DOCSLIB.ORG

Jazz London Radio Newsletter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Jazz London Radio Newsletter Jazz London Radio Issue 1, October 2015 London’s Internet Jazz Station Brand New Newsletter Thanks for checking out our newsletter. Our news- letter is designed to keep our listeners abreast of new developments and new features, plus what’s been happening with our Presenters. Jazz London Radio Laurie Burnette: Founder and Programme Di- Newsletter Spotlight rector. Station outputs in high I am a music and sports fan who writes articles on level sound quality the game of tennis as well as interview the top mu- sicians in the world of jazz and alternative music. I Jazz London Radio has hope to bring something different to nine Presenters playing British radio based on a more conti- a wide range of jazz nental model. and related music. To subscribe to our mailing list, please click here. 1 Jazz London Radio Issue 1, October 2015 London’s Internet Jazz Station History of Jazz London Radio Jazz London Radio began broadcasting in June 2014 and was born from the inspiration of listening to a variety of different stations via satellite and internet radio. In the early 2000s I listened extensively to Radio France (FIP) broadcasting from Paris and also Radio Monte Carlo from Milan Italy. Later on I dis- covered TSF Jazz which also broadcasts out of Par- is. As a music fan, I loved how many of these sta- tions would mix jazz with other styles of music, Newsletter Spotlight seamlessly and without apology. Station outputs in high This appealed to me as a person who listened to a level sound quality lot of John Peel shows on BBC Radio 1 during my student years. As a result I have set up Jazz Lon- Jazz London Radio has don radio as primarily a jazz station with the liberty nine Presenters playing to showcase other styles of music which may not strictly be called jazz but is in the spirit of jazz in a wide range of jazz terms of creativity and content. and related music. To subscribe to our mailing list, please click here. 2 Jazz London Radio Issue 1, October 2015 London’s Internet Jazz Station Jazz London Radio in the Community Jazz London Radio is committed to promoting all the talent coming out of Britain. We invite promot- ers, from the small jazz gig to the major concert hall and promoting musicians to send us details of their gigs, we will endeavour to mention them in our programmes. For gigs the promoter will need to send us details of the event with a couple of tracks to [email protected] The criteria we ask is that all MP3s/ M4a files are properly encoded with title of tracks, composer, album art. We also require press releases and any upcoming gig infor- Newsletter Spotlight mation. Station outputs in high Agents, managers and bands are welcome to send level sound quality details of tour dates and your music; you can mail us at [email protected] for more details. Jazz London Radio has nine Presenters playing You can also contact our Presenters for information about tracks played or requests. Our Presenters a wide range of jazz can be reached at [email protected] and related music. To subscribe to our mailing list, please click here. 3 Jazz London Radio Issue 1, October 2015 London’s Internet Jazz Station Other Important Information Advertising / Sponsorship For details of advertising and the rate card and sponsorship packages on the station, please contact Laurie Burnette on 07479 810 961 or you can email [email protected] for more information. Partners Jazz London radio works closely with Bolygo Music Productions where we broadcast many of our shows Newsletter Spotlight and record interviews with artists. Bolygo Music is based in Park Royal, North West London and their Station outputs in high studios are also available for hire. They can be level sound quality contacted at [email protected] We have an ongoing relationship with Jazz Rag Jazz London Radio has Magazine. Their Reviewers provide us with a batch nine Presenters playing of tunes on a regular basis which we feature on the a wide range of jazz “Jazz Rag Reviewers Choice” every Wednesday be- and related music. tween 6pm to 8pm. To subscribe to our mailing list, please click here. 4 Jazz London Radio Issue 1, October 2015 London’s Internet Jazz Station Presenters: [email protected] Andrea Vicari Cathie Rae Chris Hodgkins Deirdre Cartwright Emily Saunders Johnny Mooney Newsletter Spotlight Station outputs in high level sound quality Jazz London Radio has Kevin Davy Ollie Howell Todd Gordon nine Presenters playing a wide range of jazz and related music. To subscribe to our mailing list, please click here. 5 New Features on JLR Issue 1, October 2015 Track Information and Album Art Jazz London Radio Tunein now has album art and track information displayed for every track played. Jazz London Radio plays a lot of tracks that are not always