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Illusionists: Illusionists Are a Special Class of Magic Light
WARLOCK Rules for the Universe of 1999-2000 Credits Original Rules Robert Cowan; Basic Combat System Dave Clark; Basic Magic System Kenneth M. Dahl; Basic Clerical System Mike Lowry and Pat Shea; Thievish Rules Nick Smith; Other Systems and Rules Previous Version Bart Hibbs Current Version Mike Riley; Editor who actually do things in the world of your referee, but the Introduction players control them. We suggest you have only a small Several years ago, the first copies of a new game called number of player characters per player. In our games we Dungeons and Dragons appeared on the market. Fantasy allow any player to involve any 2 of his characters in any fans and gamers in general were enthralled at the one adventure or expedition. Whether these player possibilities. Most of them became hooked on the game, due characters are Fighters or Elves, Clerics or Dwarves, to its unusual and imaginative nature. You could actually do remember that in their own world, they are people, and treat unusual things: slay dragons, rescue the downtrodden, and them accordingly. just grab loot. Characteristics: There are eight things that are When our group first started playing the game, our determined for each character at his or her creation: overall reaction was that it had great ideas, "but“but maybe Strength, Intelligence, Wisdom, Constitution, Dexterity, we should change the combat system, clarify the Magic, and Agility, Charisma, and Size. These are called redo the monsters".monsters”. Warlock is not intended to ‘characteristics’. See the rules on ‘Creating Player replace D&D, and, indeed would not exist without that Characters’ for more. -
Rules and Options
Rules and Options The author has attempted to draw as much as possible from the guidelines provided in the 5th edition Players Handbooks and Dungeon Master's Guide. Statistics for weapons listed in the Dungeon Master's Guide were used to develop the damage scales used in this book. Interestingly, these scales correspond fairly well with the values listed in the d20 Modern books. Game masters should feel free to modify any of the statistics or optional rules in this book as necessary. It is important to remember that Dungeons and Dragons abstracts combat to a degree, and does so more than many other game systems, in the name of playability. For this reason, the subtle differences that exist between many firearms will often drop below what might be called a "horizon of granularity." In D&D, for example, two pistols that real world shooters could spend hours discussing, debating how a few extra ounces of weight or different barrel lengths might affect accuracy, or how different kinds of ammunition (soft-nosed, armor-piercing, etc.) might affect damage, may be, in game terms, almost identical. This is neither good nor bad; it is just the way Dungeons and Dragons handles such things. Who can use firearms? Firearms are assumed to be martial ranged weapons. Characters from worlds where firearms are common and who can use martial ranged weapons will be proficient in them. Anyone else will have to train to gain proficiency— the specifics are left to individual game masters. Optionally, the game master may also allow characters with individual weapon proficiencies to trade one proficiency for an equivalent one at the time of character creation (e.g., monks can trade shortswords for one specific martial melee weapon like a war scythe, rogues can trade hand crossbows for one kind of firearm like a Glock 17 pistol, etc.). -
THERE IS SOMETHING YOU CAN DO Northern Japan Earthquake Relief Fund Relief • Recovery • Rebuild
