An Etymology of Latin and Greek

Total Page:16

File Type:pdf, Size:1020Kb

An Etymology of Latin and Greek jCXD CM ILO =cr> C£, 1 KimMimX':): (MP^NY Iprc6ente& to of tbc unnivcreiti? of ^Toronto Miss Florence V»Keyst B«A« AN ETYMOLOGY LATIN AND GREEK CHARLES S. HALSEY, A.M. £' ^ ?.- .?t I »» Ee i. e >i PRE5ERVATION DATE^ MAI.V.^ BOSTON, U.S.A.: PUBLISHED BY GINN & COMPANY. 1889. Entered, according to Act of Congress, in the 3'par 1882, by CHARLES S. HALSEY, in the office of the Librarian of Congress, at "Wasliington. Typography by J. 8. Cushino & Co., Boston, U.S.A. Presswobk by Ginn & Co., Bostok, U.S.A. PEEFAOE, The following Avork had its origin in a felt want. Many students of the classical languages, all along the early part of their course, use text-books provided with vocabularies. These vocabularies, from the necessity of their limits, are brief and imperfect, and they enter but little into the subject of etymology. Even when afterwards the lexicon is used, the etymology is often studied only for separate words as they occur in reading; and the scattered and fragmentary information given in the lexicons pro- duces a corresponding state of knowledge in the mind even of a diligent student. No connected, systematic, or thorough knowledge of etymology is thus acquired. In the grammar something may be done for historical ety- mology ; but the requirements of other topics in a school grammar must always prevent this subject from receiving there the full treatment which its importance demands. There remain the larger works expressly devoted to the subject, nearly all of them in German, excellent when one gets to them and is prepared for them, but by their style and fulness, as well as size and cost, not adapted to the wants of an American school-room or of the ordinary stu- dent. They will be studied only by the few, and the benefit to be derived from them will generally come only when the student is far advanced in his course, and after years of study of other works. IV PREFACE. But historical etymology, that gives the original ami central meaning of related words, and, gathering the words themselves together, unites them by the natural bond of their common origin, should not be so long deferred, nor should it be pursued only as a higher range of study. Itself the historical foundation of all the structure of lan- guage, certainly it should form a prominent part in the foundation of the course of study. Presented in a simple form, it can be made to furnish a large vocabulary of the most practical words, and these not ai'ranged for compari- son in the separate language merely, Greek with Greek, Latin with Latin, but placed side l)y side, each language throwing light upon the other. A wider comparison en- riches with knowledge and enlarges the mind ; a deeper comprehension of the laws of progress in language reveals new and interesting truth, arousing curiosity and stimu- lating to further investigations. It has been urged against the study of etymology that we have not within our reach sufficient material to furnish the basis of the science, and that etymologists, proceeding often not upon any well-ascertained general principles, but upon superficial resemblance of words, and even roaming off in wild excursions of fanciful associations, have pro- duced such results as to bring the study into deserved condemnation. We must always bear in mind that his- torical etymology is not specially concerned with the absolute origin of language. It is concerned to ascertain the early forms, wherever they are traceable. True, there are many words which we cannot trace to their early forms ; but there are also very many words, and these the most important, that we can trace, and of tlieir etymology our knowledge is as reliable as any in the whole range of language. It must be acknowledged, too, that the work PREFACE. V of many professed etymologists did in former times bring discredit upon the study. But the case is now widely diflferent. The general principles and methods according to which all scientific etymological research must proceed, are now thoroughly established and recognized. The application of these principles requires a wide and careful comparison of kindred words. As this comparison is alwaj^s going on and becoming still wider and more dis- criminating, the special results attained, relating either to single words or to the rules deduced, must always be held as open to any modification which may be reasonably required by continued investigation. For a long period of time, extending to the year 1876, the views of etymologists in regard to the rules of Indo- European phonetics were in substantial agreement. Be- ginning with that year, certain important modifications were proposed in some of the rules of the Indo-European phonetic system ; and these modifications are now generally accepted among the German philologists. These views will be found stated and explained in Part I., Chap. VI., and Part IV., Chaps. I.