English Literature OCR Recommended Reading List American Literature: Gothic: Dystopia: Women in Literature

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English Literature OCR Recommended Reading List American Literature: Gothic: Dystopia: Women in Literature

English Literature Cormac McCarthy: Outer Dark Iain Banks: The Wasp Factory OCR Recommended Reading Toni Morrison: Beloved List Dystopia: American Literature: Margaret Atwood – The Handmaid’s Tale F Scott Fitzgerald – The Great Gatsby George Orwell – Nineteen Eighty-Four John Steinbeck – The Grapes of Wrath H G Wells: The Time Machine Henry James: The Portrait of a Lady Aldous Huxley: Brave New World Mark Twain: Adventures of Huckleberry Finn Ray Bradbury: Fahrenheit 451 Theodore Dreiser: Sister Carrie Anthony Burgess: A Clockwork Orange Willa Cather: My Ántonia J G Ballard: The Drowned World Edith Wharton: The Age of Innocence Doris Lessing: Memoirs of a Survivor William Faulkner: The Sound and the Fury P.D. James: The Children of Men Ernest Hemingway: A Farewell to Arms Cormac McCarthy: The Road Richard Wright: Native Son Women in Literature Gothic: Jane Austen – Sense and Sensibility Angela Carter – The Bloody Chamber and Virginia Woolf – Mrs Dalloway Other Stories Charlotte Brontë: Jane Eyre Bram Stoker – Dracula Dystopia George Eliot: The Mill on the Floss William Beckford: Vathek Thomas Hardy: Tess of the D’Urbervilles Ann Radcliffe: The Italian D H Lawrence: Women in Love Mary Shelley: Frankenstein Zora Neale Hurston: Their Eyes Were Oscar Wilde: The Picture of Dorian Gray Watching God William Faulkner: Light in August Sylvia Plath: The Bell Jar Toni Morrison: The Bluest Eye Omeros – Derek Walcott Jeanette Winterson: Oranges Are Not the Of Mutability – Jo Shapcott Only Fruit Poems of 1912-1913 – Thomas Hardy The Immigrant Experience Ariel – Sylvia Plath Mohsin Hamid – The Reluctant The Blue Book – Owen Sheers Fundamentalist Look We Have Coming to Dover – Daljit Henry Roth – Call It Sleep Nagra Upton Sinclair: The Jungle The Waste Land and Other Poems – T S Eliot Philip Roth: Goodbye Columbus Drama Timothy Mo: Sour Sweet Serious Money – Caryl Churchill Jhumpa Lahiri: The Namesake Indian Ink - Tom Stoppard Monica Ali: Brick Lane Dunsinane - David Grieg Andrea Levy: Small Island Look Back in Anger - John Osborne Kate Grenville: The Secret River The Glass Menagerie -Tennessee Williams John Updike: Terrorist Arcadia - Tom Stoppard Poetry Who’s Afraid of Virginia Woolf? - Edward Albee Selected Poems – Wilfred Owen Jerusalem - Jez Butterworth Selected Poems – Elizabeth Jennings After Mrs Rochester - Polly Teale Selected Poems – E E Cummings The Weir - Conor Macpherson Book of Matches – Simon Armitage Antigone - Owen McCafferty Beowulf – Seamus Heaney The History Boys - Alan Bennett District and Circle – Seamus Heaney Death of a Salesman - Arthur Miller North – Seamus Heaney Racing Demon - David Hare Selected Poems – W B Yeats Agamemnon - Steven Berkoff .

