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Planning the Horticultural Sector Managing Greenhouse Sprawl in the Netherlands
Planning the Horticultural Sector Managing Greenhouse Sprawl in the Netherlands Korthals Altes, W.K., Van Rij, E. (2013) Planning the horticultural sector: Managing greenhouse sprawl in the Netherlands, Land Use Policy, 31, 486-497 Abstract Greenhouses are a typical example of peri-urban land-use, a phenomenon that many planning systems find difficult to address as it mixes agricultural identity with urban appearance. Despite its urban appearance, greenhouse development often manages to evade urban containment policies. But a ban on greenhouse development might well result in under-utilisation of the economic value of the sector and its potential for sustainability. Specific knowledge of the urban and rural character of greenhouses is essential for the implementation of planning strategies. This paper analyses Dutch planning policies for greenhouses. It concludes with a discussion of how insights from greenhouse planning can be applied in other contexts involving peri-urban areas. Keywords: greenhouses; horticulture; land-use planning; the Netherlands; peri-urban land-use 1 Introduction The important role played by the urban-rural dichotomy in planning practice is a complicating factor in planning strategies for peri-urban areas, often conceptualised as border areas (the rural-urban fringe) or as an intermediate zone between city and countryside (the rural-urban transition zone) (Simon, 2008). However, “[t]he rural-urban fringe has a special, and not simply a transitional, land-use pattern that distinguishes it from more distant countryside and more urbanised space.” (Gallent and Shaw, 2007, 621) Planning policies tend to overlook this specific peri-environment, focusing rather on the black-and-white difference between urban and rural while disregarding developments in the shadow of cities (Hornis and Van Eck, 2008). -
The Hague University of Applied Sciences Netherlands Partnership
The Hague University of Applied Sciences Netherlands Partnership Southwestern has formally established an exchange program with The Hague University of Applied Sciences (THUAS). This program allows two Southwestern students to attend The Hague Law School for up to one year of study, with credits earned there counting toward completion of their J.D. degree from Southwestern. In 2014-15, 3 students from The Hague participated, studying at Southwestern for one semester each; no Southwestern student participated in the program. Grading system Each module or subject taught at The Hague is worth a number of ECTS. One ECTS credit represents 28 hours of full-time study. The Dutch grading scale consists of numbers running from 1 to 10, with 1 is the lowest grade, 10 is the highest and 5.5 the lowest passing grade. Accessibility of Facilities for People with Disabilities Over recent years much effort has been made to improve accessibility: access to trams and buses has been improved, ramps are now present on roads. However, in older cities, such as the capital Amsterdam, access for people using a wheelchair is still complicated. Most museums, government buildings and train facilities have been modified. For detailed information on accessibility for individuals with disabilities, please visit http://southholland.angloinfo.com/information/healthcare/people-with- disabilities/ Cancellation Policy Southwestern reserves the right to change or cancel the Semester Exchange Program at The Hague University at any time prior to the application deadlines for the program, or at any time due to a U.S. State Department Travel Warning or Alert. Cancellation of the program will occur only if necessary for reasons beyond Southwestern's control. -
Genealogías Del Arte, O La Historia Del Arte Como Arte Visual
