The Analogical Phonetic-Syllabic Dictionary

Total Page:16

File Type:pdf, Size:1020Kb

The Analogical Phonetic-Syllabic Dictionary ! 256 ™\ ANALOGICAL PHONETIC SYLLABIC DICTIONARY LIBRARY OF CONGRESS, SheltvB^i)' UNITED STATES OF AMERICA. The Analogical Phonetic-Syllabic DICTIONARY FOR THE USE OF SHORTHAND WRITERS OF ANY PHONOGRAPHIC OR PHONETIC SYSTEM, GIVING THE PROPER CONSONANTAL SYLLABICATION OF ALL THE IMPORTANT WORDS IN THE ENGLISH LANGUAGE By CHARLES CURRIER BEALE and CORA E. BURBANK BEALE PUBLISHING COMPANY, 1 80 Washington St., Boston, Mass 5"1 \ ; 3 , 297 Westminster St., Providence, R. I. Copyright, 1891. f^-^ 4" *y^ Printed by the Beale "Shorthand" Print. 180 Washington St., Boston, Mass. ; PHONETIC- SYLLABIC DICTIONARY. iii FOREWORDS. T he history of shorthand is a story of progress and improvement, and the greater part of that progress and improvement has been made in the last fifty years. To the pioneer Isaac Pitman we owe our present phonographic systems of shorthand. However much we may deplore the apparent shortsighted policy attributed to him in later years ; however much we may dispute his right to the title of Inventor of Phonography however much we may assert the superiority of offshoots of his sys- tem, over the original; however much we may condemn his radical- ism, his frequent changes, his apparent inconsistencies; and however much we may press the claim of selfishness in attempting to prevent or crush rival authors in his own country, while enjoying all privi- leges of competition in this country; the statement still remains, and will always be incontrovertible, that to Isaac Pitman, English and American shorthand owes its present status. It was Isaac Pitman who developed the idea of a perfect sound-representation, which others before him had seen "as in a glass darkly." * To his energy and perseverance, we owe a debt of gratitude, which can never be repaid, and to him we yield precedence in the long roll of stenograph- ic worthies. But he left much which remained to be discovered or elaborated, and to the later efforts of Reed, Longley,Benn Pitman, Gra- ham, Munson, and others, we owe much of the present efficiency of shorthand. But to Daniel L. Scott-Browne we may credit the great- * Many partially or wholly phonetic systems existed previously to Pitman's. In this country those of Bailey (1819), which was purely phonographic, and Towndrow (1831), which was mostly so, are notable examples. IV PHONETIC-SYLLABIC DICTIONARY. est advance in phonography since its inception ; for it was he who first carried out rationally, though unfortunately not completely, the all-im- portant principles of syllabication and analogy. It is the perfect carry- ing out of these principles which makes shorthand exact and scienti- fic. The principles of the Pitman system and its allied methods de- stroy the possibility of carrying out these principles completely, and in Simplified Phonography alone can they be always consistently applied, for the -eason, that Simplified Phonography was adapted to these principles, while in all other systems, the attempt has been made to adapt these principles to the system. We believe, however, that the writers of any system would do well to replace the irregular, inconsistent, illogical style of writing, which may be the shortest, or which allows the writing of derivative words entirely different from the root or primitive word. The great drawback to the complete utilization of the principles of analogy and syllabication, has been that no existing dictionary could be taken as an authority. The division of words into syllables in American dictionaries are given without regard to the derivation or etymology; in English dictionaries (those published in England) while the divisions are largely superior in this respect, to American dictionaries; still, the fact that the language is so unphonetic, tends greatly to confuse and perplex the student. Recognizing the need of a dictionary which should give the cor- rect phonographic or consonantal representation of words, we have prepared this book, with the hope that it may prove serviceable to all who look upon shorthand as something in itself worthy of study, aside from its more practical advantages, and especially to those who are ambitious to make their favorite system, whichever it may be, capable of exactitude. We believe it will be of value to every teacher