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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
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Remy Bumppo Presents the Chicago Premiere of Tom Stoppard's Award-Winning Comedy Heroes
FOR IMMEDIATE RELEASE Stephanie Kulke / Ph: 773-244-8119 August 31, 2009 [email protected] REMY BUMPPO PRESENTS THE CHICAGO PREMIERE OF TOM STOPPARD’S AWARD-WINNING COMEDY HEROES CHICAGO – Remy Bumppo Theatre Company presents the Chicago premiere of Heroes, winner of the 2006 Olivier Award for Best New Comedy, written by Gerard Sibleyras and translated by Tom Stoppard. Heroes runs Oct. 14 through Nov. 29 in the Downstairs Mainstage of the Greenhouse Theater at 2257 N. Lincoln Avenue. Preview performances begin Thursday, Oct. 14 with opening night Sunday, Oct. 18 at 7:00 p.m. The Heroes cast features guest artist Mike Nussbaum making his Remy Bumppo debut, Artistic Associate David Darlow and guest artist Roderick Peeples. Heroes is directed by Remy Bumppo Artistic Director James Bohnen, with set design by Tim Morrison, costume design by Samantha C. Jones, lighting design by Rich Norwood, sound design by Jason Knox and properties design by Nick Heggestad. "I say we go...up that hill, where the poplars are. There where the wind blows...it's not a bad halfway house between Indochina and a picnic." - Heroes It's 1959 and Philippe, Gustave and Henri, three veterans from WWI keep each other company on the back terrace of a retired soldiers' home. Through a series of witty scenes, the men goad one another into new adventures. The men's cantankerous camaraderie becomes strained as they plot an expedition to Indochina, or at least as far as the poplar trees on the distant hill. Heroes is a funny and bittersweet play about memory and "not going gently into that good night." The 2009-2010 Season is made possible by Prince Charitable Trusts, The Gaylord & Dorothy Donnelley Foundation, The Illinois Arts Council and by a City Arts Program 3 grant from the City of Chicago Department of Cultural Affairs.
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King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
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RACING DEMON by DAVID HARE
GCE / A LEVEL RACING DEMON By DAVID HARE RACING DEMON DAVID HARE GCE \ A LEVEL \\ © WJEC CBAC Ltd 2016 RACING DEMON By DAVID HARE INTRODUCTION ‘Racing Demon’ was written in 1990 and premiered that same year at the National Theatre. The play takes place in South London in 1992, a time when the Church of England was in turmoil over the ordination of women and in trouble with the Tory government over a perceived lack of support. Part of a trio of plays about British institutions, it focuses on the Church of England, and tackles issues such as gay ordination and the role of evangelism in inner-city communities. It poses big questions. What does faith mean and what should a clergyman’s purpose be? Is a vicar little more than a spiritual social worker, applying ineffectual Elastoplast to society’s wounds? Or should he – and now she – be preaching a fundamentalist message of certainty and hope? It won the 1990 Laurence Olivier Award for Best New Play and was nominated for a Tony. The other two plays in the trilogy were The Absence of War, which focuses on a contemporary Labour leader coming to the painful conclusion that he is unelectable and Murmuring Judges, which takes a look at the criminal justice system in England. A word from the author, David Hare, about Racing Demon. “I wrote the play because I wanted to take the Church of England seriously. Hitherto, it has just been a subject for satire and farce, on television and in the theatre. But, in the inner cities, Anglican vicars were among the few people trying to bandage all the wounds created by the harsh economic doctrines of the 1980s.
