And the Author(S), Under Exclusive Licence to Springer Nature

Total Page:16

File Type:pdf, Size:1020Kb

And the Author(S), Under Exclusive Licence to Springer Nature INDEX A B Abbey Theatre, 205 Bakhtin, Mikhail, 37 Ackroyd, Peter, 2, 4, 11 Baldwin, James Adorno, Theodor W., 80 Blues for Mr. Charlie, 60, 71 Aeschylus Cross of Redemption, The, 45 Persians, The, 232 Devil Finds Work, The, 73 AIDS crisis, 2 Fire Next Time, The, 46, 110 Albany Empire Theatre, 187 Notes of a Native Son, 95 Albee, Edward, 47, 69, 237 Remember This House, 6 Aldwych Theatre, 71, 222 Bamber, David, 160 Ali, Tariq, 172 Barbados, 66 Allam, Roger, 59 Barker, Howard Almeida Theatre, 236 Arguments for a Theatre, 142, 196 Amoko, Apollo, 3, 70, 182 Brutopia, 196, 197 Anderson, Lindsay, 33 Castle, The, 48, 124, 138, 139, 141, Anderson, Sarah Pia, 193 142, 155, 157, 195, 198, 199, Arthur, King, 11, 89, 90, 95, 186 231 Arts Council, 8, 9, 26–28, 34, 36, 37, Crimes in Hot Countries, 138 39, 122, 154 Downchild, 138, 142 Aston, Elaine, 57, 58, 62, 160, 187 Gertrude, 198 Atlantic Theater Company, 48, 68 Poor Man’s Friend, The, 153 Austen, Jane, 44 Power of the Dog, The, 137, 138, 142 © The Editor(s) (if applicable) and The Author(s), under exclusive licence 241 to Springer Nature Switzerland AG 2018 A. P. Pennino, Staging the Past in the Age of Thatcher, Palgrave Studies in Theatre and Performance History, https://doi.org/10.1007/978-3-319-96686-1 242 INDEX Seven Lears, 196–199 Bond, Edward Theatre of Catastrophe, 139, 156, Bingo, 31, 33, 97, 98 196 Fool, The, 97 Victory, 110, 114, 136, 138, 139, Lear, 97, 141 142, 155, 156, 199, 222, 231 Restoration, 35, 47, 96, 101, 122, Women Beware Women, 154–159, 144, 166, 172, 180, 207 167, 196, 197, 231 Saved, 33, 100 Barry, Elizabeth, 221 Sea, The, 97 BBC, 28, 207, 208, 217 War Plays, 122 Beale, Simon Russell, 193 Boyle, Danny, 110, 143 Beckett, Samuel Braddock, Jeremy, 41 Waiting for Godot, 156 Collecting as Modernist Practice, 40 Benjamin, Walter Brantley, Ben, 237 angel of history, 5, 109 Brecht, Bertolt Arcades Project, The, 177 Berliner Ensemble, The, 31, 35 “Edward Fuchs”, 11, 40, 93 epic theatre, 6, 31, 62, 64 “Theses on the Philosophy of gesture, 177 History”, 5, 11 Good Woman of Sezuan, The, 93 Bennett, Alan Life of Galileo, The, 213 Englishman Abroad, An, 217 Weigel, Helene, 35 History Boys, The, 207 Brenton, Howard Madness of George III, The, 205, Bloody Poetry, 132, 136, 210 206, 231 Brassneck, 33. See also Hare, David Madness of King George, The, Churchill Play, The, 88, 136, 172 207–209 Genius, The, 132 Bennett, Tony, 11, 38, 39, 41 Greenland, 135, 177 museums, 10, 11 Iranian Nights, 172. See also Ali, Berkoff, Steven, 15, 42, 43 Tariq Sink the Belgrano, 7, 15 Romans in Britain, 11, 87, 88, 90, Billington, Michael, 26, 27, 30, 40, 91, 96, 98, 132, 135, 141, 186 42, 72, 77, 122, 190, 205, 207 Short Sharp Shock…For the State of the Nation, 9 Government, A, 96, 132. See Birmingham Repertory Theatre also Howard, Tony Company, 72 Sore Throats, 135 Black Theatre Co-operative, 122 Thirteenth Night, 132 Blair, Tony, 24, 37, 121, 203, Brewery Arts Centre, 82 233–236 Brexit, 12, 207, 208, 238 Bogdanov, Michael, 7, 88, 123, 136 Bristol Old Vic, 73 English Shakespeare Company, 123 Brixton Uprising, 54 Henrys, The, 123 Broadway, 36, 41, 60, 72, 164 Bolt, Robert Brome, Richard Man for All Seasons, A, 