DOCSLIB.ORG

Facing the Future: Local, Global and Pacific Possibilities

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Facing the Future: Local, Global and Pacific Possibilities Facing the Future: Local, Global and Pacific Possibilities 15 - 19 May 2016 Aotea Centre 50 Mayoral Drive, Auckland #MA16NZ Thank you to our MA16 sponsors: 2 #MA16NZ Contents Pōwhiri - Welcome ritual of encounter 4 Welcome to conference - Zara Stanhope 5 Conference Programme 6 Museums Aotearoa Welcome 12 Museums Australia Welcome 13 A message from Vernon Systems 14 Keynote Speakers 16 Monday 16 May 22 Tuesday 17 May 43 Wednesday 18 May 63 Kaitiaki / Indigenous Hui 82 General Conference Information 84 Aotea Centre Layout 85 Auckland Map of Museums 86 Posters 88 Sponsors 92 Exhibitors 99 Commonly used Māori words 102 Cover: Lisa Reihana, in Pursuit of Venus [infected], 2015, Auckland Art Gallery Toi o Tāmaki, gift of the Patrons of Auckland Art Gallery, 2014 (still from panoramic video interpretation of 1804 French scenic wallpaper Les Sauvages De La Mer Pacifique) #MA16NZ 3 Pōwhiri – Welcome ritual of encounter Museums Australasia delegates will be welcomed to the conference on Monday morning with a pōwhiri (a welcome ritual of encounter) from Ngāti Whātua - tangata whenua (hosts) and local iwi (tribes) of Tāmaki Herenga Waka (Auckland). We will assemble at the entrance to the Aotea Centre and wait for the karanga (call of welcome). A kaikaranga (female caller) will respond to the call on our behalf as manuhiri (visitors), following which we will move into the venue, led by the women. Tangata whenua will call and guide us in to be seated before whaikōrero (speeches). Speakers from each side will be supported by waiata (song). At the conclusion of the speeches, there will be harirū (shake hands) and hongi (press noses) before we join together for morning tea. Tāmaki Makaurau (Auckland) museum colleagues and other Aotearoa New Zealand museum colleagues will be there to guide delegates if it’s your first experience of a pōwhiri. For more information about marae protocol and pōwhiri, please go to: http://www.teara.govt.nz/en/marae-protocol-te-kawa-o-te-marae/page-1 Pōwhiri are traditionally held on the marae (meeting grounds) although tangata whenua can engage all spaces for ceremonial purposes as kaitiaki (guardians) across their ancestral landscape. Ngāti Whātua Ōrākei home fires are centred around the Ōrākei Marae (10 minutes from Auckland CBD). The Kaitiaki Indigenous Hui will be held at Ōrākei Marae following the conference on Thursday 19 May 2016. For more information about Ōrākei Marae, please go to: http://www.wakamaori.co.nz/maori-culture/marae/orakei-marae/ 4 #MA16NZ Welcome to Conference The planning of this conference programming began with a provocation, Robert R Janes’ challenge to museums to address pressing societal issues and to add social and cultural value now and in the future. As a platform for dialogue and discussion between Aotearoa New Zealand and Australia this event is a unique opportunity to consider the ways that museums are aiming to be of social, cultural and ecological value from perspectives across our region. A large interest in the themes of kaitiakitanga (custodianship), hāngaitanga (relevance), tūranga (place) and mātauranga/tikanga (knowledge/practice) was evident from the volume of speaker proposals received. These evidenced a keen interest in museums and galleries as spaces where governance and custodianship, indigenous and cultural agency, and connections with local communities are valued and being explored and re-evaluated in many ways. The final programme offers many different voices and multiple forums for discussion. We welcome all perspectives on the strategies, operations and capabilities of our institutions and the differences or shared experiences between Australia and Aotearoa New Zealand. A key aim of the conference is to create stronger professional relations as well as shared