or student of pho- nography, and to that end, we have spared neither care nor labor, to make it accurate. It cannot, of course, be complete ; we offer it PHONETIC- SYLLABIC DICTIONARY. as a step only towards that completeness which we must leave for others to accomplish ; but we have endeavored, in the space to which we have been limited, to give all the important words which would be likely to occur in actual work, and we hope that the careful study of this book will be sufficient to enable its users to write all which are not given, in analogy with those it contains. Beyond this, we ask simply the indulgence of the user. In all cases where the syllabica- tion would be doubtful, we have given the authority for the particular form we adopt, believing it will make the book more valuable ; and in some cases, where authorities differ, we give two forms, either of which may be used. If the book shall serve the purpose for which it is intended, we shall feel amply repaid for our labors. 5 C. C. B. ) C. E. B. VI PHONETIC-SYLLABIC DICTIONARY. AUTHORITIES. Tihe following works have been consulted in the preparation of this book, to all of which we acknowledge our obligations: The Imperial English Dictionary, (Imp.^ Webster's Dictionary, (W-) Worcester's Dictionary, (Wc.) Nuttall's Dictionary, (N.) Stormonth's Dictionary, (St.) Hyde Clarke's Dictionary, (H. C.) The Century Dictionary, (C.) Skeat's Etymological Dictionary, (Sk.) Wedgewood's Etymological Dictionary, (Wd.) p' J£f When it has been deemed necessary to give the authority for the syllabifying of any word, the above abbreviations have been used. : PIIONKTIC- SYLLABIC DICTIONARY. Vll TO THE USER. A s some systems of shorthand have signs for sounds which others have not, it is necessary to provide for this difference. As "Simplified Phonography," theBeale "method," was the first to carry out completely and consistently the principles of syllabica- tion and analogy, it has been deemed proper that the consonant sounds and combinations recognized by that system, should be used as a basis, and it may need a few words of explanation, to make every- thing clear. Simplified Phonography has the following consonant signs which some other systems have not Ct X Q Wh Systems which do not have these signs, should substitute for them as follows : Kt Ks Kw W Wherever two consonants are represented by one sign, it is placed in parenthesis ; also, combinations which are represented by prefix- or affix-signs, are placed in parenthesis ; thus Catch=K(ch) Caution=K(shn) Syllables are separated by hyphens ; but affix or prefix signs are not separated from the syllables with which they are written ; thus Deviation=D-V-(shn) Division =D-V(shn) A large class of words like atone, ablaze, aggrieve, etc., which are identical in consonant representation with the roots, lone, blaze, grieve, etc., are not given, in order to economize space, and search should be made under the latter class, the vowel syllable not being represented in most systems. In the same way, words like dis-tract, dis-pose, in-tend, insight, etc., are not given, since they would be written in analogy with tract, pose, tend, sight, etc. Other neces- sary remarks will be given as foot-notes. ; Vlll PHONETIC-SYLLABIC DICTIONARY. KEY TO SYLLABIC REPRESENTATION. J\ HYPHEN at the beginning indicates the word begins with a vowel syllable, (that is, a syllable consisting of a vowel sound only) ; a hyphen at the end means that the words end with a vowel syllable all other hyphens are used for the purpose of separating syllables. Remember that each consonant syllable (that is, each syllable con- taining a consonant) should be written in such a way that it could stand alone ; no consonant syllable can consist of a hook or circle. PHONETIC- SYLLABIC DICTIONARY. A. a, a aboriginal, b-r-j-n-4 abandon,-bnd-n aborigines, b-r-j-n-s abash, -b(sh) abortion, b-r(shn) abattoir, b-twr abortive, b-rt-v abbey, -b abound, b-nd abbot, -bt about, -bt [Sk.] abbreviate, -brv-t above, -bv [Sk,] abdicate, b-dk-t abrasion, -br(shn) [Wd.] abdomen, b-d-mn abrogate, b-rg-t fabduct, b-d(ct) abrupt, b-rpt aberration, b-r-(sh)n abscess, b-ss or bs-s abeyance, -b-ns abscond, bs-knd abhor, b-hr absent, b-snt ability, -bl-t absolute, b-sl-t abject, b-j(ct) absolution, b-sl-(sh)n able, -bl absolve, b-slv ablution, b-l(shn) absorb, b-srb abnegate, b-ng-t absorption, b-srp(shn) abnormal, b-nrm-1 