IKSV MMXVI-XVII 1 IKSV MMXVI-XVII 1 -4- ch-,- iape lsesLVj] ijh{kk&fnlEcj]2016 5. Compare Raga Marwa and Pooriya. 12 xk;u@Loj ok| or Write the theoritical description of any two ragas from le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&23 the following:- lwpuk%& lHkh iz”u gy dhft;s A (a) Basant (b) Jaijaiwanti (c) Chandrakauns. 1- ¼v½ fjä LFkkuksa dh iwfrZ dhft;s%& 10 6. Write in notation one Vilambit Khayal/Gat in any (i) e/;e xzke esa iape Loj&&&&Jqfr la[;k ij gksrk gS A raga prescribed in your syllabus. 12 (ii) m- cM+s xqyke vyh [kk¡ &&&&&?kjkus ds dykdkj Fks A or (iii) vkM+k pkSrky esa&&&&&foHkkx gksrs gSa A Write in notation one drut laya composition with three (iv) vkQrkc&,&ekSlhd+h dh mikf/k&&&&dks nh xbZ Fkh A tanas/todas prescribed in your syllabus. (v) jkx panzdkSal &&&&& tkfr dk jkx gS A 4/- ¼c½ lgh tksM+h cukb;s%& (i) jkx tStSoUrh & ekjok FkkV (ii) m- vyh vdcj [kk¡ & vkxjk ?kjkuk (iii) jkx iwfj;k & iwohZ FkkV (iv) m- QS;kt [kk¡ & ladh.kZ jkx (v) jkx clUr & eSgj ?kjkuk 2- jkxkyfIr ,oa :idkyfIr dh O;k[;k dhft;s A 12 vFkok ekxZ ,oa ns’kh dks le>kb;s A 3- jkx&jkfxuh oxhZdj.k dks le>kb;s A 12 vFkok ,d FkkV ls 484 jkxksa dh mRifÙk dks le>kb;s A 4- fuEu esa ls fdlh ,d dk thou ifjp; o lakxhfrd ;ksxnku dks fyf[k;s%& 12 v& mLrkn fcfLeYyk [kk¡ c& mLrkn cM+s xqyke vyh [kk¡ l& m- vyh vdcj [kk¡ vFkok ikB~;Øe ds pkSng ek=kvksa ds fdUgha nks rkyksa dks nqxqu esa fyf[k;s A

2/- IKSV MMXVI-XVII 2 IKSV MMXVI-XVII 2 -2- -3- 5- jkx ekjok rFkk iwfj;k dh rqyuk dhft;s A 12 B.A. FIFTH SEMESTER, EXAM Dec-2016 vFkok VOCAL/SWAR VADYA fuEufyf[kr jkxksa esa ls fdUgha nks dk ’kkL=h; ifjp; fyf[k;s%& Time: 3 hrs. Max.M.70 Min.M.23 v& clUr c& tStSoUrh l& pUnzdkSal Note: Attempt all questions. 6- ikB~;Øe esa fu/kkZfjr fdlh jkx esa ,d foyfEcr [;ky@xr dks 1. (A) Fill in the blanks::-:-:- 10 Lojfyfi esa fyf[k;s A 12 (i) Pancham Swar is placed on ____Shruti number in Madhyam gram. (ii) Ustad Bade Ghulam Ali Khan was an artist of ____ gharana. vFkok (iii) There are____vibhagas in Adachautal. ikB~;Øe ds fdlh jkx esa ,d nzqry; jpuk dks rhu rkuksa@rksM+ksa (iv) ____ was honored with Aafatab-e-mausiqui. lfgr Lojfyfi esa fyf[k;s A (v) Jati of raga Chandrakauns is______. (B) Match the pairs:- 3/- (i) Raga Jaijaiwanti - Marwa thata (ii) Ustad Ali Akbar Khan - Agra Gharana (iii) Raga Puriya - Poorvi thata (iv) lUstad Faiyaz Khan - Sankirna raga (v) Raga Basant - Maihar Gharana 2. Explain Ragalapti and Rupakalapti. 12 or Describe Marg and Deshi. 3. Explain Raga-Ragini classification. 12 or Explain the formation of 484 ragas from one thata. 4. Write life sketch and musical contribution of any one from the following:- 12 (a) Ustad Bismillah Khan (b) Ustad Bade Ghulam Ali Khan (c) Ustad Ali Akbar Khan. or Write dugun of any two taalas of 14 matras prescribed in the syllabus.

