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Federal Communications Commission Before the Federal
Federal Communications Commission Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Existing Shareholders of Clear Channel ) BTCCT-20061212AVR Communications, Inc. ) BTCH-20061212CCF, et al. (Transferors) ) BTCH-20061212BYE, et al. and ) BTCH-20061212BZT, et al. Shareholders of Thomas H. Lee ) BTC-20061212BXW, et al. Equity Fund VI, L.P., ) BTCTVL-20061212CDD Bain Capital (CC) IX, L.P., ) BTCH-20061212AET, et al. and BT Triple Crown Capital ) BTC-20061212BNM, et al. Holdings III, Inc. ) BTCH-20061212CDE, et al. (Transferees) ) BTCCT-20061212CEI, et al. ) BTCCT-20061212CEO For Consent to Transfers of Control of ) BTCH-20061212AVS, et al. ) BTCCT-20061212BFW, et al. Ackerley Broadcasting – Fresno, LLC ) BTC-20061212CEP, et al. Ackerley Broadcasting Operations, LLC; ) BTCH-20061212CFF, et al. AMFM Broadcasting Licenses, LLC; ) BTCH-20070619AKF AMFM Radio Licenses, LLC; ) AMFM Texas Licenses Limited Partnership; ) Bel Meade Broadcasting Company, Inc. ) Capstar TX Limited Partnership; ) CC Licenses, LLC; CCB Texas Licenses, L.P.; ) Central NY News, Inc.; Citicasters Co.; ) Citicasters Licenses, L.P.; Clear Channel ) Broadcasting Licenses, Inc.; ) Jacor Broadcasting Corporation; and Jacor ) Broadcasting of Colorado, Inc. ) ) and ) ) Existing Shareholders of Clear Channel ) BAL-20070619ABU, et al. Communications, Inc. (Assignors) ) BALH-20070619AKA, et al. and ) BALH-20070619AEY, et al. Aloha Station Trust, LLC, as Trustee ) BAL-20070619AHH, et al. (Assignee) ) BALH-20070619ACB, et al. ) BALH-20070619AIT, et al. For Consent to Assignment of Licenses of ) BALH-20070627ACN ) BALH-20070627ACO, et al. Jacor Broadcasting Corporation; ) BAL-20070906ADP CC Licenses, LLC; AMFM Radio ) BALH-20070906ADQ Licenses, LLC; Citicasters Licenses, LP; ) Capstar TX Limited Partnership; and ) Clear Channel Broadcasting Licenses, Inc. ) Federal Communications Commission ERRATUM Released: January 30, 2008 By the Media Bureau: On January 24, 2008, the Commission released a Memorandum Opinion and Order(MO&O),FCC 08-3, in the above-captioned proceeding. -
KOSF Don Bleu & Carolyn
Holiday 2014 Campaign Recap Contents Overview Assets Live & Produced Spots Social Experiential Digital Results Contacts Campaign Overview Objective Drive retail sales of coffee and tea holiday gifts, blends, seasonal drinks in the San Francisco Bay Area and Washington D.C. metro during this pivotal and record short retail season. Strategy iHeartMedia will leverage organic DJ chatter promoting the brand and area locations with top on-air personalities, social networks and experiential marketing in high traffic locations. Net Investment Combined markets: $180,000 Campaign Overview ENDORSEMENT Commercial Messaging ● 11/10-11/17 MUSIC ● 12/01-12/22 ● 11/10-11/17 Peet’s Sampling ● San Francisco and :30 ● 12/01-12/22 ● onsites Washington D.C. ● Schedule weighted ● key retail areas around key shopping ● supported on- :15 dates line and on-air Social ● All talent support the campaign with social features NOV DEC Holiday Shopping Season BLACKBLACK FRIDAY 1 3 Only 3 Power Weekends between 60% One of just 26 days, Black 2 Thanksgiving and Christmas Friday, is a key Of Holiday to drive sales for the year purchase are revenue day in the shortest shopping Made Thanksgiving weekend season possible Campaign: San Francisco Talent Sana G & Miss Kimmie KMEL-FM Renel & Christie AM Drive KISQ-FM Rhythmic CHR AM Drive Rhythmic AC Sandy & Marcus D. Don Bleu & Carolyn KIOI-FM KOSF-FM AM Drive AM Drive Adult Contemporary Classic Hits Armstrong & Getty JV & Selena KKSF-AM KYLD-FM AM Drive AM Drive News Talk Pop CHR Campaign: Washington D.C. Talent Aly Jacobs Loo Katz WMZQ-FM WASH-FM AM Drive AM Drive Country Adult Contemporary Lisa Berigan WBIG-FM Afternoons Classic Hits Intern John WIHT-FM AM Drive Contemporary. -