knowledge in order to begin to co-create future social museums in this region that recognise the importance of peoples, diversity, locality, histories, collections and professional disciplines. Zara Stanhope Chair, Programming Committee Auckland War Memorial Museum #MA16NZ 5 Conference Programme Saturday 14 May PRE-CONFERENCE 9.00 - 5.00 Digital Academy Auckland War Memorial Museum 9.00 - 5.00 Graduate Research Symposium Fale Pasifika, University of Auckland Sunday 15 May PRE-CONFERENCE 8.30 - 4.30 Emerging Museum Professionals Mini-conference NZ Maritime Museum 12.00 - 2.00 Museums Australia National Council Auckland Art Gallery 1.30 - 3.00 Museum Educators: Waka - Exploring Waka Kaupapa NZ Maritime Museum 1.00 - 4.00 TENNZ: Touring Exhibitions Network Cropper House, MOTAT 3.00 - 4.00 Joint Museums Aotearoa Board / Australia Council Hui Auckland Art Gallery 5.00 - 6.00 Museums Aotearoa AGM NZ Maritime Museum Evening Network Dinners - various venues 6 #MA16NZ Monday 16 May LEADING: PURPOSE AND STRATEGY 7.30 Registration Open 8.45 Delegates assemble in Aotea Square 9.15 - 10.00 Pōwhiri / welcome 10.00 - 10.45 Morning Tea 10.45 – 11.30 KEYNOTE: Moana Jackson Context - the evolving story of Te Tiriti o Waitangi 11.30 - 12.15 KEYNOTE: David Garneau From Colonial trophy case to non-Colonial keeping-house 12.15 - 12.30 Chaired Q&A / Discussion 12.30 - 1.30 Lunch - Trade Exhibition 1.30 - 2.30 PLENARY - Provocations: Robert Janes, Elizabeth Merritt, Daryl Karp, Lisa Reihana, Peter White, Albert Refiti Future focus and sustainability for museums 2.30 - 3.15 PARALLEL SESSIONS M3-B1 M3-B2 M3-B3 M3-B4 M3-B5 M3-B6 Museums Public value Digital critique – New futures Collections Connectivities in the world – can, do and from politeness through and strategy – the porous Papers should to collegiate indigenous 1 - animating museum museums learning pathways – a collections Papers change lives? Workshop hub & spoke through digital Panel approach in discovery central Australia Papers Panel 3.15 - 3.45 Afternoon Tea 3.45 - 4.45 PARALLEL SESSIONS M4-A1 M4-A2 M4-A3 M4-A4 M4-A5 M4-A6 Cultures and Public value – Digital futures Museums of the Collections Connectivities responsibilities imagining a new Panel future –through and strategy – encountering PK + Cafe kind of museum Indigenous 2 – tackling the stories & objects Panel lenses of tangible Panel Australia and the Papers Pacific Panel 4.45 - 5.30 KEYNOTE: Dawn Casey A conversation about museums and social capital 5.45 Buses depart Aotea Centre to MOTAT 6.15 Welcome Reception - MOTAT #MA16NZ 7 Tuesday 17 May ENACTING: COMMUNITIES AND COLLECTIONS 7.30 Registration Open 7.15 - 8.45 Emerging Museum Professionals Career Cafe (ticketed) 9.00 - 9.45 KEYNOTE: Elizabeth Merritt The Ten Thousand Year Museum 9.45 - 10.00 Chaired Q&A / Discussion 10.00 - 11.15 PARALLEL SESSIONS T1-B1 T1-B2 T1-B3 T1-B4 T1-B5 T1-B6 Story telling, Visitor insights & Toward the future The future is Mana taonga Making it narratives of analytics trans- culturation participatory Panel different the now Panel Panel Papers Short papers Panel 11.15 - 11.45 Morning Tea 11.45 - 1.00 PARALLEL SESSIONS T2-1 T2-2 T2-3 T2-4 T2-5 T2-6 New ways of Including Working together Networking the Ethics, What’s the story? story telling everyone Papers community research, Narrative, show, tell, PK + Cafe Papers PK + Cafe institutions argue Papers Short Papers 1.00 - 2.00 Lunch - Trade Exhibition & Posters 1.30 Buses depart Aotea Centre to offsite visits 2.00 - 5.00 ONSITE SESSIONS & OFFSITE VISITS T4-1 T3-2 T3-3 T3-4 T3-5 T3-6 Future Design thinking Strategies for Technology - EMP Stories Copyright 2.0 museum at for museums the socially does it work for & Can Workshop Auckland is fun and easy relevant art our stories? museums onsite Museum Workshop museums Panel change the Papers, onsite Panel , onsite world Auckland Auckland Art PK Museum - Gallery - offsite onsite offsite T5-3 T5-4 T5-5 T5-6 MOTAT offsite Te Toi Uku Mangere Wallace