abstain, bs-tn abolish, b-l-sh [Sk.] abstemious, bs-tm-ys or bs-tm-s abolition, b-l-(sh)n [Sk.] abstinence, *ent; bs-tn-ns, *nt abominable, b-mn-bl abstract, bs-tr(ct) abominate, b-mn-t abstruse, bs-trs fin some systems there is a stroke for the combined sound of fV/); in other systems kt should be understood. *The star (*) indicates that for saving space, only the last syllable or syllables of a derivative word is given when the beginning is the same as the word from which it is de- rived; thus, "abstinence, *ent" means "abstinence, abstinent," and the "bs-tn-ns, *nt" means "bs-tn-ns, bs-tn-nt." a. abstruse. PHONETIC-SYLLABIC DICTIONARY. absurd, b-srd acquaint, -qntor k-wnt abundance, *ant ; b-nd-ns, *nt acquiesce, -q-s or k-vv-s abuse, b-s or b-ys acquire, -qror k-vvr abyss, -mal ; -bs, -ml acquisition, -qs-(sh)n academy, *ic *ician ; k-dm(i), *k, acquit, -qt *(sh)n acre,
Recommended publications
  • Springfield Springfield
    Springfield ❖ ❖ Franconia Kingstowne Newington insideinside Young Patriot News, Page 3 Amy Peterson, 9, of Springfield, shows New Commander her patriotism while marching in the At Fort Belvoir Fourth of July pa- rade through her News, Page 3 Classified, Page 23 Classified, ❖ Springfield neighborhood. Sports, Page 20 ❖ Faith, Page 19 Golden Arches /The Connection Requested in home 7-11-08 Time sensitive material. To White House Attention Postmaster: U.S. Postage PRSRT STD PERMIT #322 News, Page 4 Easton, MD PAID Robbie Hammer Photo by Photo July 10-16, 2008 Volume XXII, Number 28 www.connectionnewspapers.com www.ConnectionNewspapers.com Springfield Connection ❖ July 10-16, 2008 ❖ 1 2 ❖ Springfield Connection ❖ July 10-16, 2008 www.ConnectionNewspapers.com News Photos by Photos Robbie Hammer /The Connection Residents of the Orange Hunt Estates and Winston Knolls neighborhoods watch the annual Independence Day parade from the Hunt Valley Elementary School to the Orange Hunt Elementary School. On Friday afternoon, Kathryn Miller, the Marie current Miss Greater Springfield Pre-teen, Laverdiere, rides in the Orange Hunt Estates and Win- 9, of ston Knolls Fourth of July parade. Spring- field, decked out in patriotic Flag Waving garb, waits for the start Two neighborhoods mark of the Fourth of Fourth of July with parade, July Ellen Keil, 4, and her friend, parade. Annette Wright, 5, enjoy some ice cream social. ice cream following the parade. Fort Belvoir Changes Commanders Col. Brian Lauritzen bids farewell, base IN ADDITION to relinquishing command benefiting both base families and the sur- of Fort Belvoir, Lauritzen was also retiring rounding communities. welcomes Col.
    [Show full text]
  • Roget's Thesaurus of English Words and Phrases
    Roget's Thesaurus of English Words and Phrases By Roget, Peter Mark English A Doctrine Publishing Corporation Digital Book 493 This book is indexed by ISYS Web Indexing system to allow the reader find any word or number within the document. AND PHRASES*** These files were assembled by L. John Old, Napier University, Edinburgh, #22). ROGET'S THESAURUS OF ENGLISH WORDS AND PHRASES Notes on the automatically-generated Index to Roget's Thesaurus, 1911 edition. Introduction A true Roget's Thesaurus (as opposed to an alphabetically-listed synonym dictionary) is composed of three parts: - a hierarchical classification structure (hierarchy or "Synopsis of Categories"); - a body, which lists the Categories (whose titles are sometimes referred to as "head words" or "headings"), under which are found the groups of semantically- or conceptually-related words and phrases (also called synonyms or entries); - and an Index that lists the entries alphabetically (along with the Category titles and numbers under which the entry may be found in the body). This document contains the complete Index to the 1911 (American) edition. It was generated from the entries (synonyms, phrases and word lists) contained in the Gutenburg/MICRA free E- text thesaurus 14a (plain text version). It is larger than the original 1911 Roget's Thesaurus Index, containing all text entries (i.e. excluding numbers, special characters and parenthetical information) up to 25 characters long (91,000+ entries). Index Entries This Index lacks the intelligence found in the original hand-edited Index, where common-sense aggregations occur. For example A B C and A.B.C. are found under a single Index entry in the original Index.