-III. In presenting them I am much indebted to Prof. Maurice Bloomfield, with whose cordial approval I have given the statement of those chapters condensed mainly from his paper on the Greek Ablaut, published in the "American Journal of Philology" for Sep- tember, 1880. The Preliminary Statement of the same views is condensed from his article in the Journal of De- cember, 1881. The roots, arranged in accordance with this system, are given by themselves near the close of the volume, so that the use of them will not lead to any confusion. In the preparation of the present work, the author has endeavored to conform to the latest investi2;ations of the highest authorities. In general, doubtful or disputed ety- VI PREFACE. mologies liave been omitted, or, in the few cases given, they are marked doubtfuL The table of vowel-scales is from Schleicher's " Comparative Grammar." It is assumed that any student who may use this Etymology is already pro- vided with a suitable grammar of Latin or Greek ; and, therefore, this work does not state in full the prefixes and suffixes which are given in the grammars. Neither does it aim to present in full the processes of inflection, which would require a larger treatise upon comparative grammar. The object of this work is to present, within the limits of a school-book, the most needful etymological information that is not adequately furnished by the grammar or the lexicon. Even within these limits, some things are stated that are not intended to be learned in the early part of a student's course, e.g., the Sanskrit forms. They are given because they illustrate the subject, and may be used for later reference. Great prominence has been given to the derivation of English words. Many of the cognate words here treated have descended to us through the French, or through the Teutonic family. A complete index is fur- nished for the Latin, the Greek, and the coo;nate Enslish words. The study of etymology, as here presented, may advan- tageously begin at an early stage in the study of Latin; and it should continue, in some form, throughout the course of classical education. The present work may be used for regular daily lessons in connection with the stuilv of the classical text, and may also, with equal advantage and facility, be employed for reference on individual words. C. S. IIALSEY. Schenectady ; April, 1882. PRELIMINARY STATEMENT OF THE NEW SYSTEM OF INDO-EUROPEAN PHONETICS. The changes proposed by the new system have reference chiefly to the vowels. It is held that the European vowels, a, &, d, are not, as had been previously supposed, later modi- fications of an original Indo-European d, but are themselves original Indo-European vowels. The theory of vowel-increase a"s, has been abandoned ; the consequence is roots of the form aH, sra^u, hha^r, ma^n, diifik, da^rk, hha''ndh, (ia; el, a-pev, ^ep, fiev, 8eiK, SepK, 7rev6). Formerly the roots were inconsistently set down as ccr, <f>ep, fiev, SepK, irevO, but i, (xpv, and 8lk, thus allowing the e a function in the one case and denying it the same in another which is perfectly parallel. These roots have ot, in addition to the form with ablaut a° (Greek o : 8opK, ttovO, etc.) a weak form, which differs from the strong by the lack 8lk, SpK, irvO. reduced form : i, a-pv, This of this e (o) o-, (f)p, fiv, may safely be assumed to have stood originally only in forma- tions which had the word- tone on some non-radical syllable, — thus naturally bringing about a less distinct pronunciation of the root-syllable. The graphical representation of this weakened utterance is root tninus the e-o vowel. The recognition of these weak root-forms leads irresistibly to the assumption of Indo-European lingual and nasal vowels; Indo-European r, (I), n, m, represented in Greek by ap or pa (aX or Xa) for the lingual, and a and av, a and a/x, for the nasal vowels. Strange in external appearance are the Indo-European and Greek groundforms or explanatory symbols which are the re- *l3n-iiD for ftaivui = venio. The Viii PRELIMINARY STATEMENT OF THE Greek groundform for i(f>OdpaTo would be * i-cf>Op-vTo. It cer- tainly does not seem as if one of tlie acquisitions of the gram- matical science of to-day were simplicity of method in repre- senting its processes. We will, however, gladly put up with a cumbrous system of symbols, if we are compensated for it by exactness — if such symbols help to convey to the reader the exact meaning of the writer.