Arts storage tour (Portage Arts Centre & Trust at Pah Visit - offsite Ceramics Trust) Fresh Gallery Homestead Visit - offsite Otara Visit - offsite Visit - offsite 5.00 Buses depart offsite visits to Aotea Centre 6.30 Buses depart Aotea Centre to Auckland War Memorial Museum 7.00 Conference Dinner - Auckland War Memorial Museum 8 #MA16NZ Tuesday 17 May Wednesday 18 May ENACTING: COMMUNITIES AND COLLECTIONS ENABLING: STRUCTURES, POLICIES AND OPERATIONS 7.30 Registration Open 7.30 Registration Open 7.15 - 8.45 Emerging Museum Professionals Career Cafe (ticketed) 9.00 - 9.15 PLENARY: The Hon Maggie Barry, NZ Minister for the Arts, Culture & Heritage 9.00 - 9.45 KEYNOTE: Elizabeth Merritt 9.15 – 9.50 KEYNOTE: Boon Hui Tan The Ten Thousand Year Museum Relevance and trust - locally and globally 9.45 - 10.00 Chaired Q&A / Discussion 9.50 - 10.15 Chaired Q&A / Discussion 10.00 - 11.15 PARALLEL SESSIONS 10.15 - 10.45 Morning Tea T1-B1 T1-B2 T1-B3 T1-B4 T1-B5 T1-B6 10.45 -11.45 PARALLEL SESSIONS Story telling, Visitor insights & Toward the future The future is Mana taonga Making it W2-A1 W2-A2 W2-A3 W2-A4 W2-A5 W2-A6 W2-A7 narratives of analytics trans- culturation participatory Panel different Repatriation & Operational Rethinking Connecting & Visitor research Taking risks Q&A the now Panel Panel Papers Short papers access museum citizen science re-visioning for exhibition PK & with Panel Papers leadership – a Papers communities development Papers Robert 11.15 - 11.45 Morning Tea co-learning Panel 2hrs Janes space Panel Panel 11.45 - 1.00 PARALLEL SESSIONS Workshop 11.45 - 12.45 PARALLEL SESSIONS T2-1 T2-2 T2-3 T2-4 T2-5 T2-6 2hrs W2-B1 W2-B3 W2-B4 W2-B5 New ways of Including Working together Networking the Ethics, What’s the story? story telling everyone Papers community research, Narrative, show, tell,
Load more

Recommended publications
  • Julian Dashper Michael Lett 312 Karangahape Road Cnr K Rd
    Julian Dashper Michael Lett 312 Karangahape Road Cnr K Rd & East St PO Box 68287 Newton Auckland 1145 New Zealand P+ 64 9 309 7848 [email protected] www.michaellett.com Julian Dashper 1960 Born in Auckland, New Zealand 1980 First solo exhibition at 100m2, an artist-run space in Auckland City 1981 Completes B.F.A. 1991 Awarded inaugural Q.E.II Arts Council Visual Arts Programme Fellowship 1992 Exhibits work concurrently in two solo public gallery exhibitions in New Zealand 1994 First solo public gallery exhibition in Australia 1995 Artist in residence at the Ludwig Forum für Internationale Kunst, Aachen, Germany 2001 Senior Fulbright Fellowship 2001 Artist in residence at the Chinati Foundation, Marfa, Texas 2001 Artist in residence at the University of Nebraska, Lincoln 2003 Artist in residence at Artspace, Sydney 2005 25-year retrospective exhibition opens in Sioux City, Iowa, U.S.A. 2008 Visiting scholar, University of Sydney 2009 Dies in Auckland, New Zealand Solo Exhibitions 1980 100m2, Motorway Schools, Auckland, New Zealand 1981 100m2, Huntly Huntly Whangarei, Auckland, New Zealand 1984 Durham House, Dashper at Durham Lane, Auckland, New Zealand 1985 New Vision Gallery, Auckland, New Zealand Real Pictures Gallery, Auckland, New Zealand 1986 Peter McLeavey Gallery, Wellington, New Zealand New Vision Gallery, Auckland, New Zealand Brooke/Gifford Gallery, Recent Paintings, Christchurch, New Zealand 1987 Peter McLeavey Gallery, Wellington, New Zealand Room 11 Gallery, Auckland, New Zealand Centre Gallery, Julian Dashper. A Survey, Hamilton, New Zealand George Fraser Gallery, Painting, Auckland, New Zealand Brooke/Gifford Gallery, Works on Paper 1985-1987, Christchurch, New Zealand 1988 Peter McLeavey Gallery, Thirteen recent paintings, Wellington, New Zealand The North Gallery, Small Paintings 1980-1988, Whangarei, New Zealand 1989 Sue Crockford Gallery, Auckland, New Zealand Brooke/Gifford Gallery, Recent paintings, Christchurch, New Zealand Peter McLeavey Gallery, Wellington, New Zealand Artspace, Building.