Radio and Television Correspondents' Galleries
RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery. -
Joa 1 9 8 1 0 0 0 0 . 0 2 6 . 0 0 9 . 2 7
SOLIDARITY SOLIDARITY official organ of the Black Consciousness Movement of Azania No. 7 Third Quarter 1981 0 Marxism by Walter in Africa Rodney * Steve Biko Memorial Address * International of Crime and Terror Invades Angola PRICE 50p OUR BANNING IS NO CAUSE FOR CELEBRATION ..~ ing SoiktIiv. No. 5. fis 1mww 19W i illsih Cwoua Momeol AImW umemie Vn Oktcmram of Pubictkw km dm - mamt dIdomVabeumt@i of Vspmabcw,, -Se Rm Daily Mai 23.6J1. kew ovrseas -d . have m wam usipm fo SOLIDARITY. Tw -ws~ of SOLIDARISTY yw som we u on mef ~tm - But 10 irn s bviw of SOLIDARITY to boos ow sl wouid be dmwqm Ow1 1-r~d n Mfro#ANS10aam SOLIDARITY. is4 a " workb papbids b ~j Afrkm. Tto psk" vwih sdm*SOLI DAR. rTY Is umhmq fr too tow of *sa its beeming ud sot wmdw fm no a- wassm m o help SOLIDARITY autoa #a bem"~ oedin merw and la fai Morn pi in Souw* Aftwo .m it W~ most EWM. fte out mn wm *~Awpbon: )r,lotuskImomiamVaOWnYo.bWIna - upora un subcar -fi a t £ 1.00 S -pn- 11 by t il codw v SOLIDARITY ACCUNT NO. 007W16. Lloyds B"i Ltd.. STow~m Comet Raw., LMb WIP 0(0. SOLIDARITY PAWS, ttvoi'Wt c and difwwon loumel of dw 81mck Coiouu~ MObwrang of Azana CONTENTS Thrd Omt .19 1. No 7 THE INTIERKAT1ONAL OF CRUE AND TERROR INEVADES ANGOLA Pap 3 STEVE UKO WEMIORIAL ADORESS Paso 6 In the Polltxca dolk'wyv Of the ,uxt. Wma* umwiurty studsets mrd~e for ways to reww* thw MOpCY G4 bwviad Itertmon numirnts. -
When Being No. 1 Is Not Enough
A Report Prepared by the Civil Rights Forum on Communications Policy When Being No. 1 Is Not Enough: The Impact of Advertising Practices On Minority- Owned & Minority-Formatted Broadcast Stations Kofi Asiedu Ofori Principal Investigator submitted to the Office of Communications Business Opportunities Federal Communications Commission Washington, D.C. All Rights Reserved to the Civil Rights Forum on Communications Policy a project of the Tides Center Synopsis As part of its mandate to identify and eliminate market entry barriers for small businesses under Section 257 of the Telecommunications Act of 1996, the Federal Communications Commission chartered this study to investigate practices in the advertising industry that pose potential barriers to competition in the broadcast marketplace. The study focuses on practices called "no Urban/Spanish dictates" (i.e. the practice of not advertising on stations that target programming to ethnic/racial minorities) and "minority discounts" (i.e. the practice of paying minority- formatted radio stations less than what is paid to general market stations with comparable audience size). The study consists of a qualitative and a quantitative analysis of these practices. Based upon comparisons of nationwide data, the study indicates that stations that target programming to minority listeners are unable to earn as much revenue per listener as stations that air general market programming. The quantitative analysis also suggests that minority-owned radio stations earn less revenues per listener than majority broadcasters that own a comparable number of stations nationwide. These disparities in advertising performance may be attributed to a variety of factors including economic efficiencies derived from common ownership, assessments of listener income and spending patterns, or ethnic/racial stereotypes that influence the media buying process. -
ASD-Covert-Foreign-Money.Pdf