easily available or out of print. By seeing who played these pieces of music, it will be easier for you to research artists you might like after hear- ing them on the station. Newsletter Spotlight Station outputs in CD sound uncompressed quality Jazz London Radio has nine Presenters playing a wide range of jazz and related music. To subscribe to our mailing list, please click here. 6 New Features on JLR Issue 1, October 2015 Vinyl Vaults Jazz London radio has a new feature called the “Vinyl Vaults” which airs for two hours every Wednesday between 1pm and 3pm. The intention of Vinyl Vaults is to showcase the sound quality of vinyl records which can often rival or better CD quality sound. This is assisted by the fact that Jazz London Radio outputs in a higher stream bitrate than many other internet or DAB radio stations. The aac stream particularly brings Newsletter Spotlight out the best in vinyl as . Our Presenters also con- tribute vinyl only shows from time to time showcas- Station outputs in high ing their favourite vinyl records in their collection. level sound quality Jazz London Radio has nine Presenters playing a wide range of jazz and related music. To subscribe to our mailing list, please click here. 7 New Features on JLR Issue 1, October 2015 Interviews Jazz London Radio have conducted over 30 inter- views with some of the top names in jazz including and continue to interview the top names plus up and coming artists. Artists interviewed to date in- clude Barbara Dennerlein, Najee, John Etheridge, Claire Martin, Bill Stewart, Courtney Pine, Trudy Kerr, Omar Puente, Bill Laurance, Phil Robson, Den- nis Rollins, Clare Hirst and many others. We now have an exclusive podcast service where you can access all interviews, embedded via our website Newsletter Spotlight here. Station outputs in high Cathie Rae’s Happening level sound quality Cathie has recently re-located to Austria and has Jazz London Radio has agreed to host a monthly magazine highlighting the nine Presenters playing best jazz coming out of Europe at present. Stay a wide range of jazz tuned for updates as to when the first show will be and related music. aired. To subscribe to our mailing list, please click here. 8 Sign up to receive Jazz London Radio News Issue 1, October 2015 To receive news of Jazz London Radio, including developments about the station and updates about Presenters, upcoming artists and future projects, please email us with your details to be included in our mailing list. Please provide us with your : Email address Name Postcode Email us at official@jazzlondonradio Thank you. Newsletter Spotlight Station outputs in high level sound quality Jazz London Radio has nine Presenters playing a wide range of jazz and related music. To subscribe to our mailing list, please click here. 9 .
Load more

Recommended publications
  • Snarky Puppy – Live at the Royal Albert Hall
    Snarky Puppy – Live At The Royal Albert Hall (50:22 + 48:57, 2 CD, 3 LP, GroundUp Music, 2020) Erstaunlich, welche Acts abseits des allgemeinen Mainstreams mittlerweile die Royal Albert Hall füllen. Es gibt also doch noch Hoffnung für den guten Geschmack. Das formidable amerikanische Musikerkollektiv Snarky Puppy um Bandleader Michael League machte auf seiner Tour im letzten Jahr ebenfalls in der altehrwürdigen Veranstaltungsstätte in London Halt. Bei diesem Livealbum stand logischerweise der Fokus auf dem letzten Studioalbum „Immigrance„, welches gleich mit sechs Songs vertreten ist. Die Setlist fokussiert sich trotz der inzwischen recht umfangreichen Diskografie der Amerikaner neben dem Material von ‚Immigrance‘ lediglich auf weiteres Material aus den Alben „We Like It Here“ (2014), „Culcha Vulcha“ (2016), sowie überraschenderweise zwei Songs aus der wesentlich jazzigeren Frühphase „The World Is Getting Smaller“ (2007), die aber wesentlich luftiger und dem sonstigen Material angepasst daherkommen. Warum sich Snarky Puppy über die Jahre mittlerweile eine recht breite, teils altersmäßig sehr junge Fanbasis erspielt haben, liegt vor allem im differenzierten Stilmix begründet, der sich eben recht weit außerhalb des reinen Jazz bzw. Jazz Rocks bewegt. Da sind Elemente aus Rock, Funk, R&B, Soul, Latin, Electronic oder World Music zu vernehmen, zudem vorangetrieben durch feingliedrige, mitreißende Rhythmik und sehr lässiges Feeling. Die sehr große Besetzung versteht sich immer als Einheit und z.B. trotz der vierfachen(!) Keyboardpower wirkt hier nichts überladen, sondern immer exakt auf den Punkt gebracht. Zudem gelingt es, moderne Klangästhetik mit herrlich analogen Sounds aus den Keyboardburgen zu vereinen, die bisweilen durch messerscharfe Bläsersätze gewürzt werden. Die Band interpretiert das Songmaterial im Vergleich zu den Ursprungsversionen keineswegs anders oder bricht die Songstrukturen komplett auf, dafür werden jedoch die Soloparts beliebig verändert bzw.