    [Show full text]
  • Post-Fair Report
    POST-FAIR REPORT 24 - 28 FEBRUARY 2021 THE CLOUD / AKL WATERFRONT / AOTEAROA NEW ZEALAND 2021 Auckland Art Fair. Photo by Luke Foley-Martin 1 IT WAS A PRIVILEGE TO HOLD A LIVE HIGHLIGHTS OF THE FAIR INCLUDED: FAIR IN 2021. THE 2021 AUCKLAND ART − four galleries from Australia, and one each from Beijing and FAIR WAS DELIVERED AGAINST A STATUS Rarotonga joined 32 of the best galleries from across Aotearoa at the 2021 Art Fair, despite the closure of international borders QUO OF UNCERTAINTY, AS COVID-19 SWEPT THROUGH THE WORLD. ALMOST − $10 million worth of art sales by the galleries, continuing the upwards trajectory of sales at the Fair since 2016 EVERY OTHER INTERNATIONAL ART FAIR GLOBALLY IN THE LAST 11 MONTHS HAD − the launch of a new outdoor sculpture space at the harbour BEEN CANCELLED, INCLUDING THE 2020 end of The Cloud AUCKLAND ART FAIR. − the continuation of Projects with ‘Present Tense’ curated by Micheal Do, commissioning six new works by early-career artists The first-ever summer edition of Auckland Art Fair, opened at The for exhibition at the Fair and also at Tiffany & Co. in Britomart Cloud on Wednesday 24 February 2021 and was scheduled to run and Yu Mei in Newmarket until Sunday 28 February, but closed one day early due to a change in COVID alert levels. Collectors, gallerists, artists, art enthusiasts, − an inaugural museum partnership with the Govett-Brewster Art media and other partners came to celebrate and showcase the Gallery / Len Lye Centre enabling the presentation of Len Lye’s outstanding contemporary art of Aotearoa Pacific Rim region.
    [Show full text]
  • The Tim & Sherrah Francis Collection
    The Tim & Sherrah FrancisTimSherrah & Collection The The Tim & Sherrah Francis Collection A+O 106 a life, and love, in New Zealand art… The Tim & Sherrah Francis Collection Art + Object 7–8 September 2016 Tim and Sherrah Francis, Washington D.C., 1990. Contents 4 Our Friends, Tim and Sherrah Jim Barr & Mary Barr 10 The Tim and Sherrah Francis Collection: A Love Story… Ben Plumbly 14 Public Programme 15 Auction Venue, Viewing and Sale details Evening One 34 Yvonne Todd: Ben Plumbly 38 Michael Illingworth: Ben Plumbly 44 Shane Cotton: Kriselle Baker 47 Tim Francis on Shane Cotton 53 Gordon Walters: Michael Dunn 64 Tim Francis on Rita Angus 67 Rita Angus: Vicki Robson 72 Colin McCahon: Michael Dunn 75 Colin McCahon: Laurence Simmons 79 Tim Francis on The Canoe Tainui 80 Colin McCahon, The Canoe Tainui: Peter Simpson 98 Bill Hammond: Peter James Smith 105 Toss Woollaston: Peter Simpson 108 Richard Killeen: Laurence Simmons 113 Milan Mrkusich: Laurence Simmons 121 Sherrah Francis on The Naïve Collection 124 Charles Tole: Gregory O’Brien 135 Tim Francis on Toss Woollaston Evening Two 140 Art 162 Sherrah Francis on The Ceramics Collection 163 New Zealand Pottery 168 International Ceramics 170 Asian Ceramics 174 Books 188 Conditions of Sale 189 Absentee Bid Form 190 Artist Index All quotes, essays and photographs are from the Francis family archive. This includes interviews and notes generously prepared by Jim Barr and Mary Barr. Our Friends, Jim Barr and Mary Barr Tim and Sherrah Tim and Sherrah in their Wellington home with Kate Newby’s Loads of Difficult.