    [Show full text]
  • The Aesthetics of Intoxication in Antebellum American Art and Culture
    ABSTRACT Title of Document: THE AESTHETICS OF INTOXICATION IN ANTEBELLUM AMERICAN ART AND CULTURE. Guy Duane Jordan, Ph.D., 2007 Directed By: Professor Sally M. Promey, Art History and Archaeology My dissertation, The Aesthetics of Intoxication in Antebellum American Art and Culture, proposes an ambitious re-evaluation of aesthetics in the United States between 1830 and 1860 that locates the consumption of images in relation to discourses of excess, addiction, and dependency. I uncover the antebellum period’s physiological construction of looking as a somatic process akin to eating and drinking and offer a new definition of aesthetic absorption not merely as the disembodied projection of the viewer into a pictorial space, but as the corporeal ingestion of the image into the mind of the viewing subject. I demonstrate how this heretofore unstudied and historically-grounded alignment of aesthesis and alimentation played a crucial role in the production and reception of antebellum literature and visual culture. To this end, my dissertation stands as a broad-ranging cultural history that features fundamental reinterpretations of major works of art by Charles Deas, Thomas Cole, Hiram Powers, and Frederic Church. THE AESTHETICS OF INTOXICATION IN AMERICAN ART AND CULTURE By Guy Jordan Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2007 Advisory Committee: Professor Sally M. Promey, Chair Professor Renée Ater Professor Joy Kasson Professor Franklin Kelly Professor Robert Levine Professor Joshua Shannon © Copyright by Guy Duane Jordan 2007 The thesis or dissertation document that follows has had referenced material removed in respect for the owner's copyright.
    [Show full text]
  • Issue 6 Web.Indd
    PHILNEWS TH JULY 12 , 2013 YEARS OF ISSUE 6 75 PHILMONT Oldest Open Rodeo Keeps the West Alive Philmont Staff Wins Wild Cow Milking, Places Ranch Bronc Ride Katie Landeck Th is is Shaw’s fourth time Staff Writer competing in the Rodeo. In 2010, his fi rst time competing, he was Evan Withrow had never in the same position as Withrow, milked a cow before entering the Miazza and Bowie: completely Wild Cow Milking event in the inexperienced and simply there to Maverick Club Rodeo. have a good time. James Miazza and Austin “Th e fi rst time was by far my Bowie had never seen a Wild worst,” said Shaw. But, “You catch Horse Race and when they woke the bug. You get off and you go up on the morning of July 4th, ‘that’s amazing. I want to do that they didn’t think they would be again.’ It’s just fun.” competing in one. Last year, he tied for third in But by the end of the rodeo, the Ranch Bronc Ride, an event A young cowboy rides a sheep on Thursday, July 4 at the Marverick Club Rodeo in Cimarron. Mutton Withrow, a Program Counselor at busting is the children’s version of bullriding, where sheep are ridden instead of bulls. KAITLYN where cowboys ride their working CHABALLA/PHILNEWS PHOTOGRAPHER Black Mountain, was a Wild Cow saddle on a bucking horse and do Milking champion, and Miazza whatever they can to stay on. Th is Hope Kirwan and talk and visit, maybe for addition to donating to veterans’ and Bowie, both Wranglers, had year, he won third in the Ranch Staff Writer the only time of the year,” said organizations, the club also raises wrestled an unbroken horse.