196, 197 Jovial Crew, A, 221 INDEX 243 Brook, Peter Jones, Ernest, 215 Empty Space, The, 32 Chavkin, Rachel, 66 Brown, Gordon, 121, 234 Chekhov, Anton Büchner, Georg, 132 Seagull, The, 35 Burgess, Guy, 217 Cherry Lane Theater, 1 Burge, Stuart, 3 Chichester Theatre Festival, 73 Bush, George H.W., 43 Churchill, Caryl Bush, George W., 234 Cloud Nine, 2, 3, 48, 55–57, 62, Bush, The, 43 64, 66, 67, 69–71, 83, 140, Butler, Judith, 3, 67 213, 223 Butterworth, Jez Drunk Enough to Say I Love You?, Ferryman, The, 12, 238 234 Byron, Lord, 132–134, 210, 213, 215 Far Away, 3, 235 Light Shining in Buckinghamshire, 55 C Mad Forest, 1, 172 Caesar, Julius, 88, 90–93, 98, 115, Number, A, 3, 70, 235 141, 182 Serious Money, 3, 36, 124, 164, 165, Callaghan, James, 3, 15, 21, 22, 171. 173 See also Labour Party Softcops, 9, 109 Callow, Simon, 44 Three More Sleepless Nights, 106 Cambridge University Top Girls, 3, 48, 106, 107 Lucasian Chair of Mathematics, 213 Vinegar Tom, 55–58, 61, 62, 71, Carib Theatre Productions, 122 102, 126, 147, 160 Cartwright, Jim Churchill, Winston, 88, 136, 137 Road, The, 40, 122 City, The, 17, 47, 164 Cave, Richard Allen, 44, 68, 77, 94, Coates, Ta-Nehisi, 236 97, 100, 102, 107, 115, 126, Coe, Peter 127, 132, 135, 138, 146, 215 Great Expectations, 73 New British Drama in Performance Jane Eyre, 73 on the London Stage 1970–1985, Cold War, The, 97, 98, 139, 141 10 Colway Theatre, 153 Central School of Speech and Drama, Comédie Française, The, 31 172 Comedy of Manners, 100–102, Chakrabarti, Lolita 104–106 Red Velvet, 238 Committee of 100, 33 Chamberlain, Joseph, 224 Conqueror Worm, The, 57 Chambers, Colin, 35, 36, 72, 122 Conrad, Joseph Channel 4, 43, 123, 189 Heart of Darkness, 226 Charles I, King, 110 Conservative (Tory) Party, 21, 23, 24, Charles II, King, 111, 114 26, 121 Chartists, The, 136 Corman, Billy, 167 244 INDEX Covington, Julie, 69 Destiny, 124, 126, 149 Crass, 133 Mary Barnes, 55 Cromwell, Oliver, 61, 64, 110 Maydays, 124, 126, 149, 219, 225 Cross, Beverley Nicholas Nickleby (play), 10, 30, 71, Haworth—A Portrait of the Brontës, 72, 80, 81, 83, 124, 126, 149, 72 151 Crusades, The, 141 Pentecost, 172 Curtis, Simon, 185 Edinburgh Fringe, 123 Cutler, Sir Horace, 89 Elizabeth I, Queen, 173, 185 Elizabeth II, Queen, 38 Engels, Frederick, 193, 194 D 7:84 England Daniels, Ron, 124 Trees in the Wind, 39 Daniels, Sarah English Civil War Byrthrite, 160, 163, 167, 187 Levellers, 64 Gut Girls, The, 187, 193, 194 Putney Debates, 61, 64, 111 Darlington College of the Arts, 55 Ranters, 113 Davis, Jack Enlightenment, The, 38, 181, 182 No Sugar, 182 Etherege, George Debord, Guy, 192 Man of Mode, The, 221 Decolonization European Union, 203, 234 Zimbabwe (Rhodesia), 17 Eyre, Richard, 15, 204, 206, 209, 235 Dench, Judi, 153 Devine, George, 31 Dewar, Donald, 192 F Dickens, Charles Falklands War, 15, 16 Hard Times, 82 Farage, Nigel, 238 Nicholas Nickleby (novel), 10, Farquhar, George, 181 71–73, 82, 126 Recruiting Offcer, The, 177, 178, Old Curiosity Shop, The, 80 182 Dickens, Ellie Fenton, James, 89, 94 My Dearest Kate, 123 Field Day, 83, 185, 193 Dorchester, 43, 150, 153, 154 First Iraqi War, 203 Cholera Epidemic, 149 Foco Novo Theatre Company, 132 Drury Lane, 178 Forster, E.M., 44, 225 Dury, Ian, 164 Passage to India, A, 224 Foucault, Michel, 20, 38, 109 Discipline and Punish, 9 E Frechette, Peter, 182 