overt C Foreign Covert Money Financial loopholes exploited by AUGUST 2020 authoritarians to fund political interference in democracies AUTHORS: Josh Rudolph and Thomas Morley © 2020 The Alliance for Securing Democracy Please direct inquiries to The Alliance for Securing Democracy at The German Marshall Fund of the United States 1700 18th Street, NW Washington, DC 20009 T 1 202 683 2650 E [email protected] This publication can be downloaded for free at https://securingdemocracy.gmfus.org/covert-foreign-money/. The views expressed in GMF publications and commentary are the views of the authors alone. Cover and map design: Kenny Nguyen Formatting design: Rachael Worthington Alliance for Securing Democracy The Alliance for Securing Democracy (ASD), a bipartisan initiative housed at the German Marshall Fund of the United States, develops comprehensive strategies to deter, defend against, and raise the costs on authoritarian efforts to undermine and interfere in democratic institutions. ASD brings together experts on disinformation, malign finance, emerging technologies, elections integrity, economic coercion, and cybersecurity, as well as regional experts, to collaborate across traditional stovepipes and develop cross-cutting frame- works. Authors Josh Rudolph Fellow for Malign Finance Thomas Morley Research Assistant Contents Executive Summary �������������������������������������������������������������������������������������������������������������������� 1 Introduction and Methodology �������������������������������������������������������������������������������������������������� -
Who Pays Soundexchange: Q1 - Q3 2017
Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
U.S. Government Printing Office Style Manual, 2008
U.S. Government Printing Offi ce Style Manual An official guide to the form and style of Federal Government printing 2008 PPreliminary-CD.inddreliminary-CD.indd i 33/4/09/4/09 110:18:040:18:04 AAMM Production and Distribution Notes Th is publication was typeset electronically using Helvetica and Minion Pro typefaces. It was printed using vegetable oil-based ink on recycled paper containing 30% post consumer waste. Th e GPO Style Manual will be distributed to libraries in the Federal Depository Library Program. To fi nd a depository library near you, please go to the Federal depository library directory at http://catalog.gpo.gov/fdlpdir/public.jsp. Th e electronic text of this publication is available for public use free of charge at http://www.gpoaccess.gov/stylemanual/index.html. Use of ISBN Prefi x Th is is the offi cial U.S. Government edition of this publication and is herein identifi ed to certify its authenticity. ISBN 978–0–16–081813–4 is for U.S. Government Printing Offi ce offi cial editions only. Th e Superintendent of Documents of the U.S. Government Printing Offi ce requests that any re- printed edition be labeled clearly as a copy of the authentic work, and that a new ISBN be assigned. For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512-1800; DC area (202) 512-1800 Fax: (202) 512-2104 Mail: Stop IDCC, Washington, DC 20402-0001 ISBN 978-0-16-081813-4 (CD) II PPreliminary-CD.inddreliminary-CD.indd iiii 33/4/09/4/09 110:18:050:18:05 AAMM THE UNITED STATES GOVERNMENT PRINTING OFFICE STYLE MANUAL IS PUBLISHED UNDER THE DIRECTION AND AUTHORITY OF THE PUBLIC PRINTER OF THE UNITED STATES Robert C. -
FY 2016 and FY 2018
Corporation for Public Broadcasting Appropriation Request and Justification FY2016 and FY2018 Submitted to the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the House Appropriations Committee and the Labor, Health and Human Services, Education, and Related Agencies Subcommittee of the Senate Appropriations Committee February 2, 2015 This document with links to relevant public broadcasting sites is available on our Web site at: www.cpb.org Table of Contents Financial Summary …………………………..........................................................1 Narrative Summary…………………………………………………………………2 Section I – CPB Fiscal Year 2018 Request .....……………………...……………. 4 Section II – Interconnection Fiscal Year 2016 Request.………...…...…..…..… . 24 Section III – CPB Fiscal Year 2016 Request for Ready To Learn ……...…...…..39 FY 2016 Proposed Appropriations Language……………………….. 42 Appendix A – Inspector General Budget………………………..