    [Show full text]
  • Plans New Canal! Welcomed in Panama
    FRIDAY, DECEMBER 18, 1964 rKdC TWENTT.ldOHT Mtmrlii^atfr lEvrtifng ¥»raUi ATwaga Daily Nat Prsaa R o b Tha Waathar For the W e* Keae* forecaat ot D. S. Weather Be U , 1N4 VFW Auxiliary will sponsor Thar* will ba prfvata confaa^ | Sumy, brwey, eoM todey, a card party tonight at 8, at aions Sunday at 8 a.m. at S t ' Santa’s Workshop Ciiiirch Couples Square Dancers' About Town the post home. John's Polish National Catho­ ELASTIC 14,151 ttnned oold tonight, low tai ta lic Church. Genaral confasaion Santa’a Workahdp in Cen­ Plan Yule Dance To Haye Party ■bar *8 the Aadtt iBcreaetaig clonds, wOnuee tH XuicheatM- Ced»r«tte« will Polish Wotnen's Alliance, will ba at 8:15. ter Springe I»dga haa play­ row, high In SOe. ed boat to over 1,290 chil­ M of ObeoletlM mMt Monday at 7:30 p.m. at Group 246, will have a Chriet- The Oouplea Club o t Second Hi* Man<^ester « Q u a r • HOSIERY Maneh^ater^’A City o f ViUogo Charm OMitar CongjresaUonal Church maa party Sunday at 2 p.m. ^at dren and SOO adulta to date, Dance Chib will hav* a Chrlat- and will be open only today, Congregational Church Will have For Women and men ae- for a Christmas party. Mem- the Polish American Club, its annual Christmas party to­ mas Dance tomorrow at 8 p.m. tomorrow and Sunday. cording^to your doctor’s ban are reminded to bring a Clinton St. Members are re­ Girl Scout Notes morrow at 7 p.m.
    [Show full text]
  • An Etymology of Latin and Greek
    jCXD CM ILO =cr> C£, 1 KimMimX':): (MP^NY Iprc6ente& to of tbc unnivcreiti? of ^Toronto Miss Florence V»Keyst B«A« AN ETYMOLOGY LATIN AND GREEK CHARLES S. HALSEY, A.M. £' ^ ?.- .?t I »» Ee i. e >i PRE5ERVATION DATE^ MAI.V.^ BOSTON, U.S.A.: PUBLISHED BY GINN & COMPANY. 1889. Entered, according to Act of Congress, in the 3'par 1882, by CHARLES S. HALSEY, in the office of the Librarian of Congress, at "Wasliington. Typography by J. 8. Cushino & Co., Boston, U.S.A. Presswobk by Ginn & Co., Bostok, U.S.A. PEEFAOE, The following Avork had its origin in a felt want. Many students of the classical languages, all along the early part of their course, use text-books provided with vocabularies. These vocabularies, from the necessity of their limits, are brief and imperfect, and they enter but little into the subject of etymology. Even when afterwards the lexicon is used, the etymology is often studied only for separate words as they occur in reading; and the scattered and fragmentary information given in the lexicons pro- duces a corresponding state of knowledge in the mind even of a diligent student. No connected, systematic, or thorough knowledge of etymology is thus acquired. In the grammar something may be done for historical ety- mology ; but the requirements of other topics in a school grammar must always prevent this subject from receiving there the full treatment which its importance demands. There remain the larger works expressly devoted to the subject, nearly all of them in German, excellent when one gets to them and is prepared for them, but by their style and fulness, as well as size and cost, not adapted to the wants of an American school-room or of the ordinary stu- dent.
    [Show full text]
  • BILL LASWELL, RAOUL BJÖRKENHEIM, MORGAN ÅGREN: BLIXT Title: BLIXT (Cuneiform Rune 335)
    Bio information: BILL LASWELL, RAOUL BJÖRKENHEIM, MORGAN ÅGREN: BLIXT Title: BLIXT (Cuneiform Rune 335) Cuneiform publicity/promotion dept.: 301-589-8894 / fax 301-589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) www.cuneiformrecords.com FILE UNDER: JAZZ / METAL-JAZZ Bill Laswell “Few people on this sphere truly deserve to be called a genius. But if the definition refers to one with a rare gift for transforming the intangible into the tangible and seamlessly combining that which is ostensibly disparate, then Bill Laswell may very well qualify.” – Innerviews Raoul Bjorkenheim “I first heard Bjorkenheim’s guitar antics when he was with Edward Vesala’s Sound and Fury, a band that took jazz into startling territories. Apparantly, the Finnish drummer told him to ‘toally obliterate anything that had to do with standard guitar’, advice he has certainly tried to take to heart. His explorations…open strange, disturbing vistas where some notions of what electric guitar can/should do will be refreshed.” – Jazzitude Morgan Agren “…Agren is…a drummer’s drummer who can flit from cool traditional jazz to proggy rock to howling Swedish metal, without dropping a stick, without batting and eye…If you’ve got a drummer in your family, pick these records up…He’ll either thank you or give up his instrument forever.” – Popmatters If the British power trio Cream was the first guitar-led supergroup, Blixt is a 2011 aftershock. Five decades on, the sound is heavier and darker, the mix of ingredients more transgressive, the origins of the musicians more global, and the harmonic and rhythmic palettes more complex.
