Senate Acts on the Stages of Small Clubs
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Curriculum Vitae
JERRY M. SONNENBERG 463 S. Bixel st. Los Angeles CA 90017 | 310-628-7157 | [email protected] ART DIRECTION Pitch FOX PD: Dave Blass Lincoln Heights - 3 Seasons ABC Family/ Balance productions PD: John Iacovelli Battle Rap MTV PD: Julio Himede 2016 Video Music Awards MTV PD: Dave Edwards Kid’s Choice Sports Awards Nicelodeon PD: Julio Himede 88/89th Oscars Red Carpet ABC PD: Seth Easter Best Friends Whenever Disney Channel/ It’s a laugh PD: Scott Heineman I Didn’t Do It Disney Channel/ It’s a laugh PD: Scott Heineman Dog with a Blog - 3 Seasons Disney Channel/ It’s a laugh PD: Scott Heineman Mighty Med - 2 Seasons Disney Channel/ It’s a laugh PD: Scott Heineman Kickin’ It - 3 Seasons Disney Channel/ It’s a laugh PD: Scott Heineman Ant Farm - 3 Seasons Disney Channel/ It’s a laugh PD: Scott Heineman Let’s Make a Deal CBS/ Fremantle PD: Jerry Sonnenberg Jeopardy! - 5 Seasons Sony Pictures Entertainment PD: Naomi Slodki America’s Best Dance Crew MTV/Tenth Planet PD: John Calkins Wheel of Fortune - 3 Seasons Sony Pictures Entertainment PD: Renee Johnson America’s Next Top Model CW / Anisa Productions PD: Jeff Hall Nick Cannons’ Wild n’ Out MTV/Remote Productions PD: Dave Edwards How Do I Look? E!/Style Network PD: Naomi Slodki 38th NAACP Image Awards FOX/Vicangelo films PD: Bruce Ryan Friday Night Slime Time Nickelodeon/MAC productions PD: Dave Edwards MTV Movie Award Red Carpet MTV Productions PD: Dave Edwards Walk it off with George Foreman ESA Entertainment PD: Bruce Ryan U.S. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
American Comedy Institute One Year Program in Comedy Performing & Writing Catalog Volume I September 1, 2015
American Comedy Institute One Year Program in Comedy Performing & Writing Catalog Volume I September 1, 2015 Table of Contents 1. Identifying Data – name of school, volume and date of publication............................................1 2. Approved Catalog............................................................................................................................3 3. Purpose.............................................................................................................................................3 4. Goals and Objectives ....................................................................................................................3-6 5. Welcome...........................................................................................................................................6 6. The One Year Program in Comedy Performing & Writing: Size and Scope.................................6 7. Administration, Staff, Board of Directors & Faculty Biographies............................................ 6-11 8. Calendar........................................................................................................................................... 11 9. Enrollment Dates & Policies & Entrance Requirements ..........................................................11-15 10. Policy for Granting Credit for Previous Education & Training ....................................................15 11. College Credit Disclaimer Statement ............................................................................................15 -
June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
Mounties Pluck Merrill #0M Orchard
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Dislocating the Frontier Essaying the Mystique of the Outback
Dislocating the frontier Essaying the mystique of the outback Dislocating the frontier Essaying the mystique of the outback Edited by Deborah Bird Rose and Richard Davis Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] Web: http://epress.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Dislocating the frontier : essaying the mystique of the outback. Includes index ISBN 1 920942 36 X ISBN 1 920942 37 8 (online) 1. Frontier and pioneer life - Australia. 2. Australia - Historiography. 3. Australia - History - Philosophy. I. Rose, Deborah Bird. II. Davis, Richard, 1965- . 994.0072 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Indexed by Barry Howarth. Cover design by Brendon McKinley with a photograph by Jeff Carter, ‘Dismounted, Saxby Roundup’, http://nla.gov.au/nla.pic-vn3108448, National Library of Australia. Reproduced by kind permission of the photographer. This edition © 2005 ANU E Press Table of Contents I. Preface, Introduction and Historical Overview ......................................... 1 Preface: Deborah Bird Rose and Richard Davis .................................... iii 1. Introduction: transforming the frontier in contemporary Australia: Richard Davis .................................................................................... 7 2. -