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23, 2013 Doug Lee & Associates Presents Tickets Now on Sale Ingin’ Sin The
Langham Court Theatre presents Adapted by From the novel by Patrick Barlow John Buchan From the movie by Alfred Hitchcock Directed by Keith Digby and Cynthia Pronick March 6 - 23, 2013 DOUG LEE & ASSOCIATES PRESENTS TICKETS NOW ON SALE INGIN’ SIN THE BASEDAIN ON THE MGM FILM R DIRECTED BY PAT RUNDELL STARRING TARA BRITT NOELLE ANTONSEN GRIFFIN LEA JOSEPH GOBLE Y WR with BARRY BOWMAN O L S BY: MILE BY: APRIL 12-14, 2013 MCPHERSON PLAYHOUSE O T O PH WWW.KALEIDOSCOPE.BC.CA Directors' Notes Part Alfred Hitchcock and part Monty Python, The 39 Steps has been a treat to direct and will be, we hope, a treat for the audience. Allegedly, the deathbed statement of actor Edmund Kean was “Dying is easy; Comedy is hard.” The cast and crew of this production will undoubtedly agree with him! Onstage, backstage and in the booth, The 39 Steps is a technical monster with its innumerable changes of character, set, costumes, props, light and sound, and all involved have laboured mightily in an attempt to achieve the apparently effortless. We, the directors, have asked a lot of this amazingly focused company and we thank them for their boundless energy and wonderfully creative input. Perhaps there’s another quote that’s appropriately parallel; writer Nathaniel Hawthorne famously quipped: “Easy reading is damned hard writing!” Equally, comedy can only be achieved after seriously hard work! Enjoy! Cynthia and Keith Langham Court Theatre presents Head Scenic Carpenter BILL ADAMS The 39 Steps Carpenters JULIUS MASLOVAT, MIKE KUSS, GORDON ALEXANDER, BARRY GRIMSHaw,
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And the Author(S), Under Exclusive Licence to Springer Nature
INDEX A B Abbey Theatre, 205 Bakhtin, Mikhail, 37 Ackroyd, Peter, 2, 4, 11 Baldwin, James Adorno, Theodor W., 80 Blues for Mr. Charlie, 60, 71 Aeschylus Cross of Redemption, The, 45 Persians, The, 232 Devil Finds Work, The, 73 AIDS crisis, 2 Fire Next Time, The, 46, 110 Albany Empire Theatre, 187 Notes of a Native Son, 95 Albee, Edward, 47, 69, 237 Remember This House, 6 Aldwych Theatre, 71, 222 Bamber, David, 160 Ali, Tariq, 172 Barbados, 66 Allam, Roger, 59 Barker, Howard Almeida Theatre, 236 Arguments for a Theatre, 142, 196 Amoko, Apollo, 3, 70, 182 Brutopia, 196, 197 Anderson, Lindsay, 33 Castle, The, 48, 124, 138, 139, 141, Anderson, Sarah Pia, 193 142, 155, 157, 195, 198, 199, Arthur, King, 11, 89, 90, 95, 186 231 Arts Council, 8, 9, 26–28, 34, 36, 37, Crimes in Hot Countries, 138 39, 122, 154 Downchild, 138, 142 Aston, Elaine, 57, 58, 62, 160, 187 Gertrude, 198 Atlantic Theater Company, 48, 68 Poor Man’s Friend, The, 153 Austen, Jane, 44 Power of the Dog, The, 137, 138, 142 © The Editor(s) (if applicable) and The Author(s), under exclusive licence 241 to Springer Nature Switzerland AG 2018 A. P. Pennino, Staging the Past in the Age of Thatcher, Palgrave Studies in Theatre and Performance History, https://doi.org/10.1007/978-3-319-96686-1 242 INDEX Seven Lears, 196–199 Bond, Edward Theatre of Catastrophe, 139, 156, Bingo, 31, 33, 97, 98 196 Fool, The, 97 Victory, 110, 114, 136, 138, 139, Lear, 97, 141 142, 155, 156, 199, 222, 231 Restoration, 35, 47, 96, 101, 122, Women Beware Women, 154–159, 144, 166, 172, 180, 207 167, 196, 197,
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A Level Drama and Theatre Studies
A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination.
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The Lady in the Van
VICTORIA THEATRE GUILD PRESENTS The Lady in the Van By Alan Bennett Directed by Keith Digby & Cynthia Pronick March 2 - 19, 2011 Langham Court Theatre Cirque de la Symphonie march 10 – 12 royal theatre The magic of cirque comes to the music hall! Veteran cirque performers including aerial flyers, jugglers and contortionists perform to classical masterpieces and popular music in a beautiful and mesmerizing show. Come join the circus with the Victoria Symphony! Tickets 250.385.6515 or victoriasymphony.ca March 7– 20 SPARK Follow us on FESTIVAL 2 011 This year’s Spark Festival features13 new plays in14 days. It’s one heck of a party and much of it is free. Spark Passes from $72 at 250-385-6815. More at www.belfry.bc.ca/the-spark-festival/ Belfry 1291 GLADSTONE AVENUE, VICTORIA, BC Theatre . Directors' Notes This is the fifth play that we have directed for Langham Court Theatre (Arcadia, The Dining Room, Racing Demon and Pack of Lies) and each one has been a joy. The Lady in the Van is proving equally rewarding to direct. The story of the play is, remarkably, a true one. For fifteen years, an older lady lived in a Bedford van parked in the driveway of one Alan Bennett, playwright. In explaining how Miss Shepherd was able to live on the neighbourhood streets for so long, Alan Bennett said, “There was a gap between our social position and our social obligations. It was in this gap that Miss Shepherd was able to live.” Onstage, we meet the lady, Miss Shepherd, a woman with pride, despite her destitute situation, and admirable resilience.