    [Show full text]
  • Teemu Mäki. List of Albums in My CD Collection, 28.8.2021
    Sivu 1 / 261 Musiikki 65078 kappaletta, 257,5 päivää, 2,14 Tt Artisti Albumi Kappalemäärä Kesto A-Trak Vs. DJ Q-Bert Buck Tooth Wizards (1997, A-Trak Vs. DJ Q-Bert) 1 1:02:17 Aapo Häkkinen William Byrd: Music For The Virginals (rec.1999, Aapo Häkkinen) 15 1:10:51 Aaron Parks Invisible Cinema (20.–22.1.2008, Aaron Parks & Mike Moreno, Matt Penma… 10 55:01 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 1 (6.–7.11.1987) 10 57:07 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 2 (6.–7.11.1987) 7 40:19 Abbey Lincoln Abbey Sings Abbey (Lincoln, 25.–27.9 & 17.11.2006) 12 59:43 Abbey Lincoln Devil's Got Your Tongue (24.–25.2.1992, Abbey Lincoln) 11 1:10:00 Abbey Lincoln It's Magic (8/1958, Abbey Lincoln) 10 37:09 Abbey Lincoln It's Me (2002—2003, Abbey Lincoln) 11 52:49 Abbey Lincoln Over The Years (18.–21.2.2000, Abbey Lincoln) 10 51:03 Abbey Lincoln Painted Lady (30.5.1987, Abbey Lincoln feat. Archie Shepp) 6 44:49 Abbey Lincoln Talking To The Sun (25.–26.11.1983, Abbey Lincoln & S.Coleman/J.Weidm… 5 30:14 Abbey Lincoln A Turtle's Dream (May-Nov.1994, Abbey Lincoln) 11 1:09:10 Abbey Lincoln Who Used To Dance (5.–7.4. & 19.5.1996, Abbey Lincoln) 9 1:01:29 Abbey Lincoln Wholly Earth (3.–5.6.1998, Abbey Lincoln) 10 1:07:32 Abbey Lincoln The World Is Falling Down (21.–27.2.1990, Abbey Lincoln & C.Terry/J.McLe… 8 49:23 Abbey Lincoln You Gotta Pay the Band (2/1991, Abbey Lincoln & S.Getz/H.Jones/C.Hade… 10 58:31 Abbey Lincoln & Hank Jones When There Is Love (4.–6.10.1992, Abbey Lincoln & Hank Jones) 14 1:03:58 Abdullah Ibrahim Abdullah
    [Show full text]
  • Cassette Catalog - Pdf Edition
    arvard Square Records, Inc. P.O. Box 381975, Cambridge, MA 02238 Year 2001 Rare And Out Of Print CASSETTE CATALOG - PDF EDITION •Order Toll Free:1-877-465-7669 (GOLPNOW) •Customer Service:(617) 868-3385 •Fax: (617) 547-2838 • Email: [email protected] For vinyl please contact us, or visit our website LPnow.com arvard Square Records, Inc. P.O. Box 381975, Cambridge, MA 02238 Year 2001 Rare And Out Of Print CASSETTE CATALOG - PDF EDITION •Order Toll Free:1-877-465-7669 (GOLPNOW) •Customer Service:(617) 868-3385 •Fax: (617) 547-2838 • Email: [email protected] For vinyl please contact us, or visit our website LPnow.com Special Note on Reserving Stock and Song Titles: Customer Info We do not reserve any stock nor do we have the song titles of any title available to us. Please do not call or email to see if something is in stock or Please read this before calling with questions. what songs are on any title. Everything in this catalog is available to us at press time, but we cannot guarantee the availability of any title on the HI! HI! phone. Placing an order is the best and fastest way to insure you get the Welcome to our year 2001 Sealed Cassette Catalog. titles you want. Orders begin only when payment or credit card # is received. We had no 1999/2000 Cassette catalog (sorry) so this is our 1st cassette The sooner you order, the sooner you will get your order. catalog since our 1998 one, which is now void. This catalog will be good We have many sources for most of the titles listed, but some titles have no until the end of 2001.