THERE IS SOMETHING YOU CAN DO Northern Japan Earthquake Relief Fund Relief • Recovery • Rebuild On March 11, 2011, the JCCCNC established the Northern Japan This grassroots relief effort is an action Earthquake Relief Fund to aid the victims and survivors of the campaign. Schools have hosted bake sales Great Eastern Japan Earthquake and Tsunami. Our relief fund is a and car washes, children have sold their community-based, volunteer, citizen-to-citizen effort to help turn toys, parents have hosted birthday parties hopelessness into hope. for their children asking guests to donate to the relief fund instead of buying presents. Many The Northern Japan Earthquake Relief Fund has become the largest of the contributions have come from ordinary people wanting to Japanese American community-based relief fund in the United States get involved and make a difference. Our hope is that one by one with close to 8,000 donors contributing close to $2,229,865.00 to we can all make a difference, helping us all to realize that we are date. Ordinary citizens, non-profit organizations, schools, businesses truly citizens of the world. and professional organizations are coordinating over 80 fundraising events and over 400 volunteers have supported various events and One dollar, one act of humanity at a time, we are making come to our office on a daily basis to help administer the fund. a difference in the lives of so many. MESSAGE FRO M THE EXECUTIVE DIRECTOR JAPAN RELIEF Discovering the True Meaning of a JCCCNC’s Northern Japan Earthquake Relief Events Community Center in the Midst of Tragedy San Francisco Giants On Friday, March 11, we were set to go out with our spring newsletter, with the cover On March 16, the San Francisco Giants announced their commitment th to support the people of Japan as they recover and rebuild by making story “Opening its Doors,” featuring this year’s 25 Anniversary of the JCCCNC. -
So-Jutsu Ou L'art De La Lance
SO-JUTSU OU L'ART DE LA LANCE a lance japonaise est aussi vieille que le Japon lui-même. La légende nous rapporte qu'Izanagi, dieu mâle, lança du haut du ciel sa lance dans la mer, créant ainsi le Japon. Cette lance par- ticulière (Tama-Boko) servit de pilier central dans la maison des dieux. La lance est à l'image du sabre un sym- bole du pouvoir dans la religion snin- to. Probablement d'origine chinoise, la plus ancienne retrouvée sur le terri- toire nippon appartient à la catégorie des hoko dont la plupart des lames étaient embouties sur une perche. Avec l'apparition des guerres à pied durant l'époque sengoku (1330- 1393), on vit apparaître de nombreu- ses écoles d'arts martiaux spécialisées dans le maniement de la lance (yari Ryu, Kenko Ryu, Shimou Ryu. tel: jutsu). A l'époque edo, durant les années - Somashiro Yoshimoto Jion du Durant l'époque Muromachi Genwa (1615-1624) _on vit naître les Nem-Ryû ; (1390-1570) et pendant les années écoles Hikita, Shô O Shinden Muso - Lizara Choisai Yamashiro- Ten Bun (1532-1555) apparaissent le et Betsuden. Durant les années No-Kami lyenao du Tenshin-Seidan- Shizo Ryu, le San Mi Icni Jo Ryu, le Kwan-Heï (1624-1644) ce furent Ta- Ryu ; Hachi Jo Ryu. Pendant les années Ei- neda Ryu, 0 Shima Ryu, Kachi Hara - Aisu Ikyo du In-Ryu ; roku (1558-1570) naît la fameuse Ryu, Kyô Sô Ryu, Muhen Ryu et - Chûjô Hyôgô-No-Suke Naga- école de la « queue du tigre » : Kobi Hozoin Ryu qui eurent une redouta- hide ; Ryu. -
Oriental Adventures James Wyatt
620_T12015 OrientalAdvCh1b.qxd 8/9/01 10:44 AM Page 2 ® ORIENTAL ADVENTURES JAMES WYATT EDITORS: GWENDOLYN F. M. KESTREL PLAYTESTERS: BILL E. ANDERSON, FRANK ARMENANTE, RICHARD BAKER, EIRIK BULL-HANSEN, ERIC CAGLE, BRAIN MICHELE CARTER CAMPBELL, JASON CARL, MICHELE CARTER, MAC CHAMBERS, TOM KRISTENSEN JENNIFER CLARKE WILKES, MONTE COOK , DANIEL COOPER, BRUCE R. CORDELL, LILY A. DOUGLAS, CHRISTIAN DUUS, TROY ADDITIONAL EDITING: DUANE MAXWELL D. ELLIS, ROBERT N. EMERSON, ANDREW FINCH , LEWIS A. FLEAK, HELGE FURUSETH, ROB HEINSOO, CORY J. HERNDON, MANAGING EDITOR: KIM MOHAN WILLIAM H. HEZELTINE, ROBERT HOBART, STEVE HORVATH, OLAV B. HOVET, TYLER T. HURST, RHONDA L. HUTCHESON, CREATIVE DIRECTOR: RICHARD BAKER JEFFREY IBACH, BRIAN JENKINS, GWENDOLYN F.M. KESTREL, TOM KRISTENSEN, CATIE A. MARTOLIN, DUANE MAXWELL, ART DIRECTOR: DAWN MURIN ANGEL LEIGH