    [Show full text]
  • Seite Rhp-Neu-20/Lk-Neu/Neu Hp20 Lk
    DIE RHEINPFALZ — NR. 142 KULTUR REGIONAL SAMSTAG, 22. JUNI 2019 EHRLICHES HANDWERK IST EHRENSACHE Jazziger Doppelschlag TREPPENLIFTE HOMELIFTE Als Keyboarder des US-Fusion-Kollektivs „Snarky Puppy“ hat der Pianist Bill Laurance dem Jazzrock BILDU ROLLSTUHLLIFTE und Funk-Jazz neue Flügel verliehen. Beim Neustadter „Palatia Jazz“-Konzert nächsten Samstag ist der Brite jetzt mit seinem Trio zu erleben, und quasi als Vorspeise gibt es mit „Shalosh“ ein weiteres interessantes Trio aus Israel. VON HENNING GAJEK er allerdings zwei reale Musikerkolle- gen mit, Jonathan Harvey am Bass Damit Bildung niemals aufhört. NEUSTADT. Bill Laurance hat wie viele und Marijus Aleksa am Schlagzeug. BESUCHEN große Jazzpianisten mit klassischem Das Vorprogramm gestaltet ein Wir setzen uns dafür ein, dass Lorbeerweg20 SIE UNS Klavier begonnen, richtig grundsoli- junges Trio aus Tel Aviv, das schon seit IM LIFT- junge Menschen ihre Talente 76149 Karlsruhe ZENTRUM de. Dadurch stand der heute 38-Jähri- Kindertagen zusammenspielt und entfalten können, und fördern Unsere Öffnungszeiten ge schon mit 14 erstmals auf der Büh- seine Besetzung sogar im Namen bessere, chancengerechte Mo -Fr: 9.00 -18.00 Uhr ne. Das Jahr des Durchbruchs war für trägt: denn „Shalosh“ heißt auf He- Sa: 9.00 -13.00 Uhr Bildung. Mehr über unser En- ihn aber 2014, als er mit „Snarky Pup- bräisch „Drei“. Die aus dem Pianisten gagement erfahren Sie online. Jederzeit nachTerminvereinbarung py“ wie aus dem Nichts den Grammy Gadi Stern, dem Schlagzeuger Matan www.stifterverband.org Tel: (0721) 7831240 für die beste R&B-Performance ge- Assayag und dem Bassisten David Mi- www.stufen-los.de wann und zeitgleich mit seinem Solo- chaeli bestehende Formation legt 9700553_50_5 Album „Flint“ die britischen und Wert darauf, dass es bei ihnen keinen amerikanischen Jazz-Charts des An- Bandleader im klassischen Sinne gibt.
    [Show full text]
  • An Amazonian Forest and Its Fragments As a Laboratory of Global Change
    An Amazonian forest and its fragments as a laboratory of global change Laurance, WF, Camargo, JLC, Fearnside, PM, Lovejoy, TE, Williamson, GB, Mesquita, RCG, Meyer, Christoph FJ, Bobrowiec, PED, Cohn-Haft, M and Laurance, SGW http://dx.doi.org/10.1007/978-3-662-49902-3_17 Title An Amazonian forest and its fragments as a laboratory of global change Authors Laurance, WF, Camargo, JLC, Fearnside, PM, Lovejoy, TE, Williamson, GB, Mesquita, RCG, Meyer, Christoph FJ, Bobrowiec, PED, Cohn-Haft, M and Laurance, SGW Type Conference or Workshop Item URL This version is available at: http://usir.salford.ac.uk/id/eprint/38915/ Published Date 2016 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. 1 1 An Amazonian forest and its fragments as a 2 laboratory of global change 3 4 William F. Laurance1,*, José L. C. Camargo2, Philip M. Fearnside3, Thomas E. Lovejoy2,4, 5 G. Bruce Williamson5, Rita C. G. Mesquita6, Christoph F. J. Meyer2,7, Paulo E. D. 6 Bobrowiec2,8, Mario Cohn-Haft9 & Susan G. W. Laurance1,* 7 8 1Centre for Tropical Environmental and Sustainability Science (TESS) and College of Marine 9 and Environmental Science, James Cook
    [Show full text]
  • Snarky Puppy Release First in Series of Bonus Tracks from Immigrance Recording Sessions Today
    Snarky Puppy Release First In Series Of Bonus Tracks From Immigrance Recording Sessions Today Hear “Embossed” here Massive 98-date, 20-country 2019 world tour underway. UK headline dates in November + Love Supreme in July April 26, 2019 – Snarky Puppy, who have already kicked off their massive 98-date, 20-country world tour, have a special gift for fans – a series of bonus and extended tracks from the recording session for their latest album Immigrance. “Embossed,” written by Snarky Puppy member Bill Laurance, is out today, and the remaining five tracks will be released throughout the remainder of 2019. Immigrance is the follow-up to 2016’s GRAMMY-winning Culcha Vulcha. “During the Immigrance sessions, we recorded more songs than we could squeeze onto the album,” says band leader Michael League. “So, over the course of the year, we'll be releasing three brand