    [Show full text]
  • Alice in Chains
    08001 – Raval Ta Joie 12 Stones\2002 12 Stones 2 Pac\1996 All Eyez on Me 2 Pac\1996 All Eyez on Me\CD 1 2 Pac\1996 All Eyez on Me\CD 2 2 Raumwohnung\Kommt zusammen [Remix] 2'’ - Valentin Alsina 220 Volt\220 Volt [1983] 220 Volt\Eye To Eye [1989] 220 Volt\Mind over Muscle [1985] 220 Volt\Power Games [1984] 220 Volt\The Electric Messengers [1985] 3 Doors Down - Away from the Sun [2002 Uiversal] 3 Doors Down - The Better Life 3 Doors Down\2005 Seventeen Days 311\2003 Evolver 311\311 [1995 Vocano] 311\From Chaos [2001 Volcano] 311\Grassroots [1994 Volcano] 311\Music [1993 Volcano] 311\Soundsystem [1999 Volcano] 311\Transistor [1997 Volcano] 36 Crazyfists\2004 A Snow Capped Romance 45 Dip - The Acid Lounge 4hero - Two Pages 50 Cent\2003 Get Rich or Die Tryin' 59 Times The Pain - Music For Hardcorepunx 7for4 [Germany - Instrumental Prog]\2001 Contact 7for4\2004 Time 808 State - Ex-el 808 State - Gorgeous 88 Fingers Louie - Back On The Streets 9 Lazy 9 - Paradise Blown 98 Mute - Slow Motion Riot A Blaze My Sorrow\1995 If Emotion Still Burns A Blaze My Sorrow\Anger, Hate And Fury [2002] A Blaze My Sorrow\The Plague [1998] A Forest Mighty Black - Mellowdramatic [1998] A Global Threat - Until We Die A Guy Called Gerald - Essence A Life Once Lost - Open Your Mouth For The A Life Once Lost - The Fourth Plague A New Found Glory & Midtown - Self Titled 7'' A New Found Glory\New Found Glory [2000] A New Found Glory\Sticks and Stones [2002] A Perfect Circel - Limited Edition Bonus CD A Perfect Circle - B-Sides and Rareties A Perfect Circle – Live At Keller Auditorium A Perfect Circle\2003 Thirteenth Step A Political – Punk Ia A Ghetto A Silver Mt.
    [Show full text]
  • ECSTASY Title: ECSTASY (Cuneiform Rune 373) Format: CD / DIGITAL
    Bio information: RAOUL BJÖRKENHEIM / ECSTASY Title: ECSTASY (Cuneiform Rune 373) Format: CD / DIGITAL Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American & world radio) www.cuneiformrecords.com FILE UNDER: JAZZ / ELECTRIC JAZZ Ecstasy Captures Finnish-American Guitarist/Composer/Improvisor Raoul Björkenheim, at the Peak of his Powers, Summoning Finland’s Most Talented Players to Create Heart-Stopping Sonic Vistas One of the most creatively stunning guitarists/composers/improvisers on the planet, Raoul Björkenheim’s playing summons the transcendent power, spirit and fury of Jimi Hendrix and Sonny Sharrock to Finland’s distant shores. But the title of Raoul Björkenheim’s new album isn’t a boast or a brief manifesto. Rather, eCsTaSy is a simple description of the intense communion achieved by his extraordinary new ensemble. The project captures the Finnish-American musician at the peak of his powers, leading a virtuosic Finnish group featuring the brilliant saxophonist Pauli Lyytinen and the inventive rhythm section tandem of bassist Jori Huhtala and drummer Markku Ounaskari. eCsTaSy is Björkenheim’s fourth Cuneiform album, and the project opens the next chapter for an artist with a potent gift for leading improvisation-laced ensembles with a singular group sound. Performing together since 2010, the quartet explores an array of moods and textures, from brooding soundscapes and cinematic anthems to giddy grooves and meter-shifting steeplechases. For Björkenheim, the band has become an organism in its own right, “four guys with their own voice,” he says. “Pauli Lyytinen's sax inspires me with his fluency and inventiveness, and likewise Jori Huhtala, with his very rhythmical drive.
    [Show full text]
  • Deutsche Nationalbibliografie
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 08 Stand: 15. August 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT08_2012-5 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]