4/- IKSV MMXVI-XVII 3 IKSV MMXVI-XVII 3 -4- ch-,- iape lsesLVj ijh{kk&fnlEcj]2016 2. What do you understand by Band & Khula Baaj. rcyk Explain their playing technique. 12 le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&23 OR Define Baaj and Gharana. Explain Gharanas in details. lwpuk%& lHkh iz”u vfuok;Z gSa A 3. Give the life sketch and their musical contribution of *** the following:- 12 1- lgh fodYi pqfu;s%& 10 (a) U. Bakhshu Khan (b) U. Abid Husain Khan ¼d½ fdl Bsds esa ^/kk* o.kZ ugha gS%& OR v& f=rky c& dgjok l& /kekj n& >irky Give historic details of Lucknow gharana and explain its ¼[k½ ia- fd’ku egkjkt fdl ?kjkus ls lacf/kr gSa%& playing style with examples. v& vtjkM+k c& fnYyh l& Q:Z[kkckn n& cukjl 4. Give the introduction of Farrukhabad gharana and mention ¼x½ xt>Eik rky esa fdrus foHkkx gksrs gSa%& the musical contribution of Ustad Hazi Vilayat Ali Khan. 12 v& 4 c& 5 l& 10 n& 11 OR ¼?k½ ia- liu pkS/kjh fdl ?kjkus ds dykdkj gSa%& Explain Farrukhabad gharana’s playing style with examples. v& fnYyh c& iatkc l& cukjl n& y[kuÅ 5. Explain in details about Banaras Gharanas playing styles. 12 ¼p½ cukjl ?kjkus ds laLFkkid dkSu gS%& OR v& m- elhr [kk¡ c& m- vgen tku fFkjdok Give the life sketch of following artists and throw light on l& ia- jkelgk; feJk n& m- gkth foyk;r vyh [kk¡ their playing styles. 12 ¼N½ rkyh dks dgrs gSa%& (a) Pt. Samta Prasad Mishra (b) Pt. Kanthe Maharaj v& l’kCn fØ;k c& fu%’kCn fØ;k l& le n& foHkkx 6. Give life sketch of Ustad Allarakha & Ustad Zakir Hussain. 12 ¼t½ ckt ds izdkj%& OR v& ,d c& nks l& rhu n& pkj Descibe historical details of Punjab Gharana and explain ¼>½ dkSu lk rky fHkUu gS%& its playing style. v& :id c& rhozk l& [kseVk n& i’rks ¼V½ ^uk f/ka f/ka uk* ds fl)gLr dykdkj%& xx v& ia- lkerk izlkn feJ c& ia- d.Bs egkjkt l& ia- fd’ku egkjkt n& ia- vuks[ksyky feJ ¼B½ iatkc ?kjkus ds rcyk fo}ku%& v& equhj [kk¡ c& eksnw [kk¡ l& y{e.k flag lhu n& lq/khj dqekj lDlsuk A 2/- IKSV MMXVI-XVII 4 IKSV MMXVI-XVII 4 -2- -3- B.A. FIFTH SEMESTER, EXAM Dec-2016 ¼2½ can vkSj [kqys ckt ls vki D;k le>rs gSa \ buds oknu i)fr dks Li”V dhft;s A 12 TABLA vFkok Time: 3 hrs. Max.M.70 Min.M.23 ckt rFkk ?kjkus dks ifjHkkfÔr djrs gq, ?kjkus dks foLrkj Note: All questions are compulsory. ls le>kb;s A 1. Choose right option:- 10 ¼3½ fuEufyf[kr dykdkjksa dk thou ifjp; nsrs gq, muds lakxhfrd (a) In which theka ‘Dha’ varna is not exist:- ;ksxnku ij izdk’k Mkfy;s%& 12 (i) Trital (ii) Kaharwa (iii) Dhamar (iv) Jhaptal v& m0 c[’kw [kk¡ c& m0 vkfcn gqlSu [kk¡ (b) Pt. Kishan Maharaj belongs to which Gharana? vFkok (i) Ajarada(ii) Delhi(iii) Farrukhabhad(iv) Banaras y[kuÅ ?kjkus dk ,sfrgkfld ifjp; nhft;s rFkk bldh (c) How many vibhagas are there in Gajjhampa:- oknu ’kSyh dh fo’ksÔrkvksa dks lksnkgj.k Li”V dhft;s A (i) 4 (ii) 5 (iii) 10 (iv) 11 ¼4½ Q:Z[kkckn ?kjkus dk ifjp; nsrs g, m- gkth foyk;r vyh (d) Pt. Sapan Choudhary is an artist of which gharana:- [kk¡ ds lakxhfrd ;ksxnku ij izdk’k Mkfy;s A 12 (i) Delhi (ii) Punjab (iii) Banaras (iv) Lucknow vFkok (e) Who is known as the founder of Banaras Gharana? Q:Z[kkckn ?kjkus dh oknu ’kSyh dh fo’ksÔrkvksa dks lksnkgj.k (i) U. Masit Khan (ii) U. Ahmad Jaan Thirakwa Li”V dhft;s A (iii) Pt. RamSahay Mishra (iv) U. Hazi Vilayat Ali Khan ¼5½ cukjl ?kjkus dh oknu ’kSyh dh fo’ksÔrkvksa dks foLrkj ls (f) Tali is called:- le>kb;s A 12 (i) Sashabd kriya (ii) Nishabd kriya (iii) Sam (iv) Vibhag vFkok (g) Kinds of Baj:- fuEufyf[kr dykdkjksa dk thou ifjp; rFkk budh oknu (i) one (ii) Two (iii) Three (iv) Four fo’ksÔrkvksa ij izdk’k Mkfy;s%& (h) Which Taal is different one:- v& ia- lkerk izlkn feJ c& ia- d.Bs egkjkt (i) Rupak (ii) Khemta (iii) Teevra(iv) Pashto ¼6½ m- vYykjD[kk [kk¡ ,oa m- tkfdj gqlSu dk thou ifjp; (i) Well known artist of ‘Na Dhin Dhin Na’:- fyf[k;s A 12 (i) Pt. Samta Prasad Mishra (ii) Pt. Kanthe Maharaj vFkok (iii) Pt. Kishan Maharaj (iv) Pt. Anokhelal Mishra iatkc ?kjkus dk ,sfrgkfld ifjp; nhft;s rFkk bl ?kjkus (j) Famous Tabla maestro of Punjab gharana:- dh oknu ’kSyh dks Li”V dhft;s A (i) Munir Khan (ii) Modu Khan (iii) Laxman Singh seen 3/- (iv) Sudhir Kumar Saxena. 4/- -4- ch-,- iape lsesLVj] ijh{kk&fnlEcj]2016 UNIT-III (4) Describe any four Nayikas according to dFkd u`R; Natyashastra with example. le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&23 OR lwpuk%& izFke iz”u vfuok;Z gS A “ks’k izR;sd bdkbZ ls ,d iz”u Descibe the Nayak bhedas according to gy djuk gS A Natyashastra. 1-1-1- lgh ;k xyr crkb;s%& 101010 UNIT-IV (5) Discuss in detail on “Lokdharmi”. (i) yksdu`R; dks ^ekxhZ* dgk tkrk gS A OR (ii) rky /kekj esa 14 ek=k,¡ gksrh gSa A Descibe “Purva Rang” in brief. (iii) Jh ’kaHkw egkjkt y[kuÅ ?kjkus ds urZd Fks A UNIT---VVV (6) (a) Write the theka of Tal Dhamar in Thah, Dugun (iv) iju Hkko ij vk/kkfjr gksrk gS A Tigun and Chougun with notation. (v) HkakxM+k iatkc dk yksdu`R; gS A (b) Write one Kavitta in Tal Dhamar with notation. (vi) f=rky esa rhu