    [Show full text]
  • Appendix 9.1 Schedule of Significant Historic Heritage Places 18 September 2015 Council's Proposed Changes Are Shown in Striket
    Appendix 9.1 Schedule of Significant Historic Heritage Places 18 September 2015 Council's proposed changes are shown in strikethrough and underline Black text changes record amendments proposed in first mediation session Green text changes record amendments proposed and agreed to in mediation Red text changes record amendments proposed in rebuttal evidence Blue text changes record amendments proposed post hearing (e.g. right of reply) Yellow highlighted text changes record amendments that are considered to be outside the scope of submissions. Grey highlight text changes record consequential amendments. [all provisions in this appendix are: rcp/dp] Heritage values The sSchedule of Significant hHistoric hHeritage pPlaces identifies historic heritage places in Auckland which have significant historic heritage value. The heritage value evaluation criteria against which historic heritage places are evaluated are set out in the RPS - Historic Heritage. They are The evaluation criteria that are relevant to each scheduled historic heritage place are identified in the schedule using the following letters: A: historical B: social C: Mana Whenua D: knowledge E: technology F: physical attributes G: aesthetic H: context. The values that are evident within scheduled historic heritage places (at the time of scheduling) are identified in the column headed ‘Known heritage values’ in the schedule. Applicability of rules Rules controlling the subdivision, use, and development of land and water within scheduled historic heritage places are set out in the Historic Heritage overlay rules. - Historic Heritage. The rules in the historic heritage overlay activity tables apply to all scheduled historic heritage places. They apply to all land and water within the extent of the scheduled historic heritage place, including the public realm, land covered by water and any body of water.
    [Show full text]
  • LATE NIGHT ART @ARTWEEKAUCKLAND Th #ARTWEEKAKL Tuesday 10 October, 5-9Pm Welcome to Live Interactive Art, Galleries Open Late, Creative Events Artweek Auckland 2017
    IN THE CENTRAL CITY ARTWEEK.CO.NZ LATE NIGHT ART @ARTWEEKAUCKLAND th #ARTWEEKAKL Tuesday 10 October, 5-9pm Welcome to Live interactive art, galleries open late, creative events Artweek Auckland 2017 Artweek Auckland is an annual, week-long festival celebrating the visual arts of Auckland. Throughout the week activations will be taking place all over Auckland, newcomers and experts alike can immerse themselves in Auckland’s diverse and vibrant contemporary art scene. Venues include galleries, public, Ellen Melville Centre and Freyberg Place private spaces, pop ups and street art. Mapping home through sound, colour and light He aha e tangi te kainga rite? / What sounds The 2017 festival presents the work of over 1000 artists in more than 100 venues. like home? RM Gallery presents a response by UNIFORM + An expressive, lighting piece using street cones at its core to create a living organism KINAlights by Ernest Aurora Artweek Auckland is owned and presented by the New Zealand Contemporary Art Trust, a charitable trust established in 2005 with the objective of creating opportunities for artists, promoting the visual arts industry, and facilitating greater public access to and engagement with the visual arts community. You are invited to look, participate and enjoy. streetARTdego Deborah White ONZM streetARTdego is a micro-festival of food and art that sees 5 of Auckland’s top food vendors Director working with 5 artists for an evening of wonder, surprise and delicious eats in Khartoum Place. Experience music, performance and visual art while