Eagleton, Terry, 37, 81 Friedman, Michael Eden, Anthony, 218 Bloody Bloody Andrew Jackson, 237 Edgar, David Friel, Brian INDEX 245 Dancing at Lughnasa, 205 Raisin in the Sun, A, 46 Making History, 185, 187 Hardy, Thomas, 153 Translations, 83, 85, 86, 94, 185, Hare, David 187, 195, 238 Absence of War, 236 Fringe Theatre, 7, 8 Brassneck, 33. See also Brenton, Howard Judas Kiss, 236 G Murmuring Judges, 235 Gale, Peter Plenty, 33 Hopkins!, 123 Racing Demon, 235 Gandhi, 227 Stuff Happens, 234 Garai, Romola, 224 Harvey, Jonathan Garrick Theatre, The, 177 Beautiful Thing, 43 Gaskill, William, 31, 33–35, 39, 154 Hawking, Stephen W., 193, Gate Theatre, 43 213, 214 Gautier, Marguerite, 132 Hayman, Carole, 160 Gems, Pam Heath, Edward, 15, 24 Camille, 132 Henry VIII, King, 196 Godwin, Christopher Heritage Culture, 4, 10, 17, 26–29, Guv’nor, The, 123 31, 44, 49, 69, 72, 79, 80, 100, Gordon Riots, 144, 145 106, 115, 123, 132, 137, 142, Grant, Craig “Mums” 153, 163, 166, 173, 184, 196, Sucker Emcee, A, 236 199, 210, 212, 215, 216, 231, Graves, Robert, 217 232 Greenham Common, 16, 53, 126 Heseltine, Michael, 203 Greenwich Theatre, 217 Hewison, Robert, 18, 20, 22, 29 Griffths, Richard, 20 Hinds, Andy, 215 Guare, John Hitler, Adolf, 126 Free Man of Color, A, 236 Hodgman, Roger, 184 Guildhall Derry, 83, 185, 186 Holman, Robert Other Worlds, 110 Hooper, Jim, 69 H Hopkins, Gerard Manly, 123 Half Moon Theatre, 43 Houseman, A.E., 235 Hall, Peter, 15, 26, 28, 29, 35, 39, 88, Howard, Tony 92, 149 Short Sharp Shock…For the Hall, Stuart, 20 Government, A, 96. See also Hampstead Theatre, 132 Brenton, Howard Hampton, Christopher Humberside Theatre, 55 White Chameleon, 222 Hume, John, 187 Hanna, Gillian, 56–58 Hurd, Douglas, 24 Hansberry, Lorraine Hutton, Will 246 INDEX The State We’re In, 23 Kiberd, Declan Hytner, Nicholas, 206 Inventing Ireland:The Literature of the Modern Nation, 85 Kiendl, Teddy, 187 I Kilroy, Thomas Iannucci, Armando The O’Neill, 185 In the Loop, 209 Kipling – East and West, 123 Thick of It, The, 209 Knox, John, 174, 190 Immigration Act of 1971, 125 Kramer, Larry Impact Theatre Normal Heart, The, 2, 155 Carrier Frequency, The, 7 Kurtha, Akbar, 226 India, 30, 53, 124–126, 222–228 Kushner, Tony Industrial Revolution, 42, 85, 86, 97 Angels in America, 35; Millennium Ireland, Kenny, 196 Approaches, 35; Perestroika, 35 Irving, Henry, 123 ITV Brideshead Revisited, 28, 44 L Labour Party Callaghan, James, 3, 171 J Clause IV, 233 James, Henry, 44 Corbyn, Jeremy, 234 Jameson, Frederic Foot, Michael, 121, 171 Political Unconscious, The, 3 Kinnock, Neil, 171, 203, 233 Janowitz, Anne, 134, 136, 215 Miliband, Ed, 234 Jefferson, Thomas, 237 New Labour, 37, 121, 233, 234 Jeffreys, Stephen Smith, John, 233 Hard Times, 82, 222 Lawrence of Arabia, 53 Libertine, The, 41, 221 Lawrence, T.E., 138 Jellicoe, Ann, 149, 153 Lawson, Nigel, 20 Jennings, Mikéah Ernest, 66 Ledger, Sally, 79 Johnson, Terry Lee, Canada, 73 Insignifcance, 106 Leicester Haymarket, 132, 172 Joint Stock Company, 3, 7, 31, 110 Le Pen, Marine, 238 Jonson,
Recommended publications
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Remy Bumppo Presents the Chicago Premiere of Tom Stoppard's Award-Winning Comedy Heroes