GENEALOGÍAS DEL ARTE, O LA HISTORIA DEL ARTE COMO ARTE VISUAL GENEALOGIES OF ART, OR THE HISTORY OF ART AS VISUAL ART 26.02.2020 - 31.05.2020 Palacio de Buenavista C/ San Agustín, 8. 29015 Málaga Información general / General Information: (34) 902 44 33 77 Centralita / Switchboard: (34) 952 12 76 00 [email protected] www.museopicassomalaga.org /museopicassomalaga @mPICASSOm Vistas in situ de los paneles utilizados por Aby Warburg para ilustrar el ciclo de conferencias /museopicassomalaga Urworte leidenschaftlicher Gëbardensprache [Palabras primigenias del lenguaje gestual patético] pronunciadas en la Kunstwissenschaftliche Bibliothek Warburg de Hamburgo #genealogíasdelarte entre el 29 de enero y el 12 de febrero de 1927. Warburg Institute Archive, Londres. Si la historia del arte tradicionalmente nos habla de un tipo de que incluía obras de artistas tan significativos como Cézanne, Ma- artefactos que han sido hechos para ser mirados, ¿no debería estar tisse, Kandinsky, Brancusi, Mondrian, Juan Gris, Giacometti, Miró muy presente ese rasgo en el modo de historiar los objetos artísti- y Picasso, entre muchos otros. Con todo, Genealogías del arte, o la cos? Para poder leer mejor el mundo, además de utilizar los libros, historia del arte como arte visual está muy lejos de ser una muestra co- ¿por qué no recurrir también a las vinculaciones entre las cosas lectiva o temática. Es, más bien, el resultado de una investigación reales y las imágenes? De ello trata esta exposición —coorganizada en torno a cómo se conciben y elaboran modos de narrar y sobre con la Fundación Juan March— del hasta ahora insólito intento de la forma en que se ha pensado la historia en el sistema del arte explicar visualmente la historia de las artes plásticas exhibiendo usando a la vez palabras e imágenes. -
Dutch Profile
Published 2012 by: Diversicare PO Box 5199 WEST END Q 4101 Ph 07 3846 1099 Dutch Cultural Profile Thanks are given to the following people: Fredda Graham-Boers Mrs Ineke Boer Ria van Zandwijk Ria Brunkhorst ... and to all those people who have provided comment about this cultural profile. Author/Editor: Jennifer Leigh, J.Leigh & Associates Disclaimer This cultural profile is a synthesis of information from a range of sources believed to be reliable. Diversicare gives no guarantee that the said base sources are correct, and accepts no responsibility for any resultant errors contained herein or for decision and actions taken as a result and any damage. Please note there may be costs associated with some of the resources and services listed in this document. This cultural profile received funding assistance from the Queensland Government through the Home and Community Care Program. Dutch Cultural Profile Introduction 3 Background 4 National Symbols 5 Population 8 Language 8 Migration to Australia 9 Australian Statistics 9 Dutch Characteristics 10 Customs in Everyday Life 11 Dress 11 Greetings 12 Names 13 Values 14 Marriage 14 Domestic Situation 14 Family Structure 15 Religion 15 Churches 16 Pensions 17 Leisure & Recreation 18 Sports 18 Arts and Crafts 18 Socialising 19 Social Clubs 19 Literature 19 Songs 20 Dances 21 Television 22 Radio 22 Magazines 22 Newspapers 23 Annual Festivities 24 Food & Diet 25 Meals 25 Meal Protocol 25 Dutch Recipes 26 Food Sources 28 Dutch Attitudes 29 Health 29 Traditional Healing 29 Mental Health and Disability 29 Ageing 29 Death & Dying 30 DutchContacts 31 Bibliography 32 Correction / Addition Form 33 Introduction This profile of the Dutch cultural community is one of the projects undertaken by Diversicare’s Special Projects and Services Development Team, with funding from the Home and Community Care Program. -
Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More Information
Cambridge University Press 978-0-521-83747-7 - Britain and the Dutch Revolt 1560–1700 Hugh Dunthorne Frontmatter More information Britain and the Dutch Revolt 1560–1700 England’s response to the Revolt of the Netherlands (1568–1648) has been studied hitherto mainly in terms of government policy, yet the Dutch struggle with Habsburg Spain affected a much wider commu- nity than just the English political elite. It attracted attention across Britain and drew not just statesmen and diplomats but also soldiers, merchants, religious refugees, journalists, travellers and students into the confl ict. Hugh Dunthorne draws on pamphlet literature to reveal how British contemporaries viewed