new, full- length compositions by Bill Laurance, Marcelo Woloski, and Bob Reynolds, as well as extended versions of three of the album's tracks.” Laurance says of the track, "Embossed is a reaction to the social, political and environmental anxiety of the times. It's a musical call to arms, asking the listener to engage both as an individual and as a member of larger movements for change." Immigrance has garnered a wide swath of critical praise including: The Times ★★★★ “it’s a lot of fun” Mojo ★★★★ “Immigrance is a grown–up affair and Snarky Puppy’s best yet” Evening Standard “vintage Snarky Puppy” Classic Rock Presents Prog “hip and hopeful thrills” Record Collector ★★★★ Snarky
    [Show full text]
  • Bill Laurance
    BILL LAURANCE "It’s a personal exploration. I'm discovering my own voice, my own sound all the time", explains Bill Laurance. "I get a kick out of this ever-evolving journey.” Facebook.com/billlaurancemusic - Instagram.com/billlaurance - Twitter.com/billlaurance Management – [email protected] BILL LAURANCE That journey has led Laurance across the globe and through a myriad of award-winning musical projects. A world-renowned multi-instrumentalist, composer and producer dubbed a “jazz maestro” by The Guardian, Laurance is also known as a founding member of Snarky Puppy, the Grammy-winning collective. Bill’s composition work extends across a wide range of genres, the most recent being his first feature film score ‘Un Traductor’ was nominated for best foreign film at the 2018 Sundance Film Festival. Other collaborations include work with prestigious dance companies (Alvin Ailey, Mathew Bourne and Northern Ballet Theatre). He has performed with an array of musical talents, including David Crosby, Morcheeba, Salif Keita, Bobby McFerrin, Susana Baca and many more. Bill is currently composing three separate commissions for Big Band, Orchestra and Choir. His four albums (Flint, 2014; Swift, 2015; Aftersun, 2016; and Live at Union Chapel, 2016) all hit the top of the UK and US iTunes Jazz charts. The new album will be released in Feb 2019 and is called “Cables”. An entirely solo recording with Bill playing everything. Centred on Bill’s unique and beautiful piano playing, “Cables” consists of eight brand new genre defying compositions, embracing electronica and subtle beats and textures and is co-produced by studio wiz Nic Hard.
    [Show full text]
  • Un Traductor Directed by Rodrigo & Sebastián Barriuso Un Traductor
    Un Traductor Directed by Rodrigo & Sebastián Barriuso Un Traductor Logline A Russian Literature professor at the University of Havana is ordered to work as a translator for child victims of the Chernobyl nuclear disaster when they’re sent to Cuba for medical treatment. Based on a true story. Synopsis In the wake of the Chernobyl nuclear disaster, Malin, a Russian literature professor at The University of Havana, is sent to translate between Cuban doctors and children sent from the USSR for medical treatment. Torn from the abstract world of academia and forced into the relentlessly real world of medicine, Malin becomes increasingly depressed. When he meets a child who tells him a story, Malin connects with the kids and finds his way through. Just as he adapts to his new job, the Berlin Wall falls and Cuba enters the deepest economic crisis the island has ever known. But Malin is now so entrenched in the lives of the Chernobyl Children that he doesn’t notice his young family suffering. He must find his way back to his wife and child through the lessons he learns at the hospital – and become a better person on the way. Filmmaker Biographies Rodrigo Barriuso, Co-Director Rodrigo Barriuso is a Cuban-Canadian award-winning filmmaker. With a background in art theory, Rodrigo’s cinematic approach is highly influenced by the conceptual and aesthetic values that often inform the wider world of visual arts. His short film For Dorian screened at festivals around the world including Slamdance Film Festival and Melbourne International Film Festival, receiving the Best Canadian Film Award at InsideOut Toronto LGBT Film Festival, the Norman Jewison Filmmakers Award, and the Best Short Film Award at MIX Copenhagen.