MCCOY, DANEEN MCDERMOTT, BRANDON H. MCKEE, ROBERT MOORE, DAVID NOONAN, SHERRY L. O’NEAL- GRAPHIC DESIGNER: CYNTHIA FLIEGE HANCOCK, TAMMY R. OVERSTREET, JOHN D. RATELIFF, RICH REDMAN, THOMAS REFSDAL, THOMAS M. REID, SEAN K COVER ARTIST: RAVEN MIMURA REYNOLDS, TIM RHOADES, MIKE SELINKER, JAMES B. SHARKEY, JR., STAN!, ED STARK, CHRISTIAN STENERUD, OWEN K.C. INTERIOR ARTISTS: MATT CAVOTTA STEPHENS, SCOTT B. THOMAS, CHERYL A. VANMATER-MINER, LARRY DIXON PHILIPS R. VANMATER-MINER, ALLEN WILKINS, PENNY WILLIAMS, SKIP WILLIAMS CRIS DORNAUS PRONUNCIATION HELP: DAVID MARTIN RON FOSTER, MOE MURAYAMA, CHRIS PASCUAL, STAN! RAVEN MIMURA ADDITIONAL THANKS: WAYNE REYNOLDS ED BOLME, ANDY HECKT, LUKE PETERSCHMIDT, REE SOESBEE, PAUL TIMM DARRELL RICHE RICHARD SARDINHA Dedication: To the people who have taught me about the cultures of Asia—Knight Biggerstaff, Paula Richman, and my father, RIAN NODDY B S David K. -
Latest Japanese Sword Catalogue
! Antique Japanese Swords For Sale As of December 23, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Upcoming Sword Shows & Sales Events Full details: http://new.uniquejapan.com/events/ 2013 YOKOSUKA NEX SPRING BAZAAR April 13th & 14th, 2013 kitchen knives for sale YOKOTA YOSC SPRING BAZAAR April 20th & 21st, 2013 Japanese swords & kitchen knives for sale OKINAWA SWORD SHOW V April 27th & 28th, 2013 THE MAJOR SWORD SHOW IN OKINAWA KAMAKURA “GOLDEN WEEKEND” SWORD SHOW VII May 4th & 5th, 2013 THE MAJOR SWORD SHOW IN KAMAKURA NEW EVENTS ARE BEING ADDED FREQUENTLY. PLEASE CHECK OUR EVENTS PAGE FOR UPDATES. WE LOOK FORWARD TO SERVING YOU. Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000 -
Kunsthandel Klefisch
& KUNSTHANDEL KLEFISCH ASIATISCHE KUNST 9.6.2016 亚洲古董珍玩 2016年6月9日 Auktionstermine Frühjahr 2016 Schmuck und Uhren 12. Mai 2016 ASIATISCHE KUNST Alte Kunst 13. Mai 2016 Europäisches Kunstgewerbe 14. Mai 2016 Inkl. Sammlung Ingrid Loosen-Grillo & Sammlung Gaston Choron ASIAN ART Vorbesichtigung: 6.–10. Mai 2016 Moderne Kunst 2. Juni 2016 Zeitgenössische Kunst 2. Juni 2016 375. AUKTION Discoveries 1. Juni 2016 Sonderkatalog Joseph Beuys 1. Juni 2016 Vorbesichtigung: 27. – 30. Mai 2016 9.6.2016 Asiatische Kunst 9. Juni 2016 Vorbesichtigung: 4. – 8. Juni 2016 Achenbach Art Auction – Part IV 18. Juni 2016 Vorbesichtigung: 11. – 16. Juni 2016 VORBESICHTIGUNG Auktionstermine Herbst 2016 PREVIEW Schmuck und Uhren 17. November 2016 4.– 8.6.2016 Alte Kunst 18. November 2016 Europäisches Kunstgewerbe 19. November 2016 Vorbesichtigung: 11. – 15. November 2016 Moderne Kunst 30. November + 1. Dezember 2016 Zeitgenössische Kunst 30. November + 1. Dezember 2016 Discoveries 30. November + 1. Dezember 2016 亚洲古董珍玩 Vorbesichtigung: 25.– 28. November 2016 Asiatische Kunst 8. Dezember 2016 第375屆拍卖会 Teppiche + Tapisserien 9. Dezember 2016 Vorbesichtigung: 3.–6. Dezember 2016 2016年6月9日 預展時間 2016年6月4日–8日 Einlieferungen von Sammlungen, Nachlässen und Einzel stücken sind bis zwei Monate vor den Auktionen möglich. Unsere Experten informieren Sie gerne über die aktuelle Marktsituation und geben Ihnen kostenlose Einschätzungen für Ihre Kunstwerke. Wir freuen uns auf Ihren Anruf, Ihre EMail bzw. Ihre Post. Abbildung Titel: Nr. 2112 THANGKA DES BUDDHA AMITAYUS UND 108 BUDDHAS Abbildung Rückseite: Nr. 2514 INRÔ. TSUBA MIT SCHWALBEN. Unsere Experten Unser Service Auktionen im Internet Termine Our Specialists Our Service Sales on the Internet Dates Christoph Bouillon Auktionatoren Katalogbestellungen Online bieten Vorbesichtigung Auktion Katalogredaktion Markus Eisenbeis, öffentl. -
GURPS Low-Tech Companion 2: Weapons and Warriors Is Copyright © 2010 by Steve Jackson Games Incorporated