foHkkx gksrs gSa A OR (vii) vfHku; niZ.k ds jpf;rk vkpk;Z Hkjr gSa A (a) Write on Tihai in Trital with notation. (viii) Hkxoku Jhd`”.k /khjyfyr uk;d dk mnkgj.k gSa A (b) Write one Sada Toda in Trital with notation. (ix) dfoÙk dfork ij vk/kkfjr gksrk gS A xx (x) ia- fcjtw egkjkt t;iqj ?kjkus ls lacaf/kr gSa A izR;sd bdkbZ ls ,d&,d iz’u gy djsa%& 12x5 bdkbZ&1 ¼2½ e/;dkyhu Hkkjrh; u`R; ds bfrgkl ij izdk’k Mkfy;s A vFkok yksdu`R; ls vki D;k le>rs gSa \ Hkkjr ds fdlh ,d yksdu`R; ij izdk’k Mkfy;s A bdkbZ&2 ¼3½ dFkd u`R; ds t;iqj ?kjkus dk ifjp; nhft;s A vFkok dFkd u`R; izf’k{k.k esa xq#&f’k”; ijEijk ij izdk’k Mkfy;s A 2/- IKSV MMXVI-XVII 6 IKSV MMXVI-XVII 6 -2- B.A. FIFTH SEMESTER, EXAM Dec-2016 bdkbZ&3 ¼4½ ukV~;’kkL= ds vuqlkj fdUgha pkj ukf;dkvksa dk mnkgj.k KATHAK DANCE lfgr o.kZu dhft;s A Time: 3 hrs. Max.M.70 Min.M.23 vFkok Note: First question is compulsory. Attempt one question from each ukV~;’kkL= ds vuqlkj uk;d Hksnksa dk o.kZu dhft;s A section. bdkbZ&4 ¼5½ yksd/kehZ ij foLrkj ls ppkZ dhft;s A 1. Answer ‘Write’ or ‘Wrong’:- 10 vFkok (i) Folk dance is called as ‘Margi’. iwoZjax dk laf{kIr o.kZu dhft;s A (ii) There are 14 matras in Tal Dhamar. ¼6½ v& rky /kekj ds Bsds dks Bkg] nqxqu] frxqu ,oa pkSxqu (iii) Shri Shambhu Maharaj was Dancer of Lucknow bdkbZ&5 gharana. esa fyfic) dhft;s A (iv) Paran is based on Bhava. c& rky /kekj esa ,d dfoÙk fyfic) dhft;s A (v) Bhangda is Folk dance of Panjab. vFkok (vi) There are 03 sections in Trital v& rky f=rky esa ,d frgkbZ fyfic) dhft;s A (vii) Acharya Bharat is written of Abhinaya Darpan. c& rky f=rky esa ,d lknk rksM+k fyfic) dhft;s A (viii) Lord ShriKrishna example of Dhirlalit Nayak. (ix) Kavitta is based on poetry. (x) Pt. Birju Maharaj is related to Jaipur Gharana. 3/- Solvvve any one question from each section:-12x5 UNIT-I-I-I (2) Throw light on the history of medieval Indian Dance. OR What do you mean by the folk dance? Throw light on any one Folk dance of India. UNIT-II (3) Introduce the Jaipur Gharana of Kathak dance. OR High light the teacher and taught tradition in Kathak dance training. 4/- IKSV MMXVI-XVII 7 IKSV MMXVI-XVII 7 B.A. FIFTH SEMESTER, EXAM Dec-2016 B.A. FIFTH SEMESTER, EXAM Dec-2016 KARNATIC MUSIC KARNATIC MUSIC Time: 3 hrs. Max.M.70 Min.M.23 Time: 3 hrs. Max.M.70 Min.M.23 Note: Answer the question from all sections. Note: Answer the question from all sections. *** *** SECTION-A SECTION-A Attempt any one question:- 10 Attempt any one question:- 10 1. Write in detail about Group Krities. 