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Iksv Mmxvi-Xvii 1 बी.ए. पंचम सेमेस्टर, परीक्षा-दिसम्बर,2016

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IKSV MMXVI-XVII 1 IKSV MMXVI-XVII 1 -4- ch-,- iape lsesLVj] ijh{kk&fnlEcj]2016 5. Compare Raga Marwa and Pooriya. 12 xk;u@Loj ok| or Write the theoritical description of any two ragas from le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&23 the following:- lwpuk%& lHkh iz”u gy dhft;s A (a) Basant (b) Jaijaiwanti (c) Chandrakauns. 1- ¼v½ fjä LFkkuksa dh iwfrZ dhft;s%& 10 6. Write in notation one Vilambit Khayal/Gat in any (i) e/;e xzke esa iape Loj&&&&Jqfr la[;k ij gksrk gS A raga prescribed in your syllabus. 12 (ii) m- cM+s xqyke vyh [kk¡ &&&&&?kjkus ds dykdkj Fks A or (iii) vkM+k pkSrky esa&&&&&foHkkx gksrs gSa A Write in notation one drut laya composition with three (iv) vkQrkc&,&ekSlhd+h dh mikf/k&&&&dks nh xbZ Fkh A tanas/todas prescribed in your syllabus. (v) jkx panzdkSal &&&&& tkfr dk jkx gS A 4/- ¼c½ lgh tksM+h cukb;s%& (i) jkx tStSoUrh & ekjok FkkV (ii) m- vyh vdcj [kk¡ & vkxjk ?kjkuk (iii) jkx iwfj;k & iwohZ FkkV (iv) m- QS;kt [kk¡ & ladh.kZ jkx (v) jkx clUr & eSgj ?kjkuk 2- jkxkyfIr ,oa :idkyfIr dh O;k[;k dhft;s A 12 vFkok ekxZ ,oa ns’kh dks le>kb;s A 3- jkx&jkfxuh oxhZdj.k dks le>kb;s A 12 vFkok ,d FkkV ls 484 jkxksa dh mRifÙk dks le>kb;s A 4- fuEu esa ls fdlh ,d dk thou ifjp; o lakxhfrd ;ksxnku dks fyf[k;s%& 12 v& mLrkn fcfLeYyk [kk¡ c& mLrkn cM+s xqyke vyh [kk¡ l& m- vyh vdcj [kk¡ vFkok ikB~;Øe ds pkSng ek=kvksa ds fdUgha nks rkyksa dks nqxqu esa fyf[k;s A 2/- IKSV MMXVI-XVII 2 IKSV MMXVI-XVII 2 -2- -3- 5- jkx ekjok rFkk iwfj;k dh rqyuk dhft;s A 12 B.A. FIFTH SEMESTER, EXAM Dec-2016 vFkok VOCAL/SWAR VADYA fuEufyf[kr jkxksa esa ls fdUgha nks dk ’kkL=h; ifjp; fyf[k;s%& Time: 3 hrs. Max.M.70 Min.M.23 v& clUr c& tStSoUrh l& pUnzdkSal Note: Attempt all questions. 6- ikB~;Øe esa fu/kkZfjr fdlh jkx esa ,d foyfEcr [;ky@xr dks 1. (A) Fill in the blanks::-:-:- 10 Lojfyfi esa fyf[k;s A 12 (i) Pancham Swar is placed on ____Shruti number in Madhyam gram. (ii) Ustad Bade Ghulam Ali Khan was an artist of ____ gharana. vFkok (iii) There are____vibhagas in Adachautal. ikB~;Øe ds fdlh jkx esa ,d nzqry; jpuk dks rhu rkuksa@rksM+ksa (iv) ____ was honored with Aafatab-e-mausiqui. lfgr Lojfyfi esa fyf[k;s A (v) Jati of raga Chandrakauns is______. (B) Match the pairs:- 3/- (i) Raga Jaijaiwanti - Marwa thata (ii) Ustad Ali Akbar Khan - Agra Gharana (iii) Raga Puriya - Poorvi thata (iv) lUstad Faiyaz Khan - Sankirna raga (v) Raga Basant - Maihar Gharana 2. Explain Ragalapti and Rupakalapti. 12 or Describe Marg and Deshi. 3. Explain Raga-Ragini classification. 12 or Explain the formation of 484 ragas from one thata. 4. Write life sketch and musical contribution of any one from the following:- 12 (a) Ustad Bismillah Khan (b) Ustad Bade Ghulam Ali Khan (c) Ustad Ali Akbar Khan. or Write dugun of any two taalas of 14 matras prescribed in the syllabus. 