    FOR IMMEDIATE RELEASE Stephanie Kulke / Ph: 773-244-8119 August 31, 2009 [email protected] REMY BUMPPO PRESENTS THE CHICAGO PREMIERE OF TOM STOPPARD’S AWARD-WINNING COMEDY HEROES CHICAGO – Remy Bumppo Theatre Company presents the Chicago premiere of Heroes, winner of the 2006 Olivier Award for Best New Comedy, written by Gerard Sibleyras and translated by Tom Stoppard. Heroes runs Oct. 14 through Nov. 29 in the Downstairs Mainstage of the Greenhouse Theater at 2257 N. Lincoln Avenue. Preview performances begin Thursday, Oct. 14 with opening night Sunday, Oct. 18 at 7:00 p.m. The Heroes cast features guest artist Mike Nussbaum making his Remy Bumppo debut, Artistic Associate David Darlow and guest artist Roderick Peeples. Heroes is directed by Remy Bumppo Artistic Director James Bohnen, with set design by Tim Morrison, costume design by Samantha C. Jones, lighting design by Rich Norwood, sound design by Jason Knox and properties design by Nick Heggestad. "I say we go...up that hill, where the poplars are. There where the wind blows...it's not a bad halfway house between Indochina and a picnic." - Heroes It's 1959 and Philippe, Gustave and Henri, three veterans from WWI keep each other company on the back terrace of a retired soldiers' home. Through a series of witty scenes, the men goad one another into new adventures. The men's cantankerous camaraderie becomes strained as they plot an expedition to Indochina, or at least as far as the poplar trees on the distant hill. Heroes is a funny and bittersweet play about memory and "not going gently into that good night." The 2009-2010 Season is made possible by Prince Charitable Trusts, The Gaylord & Dorothy Donnelley Foundation, The Illinois Arts Council and by a City Arts Program 3 grant from the City of Chicago Department of Cultural Affairs.
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • RACING DEMON by DAVID HARE
    GCE / A LEVEL RACING DEMON By DAVID HARE RACING DEMON DAVID HARE GCE \ A LEVEL \\ © WJEC CBAC Ltd 2016 RACING DEMON By DAVID HARE INTRODUCTION ‘Racing Demon’ was written in 1990 and premiered that same year at the National Theatre. The play takes place in South London in 1992, a time when the Church of England was in turmoil over the ordination of women and in trouble with the Tory government over a perceived lack of support. Part of a trio of plays about British institutions, it focuses on the Church of England, and tackles issues such as gay ordination and the role of evangelism in inner-city communities. It poses big questions. What does faith mean and what should a clergyman’s purpose be? Is a vicar little more than a spiritual social worker, applying ineffectual Elastoplast to society’s wounds? Or should he – and now she – be preaching a fundamentalist message of certainty and hope? It won the 1990 Laurence Olivier Award for Best New Play and was nominated for a Tony. The other two plays in the trilogy were The Absence of War, which focuses on a contemporary Labour leader coming to the painful conclusion that he is unelectable and Murmuring Judges, which takes a look at the criminal justice system in England. A word from the author, David Hare, about Racing Demon. “I wrote the play because I wanted to take the Church of England seriously. Hitherto, it has just been a subject for satire and farce, on television and in the theatre. But, in the inner cities, Anglican vicars were among the few people trying to bandage all the wounds created by the harsh economic doctrines of the 1980s.
