppenwolf Theater Bruce Norris Comic Dialogue Cooper EST New York Alan Sweibel Grace Exterminator Northlight Theater Craig Wright Better Late Julian Northlight Theater Larry Gelbart ADDITIONAL ROLES Endgame Hamn American Theater Co. Beckett Taking Sides Furtwangler Organic Theater Harwood Death of a Salesman Willy Loman Steppenwolf Miller Birthday Party Goldberg Hull House Theater Pinter The Cherry Orchard Pishchik BAM & USSR & Japan tours Chekhov Someone to Watch Over Me Michael Northlight Theater McGuiness Glengarry Glen Ross Levine Steppenwolf and Dublin Mamet Passion Doctor Chicago Shakespeare Sondheim Tuesdays with Morrie Morrie Northlight Theater Albom Freud’s Last Session Freud Mercury Theater St. Germaine Henry IV-1&2 Shallow Chicago Shakespeare Barbara Gaines & Royal Shakespeare Merchant of Venice Shylock Chicago Shakespeare Barbara Gaines As You Like It Touchstone Goodman Gregory Mosher .

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Ebook Download the Plays, Screenplays and Films of David
THE PLAYS, SCREENPLAYS AND FILMS OF DAVID MAMET PDF, EPUB, EBOOK Steven Price | 192 pages | 01 Oct 2008 | MacMillan Education UK | 9780230555358 | English | London, United Kingdom The Plays, Screenplays and Films of David Mamet PDF Book It engages with his work in film as well as in the theatre, offering a synoptic overview of, and critical commentary on, the scholarly criticism of each play, screenplay or film. You get savvy industry tips and strategies for getting your screenplay noticed! Mamet is reluctant to be specific about Postman and the problems he had writing it, explaining. He shrugs off the whispers floating up and down the Great White Way about him selling out and going Hollywood. Contemporary playwright David Mamet's thought-provoking plays and screenplays such as Wag the Dog , Glengarry Glen Ross for which he won the Pulitzer Prize , and Oleanna have enjoyed popular and critical success in the past two decades. The Winslow Boy, Mamet's revisitation of Terence Rattigan's classic play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. House of Games is a psychological thriller in which a young woman psychiatrist falls prey to an elaborate and ingenious con game by one of her patients who entraps her in a series of criminal escapades. Paul Newman plays Frank Calvin, an alcoholic and disgraced Boston lawyer who finds a shot at redemption with a malpractice case. I Just Kept Writing. The impressive number of essays , novels , screenplays , and films that Mamet has produced They might be composed and awesome on the battlefield, but there is a price, and that is their humanity.
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David Mamet - Edited by Christopher Bigsby Excerpt More Information
Cambridge University Press 0521894689 - The Cambridge Companion to David Mamet - Edited by Christopher Bigsby Excerpt More information 1 CHRISTOPHER BIGSBY David Mamet In 1974, a play set in part in a singles bar, laced with obscene language and charged with a seemingly frenetic energy, was voted Best Chicago Play. Transferred to Off Off and Off Broadway it picked up an Obie Award. Sexual Perversity in Chicago was not David Mamet’s first play, but it did mark the beginning of a career that would astonish in both its range and depth. The following year American Buffalo opened at Chicago’s Goodman The- atre in an “alternative season.” It was well received and opened on Broadway fifteen months later where it won the New York Drama Critics Circle Award. It ran for 135 performances, hardly a failure but in the hit or miss world of New York, not a copper-bottomed success either. Nonetheless, in three years he had announced his arrival in unequivocal terms. David Mamet came as something of a shock, not least because his first public success, Sexual Perversity in Chicago, seemed brutally direct in terms of its language and subject, as did American Buffalo. But it was already clear to many that here was a distinctive talent, albeit one that some critics found difficult to assess, not least because of his characters’ scatological language and fractured syntax, along with the apparent absence, in his plays, of a conventional plot. They praised what they took to be his linguistic naturalism, as though his intent had been to offer an insight into the cultural lower depths while capturing the precise rhythms of contemporary speech (though he did invoke Gorky’s The Lower Depths as being, like a number of his own plays, a study in stasis).