Recommended publications
  • Springfield Springfield
    Springfield ❖ ❖ Franconia Kingstowne Newington insideinside Young Patriot News, Page 3 Amy Peterson, 9, of Springfield, shows New Commander her patriotism while marching in the At Fort Belvoir Fourth of July pa- rade through her News, Page 3 Classified, Page 23 Classified, ❖ Springfield neighborhood. Sports, Page 20 ❖ Faith, Page 19 Golden Arches /The Connection Requested in home 7-11-08 Time sensitive material. To White House Attention Postmaster: U.S. Postage PRSRT STD PERMIT #322 News, Page 4 Easton, MD PAID Robbie Hammer Photo by Photo July 10-16, 2008 Volume XXII, Number 28 www.connectionnewspapers.com www.ConnectionNewspapers.com Springfield Connection ❖ July 10-16, 2008 ❖ 1 2 ❖ Springfield Connection ❖ July 10-16, 2008 www.ConnectionNewspapers.com News Photos by Photos Robbie Hammer /The Connection Residents of the Orange Hunt Estates and Winston Knolls neighborhoods watch the annual Independence Day parade from the Hunt Valley Elementary School to the Orange Hunt Elementary School. On Friday afternoon, Kathryn Miller, the Marie current Miss Greater Springfield Pre-teen, Laverdiere, rides in the Orange Hunt Estates and Win- 9, of ston Knolls Fourth of July parade. Spring- field, decked out in patriotic Flag Waving garb, waits for the start Two neighborhoods mark of the Fourth of Fourth of July with parade, July Ellen Keil, 4, and her friend, parade. Annette Wright, 5, enjoy some ice cream social. ice cream following the parade. Fort Belvoir Changes Commanders Col. Brian Lauritzen bids farewell, base IN ADDITION to relinquishing command benefiting both base families and the sur- of Fort Belvoir, Lauritzen was also retiring rounding communities. welcomes Col.
    [Show full text]
  • Roget's Thesaurus of English Words and Phrases
    Roget's Thesaurus of English Words and Phrases By Roget, Peter Mark English A Doctrine Publishing Corporation Digital Book 493 This book is indexed by ISYS Web Indexing system to allow the reader find any word or number within the document. AND PHRASES*** These files were assembled by L. John Old, Napier University, Edinburgh, #22). ROGET'S THESAURUS OF ENGLISH WORDS AND PHRASES Notes on the automatically-generated Index to Roget's Thesaurus, 1911 edition. Introduction A true Roget's Thesaurus (as opposed to an alphabetically-listed synonym dictionary) is composed of three parts: - a hierarchical classification structure (hierarchy or "Synopsis of Categories"); - a body, which lists the Categories (whose titles are sometimes referred to as "head words" or "headings"), under which are found the groups of semantically- or conceptually-related words and phrases (also called synonyms or entries); - and an Index that lists the entries alphabetically (along with the Category titles and numbers under which the entry may be found in the body). This document contains the complete Index to the 1911 (American) edition. It was generated from the entries (synonyms, phrases and word lists) contained in the Gutenburg/MICRA free E- text thesaurus 14a (plain text version). It is larger than the original 1911 Roget's Thesaurus Index, containing all text entries (i.e. excluding numbers, special characters and parenthetical information) up to 25 characters long (91,000+ entries). Index Entries This Index lacks the intelligence found in the original hand-edited Index, where common-sense aggregations occur. For example A B C and A.B.C. are found under a single Index entry in the original Index.