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MIES JULIE Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM Presents MIES JULIE
MIES JULIE Classic Stage Company JOHN DOYLE, Artistic Director TONI MARIE DAVIS, Chief Operating Officer/GM presents MIES JULIE BY YAËL FARBER ADAPTED FROM THE PLAY MISS JULIE BY AUGUST STRINDBERG with VINIE BURROWS, PATRICE JOHNSON CHEVANNES, ELISE KIBLER, JAMES UDOM Scenic Design Costume Design Lighting Design Sound Design DAVID L. ARSENAULT NTOKOZO FUZUNINA KUNENE STACEY DEROSIER QUENTIN CHIAPPETTA ANDREW MOERDYK Original Music Fight and Intimacy Direction Dialect Coach ANDREW ORKIN ALICIA RODIS BARBARA RUBIN CLAIRE WARDEN Casting Press Representative Production Stage Manager TELSEY + COMPANY BLAKE ZIDELL AND ASSOCIATES ROXANA KHAN ADAM CALDWELL, CSA WILLIAM CANTLER, CSA Assistant Stage Manager KARYN CASL, CSA KATELYNN COOPER First produced by Lara Foot for the Baxter Theatre Center at the University of Capetown DIRECTED BY SHARIFFA ALI Cast for MIES JULIE in alphabetical order Vinie Burrows ......................................................................................Ukhokho Patrice Johnson Chevannes..........................................................Christine Elise Kibler....................................................................................................Julie James Udom................................................................................................John TIME: Freedom Day, 2012 PLACE: A farmhouse kitchen. Eastern Cape - Karoo, South Africa. MIES JULIE is performed without an intermission. All performers in this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers, and watches. The use of cell phones in the theater is prohibited by New York City law. Who’s Who VINIE BURROWS (Ukhokho), award-winning independent feature films: a child actress on radio, Kings County, NY’s Dirty Laundry, and Hill made her Broadway debut and Gully.
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Ambran Bin Jamaluddin Reg. Number
ABSTRACT Name : Ambran bin Jamaluddin Reg. Number : 40300112052 Major : English and Literature Department Faculty : Adab and Humanities Title : Deconstruction of David Hare’s Drama Racing Demon (Jacques Derrida’s Perspective) Supervisor I : Hj. Nuri Emmiyati Supervisor II : Nasrum This research discussed about the deonstruction analysis in racing demon drama by david hare which aimed to reveal the orher side of the character that has been possibly escaped from the reader attention. Appearances of the other side of the character were expected to undermine the singlle meaning which tend to appear in the text. This research actually based on Jacques Derrida’s theory about deconstruction. This research was descriptive qualitative method. The researcher used note taking as the instrument to find out valid data. The findings showed that every character was equal. Character is a character which could not be devided into antagonist and protagonist because each character had the naure of good and bad qualities. Character also could not be catagorized into the major an minor character becuse every character had the same roles in order to buil the storyline. The researher also found that new possibilities will happen due to the removal one character on that story which was the ssame with one of the characters who acted differently from what was told Keywords : deconstruction, drama, perspective, jacques derrida DECONSTRUCTION OF DAVID HARE’S DRAMA RACING DEMON (JACQUES DERRIDA’S PERSPECTIVE) A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Humaniora in English and Literature Department of the Faculty of Adab and Humanities of UIN Alauddin Makassar By AMBRAN BIN JAMALUDDIN 40300112052 ENGLISH LITERATURE DEPARTMENT ADAB AND HUMANITIES FACULTY ALAUDDIN STATE ISLAMIC UNIVERSITY OF MAKASSAR 2017 i ii iii iv v ACKNOWLEDGMENT Alhamdulillahirabbil’alamin, the researcher praises to Allah Swt for His blessing, love, opportunity, health, and mercy, thus the researcher can complete this thesis.