June 14, 1993
mmm ••w -m^^^mm .ol"19"^ VOLUME 29 NUMBER l MONDAY, JUNE 14,1993 » WESTLAND, MICHIGAN • 44 PAGES FIFTY CENTS 1993 Suburban.Cwmtunications CorpornliOn Family escapes fire, dad charged Robert Mulka's pregnant wife is standing by her hus . The flames erupted about 6:30 a.m. Mulka, who had'worked at Leader May 25 and 'spread rapidly through Machine Products Inc. in Westland, band. Mulka is charged .with attempted murder and' the residence because the living room has been scheduled for a preliminary arjson following a house fire that started while Mulka's had'been doused with a flammable examination Thursday — a hearing wife and their two children slept. liquid, .Westland fire officials have that will determine if he should stand ruled. trial on the charges. Election results: Find but how The mother and children escaped Mulka glanced toward his family as your neighbors voted in your BY DARRELL CLEM trollably after Mulka was arraigned from the heavily damaged house near authorities led him in Jhandcuffs from school election by calling our hot STAFF WRITER in court Friday afternoon on three Palmer Road and Venoy by climbing the courtroom. He could face up to A financially distraught Westland counts of assault with intent to mur-. through the 7-year-bld girl's bedroom life in prison if convicted of trying to line, 953-2024. Callers will be able man has been charged with trying to der and onef count of arson. window, Westland Detective Sgt. kill his family. He could face 20 years to find but vote totals in their kill his pregnant wife and their two MuLka's wife, 22, and two daugh Marc Stobbe said Friday. -
COMEDY WRITING SECRETS, Copyright 2005 © by Melvin Helitzer
secrets 2nd edition secrets the best-selling book on how to think funny, write funny, act funny, and get paid for it Mel Helitzer with Mark Shatz WRITER'S DIGEST BOOKS Cincinnati, Ohio www. writersdigest.com COMEDY WRITING SECRETS, Copyright 2005 © by Melvin Helitzer. Printed and bound in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote passages in a review. Published by Writer's Digest Books, an imprint of F+W Publications, Inc., 4700 East Galbraith Road, Cincinnati, Ohio 45236, (800) 289-0963. Second edition. Other fine Writer's Digest Books are available at your local bookstore or direct from the publisher. 09 08 07 06 05 5 4 3 2 1 Distributed in Canada by Fraser Direct, 100 Armstrong Avenue, Georgetown, ON, Canada L7G 5S4, Tel: (905) 877-4411. Distributed in the U.K. and Europe by David & Charles, Brunei House, Newton Abbot, Devon, TQ12 4PU, England, Tel: (+44) 1626 323200, Fax: (+44) 1626 323319, E-mail: [email protected]. Distributed in Australia by Capricorn Link, P.O. Box 704, S. Windsor NSW, 2756 Australia, Tel: (02) 4577-3555. Library of Congress Cataloging-in-Publication Data Helitzer, Melvin. Comedy writing secrets: the best-selling book on how to think funny, write funny, act funny, and get paid for it / by Mel Helitzer with Mark Shatz. p. cm. Includes index. ISBN 1-58297-357-1 (pbk.: alk. -
159216250.Pdf
Barry & Fran Weissler present CHICAGO Book by Music by Lyrics by Fred Ebb & Bob Fosse John Kander Fred Ebb Based on the play by Maurine Dallas Watkins Original Production Directed and Choreographed by Bob Fosse Starring Tracy Shayne Terra C. MacLeod Tony Yazbeck Ron Orbach Also Starring Kecia Lewis-Evans D. Micciche Shamicka Benn Rachel Bickerton Lenny Daniel Philip Groft Daniel Gutierrez Brent Heuser Marla McReynolds Celia Merendi Jill Nicklaus Nina Ordman Adam Pellegrine Steven Sofia Jasond Thomas Melanie Waldron Colt Adam Weiss Corey Wright Supervising Music Director Music Director Rob Fisher Eric Barnes Scenic Design Costume Design Lighting Design John Lee Beatty William Ivey Long Ken Billington Sound Design Orchestrations Dance Music Arrangements Scott Lehrer Ralph Burns Peter Howard Script Adaptation Casting Musical Coordinator David Thompson Duncan