1. Write in detail about Group Krities. 2. Write Gayaka Gunas and Gayaka Doshas. 2. Write Gayaka Gunas and Gayaka Doshas. 3. Explain 22 Sruties in detail. 3. Explain 22 Sruties in detail. SECTION-B SECTION-B Attempt any four questions. Each question carry equal marks:- 60 Attempt any four questions. Each question carry equal marks:- 60 1. Explain Katcheri Dharma. 1. Explain Katcheri Dharma. 2. Write about the lakshana grandha “Sangita Sampradaya 2. Write about the lakshana grandha “Sangita Sampradaya Pradarshini”. Pradarshini”. 3. Give some details about lakshana grandha ‘Sangraha 3. Give some details about lakshana grandha ‘Sangraha Chudamani’. Chudamani’. 4. Briefly write about Acoustics. 4. Briefly write about Acoustics. 5. Explain physiology of voice production. 5. Explain physiology of voice production. 6. Write about Sound transmission. 6. Write about Sound transmission. xx xx IKSV MMXVI-XVII 8 IKSV MMXVI-XVII 8 ch-,- iape lsesLVj] ijh{kk&fnlEcj]2016 -2- yksdlaxhr bdkbZ&VVV 5- in~eJh gchc ruohj vFkok Jh >kMwjke nsoakxu dk thou ifjp; fy[krs gq, yksddyk esa muds ;ksxnku dks fyf[k;s A le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&23 vFkok lwpuk%& izR;sd bdkbZ dk ,d iz”u gy djuk vfuok;Z gS A ¼v½ lR;@vlR; crkb;s%& lHkh iz”uksa ds vad leku gSa A (i) :a>q ?ku yksdok| gS A *** (ii)_rq oekZ rewjk ctkrh gS A bdkbZ&III 1- yksdlaxhr dks ifjHkkfÔr djrs gq,] orZeku ekuo lekt esa (iii)lq#tckbZ [kk.Ms i.Mokuh dh xkf;dk gS A mldh D;k Hkwfedk gS \ bls Li”V dhft;s A (iv)in~eHkwÔ.k rhtuckbZ osnefr ’kk[kk dh iaMokuh vFkok xkf;dk gSa A vkfne laLd`fr ds ckjs esa vki D;k tkurs gS \ mldh (v) Hkxksfj;k yksdu`R; esa iq#Ô ygaxk igurs gSa A fo’ksÔrkvksa dk o.kZu dhft;s A (vi) >ak> ?ku yksdok| gS A bdkbZ&IIIIII 2- yksdxkFkk esa fdlh vapy dk bfrgkl fn[kkbZ nsrk gS A lksnkgj.k (vii) xjck xqtjkr dk izpfyr yksdu`R; gS A Li”V dhft;s A ¼c½ fjä LFkkuksa dh iwfrZ dhft;s%& vFkok (i) Qwyikrh&&&&& vapy dk yksdxhr gS A NÙkhlx<+h yksdxkFkkvksa dk oxhZdj.k djrs gq, fdUgha nks (ii) HkakxM+k u`R;&&&&&ekg esa fd;k tkrk gS A yksdxkFkkvksa ij izdk’k Mkfy;s A (iii) vkSjhnkuk&&&&esa iguus dk vkHkwÔ.k gS A (iv) bdkbZ&III 3- xksaM+ tkfr ij vk/kkfjr ^xksaMokuh* laLd`fr ds Lo:i dks Li”V