4/- IKSV MMXVI-XVII 3 IKSV MMXVI-XVII 3 -4- ch-,- iape lsesLVj ijh{kk&fnlEcj]2016 2. What do you understand by Band & Khula Baaj. rcyk Explain their playing technique. 12 le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&23 OR Define Baaj and Gharana. Explain Gharanas in details. lwpuk%& lHkh iz”u vfuok;Z gSa A 3. Give the life sketch and their musical contribution of *** the following:- 12 1- lgh fodYi pqfu;s%& 10 (a) U. Bakhshu Khan (b) U. Abid Husain Khan ¼d½ fdl Bsds esa ^/kk* o.kZ ugha gS%& OR v& f=rky c& dgjok l& /kekj n& >irky Give historic details of Lucknow gharana and explain its ¼[k½ ia- fd’ku egkjkt fdl ?kjkus ls lacf/kr gSa%& playing style with examples. v& vtjkM+k c& fnYyh l& Q:Z[kkckn n& cukjl 4. Give the introduction of Farrukhabad gharana and mention ¼x½ xt>Eik rky esa fdrus foHkkx gksrs gSa%& the musical contribution of Ustad Hazi Vilayat Ali Khan. 12 v& 4 c& 5 l& 10 n& 11 OR ¼?k½ ia- liu pkS/kjh fdl ?kjkus ds dykdkj gSa%& Explain Farrukhabad gharana’s playing style with examples. v& fnYyh c& iatkc l& cukjl n& y[kuÅ 5. Explain in details about Banaras Gharanas playing styles. 12 ¼p½ cukjl ?kjkus ds laLFkkid dkSu gS%& OR v& m- elhr [kk¡ c& m- vgen tku fFkjdok Give the life sketch of following artists and throw light on l& ia- jkelgk; feJk n& m- gkth foyk;r vyh [kk¡ their playing styles. 12 ¼N½ rkyh dks dgrs gSa%& (a) Pt. Samta Prasad Mishra (b) Pt. Kanthe Maharaj v& l’kCn fØ;k c& fu%’kCn fØ;k l& le n& foHkkx 6. Give life sketch of Ustad Allarakha & Ustad Zakir Hussain. 12 ¼t½ ckt ds izdkj%& OR v& ,d c& nks l& rhu n& pkj Descibe historical details of Punjab Gharana and explain ¼>½ dkSu lk rky fHkUu gS%& its playing style. v& :id c& rhozk l& [kseVk n& i’rks ¼V½ ^uk f/ka f/ka uk* ds fl)gLr dykdkj%& xx v& ia- lkerk izlkn feJ c& ia- d.Bs egkjkt l& ia- fd’ku egkjkt n& ia- vuks[ksyky feJ ¼B½ iatkc ?kjkus ds rcyk fo}ku%& v& equhj [kk¡ c& eksnw [kk¡ l& y{e.k flag lhu n& lq/khj dqekj lDlsuk A 2/- IKSV MMXVI-XVII 4 IKSV MMXVI-XVII 4 -2- -3- B.A. FIFTH SEMESTER, EXAM Dec-2016 ¼2½ can vkSj [kqys ckt ls vki D;k le>rs gSa \ buds oknu i)fr dks Li”V dhft;s A 12 TABLA vFkok Time: 3 hrs. Max.M.70 Min.M.23 ckt rFkk ?kjkus dks ifjHkkfÔr djrs gq, ?kjkus dks foLrkj Note: All questions are compulsory. ls le>kb;s A 1. Choose right option:- 10 ¼3½ fuEufyf[kr dykdkjksa dk thou ifjp; nsrs gq, muds lakxhfrd (a) In which theka ‘Dha’ varna is not exist:- ;ksxnku ij izdk’k Mkfy;s%& 12 (i) Trital (ii) Kaharwa (iii) Dhamar (iv) Jhaptal v& m0 c[’kw [kk¡ c& m0 vkfcn gqlSu [kk¡ (b) Pt. Kishan Maharaj belongs to which Gharana? vFkok (i) Ajarada(ii) Delhi(iii) Farrukhabhad(iv) Banaras y[kuÅ ?kjkus dk ,sfrgkfld ifjp; nhft;s rFkk bldh (c) How many vibhagas are there in Gajjhampa:- oknu ’kSyh dh fo’ksÔrkvksa dks lksnkgj.k