    [Show full text]
  • 23, 2013 Doug Lee & Associates Presents Tickets Now on Sale Ingin’ Sin The
    Langham Court Theatre presents Adapted by From the novel by Patrick Barlow John Buchan From the movie by Alfred Hitchcock Directed by Keith Digby and Cynthia Pronick March 6 - 23, 2013 DOUG LEE & ASSOCIATES PRESENTS TICKETS NOW ON SALE INGIN’ SIN THE BASEDAIN ON THE MGM FILM R DIRECTED BY PAT RUNDELL STARRING TARA BRITT NOELLE ANTONSEN GRIFFIN LEA JOSEPH GOBLE Y WR with BARRY BOWMAN O L S BY: MILE BY: APRIL 12-14, 2013 MCPHERSON PLAYHOUSE O T O PH WWW.KALEIDOSCOPE.BC.CA Directors' Notes Part Alfred Hitchcock and part Monty Python, The 39 Steps has been a treat to direct and will be, we hope, a treat for the audience. Allegedly, the deathbed statement of actor Edmund Kean was “Dying is easy; Comedy is hard.” The cast and crew of this production will undoubtedly agree with him! Onstage, backstage and in the booth, The 39 Steps is a technical monster with its innumerable changes of character, set, costumes, props, light and sound, and all involved have laboured mightily in an attempt to achieve the apparently effortless. We, the directors, have asked a lot of this amazingly focused company and we thank them for their boundless energy and wonderfully creative input. Perhaps there’s another quote that’s appropriately parallel; writer Nathaniel Hawthorne famously quipped: “Easy reading is damned hard writing!” Equally, comedy can only be achieved after seriously hard work! Enjoy! Cynthia and Keith Langham Court Theatre presents Head Scenic Carpenter BILL ADAMS The 39 Steps Carpenters JULIUS MASLOVAT, MIKE KUSS, GORDON ALEXANDER, BARRY GRIMSHaw,
    [Show full text]
  • A Level Drama and Theatre Studies
    A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination.
    [Show full text]
  • English Literature OCR Recommended Reading List American Literature: Gothic: Dystopia: Women in Literature
    English Literature Cormac McCarthy: Outer Dark Iain Banks: The Wasp Factory OCR Recommended Reading Toni Morrison: Beloved List Dystopia: American Literature: Margaret Atwood – The Handmaid’s Tale F Scott Fitzgerald – The Great Gatsby George Orwell – Nineteen Eighty-Four John Steinbeck – The Grapes of Wrath H G Wells: The Time Machine Henry James: The Portrait of a Lady Aldous Huxley: Brave New World Mark Twain: Adventures of Huckleberry Finn Ray Bradbury: Fahrenheit 451 Theodore Dreiser: Sister Carrie Anthony Burgess: A Clockwork Orange Willa Cather: My Ántonia J G Ballard: The Drowned World Edith Wharton: The Age of Innocence Doris Lessing: Memoirs of a Survivor William Faulkner: The Sound and the Fury P.D. James: The Children of Men Ernest Hemingway: A Farewell to Arms Cormac McCarthy: The Road Richard Wright: Native Son Women in Literature Gothic: Jane Austen – Sense and Sensibility Angela Carter – The Bloody Chamber and Virginia Woolf – Mrs Dalloway Other Stories Charlotte Brontë: Jane Eyre Bram Stoker – Dracula Dystopia George Eliot: The Mill on the Floss William Beckford: Vathek Thomas Hardy: Tess of the D’Urbervilles Ann Radcliffe: The Italian D H Lawrence: Women in Love Mary Shelley: Frankenstein Zora Neale Hurston: Their Eyes Were Oscar Wilde: The Picture of Dorian Gray Watching God William Faulkner: Light in August Sylvia Plath: The Bell Jar Toni Morrison: The Bluest Eye Omeros – Derek Walcott Jeanette Winterson: Oranges Are Not the Of Mutability – Jo Shapcott Only Fruit Poems of 1912-1913 – Thomas Hardy The Immigrant Experience
    [Show full text]
  • The Lady in the Van
    VICTORIA THEATRE GUILD PRESENTS The Lady in the Van By Alan Bennett Directed by Keith Digby & Cynthia Pronick March 2 - 19, 2011 Langham Court Theatre Cirque de la Symphonie march 10 – 12 royal theatre The magic of cirque comes to the music hall! Veteran cirque performers including aerial flyers, jugglers and contortionists perform to classical masterpieces and popular music in a beautiful and mesmerizing show. Come join the circus with the Victoria Symphony! Tickets 250.385.6515 or victoriasymphony.ca March 7– 20 SPARK Follow us on FESTIVAL 2 011 This year’s Spark Festival features13 new plays in14 days. It’s one heck of a party and much of it is free. Spark Passes from $72 at 250-385-6815. More at www.belfry.bc.ca/the-spark-festival/ Belfry 1291 GLADSTONE AVENUE, VICTORIA, BC Theatre . Directors' Notes This is the fifth play that we have directed for Langham Court Theatre (Arcadia, The Dining Room, Racing Demon and Pack of Lies) and each one has been a joy. The Lady in the Van is proving equally rewarding to direct. The story of the play is, remarkably, a true one. For fifteen years, an older lady lived in a Bedford van parked in the driveway of one Alan Bennett, playwright. In explaining how Miss Shepherd was able to live on the neighbourhood streets for so long, Alan Bennett said, “There was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd was able to live.” Onstage, we meet the lady, Miss Shepherd, a woman with pride, despite her destitute situation, and admirable resilience.