2/- IKSV MMXVI-XVII 10 IKSV MMXVI-XVII 10 -2- -3- B.A. FIFTH SEMESTER, EXAM Dec-2016 bdkbZ&3 ¼4½ ukV~;’kkL= ds vuqlkj ukV~;ksRifÙk dFkk dk foLr`r BHARATNATYAM o.kZu dhft;s A 12 DIFFERENT ASPECTS OF DANCE-1 vFkok o`fÙk dk foLr`r o.kZu dhft;s A Time: 3 hrs. Max.M.70 Min.M.23 bdkbZ&4 Note: All questions are compulsory. ¼5½ fuEufyf[kr ’yksdksa dks vfHku; niZ.k ds vuqlkj fyf[k;s%&12 *** v& dhyd gLr fofu;ksx c& e.My Hksn eq[; ’yksd 1. Answer in Yes or No:- 10 l& mRlax gLr fofu;ksx n& LFkkud Hksn eq[; ’yksd (a) Based on their conditions the Nayikas are of five types. b& lEiqV gLr fofu;ksx Q& ikn Hksn eq[; ’yksd (b) Mohiniattam is the classical dance of Kerala. vFkok (c) Dheerodatta Nayak comes under the Swabhav bheda nayakas. ikB~;Øe ls fdUgha 6 ’yksdksa dks vFkZ lfgr fyf[k;s (d) The Tarangam has been written by Naarayan teertha. ¼vfHku; niZ.k ds vuqlkj½ A (e) Lokadharmi is described in 13th chapter of Natyashastra. bdkbZ&5 ¼6½ o.kZe~ ds xhr dks fyfic) dhft;s A 12 (f) Madhu and Kaitabha demons were killed by Lord Vishnu. vFkok (g) Vritti originated from Lord Vishnu. fuEufyf[kr dks fyfic) dhft;s%& (h) Mandal bheda comes under the category of Pada bheda. v& o.kZe~ ds rhu rhekZue~ ¼tfr½ (i) To show Pattabhishek we use Katakamukha hasta mudra. c& o.kZe~ ds eqDrkbZLoje~ dk dksjoS A (j) The first Jati(Teermanam) of Varnam is called Trikaljati (Teermanam). 3/- UNIT-I-I-I (2) Describe the Ashtanayikas. 12 OR Describe the Nayak bhedas in detail. UNIT-II (3) Describe in brief about Mohiniattam dance style. 12 OR Describe Kuchipudi dance style.

4/- IKSV MMXVI-XVII 11 IKSV MMXVI-XVII 11 ch-,- iape lsesLVj] ijh{kk&fnlEcj]2016 -2- fFk;sVj [k.M&l 1x10=10 jaxeap vkSj fQYe dk lkSUn;Z”kkL= 7- fuEufyf[kr iz’uksa ds laf{kIr mÙkj nhft;s%& le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&23 (i) yxku fQYe ds funsZ’kd dk uke D;k gS \ lwpuk%& lHkh iz”u vfuok;Z gSa A rhuksa [k.Mksa ls lHkh iz”u gy djsa A (ii) lR;thr jk; dh lokZf/kd izfl) fQYe dkSu lh gS \ [k.M&v 5x10=50 (iii) ,Q Vh vkbZ vkbZ dk iwjk uke D;k gS \ bdkbZ&III 1- lkSUn;Z dks ifjHkkfÔr djrs gq, lkSUn;Z laca/kh Hkkjrh; vo/kkj.kk (iv) us’kuy fQYe vkdkZbo vkWQ bf.M;k¼Hkkjrh; fQYe laxzgky;½ dk fo’ysÔ.k dhft;s A fdl ’kgj esa gS \ vFkok (v) fQYe lsalj cksMZ dk dk;kZy; fdl ’kgj esa gS \ ^fQYe jaxeap dk foLrkj gS A* bl rdZ dks Li”V djrs gq, (vi) fQYe dh ’kwfVax ds oDr dykdkjksa dks pk;&ikuh o vU; fQYe o jaxeap dk laca/k Li”V dhft;s A t:jh phtsa nsus okys dks D;k dgrs gSa \ bdkbZ&IIIIII 2- Hkkjrh; fQYeksa dh ,sfrgkfld fodkl ;k=k ij ,d ys[k fyf[k;s A (vii) fQYe fuekZ.k ds izeq[k :i ls fdrus pj.k gksrs gSa \ vFkok dqN fQYeksa dk mnkgj.k nsrs gq, Lora=rk i’pkr~ dh Hkkjrh; (viii) jaxeap vfHkusrk dk ek/;e gS rks fQYe