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Skylight David Hare’S Tony & Olivier Award-Winning Tumultuous Romance Is the Second Show in Chance Theater’S 21St Anniversary Season
FOR IMMEDIATE RELEASE Media Alert for Theatre Editors, Reviewers and Calendar Listings Chance Theater proudly presents Skylight David Hare’s Tony & Olivier Award-winning tumultuous romance is the second show in Chance Theater’s 21st Anniversary Season April 4, 2019 Anaheim, California Chance Theater, Anaheim’s official resident theater company, is delighted to … … present David Hare’s celebrated drama, Skylight. Written by David Hare and directed by Chance Theater’s Artistic Director, Oanh Nguyen, Skylight will preview from April 19th through April 26th; with regular performances beginning April 27th and continuing through May 19th on the Cripe Stage at the Bette Aitken theater arts Center. On a bitterly cold London evening, schoolteacher Kyra Hollis receives an unexpected visit from her former lover, Tom Sergeant, a successful and charismatic restaurateur whose wife has recently died. As the evening progresses, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires. Can they find their way back to each other, or has the time for their tumultuous romance reached its end? Recommended for ages 13 and up. Contains adult language. “Theatregoing doesn’t get much better than this” – New York Post “Absolutely splendid” – New York Times ** Olivier Award Winner - Best Play ** Tony Award Winner - Best Revival Skylight premiered in May 1995 at the Cottesloe Theatre, National Theatre, directed by Richard Eyre and starring Michael Gambon and Lia Williams. This is the production that won the Olivier for Best Play. In 2015, there was a highly lauded Broadway revival with Bill Nighy and Carey Mulligan that won the Tony Award for Best Revival.
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David Hare's the Great Exhibition Doç. Dr. Mehmet Takkaç
Ç.Ü. Sosyal Bilimler Enstitüsü Dergisi, Cilt 15, Sayı 1, 2006, s.333-344 Individual Histories of Personal and Political Conflicts: David Hare’s The Great Exhibition Doç. Dr. Mehmet Takkaç Arş. Gör. Makbule Genç Atatürk Üniversitesi Atatürk Üniversitesi Kâzım Karabekir Eğitim Fakültesi Kâzım Karabekir Eğitim Fakültesi Yabancı Diller Eğitimi Bölümü Yabancı Diller Eğitimi Bölümü [email protected] [email protected] ABSTRACT Human beings are individuals who are to live in societies. This condition may sometimes bring about some unavoidable problems to be faced by each individual. And it has almost been customary for individuals to put the blame for any defect within the society on politicians because they are expected to make every effort to organize particulars of life within their societies. The quality of life within a society and the nature of relations among citizens are believed to reflect the success or failure of politicians. David Hare, a modern British playwright, brings to the stage in The Great Exhibition the experience of a couple whose expectations from each other are not met properly due to the forces destroying their marriage. The play suggests that disillusioned individuals will naturally dampen the spirits of those around them. Key words: political dissatisfaction, marital relations, individual expectations ÖZET İnsanlar toplum içinde yaşamak zorunda olan canlılardır. Bu durum zaman zaman her bireyin karşılaşabileceği kaçınılmaz sorunları ortaya çıkarabilir. Bireyler ise, geleneksel olarak, toplum yaşamında karşılaştıkları sorunlar için, toplumlarının yaşamlarını düzenleme konusunda çaba göstermesi beklenen kişiler olan politikacıları suçlamışlardır. Toplumsal yaşam kalitesi ve bireyler arasındaki ilişkilerin doğası politikacıların başarısı ya da başarısızlığı olarak değerlendirilmektedir.
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