Written by PETER V. DELL’ORTO, DAN HOWARD, and WILLIAM H. STODDARD Edited by SEAN PUNCH Illustrated by ROD REIS An e23 Sourcebook for GURP S® STEVE JACKSON GAMES ® Stock #37-1662 Version 1.0 – December 2010 CONTENTS I NTRODUCTION . 3 The Modern Army . 11 Stakes/Pickets . 26 About the Authors . 3 Naval Warfare . 11 Trench . 26 About GURPS . 3 Roman Field Camp . 26 2. WEAPONS CITY DEFENSES . 27 1. HISTORICAL EVOLUTION AND ARMOR . 12 Ditch and Rampart (TL0) . 27 OF COMBAT GEAR . 4 WEAPON DESIGN . 12 Dry Stone (TL0) . 27 HUNTERS AND GATHERERS . 4 Realistic Weapons . 12 Hard Earth (TL0) . 27 Axes (TL0) . 4 Armor-Piercing Weapons . 12 Hedge (TL0) . 27 Spears (TL0) . 4 Training Weapons . 13 Wooden Palisade (TL0) . 27 Throwing Sticks (TL0) . 4 Combination Weapons . 15 Brick (TL1) . 27 Bolas (TL0) . 4 Determining Weapon ST . 15 Cribwork (TL1) . 28 THE FIRST CIVILIZATIONS . 5 Cinematic Weapons . 16 Mortared Stone (TL1) . 28 Early Warfare . 5 Cool Ethnic Weapons Piled Turf (TL1) . 28 Clubs and Maces (TL0) . 5 and Armor . 16 Concrete (TL2) . 28 Microlithic Edges (TL0) . 5 Throwing the Unthrowable . 17 Embossing (TL2) . 28 Slings (TL0) . 5 Spiky Bits . 18 FORTRESSES . 28 Blades (TL0) . 5 SHIELD OPTIONS . 18 Causewayed Enclosure (TL0) . 28 Circumvallation . 5 Fighting With Shields . 18 Hill Fort (TL1) . 28 Massed Combat . 6 Shield Damage . 19 Terramara (TL1) . 28 The Bow . 6 Customizing Shields . 19 Motte and Bailey (TL2) . 29 The Rise of the Chariot (TL1) . 6 SCALING WEAPONS Castles (TL2) . 29 THE ANCIENT WORLD . 7 AND ARMOR . 20 Guards and Watchers . 29 The Iron Age (TL2) . -
Those Days in Muramatsu
Those Days in Muramatsu Diary by Mrs. Yumi Goto Publications of the Center for East Asian Studies University of Kansas Electronic Series, Number 2 Center for East Asian Studies Map of Japan 2 Map of Muramatsu 3 Introduction Grant K. Goodman "It's disconcerting that people who behaved so badly in war can behave so admirably in defeat."1 Neither any historical document nor any scholarly account has been able to recapture the mood of Japanese-American grassroots interaction in 1945 in the way that Mrs. Yumi Goto does in Those Days in Muramatsu. As one who was there in Japan as a member of the American forces in 1945-1946 and as a trained historian of Japan, I feel especially qualified to evaluate the remarkable evocation of an era which Mrs. Goto recounts. Certainly memories dim and memory plays tricks on all of us, but, since Mrs. Goto recorded her experiences contemporaneously, one feels the profound veracity of her writing. Moreover, the most unusual phenomenon of a Japanese woman purposefully recording her impressions in English so that some day they might be read by Americans reinforces her credibility. I am particularly pleased to attest to my great personal delight as well as my intense response when Mrs. Goto's work first came to my attention. Indeed, it was her son, Kenichi, the distinguished scholar of modern Indonesia and my colleague and friend of many years, who was kind enough to share his mother's manuscript with me. In fact, he himself had not known of the existence of Those Days in Muramatsu until about ten years ago at the time of Mrs. -
An Ethnographic Study of Tattooing in Downtown Tokyo
一橋大学審査学位論文 Doctoral Dissertation NEEDLING BETWEEN SOCIAL SKIN AND LIVED EXPERIENCE: AN ETHNOGRAPHIC STUDY OF TATTOOING IN DOWNTOWN TOKYO McLAREN, Hayley Graduate School of Social Sciences Hitotsubashi University SD091024 社会的皮膚と生きられた経験の間に針を刺す - 東京の下町における彫り物の民族誌的研究- ヘィリー・マクラーレン 一橋大学審査学位論文 博士論文 一橋大学大学院社会学研究科博士後期課程 i CONTENTS CONTENTS ................................................................................................................................... I ACKNOWLEDGEMENTS ........................................................................................................ III NOTES ........................................................................................................................................ IV Notes on Language .......................................................................................................... iv Notes on Names .............................................................................................................. iv Notes on Textuality ......................................................................................................... iv Notes on Terminology ..................................................................................................... iv LIST OF FIGURES ..................................................................................................................... VI LIST OF WORDS .................................................................................................................... VIII INTRODUCTION ........................................................................................................................ -