fdldk ek/;e gS \ fQYeksa ds fodkl Øe dk fo’ysÔ.k dhft;s A (ix) i`Foh fFk;sVj fdl ’kgj esa gS \ bdkbZ&III 3- fQYe fuekZ.k izfØ;k dks foLrkj ls le>kb;s A (x) FksfLi;u fdls dgk tkrk gS \ vFkok xx fyf[kr vkys[k¼ukVd½ ds izLrqfr dk Lo:i xzg.k djus rd dh izfØ;k dk fo’ysÔ.k dhft;s A bdkbZ&IV 4- NÙkhlx<+h fQYe ds bfrgkl dks lksnkgj.k fyf[k;s A vFkok o`Ùkfp= ¼MkD;wesaVªh fQYe½ D;k gS \ fdlh ns[ks gq, o`Ùkfp= dk fo’ysÔ.k dhft;s A bdkbZ&VVV 5- fdlh ,d fgUnh fQYe funsZ’kd ds jpukRed ;ksxnku dk lksnkgj.k fo’ysÔ.k dhft;s A vFkok fdlh ,d ns[kh gqbZ fgUnh fQYe dh leh{kk dhft;s A [k.M&c 5x2=10 6- laf{kIr fVIi.kh fyf[k;s¼dksbZ nks½%& v& O;kolkf;d flusek c& lekukUrj flusek l& y?kq fQYe n& jaxeap o fQYe vfHku; esa varj 2/- IKSV MMXVI-XVII 12 IKSV MMXVI-XVII 12 ch-,- iape lsesLVj] ijh{kk&fnlEcj]2016 B.A. FIFTH SEMESTER, EXAM Dec-2016 vksfM+lh u`R; ODISSI DANCE ODISSI DANCE & CONTEMPPORARY SETTING ODISSI DANCE & CONTEMPORARY SETTING le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&232323 Time: 3 hrs. Max.M.70 Min.M.23 lwpuk%& lHkh iz”u gy djuk gS A lHkh iz”uksa ds vad leku gSa A Note: Attempt all questions. All questions carry equal marks. 1-1-1- rky >wyk dks ,dxqu] nqxqu] frxqu] pkSxqu esa fyfic) dhft;s A 1. Write in notation Tala Jhula(1Gun,2Gun,3Gun,4Gun). vFkok OR lHkh iz.kke u`R; ds rky dks rkyfyfi esa fyf[k;s A Explain Sabhapranam and write its notation of Tala. 2-2-2- dkfypj.k iVuk;d dh thouh fyf[k;s A 2. Describe the life history of Kalicharan Patnaik. OR vFkok Describe the life history of Minati Mishra. feurh feJ dh thouh fyf[k;s A 3. Write the Navagraha hasta viniyogas with shlokas. 3-3-3- fofu;ksx ,oa ’yksd lfgr uoxzg gLr dks fyf[k;s A OR vFkok Write the Dev hasta viniyogas with shlokas. fofu;ksx ,oa ’yksd lfgr nsogLr dks fyf[k;s A 4. Write about in Tandava. 4-4-4- rk.Mo ds ckjs esa fyf[k;s A OR vFkok Write about in Lasya. ykL; ds ckjs esa fyf[k;s A 5. Comparative study of the techniques of Odissi dance. 5-5-5- vksfM+lh u`R; dh rduhd dh rqyuk dhft;s A OR vFkok Write the Drishtibheda viniyagas with shlokas. fofu;ksx ,oa ’yksd lfgr n`f”VHksn dks fyf[k;s A 6. Write the short note:- 6-6-6- laf{kIr fVIi.kh fyf[k;s%& Mangalacharan, Tala, Natya, Nritta, Nritya. eaxykpj.k] rky] ukV~;] u`Ùk] u`R; A OR vFkok Sanchari bhav, Anubhav, Matra, Khali, Abhinaya. lapkjh Hkko] vuqHkko] ek=k] [kkyh] vfHku; A 7. Write about detail Bhav. 7-7- OR 7-7-7- Hkko ds ckjs esa fyf[k;s A Write about detail Rasa. vFkok jl ds ckjs esa fyf[k;s A xx xx