the progress of their near neigh- bours’ rebellion, and assesses the lasting impact which the Revolt and the rise of the Dutch Republic had on Britain’s domestic history. The book explores affi nities between the Dutch Revolt and the British civil wars of the seventeenth century – the fi rst major challenges to royal authority in modern times – showing how much Britain’s chang- ing commercial, religious and political culture owed to the country’s involvement with events across the North Sea. HUGH DUNTHORNE specializes in the history of the early modern period, the Dutch revolt and the Dutch republic and empire, the his- tory of war, and the Enlightenment. He was formerly Senior Lecturer in History at Swansea University, and his previous publications include The Enlightenment (1991) and The Historical Imagination in Nineteenth-Century Britain and the Low Countries -
Conpacksys Your Partner for Tailored Gas Compression Systems Conpacksys Introduction
ConPackSys Your partner for tailored gas compression systems ConPackSys Introduction We welcome you to ConPackSys and we thank you for taking an interest in our company. With this brochure, we take the opportunity to proudly introduce our accomplishments and capabilities, as well as to give you inside information about our company. PROCESS First of all, the name ConPackSys is a contraction of “Consultants and Contractors for Packaging and Systems integration”. ConPackSys is an ISO9001 and SCC* (SHE management system) certified engi neering, PIPING procurement and contracting company, specialized in tailored gas compression systems. We are located in Dordrecht, The Netherlands, in the centre of the industrial area Rotterdam - Antwerp. ConPackSys serves both the oil & gas - and the process industry, with centrifugal - and reciprocating compression systems. Compression systems: that is what we do best! ELECTRICAL STRUCTURAL INSTALLATION, INSTRUMEN- MECHANICAL COMMISSIONING TATION ConPackSy& START UP s www.conpacksys.com ConPackSys ConPackSy2 ConPackSyss Your partner for tailored gas compression systems 3 Burgemeester De Raadtsingel 61 3311 JG, Dordrecht Mission: closing the gap How to find us PO BOX 1057, 3300 BB Dordrecht, The Netherlands Phone: +31 (0)78 639 11 11 The Manufacturer The Gap The Customer Website: http://www.conpacksys.com From Schiphol International Airport (by car, 85km, about 1 hour drive) International competition, Between the demands of Customers prefer to avoid from Schiphol take A4, direction Rotterdam/The Hague new -
The Mainstream Right, the Far Right, and Coalition Formation in Western Europe by Kimberly Ann Twist a Dissertation Submitted In
The Mainstream Right, the Far Right, and Coalition Formation in Western Europe by Kimberly Ann Twist A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Jonah D. Levy, Chair Professor Jason Wittenberg Professor Jacob Citrin Professor Katerina Linos Spring 2015 The Mainstream Right, the Far Right, and Coalition Formation in Western Europe Copyright 2015 by Kimberly Ann Twist Abstract The Mainstream Right, the Far Right, and Coalition Formation in Western Europe by Kimberly Ann Twist Doctor of Philosophy in Political Science University of California, Berkeley Professor Jonah D. Levy, Chair As long as far-right parties { known chiefly for their vehement opposition to immigration { have competed in contemporary Western Europe, scholars and observers have been concerned about these parties' implications for liberal democracy. Many originally believed that far- right parties would fade away due to a lack of voter support and their isolation by mainstream parties. Since 1994, however, far-right parties have been included in 17 governing coalitions across Western Europe. What explains the switch from exclusion to inclusion in Europe, and what drives mainstream-right parties' decisions to include or exclude the far right from coalitions today? My argument is centered on the cost of far-right exclusion, in terms of both office and policy goals for the mainstream right. I argue, first, that the major mainstream parties of Western Europe initially maintained the exclusion of the far right because it was relatively costless: They could govern and achieve policy goals without the far right. -