    [Show full text]
  • MIES JULIE Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MIES JULIE
    MIES JULIE Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MIES JULIE BY YAËL FARBER ADAPTED FROM THE PLAY MISS JULIE BY AUGUST STRINDBERG with VINIE BURROWS, PATRICE JOHNSON CHEVANNES, ELISE KIBLER, JAMES UDOM Scenic Design Costume Design Lighting Design Sound Design DAVID L. ARSENAULT NTOKOZO FUZUNINA KUNENE STACEY DEROSIER QUENTIN CHIAPPETTA ANDREW MOERDYK Original Music Fight and Intimacy Direction Dialect Coach ANDREW ORKIN ALICIA RODIS BARBARA RUBIN CLAIRE WARDEN Casting Press Representative Production Stage Manager TELSEY + COMPANY BLAKE ZIDELL AND ASSOCIATES ROXANA KHAN ADAM CALDWELL, CSA WILLIAM CANTLER, CSA Assistant Stage Manager KARYN CASL, CSA KATELYNN COOPER First produced by Lara Foot for the Baxter Theatre Center at the University of Capetown DIRECTED BY SHARIFFA ALI Cast for MIES JULIE in alphabetical order Vinie Burrows ......................................................................................Ukhokho Patrice Johnson Chevannes..........................................................Christine Elise Kibler....................................................................................................Julie James Udom................................................................................................John TIME: Freedom Day, 2012 PLACE: A farmhouse kitchen. Eastern Cape - Karoo, South Africa. MIES JULIE is performed without an intermission. All performers in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers, and watches. The use of cell phones in the theater is prohibited by New York City law. Who’s Who VINIE BURROWS (Ukhokho), award-winning independent feature films: a child actress on radio, Kings County, NY’s Dirty Laundry, and Hill made her Broadway debut and Gully.
    [Show full text]
  • Ambran Bin Jamaluddin Reg. Number
    ABSTRACT Name : Ambran bin Jamaluddin Reg. Number : 40300112052 Major : English and Literature Department Faculty : Adab and Humanities Title : Deconstruction of David Hare’s Drama Racing Demon (Jacques Derrida’s Perspective) Supervisor I : Hj. Nuri Emmiyati Supervisor II : Nasrum This research discussed about the deonstruction analysis in racing demon drama by david hare which aimed to reveal the orher side of the character that has been possibly escaped from the reader attention. Appearances of the other side of the character were expected to undermine the singlle meaning which tend to appear in the text. This research actually based on Jacques Derrida’s theory about deconstruction. This research was descriptive qualitative method. The researcher used note taking as the instrument to find out valid data. The findings showed that every character was equal. Character is a character which could not be devided into antagonist and protagonist because each character had the naure of good and bad qualities. Character also could not be catagorized into the major an minor character becuse every character had the same roles in order to buil the storyline. The researher also found that new possibilities will happen due to the removal one character on that story which was the ssame with one of the characters who acted differently from what was told Keywords : deconstruction, drama, perspective, jacques derrida DECONSTRUCTION OF DAVID HARE’S DRAMA RACING DEMON (JACQUES DERRIDA’S PERSPECTIVE) A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of the Faculty of Adab and Humanities of UIN Alauddin Makassar By AMBRAN BIN JAMALUDDIN 40300112052 ENGLISH LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2017 i ii iii iv v ACKNOWLEDGMENT Alhamdulillahirabbil’alamin, the researcher praises to Allah Swt for His blessing, love, opportunity, health, and mercy, thus the researcher can complete this thesis.