    [Show full text]
  • The Aesthetics of Intoxication in Antebellum American Art and Culture
    ABSTRACT Title of Document: THE AESTHETICS OF INTOXICATION IN ANTEBELLUM AMERICAN ART AND CULTURE. Guy Duane Jordan, Ph.D., 2007 Directed By: Professor Sally M. Promey, Art History and Archaeology My dissertation, The Aesthetics of Intoxication in Antebellum American Art and Culture, proposes an ambitious re-evaluation of aesthetics in the United States between 1830 and 1860 that locates the consumption of images in relation to discourses of excess, addiction, and dependency. I uncover the antebellum period’s physiological construction of looking as a somatic process akin to eating and drinking and offer a new definition of aesthetic absorption not merely as the disembodied projection of the viewer into a pictorial space, but as the corporeal ingestion of the image into the mind of the viewing subject. I demonstrate how this heretofore unstudied and historically-grounded alignment of aesthesis and alimentation played a crucial role in the production and reception of antebellum literature and visual culture. To this end, my dissertation stands as a broad-ranging cultural history that features fundamental reinterpretations of major works of art by Charles Deas, Thomas Cole, Hiram Powers, and Frederic Church. THE AESTHETICS OF INTOXICATION IN AMERICAN ART AND CULTURE By Guy Jordan Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2007 Advisory Committee: Professor Sally M. Promey, Chair Professor Renée Ater Professor Joy Kasson Professor Franklin Kelly Professor Robert Levine Professor Joshua Shannon © Copyright by Guy Duane Jordan 2007 The thesis or dissertation document that follows has had referenced material removed in respect for the owner's copyright.
    [Show full text]
  • Issue 6 Web.Indd
    PHILNEWS TH JULY 12 , 2013 YEARS OF ISSUE 6 75 PHILMONT Oldest Open Rodeo Keeps the West Alive Philmont Staff Wins Wild Cow Milking, Places Ranch Bronc Ride Katie Landeck Th is is Shaw’s fourth time Staff Writer competing in the Rodeo. In 2010, his fi rst time competing, he was Evan Withrow had never in the same position as Withrow, milked a cow before entering the Miazza and Bowie: completely Wild Cow Milking event in the inexperienced and simply there to Maverick Club Rodeo. have a good time. James Miazza and Austin “Th e fi rst time was by far my Bowie had never seen a Wild worst,” said Shaw. But, “You catch Horse Race and when they woke the bug. You get off and you go up on the morning of July 4th, ‘that’s amazing. I want to do that they didn’t think they would be again.’ It’s just fun.” competing in one. Last year, he tied for third in But by the end of the rodeo, the Ranch Bronc Ride, an event A young cowboy rides a sheep on Thursday, July 4 at the Marverick Club Rodeo in Cimarron. Mutton Withrow, a Program Counselor at busting is the children’s version of bullriding, where sheep are ridden instead of bulls. KAITLYN where cowboys ride their working CHABALLA/PHILNEWS PHOTOGRAPHER Black Mountain, was a Wild Cow saddle on a bucking horse and do Milking champion, and Miazza whatever they can to stay on. Th is Hope Kirwan and talk and visit, maybe for addition to donating to veterans’ and Bowie, both Wranglers, had year, he won third in the Ranch Staff Writer the only time of the year,” said organizations, the club also raises wrestled an unbroken horse.
    [Show full text]
  • Plans New Canal! Welcomed in Panama
    FRIDAY, DECEMBER 18, 1964 rKdC TWENTT.ldOHT Mtmrlii^atfr lEvrtifng ¥»raUi ATwaga Daily Nat Prsaa R o b Tha Waathar For the W e* Keae* forecaat ot D. S. Weather Be U , 1N4 VFW Auxiliary will sponsor Thar* will ba prfvata confaa^ | Sumy, brwey, eoM todey, a card party tonight at 8, at aions Sunday at 8 a.m. at S t ' Santa’s Workshop Ciiiirch Couples Square Dancers' About Town the post home. John's Polish National Catho­ ELASTIC 14,151 ttnned oold tonight, low tai ta lic Church. Genaral confasaion Santa’a Workahdp in Cen­ Plan Yule Dance To Haye Party ■bar *8 the Aadtt iBcreaetaig clonds, wOnuee tH XuicheatM- Ced»r«tte« will Polish Wotnen's Alliance, will ba at 8:15. ter Springe I»dga haa play­ row, high In SOe. ed boat to over 1,290 chil­ M of ObeoletlM mMt Monday at 7:30 p.m. at Group 246, will have a Chriet- The Oouplea Club o t Second Hi* Man<^ester « Q u a r • HOSIERY Maneh^ater^’A City o f ViUogo Charm OMitar CongjresaUonal Church maa party Sunday at 2 p.m. ^at dren and SOO adulta to date, Dance Chib will hav* a Chrlat- and will be open only today, Congregational Church Will have For Women and men ae- for a Christmas party. Mem- the Polish American Club, its annual Christmas party to­ mas Dance tomorrow at 8 p.m. tomorrow and Sunday. cording^to your doctor’s ban are reminded to bring a Clinton St. Members are re­ Girl Scout Notes morrow at 7 p.m.