Li”V dhft;s A (i) 4 (ii) 5 (iii) 10 (iv) 11 ¼4½ Q:Z[kkckn ?kjkus dk ifjp; nsrs g, m- gkth foyk;r vyh (d) Pt. Sapan Choudhary is an artist of which gharana:- [kk¡ ds lakxhfrd ;ksxnku ij izdk’k Mkfy;s A 12 (i) Delhi (ii) Punjab (iii) Banaras (iv) Lucknow vFkok (e) Who is known as the founder of Banaras Gharana? Q:Z[kkckn ?kjkus dh oknu ’kSyh dh fo’ksÔrkvksa dks lksnkgj.k (i) U. Masit Khan (ii) U. Ahmad Jaan Thirakwa Li”V dhft;s A (iii) Pt. RamSahay Mishra (iv) U. Hazi Vilayat Ali Khan ¼5½ cukjl ?kjkus dh oknu ’kSyh dh fo’ksÔrkvksa dks foLrkj ls (f) Tali is called:- le>kb;s A 12 (i) Sashabd kriya (ii) Nishabd kriya (iii) Sam (iv) Vibhag vFkok (g) Kinds of Baj:- fuEufyf[kr dykdkjksa dk thou ifjp; rFkk budh oknu (i) one (ii) Two (iii) Three (iv) Four fo’ksÔrkvksa ij izdk’k Mkfy;s%& (h) Which Taal is different one:- v& ia- lkerk izlkn feJ c& ia- d.Bs egkjkt (i) Rupak (ii) Khemta (iii) Teevra(iv) Pashto ¼6½ m- vYykjD[kk [kk¡ ,oa m- tkfdj gqlSu dk thou ifjp; (i) Well known artist of ‘Na Dhin Dhin Na’:- fyf[k;s A 12 (i) Pt. Samta Prasad Mishra (ii) Pt. Kanthe Maharaj vFkok (iii) Pt. Kishan Maharaj (iv) Pt. Anokhelal Mishra iatkc ?kjkus dk ,sfrgkfld ifjp; nhft;s rFkk bl ?kjkus (j) Famous Tabla maestro of Punjab gharana:- dh oknu ’kSyh dks Li”V dhft;s A (i) Munir Khan (ii) Modu Khan (iii) Laxman Singh seen 3/- (iv) Sudhir Kumar Saxena. 4/- -4- ch-,- iape lsesLVj] ijh{kk&fnlEcj]2016 UNIT-III (4) Describe any four Nayikas according to dFkd u`R; Natyashastra with example. le;% 3 ?k.Vs iw.kkZad&70] U;wuakd&23 OR lwpuk%& izFke iz”u vfuok;Z gS A “ks’k izR;sd bdkbZ ls ,d iz”u Descibe the Nayak bhedas according to gy djuk gS A Natyashastra. 1-1-1- lgh ;k xyr crkb;s%& 101010 UNIT-IV (5) Discuss in detail on “Lokdharmi”. (i) yksdu`R; dks ^ekxhZ* dgk tkrk gS A OR (ii) rky /kekj esa 14 ek=k,¡ gksrh gSa A Descibe “Purva Rang” in brief. (iii) Jh ’kaHkw egkjkt y[kuÅ ?kjkus ds urZd Fks A UNIT---VVV (6) (a) Write the theka of Tal Dhamar in Thah, Dugun (iv) iju Hkko ij vk/kkfjr gksrk gS A Tigun and Chougun with notation. (v) HkakxM+k iatkc dk yksdu`R; gS A (b) Write one Kavitta in Tal Dhamar with notation. (vi) f=rky esa rhu foHkkx gksrs gSa A OR (vii) vfHku; niZ.k ds jpf;rk vkpk;Z Hkjr gSa A (a) Write on Tihai in Trital with notation. (viii) Hkxoku Jhd`”.k /khjyfyr uk;d dk mnkgj.k gSa A (b) Write one Sada Toda in Trital with notation. (ix) dfoÙk dfork ij vk/kkfjr gksrk gS A xx (x) ia- fcjtw egkjkt t;iqj ?kjkus ls lacaf/kr gSa A izR;sd bdkbZ ls ,d&,d iz’u gy djsa%& 12x5 bdkbZ&1 ¼2½ e/;dkyhu Hkkjrh; u`R; ds bfrgkl ij izdk’k Mkfy;s A vFkok yksdu`R; ls vki D;k le>rs gSa \ Hkkjr ds fdlh ,d yksdu`R; ij izdk’k Mkfy;s A bdkbZ&2 ¼3½ dFkd u`R; ds t;iqj ?kjkus dk ifjp; nhft;s A vFkok dFkd u`R; izf’k{k.k esa xq#&f’k”; ijEijk ij izdk’k Mkfy;s A 2/- IKSV MMXVI-XVII 6 IKSV MMXVI-XVII 6 -2- B.A.
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