Mondrian and De Stijl
Exhibition November 11, 2020 – March 1, 2021 Sabatini Building, Floor 1 Mondrian and De Stijl Piet Mondrian, Lozenge Composition with Eight Lines and Red (Picture no. III), 1938 Fondation Beyeler, Riehen/Basel, Beyeler Collection. © Mondrian/Holtzman, 2020 The work of the Dutch artist Piet Mondrian within the context of the movement De Stijl [The Style] set the course of geometric abstract art from the Netherlands and contributed to the drastic change in visual culture after the First World War. His concept of beauty based on the surface, on the structure and composition of color and lines, shaped a novel and innovative style that aimed at breaking down the frontiers between disciplines and surpassing the traditional limits of pictorial space. De Stijl, the magazine of the same name founded in 1917 by the painter and critic Theo van Doesburg, was the platform for spreading the ideas of this new art and overcoming traditional Dutch provincialism. Contrary to what has often been said, the members of De Stijl did not pursue a utopia but a world where collaboration between all disciplines would make it possible to abolish hierarchies among the arts. These would thus be freed to merge together and give rise to something new, a reality better adapted to the world of modernity that was just starting to be glimpsed. Piet Mondrian (Amersfoort, Netherlands, 1872-New York, 1944) is considered one of the founders of this new art. His progressive ideas about the relationship between art and society grew from the deep- rooted Dutch realist tradition inherited from the seventeenth century. -
The Art Market in the Dutch Golden
The Art Market in the Dutch Art 1600–1700 Dutch Golden Age The first great free market economy for art This painting is occurred in the Dutch Republic of the 1600s. an example of the This republic was the most wealthy and “history painting” urbanized nation at the time. Its wealth was category. based on local industries such as textiles and breweries and the domination of the global trade market by the Dutch East India Company. This economic power translated into a sizeable urban middle class with disposable income to purchase art. As a result of the Protestant Reformation, and the absence of liturgical painting in the Protestant Church, religious patronage was no longer a major source of income for artists. Rather than working on commission, artists sold their paintings on an open market in bookstores, fairs, and through dealers. (c o n t i n u e d o n b a c k ) Jan Steen (Dutch, 1626–1679). Esther, Ahasuerus, and Haman, about 1668. Oil on canvas; 38 x 47 1/16 in. John L. Severance Fund 1964.153 Dutch Art 1600–1700 Still-life paintings like this one were often less expen- sive than history paintings. (c o n t i n u e d f r o m f r o n t ) This open market led to the rise in five major categories of painting: history painting, portraiture, scenes of everyday life, landscapes, and still-life paintings. The most prized, most expensive, and often largest in scale were history or narrative paintings, often with biblical or allegorical themes. -
Our Mills 2019/2020
Our Mills 2019/2020 The Pride of Rijnland Hillegom 35 33 Nieuw-Vennep Noordwijkerhout Lisse N207 49 Rijnlandse Mills N208 AALSMEER AALSMEER LEIDEN NOORDZEE N206 NOORDWIJK 1 Stommeermolen 9 28 Stevenshofjesmolen 40 AAN ZEE Schiphol-Rijk Noordwijk-Binnen Oostende ALPHEN AAN DEN RIJN LEIDERDORP Abbenes Westeinde- 34 plassen 2 Geremolen 10 29 Achthovensemolen 41 A44 (Blauwe Wip) 30 Doeshofmolen 4 2 36 N231 Sassenheim A4 Leimuiden 3 Groenendijksemolen 11 31 Meerburgermolen 4 3 Voorhout N196 1 N201 Buitenkaag 4 Hondsdijksemolen 12 32 Munnikkenmolen 44 40 11 15 AALSMEER 5 Lagenwaardsemolen 13 Kaag 18 22 Oude Wetering 6 Rietveldsemolen 14 LISSE 39 42 13 7 Steektermolen 16 33 Lageveensemolen 46 Westeinder- N231 8 Vrouwgeestmolen 17 34 Lisserpoelmolen 4 7 43 plassen Katwijk Zweiland 20 Roelofarendsveen aan Zee N207 A44 44 27 21 N206 45 Warmond 46 BODEGRAVEN-REEUWIJK NOORDWIJK Katwijk Rijnsaterwoude 