    [Show full text]
  • BILL LASWELL, RAOUL BJÖRKENHEIM, MORGAN ÅGREN: BLIXT Title: BLIXT (Cuneiform Rune 335)
    Bio information: BILL LASWELL, RAOUL BJÖRKENHEIM, MORGAN ÅGREN: BLIXT Title: BLIXT (Cuneiform Rune 335) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ / METAL-JAZZ Bill Laswell “Few people on this sphere truly deserve to be called a genius. But if the definition refers to one with a rare gift for transforming the intangible into the tangible and seamlessly combining that which is ostensibly disparate, then Bill Laswell may very well qualify.” – Innerviews Raoul Bjorkenheim “I first heard Bjorkenheim’s guitar antics when he was with Edward Vesala’s Sound and Fury, a band that took jazz into startling territories. Apparantly, the Finnish drummer told him to ‘toally obliterate anything that had to do with standard guitar’, advice he has certainly tried to take to heart. His explorations…open strange, disturbing vistas where some notions of what electric guitar can/should do will be refreshed.” – Jazzitude Morgan Agren “…Agren is…a drummer’s drummer who can flit from cool traditional jazz to proggy rock to howling Swedish metal, without dropping a stick, without batting and eye…If you’ve got a drummer in your family, pick these records up…He’ll either thank you or give up his instrument forever.” – Popmatters If the British power trio Cream was the first guitar-led supergroup, Blixt is a 2011 aftershock. Five decades on, the sound is heavier and darker, the mix of ingredients more transgressive, the origins of the musicians more global, and the harmonic and rhythmic palettes more complex.
    [Show full text]
  • Teemu Mäki. List of Albums in My CD Collection, 28.8.2021
    Sivu 1 / 261 Musiikki 65078 kappaletta, 257,5 päivää, 2,14 Tt Artisti Albumi Kappalemäärä Kesto A-Trak Vs. DJ Q-Bert Buck Tooth Wizards (1997, A-Trak Vs. DJ Q-Bert) 1 1:02:17 Aapo Häkkinen William Byrd: Music For The Virginals (rec.1999, Aapo Häkkinen) 15 1:10:51 Aaron Parks Invisible Cinema (20.–22.1.2008, Aaron Parks & Mike Moreno, Matt Penma… 10 55:01 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 1 (6.–7.11.1987) 10 57:07 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 2 (6.–7.11.1987) 7 40:19 Abbey Lincoln Abbey Sings Abbey (Lincoln, 25.–27.9 & 17.11.2006) 12 59:43 Abbey Lincoln Devil's Got Your Tongue (24.–25.2.1992, Abbey Lincoln) 11 1:10:00 Abbey Lincoln It's Magic (8/1958, Abbey Lincoln) 10 37:09 Abbey Lincoln It's Me (2002—2003, Abbey Lincoln) 11 52:49 Abbey Lincoln Over The Years (18.–21.2.2000, Abbey Lincoln) 10 51:03 Abbey Lincoln Painted Lady (30.5.1987, Abbey Lincoln feat. Archie Shepp) 6 44:49 Abbey Lincoln Talking To The Sun (25.–26.11.1983, Abbey Lincoln & S.Coleman/J.Weidm… 5 30:14 Abbey Lincoln A Turtle's Dream (May-Nov.1994, Abbey Lincoln) 11 1:09:10 Abbey Lincoln Who Used To Dance (5.–7.4. & 19.5.1996, Abbey Lincoln) 9 1:01:29 Abbey Lincoln Wholly Earth (3.–5.6.1998, Abbey Lincoln) 10 1:07:32 Abbey Lincoln The World Is Falling Down (21.–27.2.1990, Abbey Lincoln & C.Terry/J.McLe… 8 49:23 Abbey Lincoln You Gotta Pay the Band (2/1991, Abbey Lincoln & S.Getz/H.Jones/C.Hade… 10 58:31 Abbey Lincoln & Hank Jones When There Is Love (4.–6.10.1992, Abbey Lincoln & Hank Jones) 14 1:03:58 Abdullah Ibrahim Abdullah
    [Show full text]