    [Show full text]
  • Skylight David Hare’S Tony & Olivier Award-Winning Tumultuous Romance Is the Second Show in Chance Theater’S 21St Anniversary Season
    FOR IMMEDIATE RELEASE Media Alert for Theatre Editors, Reviewers and Calendar Listings Chance Theater proudly presents Skylight David Hare’s Tony & Olivier Award-winning tumultuous romance is the second show in Chance Theater’s 21st Anniversary Season April 4, 2019 Anaheim, California Chance Theater, Anaheim’s official resident theater company, is delighted to … … present David Hare’s celebrated drama, Skylight. Written by David Hare and directed by Chance Theater’s Artistic ​ ​ Director, Oanh Nguyen, Skylight will preview from April 19th through April 26th; with regular performances beginning ​ ​ ​ ​ April 27th and continuing through May 19th on the Cripe Stage at the Bette Aitken theater arts Center. ​ ​ On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires. Can they find their way back to each other, or has the time for their tumultuous romance reached its end? Recommended for ages 13 and up. Contains adult language. “Theatregoing doesn’t get much better than this” – New York Post ​ “Absolutely splendid” – New York Times ​ ​ ​ ​ ** Olivier Award Winner - Best Play ** Tony Award Winner - Best Revival Skylight premiered in May 1995 at the Cottesloe Theatre, National Theatre, directed by Richard Eyre and starring ​ Michael Gambon and Lia Williams. This is the production that won the Olivier for Best Play. In 2015, there was a highly lauded Broadway revival with Bill Nighy and Carey Mulligan that won the Tony Award for Best Revival.
    [Show full text]
  • David Hare's the Great Exhibition Doç. Dr. Mehmet Takkaç
    Ç.Ü. Sosyal Bilimler Enstitüsü Dergisi, Cilt 15, Sayı 1, 2006, s.333-344 Individual Histories of Personal and Political Conflicts: David Hare’s The Great Exhibition Doç. Dr. Mehmet Takkaç Arş. Gör. Makbule Genç Atatürk Üniversitesi Atatürk Üniversitesi Kâzım Karabekir Eğitim Fakültesi Kâzım Karabekir Eğitim Fakültesi Yabancı Diller Eğitimi Bölümü Yabancı Diller Eğitimi Bölümü [email protected] [email protected] ABSTRACT Human beings are individuals who are to live in societies. This condition may sometimes bring about some unavoidable problems to be faced by each individual. And it has almost been customary for individuals to put the blame for any defect within the society on politicians because they are expected to make every effort to organize particulars of life within their societies. The quality of life within a society and the nature of relations among citizens are believed to reflect the success or failure of politicians. David Hare, a modern British playwright, brings to the stage in The Great Exhibition the experience of a couple whose expectations from each other are not met properly due to the forces destroying their marriage. The play suggests that disillusioned individuals will naturally dampen the spirits of those around them. Key words: political dissatisfaction, marital relations, individual expectations ÖZET İnsanlar toplum içinde yaşamak zorunda olan canlılardır. Bu durum zaman zaman her bireyin karşılaşabileceği kaçınılmaz sorunları ortaya çıkarabilir. Bireyler ise, geleneksel olarak, toplum yaşamında karşılaştıkları sorunlar için, toplumlarının yaşamlarını düzenleme konusunda çaba göstermesi beklenen kişiler olan politikacıları suçlamışlardır. Toplumsal yaşam kalitesi ve bireyler arasındaki ilişkilerin doğası politikacıların başarısı ya da başarısızlığı olarak değerlendirilmektedir.
    [Show full text]