    [Show full text]
  • Were Panamanian Islanders Dolphin Hunters? ¿Fueron Los Panameños Isleños Cazadores De Delfines?
    stri.si.edu/sites/strinews JAN 8, 2016 STRI NEWSBI-WEEKLY NEWSLETTER / BOLETÍN BI-SEMANAL Were Panamanian Islanders Dolphin Hunters? ¿Fueron los panameños isleños cazadores de delfines? STRI AT WORK / STRI EN ACCIÓN BILL LAURANCE STRI HOLIDAY PARTY / FIESTA DE FIN DE AÑO MEDIA HIGHLIGHTS / DESTACADOS EN LOS MEDIOS www.stri.si.edu BOTTLENOSE DOLPHIN Did early settlers of Pana- ma’s Las Perlas Islands hunt bottlenose and common dolphins? Archaeologists think they may have driven dolphins onshore to harvest them more easily. DELFÍN NARIZ DE BOTELLA Los primeros colonos de Las Islas de las Perlas en Panamá cazaban delfines nariz de botella y delfines comunes? Los arqueólogos creen que pueden haber conducido los delfines a tierra firme para cosechar- los más fácilmente. SEMINARS Pre-Columbian seafarers left Hace unos 6,000 años la gente what is now mainland Panama de mar precolombina dejaron lo TUPPER SEMINAR to settle on Pedro González que hoy es la parte continental Tue., Jan. 12, 4pm Island in the Perlas archipelago Panamá para establecerse en la Isla Meg Crofoot University of California at Davis about 6,000 years ago, crossing Pedro González en el archipiélago Tupper Auditorium 50-70 kilometers (31-44 miles) de las Perlas, cruzando unos 50 a Democracy or Despotism: of choppy seas—probably in 70 kilómetros (31-44 millas) de How do baboons decide? dugout canoes. Dolphins were mares picados, probablemente an important part of the diet en canoas. Según el arqueólogo BAMBI SEMINAR of island residents according del Smithsonian Richard Cooke Thu. Jan. 14, 7:15pm to Smithsonian archeologist y sus colegas del Instituto Cotsen Gerald Carter Richard Cooke and colleagues de Arqueología en la UCLA y University of Toronto from the Cotsen Institute of de la Universidad del Norte en Barro Colorado Island Archaeology at UCLA and Colombia, Los delfines eran una The reciprocity controversy Colombia’s Universidad del parte importante de la dieta de los Norte.
    [Show full text]
  • Strategic Plan 2008-2013
    2008-2013 Strategic Plan the next five years... Eldredge Bermingham, Acting Director, Smithsonian Tropical Research Institute Ira Rubinoff, Acting Undersecretary for Science, Smithsonian Institution For further information, contact: Washington, D.C. Office Smithsonian Tropical Research Institute P.O. Box 37012 Quad, suite 3123, 705 Washington, D.C. 20013-7012 (202) 633-4012 In Panama or from outside the United States Smithsonian Tropical Research Institute Apartado 0843-03092 Balboa, Ancón República de Panamá Country code 507, 212-8000 From within the United States Smithsonian Tropical Research Institute Unit 0948 APO AA 34002-0948 USA Private philanthropy is critical to STRI’s work, enabling research, fellowships, public outreach and conservation. To learn more about making a donation, please contact Lisa Barnett in the STRI Washington office. (202) 633-4014 [email protected] The majority of the photos in this plan are the work of Marcos Guerra, STRI Staff Photographer and Christian Ziegler, STRI Communication Associate. Other photos and images were contributed by: Annette Aiello, Jason Andreas, Stephanie Bohlman, Rhett Butler, Rachel Collin, Greg Dimidjian, Hector Guzman, Allen Herre, Carlos Jaramillo, Roland Kays, Beth King, Davey Kline, Bill Laurance, Susan Laurance, Olga Linares, Karen Lips, Matt Miller, Enrique Moreno, Jeremy Niven, Edgardo Ochoa, Aaron O’Dea, Dolores Piperno, Oscar Puebla, D. R. Robertson, David Roubik, Noris Salazar, Fernando Santos-Granero, Marc Seid, Sunshine Van Bael, Martin Wikelski, Don Windsor and the STRI photo archives. 2008-2013 Strategic Plan the next five years... MISSION... To increase understanding of the past, present and future of tropical life and its relevance to human welfare. VISION... To provide the best global platform for tropical research to train the next generation of students of tropical life to promote conservation of tropical diversity to cultivate communication among tropical scientists and with audiences interested in our work A diverse, interactive group of PEOPLE..