  • Cassette Catalog - Pdf Edition
    arvard Square Records, Inc. P.O. Box 381975, Cambridge, MA 02238 Year 2001 Rare And Out Of Print CASSETTE CATALOG - PDF EDITION •Order Toll Free:1-877-465-7669 (GOLPNOW) •Customer Service:(617) 868-3385 •Fax: (617) 547-2838 • Email: [email protected] For vinyl please contact us, or visit our website LPnow.com arvard Square Records, Inc. P.O. Box 381975, Cambridge, MA 02238 Year 2001 Rare And Out Of Print CASSETTE CATALOG - PDF EDITION •Order Toll Free:1-877-465-7669 (GOLPNOW) •Customer Service:(617) 868-3385 •Fax: (617) 547-2838 • Email: [email protected] For vinyl please contact us, or visit our website LPnow.com Special Note on Reserving Stock and Song Titles: Customer Info We do not reserve any stock nor do we have the song titles of any title available to us. Please do not call or email to see if something is in stock or Please read this before calling with questions. what songs are on any title. Everything in this catalog is available to us at press time, but we cannot guarantee the availability of any title on the HI! HI! phone. Placing an order is the best and fastest way to insure you get the Welcome to our year 2001 Sealed Cassette Catalog. titles you want. Orders begin only when payment or credit card # is received. We had no 1999/2000 Cassette catalog (sorry) so this is our 1st cassette The sooner you order, the sooner you will get your order. catalog since our 1998 one, which is now void. This catalog will be good We have many sources for most of the titles listed, but some titles have no until the end of 2001.
    [Show full text]
  • Alice in Chains
    08001 – Raval Ta Joie 12 Stones\2002 12 Stones 2 Pac\1996 All Eyez on Me 2 Pac\1996 All Eyez on Me\CD 1 2 Pac\1996 All Eyez on Me\CD 2 2 Raumwohnung\Kommt zusammen [Remix] 2'’ - Valentin Alsina 220 Volt\220 Volt [1983] 220 Volt\Eye To Eye [1989] 220 Volt\Mind over Muscle [1985] 220 Volt\Power Games [1984] 220 Volt\The Electric Messengers [1985] 3 Doors Down - Away from the Sun [2002 Uiversal] 3 Doors Down - The Better Life 3 Doors Down\2005 Seventeen Days 311\2003 Evolver 311\311 [1995 Vocano] 311\From Chaos [2001 Volcano] 311\Grassroots [1994 Volcano] 311\Music [1993 Volcano] 311\Soundsystem [1999 Volcano] 311\Transistor [1997 Volcano] 36 Crazyfists\2004 A Snow Capped Romance 45 Dip - The Acid Lounge 4hero - Two Pages 50 Cent\2003 Get Rich or Die Tryin' 59 Times The Pain - Music For Hardcorepunx 7for4 [Germany - Instrumental Prog]\2001 Contact 7for4\2004 Time 808 State - Ex-el 808 State - Gorgeous 88 Fingers Louie - Back On The Streets 9 Lazy 9 - Paradise Blown 98 Mute - Slow Motion Riot A Blaze My Sorrow\1995 If Emotion Still Burns A Blaze My Sorrow\Anger, Hate And Fury [2002] A Blaze My Sorrow\The Plague [1998] A Forest Mighty Black - Mellowdramatic [1998] A Global Threat - Until We Die A Guy Called Gerald - Essence A Life Once Lost - Open Your Mouth For The A Life Once Lost - The Fourth Plague A New Found Glory & Midtown - Self Titled 7'' A New Found Glory\New Found Glory [2000] A New Found Glory\Sticks and Stones [2002] A Perfect Circel - Limited Edition Bonus CD A Perfect Circle - B-Sides and Rareties A Perfect Circle – Live At Keller Auditorium A Perfect Circle\2003 Thirteenth Step A Political – Punk Ia A Ghetto A Silver Mt.