Stewart & Company John Monaco Executive Producer Presented in Association with Alecia Parker Broadway Across America General Management Tour Marketing & Press B.J. Holt Anita Dloniak & Associates, Inc. Technical Supervisor Production Stage Manager Arthur Siccardi Tom Bartlett Based on the presentation by City Center’s Encores! Choreographer Original New York Production Re-creation of Original Production Ann Reinking Choreography by In the style of Bob Fosse Gary Chryst Director Original New York Re-creation of Original Production Production Direction by Walter Bobbie Scott Faris Broadway Cast Recording on RCA Victor CAST (in order of appearance) Velma Kelly .............................................................................................TERRA -
P38-39 Layout 1
lifestyle SUNDAY, AUGUST 17 , 2014 A person walks past the marquee of the Laugh Factory with a message in memory of actor/comedian Robin Williams in †This file photo shows comedian Marc Maron in New York. the Hollywood district of Los Angeles. — AP/AFP photos Lessons of stigmas, stereotypes in Williams’ death amie Masada, the owner of the fabled Los forming stand-up, he knew eight comics who killed did interviews with fellow comics, Maron has Angeles-based comedy club the Laugh Factory, themselves. explored the often-troubled psychology that drives Jvividly remembers a warm exchange with comic “When I find a comedian I admire, my first thing is: people to bare themselves before crowds night after Richard Jeni of the two sharing words of encourage- What’s wrong with this person?” Norton says. “Guys night, feeding off the laughter. ment and gentle ribbing. “The next day I heard he put that I’ve admired the most always had that cloud. And Maron’s conversation with Williams from 2010 is a gun in his mouth and blew his head off,” recalled it wasn’t a purposeful or a pseudo-artist thing. It was a one of his most naked interviews. In it, Williams called Masada of Jeni’s 2007 suicide. “At that point I said, real thing that they were constantly combating. It was stand-up “the one salvation” and commented: “How ‘God, could I do something to somehow prevent kind of a way to keep sadness or depression off of insecure are we, how desperately insecure that (it) that?’” A few years later, having watched his “family” you, to be funny.” Particularly since the likes of Lenny made us do this for a living?” He even riffed on his sui- continuously depleted, Masada did do something. -
Downloaded More Than 212,000 Times Since the Ipad's April 3Rd Launch,” the Futon Critic, 14 Apr
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic. -
Open Cho YS Thesis.Pdf
The Pennsylvania State University The Graduate School College of Communications COMPETITION AND PROGRAM TYPE DIVERSITY IN THE OVER-THE-AIR TELEVISION INDUSTRY, 1943-2005 A Thesis in Mass Communications by Young Shin Cho © 2007 Young Shin Cho Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2007 The thesis of Young-Shin Cho was reviewed and approved* by the following: Richard Taylor Palmer Chair of Telecommunications Studies and Law Thesis Advisor Chair of Committee Matt Jackson Associate Professor of Communications Krishna Jayakar Associate Professor of Communications Lynette Kvasny Assistant Professor of Information Sciences and Technology John S. Nichols Professor of Communications Associate Dean for Graduates Studies and Research *Signatures are on file in the Graduate School ABSTRACT Competition and diversity are touchstones in media policy, but the relationship between them is not clear despite a great number of studies because even studies dealing with their relationship, did not measure the intensity of competition. This paper investigates the relationship between market competition and program type diversity in the over-the-air television industry. Specifically, market competition is divided into intra-network competition and intra-media competition, i.e. terrestrial television vs. cable TV. Also this paper uses a comprehensive model of program types, with 281 program type categories, which have never been used in previous studies. The results show that program type diversity keeps decreasing over time and intra-network competition has a negative effect on program type diversity. Also, intra- network competition is a more important factor on program type diversity than inter- media competition.