    [Show full text]
  • James Heaton
    James Heaton Whilst there are many examples that come to mind when presented with this question, one person sticks out, mainly as he carved the path for me to follow. Bill Laurence studied music at the University of Leeds in 2003 . He was a jazz pianist and took a year abroad to study intensively at the University of North Texas. It was there he met Michael League, and they would both go on to form the jazz-fusion band, Snarky Puppy. After years of development, Snarky Puppy is a world renowned band; featuring Bill Laurence as a founding member of the group, and many of his compositions. They have won three Grammy awards and numerous other accolades, plunging Bill Laurence into musical fame, and into the spotlight as one of the best jazz pianists of this generation. It would be hard to argue that Bill Laurence would be in the same position as he is today without having studied at North Texas. He proved it is a time for meeting new people, and networking within different groups, “I was very lucky to meet someone so driven, talented and optimistic, but I guess it goes to show that you never know who you’re going to meet on any gig.” However, despite his professional accolades (all of which was not guaranteed), it was at Texas where he develop himself personally to a large extent. He mentions how he was looking to “immerse [himself] in as many opportunities as possible” . He was constantly looking for experience. This is an example of a mind- set which ultimately cultivates success.
    [Show full text]
  • Bill Laurance
    Bill Laurance Freitag 8. März 2019 20:00 Bitte beachten Sie: Ihr Husten stört Besucher und Künstler. Wir halten daher für Sie an den Garderoben Ricola-Kräuterbonbons bereit. Sollten Sie elektronische Geräte, insbesondere Mobiltelefone, bei sich haben: Bitte schalten Sie diese unbedingt zur Vermeidung akustischer Störungen aus. Wir bitten um Ihr Verständnis, dass Bild- und Tonaufnahmen aus urheberrechtlichen Gründen nicht gestattet sind. Wenn Sie einmal zu spät zum Konzert kommen sollten, bitten wir Sie um Verständnis, dass wir Sie nicht sofort einlassen können. Wir bemühen uns, Ihnen so schnell wie möglich Zugang zum Konzertsaal zu gewähren. Ihre Plätze können Sie spätestens in der Pause einnehmen. Bitte warten Sie den Schlussapplaus ab, bevor Sie den Konzertsaal verlassen. Es ist eine schöne und respektvolle Geste gegenüber den Künstlern und den anderen Gästen. Mit dem Kauf der Eintrittskarte erklären Sie sich damit einverstanden, dass Ihr Bild möglicherweise im Fernsehen oder in anderen Medien ausgestrahlt oder veröffentlicht wird. Vordruck/Lackform_2017.indd 2-3 14.07.17 12:44 Bill Laurance p Freitag 8. März 2019 20:00 Pause gegen 20:50 Ende gegen 22:00 Aus persönlichen Gründen kann Hiromi das für diesen Abend geplante Konzert nicht geben. Wir sind dankbar, dass stattdessen Bill Laurance gewonnen werden konnte, einen Solo-Abend zu geben. Für die Änderung bitten wir um Verständnis. ZUM KONZERT Bill Laurance In letzter Zeit häuft sich wieder die Zahl der Solo-Piano-Konzerte, nachdem dieses Genre mit Keith Jarretts legendärem »Köln Con- cert« Mitte der 1970er Jahre einen Höhepunkt in der Geschichte des Jazzpianos erlebt hatte. Ob Joachim Kühn, seine jüngeren deutschen Kollegen Michael Wollny, Stefan Schultze und Chris Gall oder der amerikanische »Star« Brad Mehldau, sie alle eint das Credo einer auf Freiheit des Spiels hinzielende Philosophie – ohne jedoch die Gebote der drei Elemente Harmonik, Melodie und Rhythmus im Sinne des allzu »freien« Spiels à la Cecil Taylor auszulegen.