    [Show full text]
  • The Analogical Phonetic-Syllabic Dictionary
    ! 256 ™\ ANALOGICAL PHONETIC SYLLABIC DICTIONARY LIBRARY OF CONGRESS, SheltvB^i)' UNITED STATES OF AMERICA. The Analogical Phonetic-Syllabic DICTIONARY FOR THE USE OF SHORTHAND WRITERS OF ANY PHONOGRAPHIC OR PHONETIC SYSTEM, GIVING THE PROPER CONSONANTAL SYLLABICATION OF ALL THE IMPORTANT WORDS IN THE ENGLISH LANGUAGE By CHARLES CURRIER BEALE and CORA E. BURBANK BEALE PUBLISHING COMPANY, 1 80 Washington St., Boston, Mass 5"1 \ ; 3 , 297 Westminster St., Providence, R. I. Copyright, 1891. f^-^ 4" *y^ Printed by the Beale "Shorthand" Print. 180 Washington St., Boston, Mass. ; PHONETIC- SYLLABIC DICTIONARY. iii FOREWORDS. T he history of shorthand is a story of progress and improvement, and the greater part of that progress and improvement has been made in the last fifty years. To the pioneer Isaac Pitman we owe our present phonographic systems of shorthand. However much we may deplore the apparent shortsighted policy attributed to him in later years ; however much we may dispute his right to the title of Inventor of Phonography however much we may assert the superiority of offshoots of his sys- tem, over the original; however much we may condemn his radical- ism, his frequent changes, his apparent inconsistencies; and however much we may press the claim of selfishness in attempting to prevent or crush rival authors in his own country, while enjoying all privi- leges of competition in this country; the statement still remains, and will always be incontrovertible, that to Isaac Pitman, English and American shorthand owes its present status. It was Isaac Pitman who developed the idea of a perfect sound-representation, which others before him had seen "as in a glass darkly." * To his energy and perseverance, we owe a debt of gratitude, which can never be repaid, and to him we yield precedence in the long roll of stenograph- ic worthies.
    [Show full text]
  • ECSTASY Title: ECSTASY (Cuneiform Rune 373) Format: CD / DIGITAL
    Bio information: RAOUL BJÖRKENHEIM / ECSTASY Title: ECSTASY (Cuneiform Rune 373) Format: CD / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / ELECTRIC JAZZ Ecstasy Captures Finnish-American Guitarist/Composer/Improvisor Raoul Björkenheim, at the Peak of his Powers, Summoning Finland’s Most Talented Players to Create Heart-Stopping Sonic Vistas One of the most creatively stunning guitarists/composers/improvisers on the planet, Raoul Björkenheim’s playing summons the transcendent power, spirit and fury of Jimi Hendrix and Sonny Sharrock to Finland’s distant shores. But the title of Raoul Björkenheim’s new album isn’t a boast or a brief manifesto. Rather, eCsTaSy is a simple description of the intense communion achieved by his extraordinary new ensemble. The project captures the Finnish-American musician at the peak of his powers, leading a virtuosic Finnish group featuring the brilliant saxophonist Pauli Lyytinen and the inventive rhythm section tandem of bassist Jori Huhtala and drummer Markku Ounaskari. eCsTaSy is Björkenheim’s fourth Cuneiform album, and the project opens the next chapter for an artist with a potent gift for leading improvisation-laced ensembles with a singular group sound. Performing together since 2010, the quartet explores an array of moods and textures, from brooding soundscapes and cinematic anthems to giddy grooves and meter-shifting steeplechases. For Björkenheim, the band has become an organism in its own right, “four guys with their own voice,” he says. “Pauli Lyytinen's sax inspires me with his fluency and inventiveness, and likewise Jori Huhtala, with his very rhythmical drive.
    [Show full text]
  • Deutsche Nationalbibliografie
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 08 Stand: 15. August 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT08_2012-5 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]