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David Mamet in Conversation
David Mamet in Conversation David Mamet in Conversation Leslie Kane, Editor Ann Arbor Copyright © by the University of Michigan 2001 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ∞ Printed on acid-free paper 2004 2003 2002 2001 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data David Mamet in conversation / Leslie Kane, editor. p. cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 0-472-09764-4 (cloth : alk. paper) — ISBN 0-472-06764-8 (pbk. : alk. paper) 1. Mamet, David—Interviews. 2. Dramatists, American—20th century—Interviews. 3. Playwriting. I. Kane, Leslie, 1945– II. Series. PS3563.A4345 Z657 2001 812'.54—dc21 [B] 2001027531 Contents Chronology ix Introduction 1 David Mamet: Remember That Name 9 Ross Wetzsteon Solace of a Playwright’s Ideals 16 Mark Zweigler Buffalo on Broadway 22 Henry Hewes, David Mamet, John Simon, and Joe Beruh A Man of Few Words Moves On to Sentences 27 Ernest Leogrande I Just Kept Writing 31 Steven Dzielak The Postman’s Words 39 Dan Yakir Something Out of Nothing 46 Matthew C. Roudané A Matter of Perception 54 Hank Nuwer Celebrating the Capacity for Self-Knowledge 60 Henry I. Schvey Comics
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(XXXIII: 11) Brian De Palma: the UNTOUCHABLES (1987), 119 Min
November 8, 2016 (XXXIII: 11) Brian De Palma: THE UNTOUCHABLES (1987), 119 min. (The online version of this handout has color images and hot url links.) DIRECTED BY Brian De Palma WRITING CREDITS David Mamet (written by), Oscar Fraley & Eliot Ness (suggested by book) PRODUCED BY Art Linson MUSIC Ennio Morricone CINEMATOGRAPHY Stephen H. Burum FILM EDITING Gerald B. Greenberg and Bill Pankow Kevin Costner…Eliot Ness Sean Connery…Jimmy Malone Charles Martin Smith…Oscar Wallace Andy García…George Stone/Giuseppe Petri Robert De Niro…Al Capone Patricia Clarkson…Catherine Ness Billy Drago…Frank Nitti Richard Bradford…Chief Mike Dorsett earning Oscar nominations for the two lead females, Piper Jack Kehoe…Walter Payne Laurie and Sissy Spacek. His next major success was the Brad Sullivan…George controversial, ultra-violent film Scarface (1983). Written Clifton James…District Attorney by Oliver Stone and starring Al Pacino, the film concerned Cuban immigrant Tony Montana's rise to power in the BRIAN DE PALMA (b. September 11, 1940 in Newark, United States through the drug trade. The film, while New Jersey) initially planned to follow in his father’s being a critical failure, was a major success commercially. footsteps and study medicine. While working on his Tonight’s film is arguably the apex of De Palma’s career, studies he also made several short films. At first, his films both a critical and commercial success, and earning Sean comprised of such black-and-white films as Bridge That Connery an Oscar win for Best Supporting Actor (the only Gap (1965). He then discovered a young actor whose one of his long career), as well as nominations to fame would influence Hollywood forever.
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Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon
Adaptation Vol. 3, No. 2, pp. 82–98 doi: 10.1093/adaptation/apq004 Advance Access publication 8 April 2010 Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon CHRISTOPHE COLLARD* Downloaded from Abstract Every migration across referential and expressive frameworks entails formal, struc- tural, and cognitive consequences too complex for a ‘traditionalist’ comparative posture. More- over, the intertextuality and intermediality of the ‘transmedial screenplay’ make it incompatible with ‘static’ concepts such as ‘fidelity’ and ‘originality’ precisely on behalf of the film medium’s adaptation.oxfordjournals.org poly-systemic nature. Bringing together the analogous concerns of collaborative creation, adap- tation, and authorship, this essay therefore discusses David Mamet’s screen adaptations of per- sonal and other work from a process-based perspective as a means of attaining a more constructive understanding of so-called ‘interaesthetic passages’. Keywords David Mamet, collaborative creation, adaptation, authorship, semiology. at Funda??o Coordena??o de Aperfei?oamento Pessoal N?vel Superior on June 3, 2011 All train compartments smell vaguely of shit. It gets so you don’t mind it. That’s the worst thing that I can confess. (Mamet, Glengarry Glen Ross) INTRODUCTION Every single film producer, Hollywood veteran Art Linson has claimed, knows that at the inception of the movie-making process stands ‘an idea’ derived from ‘A book. A play. A song. A news event. A magazine article. A historic event or character. A personal experience.
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Eastern Progress 1979-1980 Eastern Progress
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A Midsummer Nights Dream 11 'T} S , O(;;)-2 by Wilham Shakespeare
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FOR IMMEDIATE RELEASE CONTACT: Dafina Mcmillan January 16, 2013 [email protected] 212-609-5955
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan January 16, 2013 [email protected] 212-609-5955 New from TCG Books: The Anarchist by David Mamet NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the publication of the newest play by Pulitzer Prize-winning playwright David Mamet: The Anarchist. Just having completed its world premiere on Broadway under the direction of the playwright and starring Patti LuPone and Debra Winger, Mr. Mamet’s work is also currently represented on Broadway with the revival of his award-winning Glengarry Glen Ross starring Al Pacino and Bobby Cannavale. “Mamet remains the American theatre’s most urgent five-letter word.” ― Guardian (London) Nothing is quite what it seems in Mamet’s latest work. Set in a female penitentiary, David Mamet's two-woman drama is about Cathy, a longtime inmate with ties to a violent political organization, who pleads for parole from the warden, Ann. With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion – and the lack thereof. “Students of Mamet won’t want to miss it. I was engaged and compelled throughout. Indeed, The Anarchist is a counterweight to the conventional dramatic tropes of family, love and death.” ― Chicago Tribune David Mamet is a playwright, essayist and screenwriter who directs for both the stage and film. He was awarded the Pulitzer Prize and New York Drama Critics’ Circle Award for Glengarry Glen Ross. His other plays include Race, American Buffalo, Speed-the-Plow, November, The Cryptogram, Sexual Perversity in Chicago, Lakeboat, The Water Engine, The Duck Variations, Reunion, The Blue Hour, The Shawl, Bobby Gould in Hell, Edmond, Romance, The Old Neighborhood and his adaptation of The Voysey Inheritance.
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© in This Web Service Cambridge University
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