    [Show full text]
  • Page 1 Group Album -‐Ness Whatever's Unclear to You, It's The
    Group Album -ness Whatever's Unclear To You, It's The Same For Me The 427's Mavericks 83 Wolfpack Demo A Giant Dog Pile A.G.N.Z. Chance Meeting Ablebody Adult Contemporaries Ben Adkins Salmagundi Adult Karate Lxii Aesop Rock The Impossible Kid Ages and Ages Something To Ruin AJJ The Bible 2 The Album Leaf Between Waves Aloha Little Windows Cut Right Through Altamina Tomorrow Morning Will Be Tonight The Amazing Ambulance Amber Arcades Fading Lines American Football American Football (LP 2) American Wrestlers Goodbye Terrible Youth Charlie Forster Anderson Long Story Short Animal Collective Painting With Anohni Hopelessness Aphex Twin Cheetah EP Apollo Brown & Skyzoo The Easy Truth Applesauce Tears Alpha Drift Apprentice Destroyer Glass Ceiling Universe The April Fools The April Fools Arbor Labor Union I Hear You Arjun Gravity Army of the Universe The Magic EP Jocelyn & Chris Arndt Edges Jay Arner Jay II Art d'Ecco Day Fevers The Astounds The Astounds Astronautalis Cut the Body Loose Astronomique Astronomique Atmosphere Fishing Blues Atmosphere Frida Kahlo vs. Ezra Pound Attica Riots Love Sunshine and Hysteria Aurora All My Demons Greeting Me as a Friend Austin and Elliott Cradle and Crow The Auto Body Experience Infinite Potential The Avalanches Wildflower Avers Omega/Whatever The Avett Brothers True Sadness Page 1 Babeheaven Moving On/Ode to Dom Steve Bach 8 Keys Eric Bachmann Eric Bachmann Bad Idea This Is… Bad Idea BadBadNotGood IV Julien Baker Sprained Ankle Balkan Beat Box Shout It Out Devendra Banhart Ape in Pink Marble Banjo Nickaru
    [Show full text]
  • Bill La Urance Bill La Urance
    BESETZUNG DIE WDR BIG BAND IM RADIO WDR BIG BAND Johan Hörlen 1. as WDR 3 KONZERT Karolina Strassmayer 2. as montags bis samstags, Olivier Peters 1. ts 20.04 bis 22.00 bzw. 22.30 Uhr Paul Heller 2. ts Jens Neufang bs WDR 3 JAZZ & WORLD BOB MINTZER dienstags, 22.04 bis 24.00 Uhr Wim Both 1. / 3. tp Rob Bruynen 2. tp Bob Mintzer ist ein wahrer Allrounder im Jazz: in ers- Andy Haderer 3. /1. tp ter Linie Musiker, Bandleader und Komponist, ist er Ruud Breuls 4. tp BILLBILL LAURANCELAURANCE ebenso anerkannter Jazz-Vermittler und Lehrer. Nach der Ausbildung am Hartt College of Music und der Ludwig Nuss 1. tb Manhattan School of Music stieg er ins Orchester Andrea Andreoli 2. tb von Tito Puente ein. Später spielte er in der Buddy Andy Hunter 3. tb Rich Big Band und im Thad Jones/Mel Lewis Orches- Mattis Cederberg b-tb tra. Er arbeitete mit Musikgrößen wie Aretha Frank- lin, Queen, Art Blakey, den New York Philharmonics Paul Shigihara guit und mit dem Hollywood Bowl Orchestra zusammen. Billy Test p Als Saxofonist, Flötist und Klarinettist wirkte er bei John Goldsby b zahlreichen CDs mit. Seit der Saison 2016/17 ist Bob Hans Dekker dr & Mintzer Chef dirigent der WDR Big Band. BILDNACHWEISE Bill Laurance p, keyb Bill Laurance © Stella K. Bob Mintzer ld, arr Friederike Darius, WDR BIG BAND Bob Mintzer © WDR/Paul Bergen Unter den europäischen Big Bands ist die WDR Big Band das erste Jazzorchester, das für seine CD-Pro- CD-TIPP Herausgeber duktionen mehrfach mit einem Grammy ausgezeich- WDR BIG BAND & Westdeutscher Rundfunk Köln net wurde.
    [Show full text]