    [Show full text]
  • SHAHRIAR ASDOLLAH-ZADEH B
    [email protected] SHAHRIAR ASDOLLAH-ZADEH b. 1985, Philippines Lives and works in Auckland, New Zealand EDUCATION 2010 Post Graduate Diploma Fine Arts (Distinction), Elam School of Fine Arts, The University of Auckland 2009 Bachelor of Fine Arts, Elam School of Fine Arts, The University of Auckland AWARDS 2020 Good Design Australia Gold Tick award, ‘Architecture and Urban Design’ category 2019 Designers Institute of New Zealand Best Awards Supreme Purple Pin award, ‘Exhibition and Temporary Structures’ category 2019 Designers Institute of New Zealand Best Awards Gold Pin award, ‘Colour’ category 2019 Designers Institute of New Zealand Best Awards Gold Pin award, ‘Lighting Design’ category 2019 Designers Institute of New Zealand Best Awards Gold Pin award, ‘Exhibition and Temporary Structures’ category 2013 Finalist, National Contemporary Art Award, Waikato Museum Te Whare Taonga o Waikato 2010 Finalist, Amnesty International Defender of Human Rights SELECTED COLLECTIONS Auckland Council Public Art Collection He Kohinga Toi, New Zealand Whangarei Art Museum, New Zealand University of Auckland Art Collection, New Zealand SELECTED SOLO EXHIBITIONS 2020 Rainbow Machine, Māngere Arts Centre – Ngā Tohu o Uenuku, Auckland, New Zealand 2020 SPECTRUMS, Māngere Arts Centre – Ngā Tohu o Uenuku, Auckland, New Zealand 2014 The revolution continued: the metamorphosis of memory, The Film Archive, [email protected] Auckland, New Zealand, curated by Paula Booker 2013 Fear Faith and Persian Pop, Papakura Art Gallery, Auckland, New Zealand 2012
    [Show full text]
  • Design & Creative Technologies
    DESIGN & CREATIVE TECHNOLOGIES RESEARCH REVIEW 2015 FROM THE DEAN It is my pleasure to bring you this fourth issue of the advance our society in the social, cultural and economic magazine τεχνη & λογόσ profiling the research of the spheres. From a learning perspective, that form of thinking Faculty of Design and Creative Technologies during the year can serve to challenge our students to a greater critical 2015. While the Faculty houses the Schools of Art & Design, awareness of the world in which they live. The Pacific Media and Communication Studies, this year has seen the merging Centre’s ‘bearing witness’ project presents a notable example within the faculty of the schools of Engineering, Computer of the ‘research-teaching-practice nexus’ approach to and Mathematical Sciences, to create a more visible presence research in the Faculty. Often highly grounded and situated, in the Engineering and Technology areas. Complementing in many cases the work is conducted with partners and in this range of disciplines, Colab as a combined research and practice contexts. For instance in Professor David Robie’s teaching unit in Creative Technologies has a central role work with students engaged in ‘journalism as research’, in both tying together and transcending the disciplinary on the 30 year anniversary of the sinking of the Rainbow threads of this diversity in the faculty. Warrior. The Faculty exists to take advantage of this very diversity, In this edition we introduce a set of research and academic aiming to generate a distinctive fusion of creative disciplines leaders, who joined the Faculty in 2015, through their through research, teaching and practice.