I May Not Use the Japanese Terms for Everything in This Document, Or Spell Them the Way You Think They May Be Spelled
Please note: I may not use the Japanese terms for everything in this document, or spell them the way you think they may be spelled. Deal. Different sources happen. Sources will appear at the end of this document. Oh, and I hereby give permission for AEG and any forum moderators acting as representatives thereof to post this (unmodified and in its entirety, except as directed by me) as a reference document anywhere they need to do so, if they feel so inclined. SECTION ONE: INTRODUCTION AND ARMOR Armor exists in a constant state of flux, always attempting to protect the wearer against an ever-more lethal variety of battlefield threats. There are many reasons NOT to wear armor. It’s expensive. It’s high-maintenance. It is hot and smelly (sometimes to the point of causing heatstroke). It restricts your mobility. It dulls your senses and slows your reflexes. It’s never perfect, 100% protection. Therefore, it is reasonable to assume that if armor did not perform some valid battlefield function, people would not have worn it. People aren’t stupid. We may be more educated today, but people have a long history of seeing a problem, and then devoting all of their time and technological progress to that point in history finding a way to SOLVE that problem. Again, it stands to reason that, especially in a culture like that of Japan, where weaponry and armor simply did not evolve after reaching a certain level of technological development, there must be a rough balance between weaponry and protection. If armor was useless against battlefield weaponry, it would not have been worn. -
Displaying Authority: Guns, Political Legitimacy, and Martial Pageantry in Tokugawa Japan, 1600-1868
DISPLAYING AUTHORITY: GUNS, POLITICAL LEGITIMACY, AND MARTIAL PAGEANTRY IN TOKUGAWA JAPAN, 1600-1868. Daniele Lauro A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History Chapel Hill 2012 Approved by: Dr. Morgan Pitelka Dr. William M. Fletcher Dr. Wayne Lee © 2012 Daniele Lauro ALL RIGHTS RESERVED ii ABSTRACT DANIELE LAURO: Displaying authority: guns, political legitimacy, and martial pageantry in Tokugawa Japan, 1600-1868. (Under the direction of Morgan Pitelka) From the end of the sixteenth century on, firearms in Japan are increasingly found in contexts other than the battlefield. A perusal of the Records of the Tokugawa Family (Tokugawa Jikki) - the military clan that ruled Japan from 1603 to 1868 - reveals, for instance, that guns were often involved in ritual practices performed by the warrior elite, such as weddings, funerals, hunting parades, and celebrations of the New Year. Moreover, it was common for both the shogun and the domainal lords (daimyô) to display firearms and other weapons during public audiences and military parades. By considering different ritual practices that involved the display of military power such as daimyo processions to Edo, shogunal pilgrimages to Nikko, military reviews, large-scale hunts and other pageants, this paper argues that during the Tokugawa period guns were often used by the warrior elite as tools to shore up authority, legitimize the political order, and reinforce ideals of warrior identity. iii TABLE OF CONTENTS Introduction……………………………………………………………………………..1 Chapter I. Local authority on the move: daimyo processions (daimyô gyôretsu) and the system of alternate attendance (sankin kôtai)……………………………….11 II.