……..…………43 Appendix B – CPB Appropriations History …………………...………………....44 Appendix C – Formula for Allocating CPB’s Federal Appropriation………….....46 Appendix D – CPB Support for Rural Stations …………………………………. 47 Appendix E – Legislative History of CPB’s Advance Appropriation ………..…. 49 Appendix F – Public Broadcasting’s Interconnection Funding History ….…..…. 51 Appendix G – Ready to Learn Research and Evaluation Studies ……………….. 53 Appendix H – Excerpt from the Report on Alternative Sources of Funding for Public Broadcasting Stations ……………………………………………….…… 58 Appendix I – State Profiles…...………………………………………….….…… 87 Appendix J – The President’s FY 2016 Budget Request...…...…………………131 0 FINANCIAL SUMMARY OF THE CORPORATION FOR PUBLIC BROADCASTING’S (CPB) BUDGET REQUESTS FOR FISCAL YEAR 2016/2018 FY 2018 CPB Funding The Corporation for Public Broadcasting requests a $445 million advance appropriation for Fiscal Year (FY) 2018. This is level funding compared to the amount provided by Congress for both FY 2016 and FY 2017, and is the amount requested by the Administration for FY 2018. -
Broadcast Applications 11/18/2020
Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 29867 Broadcast Applications 11/18/2020 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE ACCEPTED FOR FILING CA BAL-20201113AAK KIQQ 60423 LAZER LICENSES, LLC Voluntary Assignment of License E 1310 KHZ CA , BARSTOW From: LAZER LICENSES, LLC To: MMTC BROADCASTING, LLC Form 314 PA BAL-20201113AAL WJAS 55705 PITTSBURGH RADIO PARTNERS Voluntary Assignment of License LLC E 1320 KHZ From: PITTSBURGH RADIO PARTNERS LLC PA , PITTSBURGH To: ST. BARNABAS BROADCASTING, INC. Form 314 DC BAL-20201113AAR WTEM 25105 RADIO ONE LICENSES, LLC Voluntary Assignment of License E 980 KHZ DC , WASHINGTON From: RADIO ONE LICENSES, LLC To: ENTERCOM LICENSE, LLC Form 314 NC BAL-20201113AAU WBT 30830 ENTERCOM LICENSE, LLC Voluntary Assignment of License E 1110 KHZ NC , CHARLOTTE From: ENTERCOM LICENSE, LLC To: RADIO ONE OF NORTH CAROLINA, LLC Form 314 NC BAL-20201113AAV WFNZ 53974 ENTERCOM LICENSE, LLC Voluntary Assignment of License E 610 KHZ NC , CHARLOTTE From: ENTERCOM LICENSE, LLC To: RADIO ONE OF NORTH CAROLINA, LLC Form 314 Page 1 of 5 Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 29867 Broadcast Applications 11/18/2020 -
Contents General Information
Contents General Information ........................... 3 Commonly Asked Questions— Symbols of the College ......................... 3 Student Life .....................................45 Student Rights and Student Activities ................................46 Responsibilities ................................. 3 Office of Student Life .......................... 47 Code of Conduct .................................... 4 International Students ........................48 Harrassment Policy ............................... 4 Overview of Departments ..................... 5 Information Services ........................ 52 School Closings and Class Internet Use Guidelines ......................52 Delays ................................................ 8 Computer/Network Guidelines ..........53 Emergency Phone Numbers ................. 8 Community Standards ...................... 55 Academic Information ........................ 9 Overview of Philosophy for Faculty .................................................... 9 Community Standards ....................55 Commonly Asked Questions— Code of Community Standards ..........55 Registration and Records ...............10 Overview of Conduct Review Academic Procedures .........................10 Process ............................................61 Honor Societies ................................... 17 Sanctions for Violations Academic Conduct .............................. 17 of Regulations .................................64 Facilities and Learning Resources .....19 Drug and Alcohol Abuse Program