    [Show full text]
  • Two Rooms Lauren Winstone Born 1976, Auckland Lives and Works in Wellington, Aotearoa New Zealand Master of Fine Arts, Elam Scho
    Two Rooms Lauren Winstone Born 1976, Auckland Lives and works in Wellington, Aotearoa New Zealand aster of "ine Arts, #lam $c%ool of "ine Arts &niversit' o! Auckland ()*1*+ Bac%elor o! ,esign, &nitec Institute o! Tec%nolog' Auckland (1999+ $elected solo e.%i/itions0 )*16 Leanings, Two Rooms, Auckland )*11 Pieces, Two Rooms, Auckland )*1) 3olding 3oles, ,owse Art useum, Lower 3utt )*1* 3umming on a windless slo4e, 5/6ects4ace Window 7aller', Auckland )**7 Grou4 wit% Note4a4er 3older, ,e48art8ment, Auckland )**9 ,'nast', Rear Window, ,unedin Pu/lic Art Galler' $ummer $%ow, $%owcase, Amsterdam )**1 T%e 5ld Timer, 5/6ects4ace, Auckland Lauren Winstone, ic%ael Lett Galler', Auckland )**: Pie in t%e $ky, Rm1*:, Auckland )**1 Recentis% Works, Black ;u/e 7aller', ;%ristc%urc% 5 v l o v, ;&;<55 (5ccu4ation at Pilot 7aller'+, Auckland $elected grou4 e.%i/itions0 )*19 Two Rooms, Auckland Art "air, Auckland )*1= &nder ;ontrol, Two Rooms, Auckland )*17 "ill and "ull, Iso/el T%om and Lauren Winstone, T%e National, ;%ristc%urc% >anis%ed ,elft, Pa% 3omestead, Auckland, curated /' Anna iles )*16 All Lines ;onverge, Govett8Brewster Galler', New Pl'mout%, curated /' $o4%ie 5?Brien Recent Ac@uisitionsA T%e &niversit' of Auckland Art ;ollection, Gus "is%er Galler', Auckland )*19 Rea44raisal, ;or/an #state Art ;entre, Waitakere )*11 ,o I ,are ,istur/ t%e &niverse, Window 7aller', Auckland $li4 ;ast, ,owse Art useum, Lower 3utt )*1) $ingular ;om4anionsA $cul4ture from t%e ;ollection, Govett8Brewster Art Galler', New Pl'mout% ,ugout, 3o4kinson ;und' Galler',
    [Show full text]
  • Friends and Networks
    Friends and Networks Friends of the Suter Film and Sound Archives join forces Emerging Museum Professionals Network James Wallace Arts Trust – Give and Take Connecting Through Social Media November 2014 November Contents Museums Aotearoa EDs Quarter 3 Te Tari o Ngã Whare Taonga o te Motu Message from the Board 4 Is New Zealand’s independent peak professional organisation for museums and those who work in, or have an interest in, museums. Members include My Favourite Thing 5 museums, public art galleries, historical societies, science centres, people who work within these institutions and individuals connected or associated with Friends of the Suter 6 arts, culture and heritage in New Zealand. Our vision is to raise the profile, strengthen the preformance and increase the value of museums and galleries Ngā Taonga Sound & Vision 8 to their stakeholders and the community All that Remains 10 Contact Details Emerging Museum Professionals 11 Level 8, 104 The Terrace, Wellington 6011 PO Box 10-928, Wellington 6143 Staff Changes 12 Tel: 04 499 1313 Fax: 04 499 6313 Policy Matters 13 Email: [email protected] Web: www.museumsaotearoa.org.nz Museum Profile – MOTAT 14 Contributions MA Strategic Plan 2014 – 2016 16 We welcome article suggestions and contributions. For enquiries about contributing to MAQ please contact us at [email protected]. Book Review: NZ's Historic Samplers 17 Staff Let Us Keep Close Together... 18 Phillipa Tocker – Executive Director Talei Langley – Membership Services Manager The James Wallace Arts Trust 20 Advertising Connecting Through Social Media 22 Enquiries about advertising in this publication, or mailing flyers, should be addressed to the Museums Aotearoa office A Samoan Quality 23 The Journey of the Otagos 24 Selznick School of Film Preservation 26 Next issue February 2014: Communicating Culture Disclaimer Cover Images The opinions expressed in this publication are not Main: necessarily those of the Editor or of Museums Otago Harbour, Roger Mortimer, 2014 Paramount Award winner, Wallace Art Awards.