9 Oucoopsemolen 1 8 35 Hogeveensemolen 48 Het Joppe Rijpwetering Langeraar aan den Rijn Oude Braassemermeer Rijnsburg 26 Ade BODEGRAVEN-REEUWIJK 10 Weijpoortsemolen 1 9 36 Hoogewegsemolen 49 Oegstgeest 38 37 41 A4 Rijn KAAG EN BRAASSEM TEYLINGEN Rijn 23 24 Poelgeest 12 10 11 Adermolen 2 0 37 Boterhuismolen 50 17 Nieuwerbrug 12 Blauwemolen 21 38 Broekdijkmolen 5 1 Wijde Aa 13 Buurtermolen 22 39 De Hoop doet Leven 52 Hoogmade 25 Woubrugge 14 Doesmolen 2 4 40 Faljerilmolen 54 16 14 15 Googermolen 25 41 Klaashennepoelmolen 55 Valkenburgse 19 A12 Meer LEIDEN 16 Grosmolen 26 (’t Poeltje) 5 Waarder 32 30 17 Hoogmadesemolen 27 42 Kokmolen 56 31 29 8 18 28 N206 -
Parlementaire Geschiedenis 2007
Jaarboek Parlementaire Geschiedenis 2007 De moeizame worsteling met de Jaarboek Parlementaire Geschiedenis 2007 De moeizame worsteling met de nationale identiteit Jaarboek Parlementaire Geschiedenis De moeizame worsteling met de nationale identiteit Redactie: C.C. van Baaien A.S. Bos W. Breedveld M.H.C.H. Leenders J.J.M. Ramakers W.P. Secker Centrum voor Parlementaire Geschiedenis, Nijmegen Boom - Amsterdam Foto omslag: a n p - Robert Vos Omslag en binnenwerk: Wim Zaat, Moerkapelle Druk en afwerking: Drukkerij Wilco, Amersfoort © 2007 Centrum voor Parlementaire Geschiedenis, Nijmegen Behoudens de in of krachtens de Auteurswet van 1912 gestelde uitzonderingen mag niets uit deze uitgave worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, hetzij elektronisch, mechanisch door fotokopieën, opnamen of enig andere manier, zonder voorafgaande schriftelijke toestemming van de uitgever. No part ofthis book may be reproduced in any way whatsoever without the written permission of the publisher. isb n 978 90 8506 506 7 NUR 680 wvw.uitgeverijboom.nl Inhoud Ten geleide 7 Artikelen Dick Pels, De Hollandse tuin: of hoe de Nederlandse Leeuw worstelt met zijn iden 13 titeit Remieg Aerts, Op gepaste afstand. De plaats van het parlement in de natievorming 25 van de negentiende eeuw Charlotte Brand en Nicoline van der Sijs, Geen taal, geen natie. Parlementaire 43 debatten over de relatie tussen de Nederlandse taal en de nationale identiteit Marij Leenders, Loyaliteit en Nederlanderschap. Staatsburgerschapswetgeving 57 tussen 1850 en 1985 Anita Böcker en Guno Jones, De heruitvinding van een competente natie. 69 Parlementariërs over overzeese en nieuwe Nederlanders (1949-2006) Alfred Pijpers, Nationale roerselen in de Nederlandse Europapolitiek «5 Bram Peters, Herdenken en vieren. -
The Example of the Dutch Republic for American Federalism
The Example of the Dutch Republic for American Federalism J.W.SCHULTENORDHOLT We may derive from Holland lessons very beneficial to ourselves. John Marshall in the Convention of Virginia 1788. I History is philosophy teaching by examples. That famous saying expresses the eighteenth-century approach to the past better than long explanations. The philosophers and political scientists of the Enlightenment were eager to find examples to justify their actual deeds and opinions. Perhaps the deepest reason for this quest for an imitable past is to be found in their belief in the unity of Western civilization. There was a great chain of being, not only in space, as has been so magnificently described by Arthur Lovejoy, but also in time. The presupposition of such a belief in the cohesive patterns of the past was the conception that there had been, through the ages, a certain uniformity in human behaviour. Man had never changed, that is why history could be used as a model. As David Hume put it: Mankind are so much the same, in all times and places, that history informs us of no thing new or strange in this particular. Its chief use is only to discover the constant and universal principles of human nature. The task of the historian was not in the first place to understand the past for its own sake, but, as Carl Becker remarks, to choose between good and evil, 'be- tween the customs that were suited and those that were unsuited to man's nature'.1That is exactly what men like James Madison and his friends were to do during that long summer of 1787 when they drafted the Constitution.