    [Show full text]
  • Gregory Bennett
    Two Rooms Gregory Bennett Born 1965, Tauranga, New Zealand Master of Fine Arts 1st !lass "ons#, $niversity of Au&kland ())*# Ba&+elor of Fine Arts, $niversity of Au&kland 1989# -olo ./+i0itions1 ()1, ./os2+ere, Tauranga Art Gallery, &urated 0y 3arl !+it+am ()14 Nature Morte, Two Rooms, Au&kland .&tomor2+ia, Nig+t Pro6e&tion 7indow, !entre for !ontem2orary 5+otogra2+y, Mel0ourne, &urator Pi22a Milne8 ()16 T9T.M ::, 7alla&e ;igital, 7alla&e Gallery, Morrinsville ()15 Pano2ti&on, Two Rooms, Au&kland ()1< ;romos2+eres, Two Rooms , Au&kland ()1( 9mni2olis, Two Rooms, Au&kland T+e ;igital Multitude, Pa+ "omestead, Au&kland !rowd !ontrol, ;igital Art =ive, Aotea !entre, Au&kland ()11 $to2ia, Two Rooms, Au&kland ()1) Totem, Two Rooms, Au&kland ()), Bla&knoise, >a%asour Godkin Gallery, Au&kland ())6 Automato2ia, >a%asour Godkin Gallery, Au&kland Gregory Bennett, =ooking Awry, Arts2a&e, Au&kland 199< 7indow 7or', Au&kland !ity Art Gallery, Au&kland 199) Gregory Bennett, Arts2a&e, Au&kland -ele&ted Grou2 ./+i0itions & -&reenings ()19 Ren&ontres Internationales 5aris@BerlinA !ontem2orary Moving Images, Forum des images, 5aris & "aus der 3ulturen der 7elt, Berlin ()1, $n0eara0le InfiniteA Giovanni Battista Piranesi and Gregory Bennett, AAB=A Gallery, =os Angeles, &urated 0y Ari =i2kis, -$5.RN9>A ()1, Invitational !om2etition, -u2ernova ;igital Animation Festival, ;enver, &urated 0y :%ar Zeile $r0an 7orlds, Aigantig+e Art Gallery, Timaru, &urated 0y "amis+ Pettengell ()14 Custin Art "ouse Museum, ;igitalA T+e 7orld of Alternative Realities, Pra+ran,
    [Show full text]
  • “What to Do ...And See in Auckland”
    “What to do .....and see in Auckland” By Helen Wenley Copyright © 2015 Unleashed Ventures Limited All rights reserved. Introduction This report is to encourage you to get out and explore Auckland – and to discover the uniqueness and diversity of the walks you can do. Whether you are a visitor to Auckland or you have lived here for many years, I hope that we can show you how you can use our walking self-guides for fitness, health and fun. ****************************************************** I did a lot of walking when I was growing up in Sydney Australia. I would walk to school, walk to the shops, walk to my friends’ homes and walk to the bushland. Our family excursions were mainly to the beach which I loved. My parents did not own a car until I was a teenager. So for me, walking was part of life. It has been very different for my children growing up in Auckland. My daughter has been mostly been able to walk to school whereas my son’s school was a bus ride or car ride away. And even though we live close to the famous ‘One Tree Hill’, they do not walk around it as often as I do. When I was 20 I travelled to England by ship. After a few years working in country pubs and spending my spare time walking through the country lanes, I headed up to London. While working in London and I was intrigued that people in the offices in London would want to spend their holidays walking around Wales or the Lake District.
    [Show full text]
  • Best Contemporary Art in Auckland"
    "Best Contemporary Art in Auckland" Realizado por : Cityseeker 6 Ubicaciones indicadas Auckland Art Gallery Toi o Tāmaki "Comprehensive Art Collection" The Auckland Art Gallery Toi o Tāmaki houses and displays the largest and most comprehensive collection of New Zealand and international art in the country. First opened in 1888, this Victorian building is built in French Chateau style. The various temporary and permanent exhibitions at Auckland Art Gallery Toi o Tāmaki features works of artists from as by ChewyPineapple early as the 14th century. This extraordinary art gallery is home to timeless art works made by native, as well as, international artists. The gallery also boasts of other amenities such as a library, a shop and a cafe. +64 9 307 7700 www.aucklandartgallery.g gallery@aucklandartgallery Corner Wellesley And ovt.nz/ .govt.nz Kitchener Streets, Auckland Bath Street Gallery "Platform for Talented Artists" The Bath Street Gallery in Parnell is a beacon for contemporary art lovers in Auckland as it showcases a plethora of artworks by local as well as international artists. The gallery was founded in 2003 and, since then, has featured stone and metal sculptures as well as fine arts paintings by renowned international artists like Rachael Dewhirst, Louise Purvis and by Hans Liu Dao. Apart from the works of established artists, the gallery also serves as a platform for young and upcoming talents from across the country to display their creations for the art admirers in Auckland. +64 9 377 5171 www.bathstreetgallery.co [email protected] 43 Bath Street, Auckland m/ m Starkwhite "Creativity at its Best" Gear up to watch beautiful contemporary art works on display at this state- of-the-art museum in downtown Auckland.
    [Show full text]