'Pragmatic, Comfortable and Unobtrustive'1 : Can the Church Of
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Remy Bumppo Presents the Chicago Premiere of Tom Stoppard's Award-Winning Comedy Heroes
FOR IMMEDIATE RELEASE Stephanie Kulke / Ph: 773-244-8119 August 31, 2009 [email protected] REMY BUMPPO PRESENTS THE CHICAGO PREMIERE OF TOM STOPPARD’S AWARD-WINNING COMEDY HEROES CHICAGO – Remy Bumppo Theatre Company presents the Chicago premiere of Heroes, winner of the 2006 Olivier Award for Best New Comedy, written by Gerard Sibleyras and translated by Tom Stoppard. Heroes runs Oct. 14 through Nov. 29 in the Downstairs Mainstage of the Greenhouse Theater at 2257 N. Lincoln Avenue. Preview performances begin Thursday, Oct. 14 with opening night Sunday, Oct. 18 at 7:00 p.m. The Heroes cast features guest artist Mike Nussbaum making his Remy Bumppo debut, Artistic Associate David Darlow and guest artist Roderick Peeples. Heroes is directed by Remy Bumppo Artistic Director James Bohnen, with set design by Tim Morrison, costume design by Samantha C. Jones, lighting design by Rich Norwood, sound design by Jason Knox and properties design by Nick Heggestad. "I say we go...up that hill, where the poplars are. There where the wind blows...it's not a bad halfway house between Indochina and a picnic." - Heroes It's 1959 and Philippe, Gustave and Henri, three veterans from WWI keep each other company on the back terrace of a retired soldiers' home. Through a series of witty scenes, the men goad one another into new adventures. The men's cantankerous camaraderie becomes strained as they plot an expedition to Indochina, or at least as far as the poplar trees on the distant hill. Heroes is a funny and bittersweet play about memory and "not going gently into that good night." The 2009-2010 Season is made possible by Prince Charitable Trusts, The Gaylord & Dorothy Donnelley Foundation, The Illinois Arts Council and by a City Arts Program 3 grant from the City of Chicago Department of Cultural Affairs. -
King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice -
RACING DEMON by DAVID HARE
GCE / A LEVEL RACING DEMON By DAVID HARE RACING DEMON DAVID HARE GCE \ A LEVEL \\ © WJEC CBAC Ltd 2016 RACING DEMON By DAVID HARE INTRODUCTION ‘Racing Demon’ was written in 1990 and premiered that same year at the National Theatre. The play takes place in South London in 1992, a time when the Church of England was in turmoil over the ordination of women and in trouble with the Tory government over a perceived lack of support. Part of a trio of plays about British institutions, it focuses on the Church of England, and tackles issues such as gay ordination and the role of evangelism in inner-city communities. It poses big questions. What does faith mean and what should a clergyman’s purpose be? Is a vicar little more than a spiritual social worker, applying ineffectual Elastoplast to society’s wounds? Or should he – and now she – be preaching a fundamentalist message of certainty and hope? It won the 1990 Laurence Olivier Award for Best New Play and was nominated for a Tony. The other two plays in the trilogy were The Absence of War, which focuses on a contemporary Labour leader coming to the painful conclusion that he is unelectable and Murmuring Judges, which takes a look at the criminal justice system in England. A word from the author, David Hare, about Racing Demon. “I wrote the play because I wanted to take the Church of England seriously. Hitherto, it has just been a subject for satire and farce, on television and in the theatre. But, in the inner cities, Anglican vicars were among the few people trying to bandage all the wounds created by the harsh economic doctrines of the 1980s. -
23, 2013 Doug Lee & Associates Presents Tickets Now on Sale Ingin’ Sin The
Langham Court Theatre presents Adapted by From the novel by Patrick Barlow John Buchan From the movie by Alfred Hitchcock Directed by Keith Digby and Cynthia Pronick March 6 - 23, 2013 DOUG LEE & ASSOCIATES PRESENTS TICKETS NOW ON SALE INGIN’ SIN THE BASEDAIN ON THE MGM FILM R DIRECTED BY PAT RUNDELL STARRING TARA BRITT NOELLE ANTONSEN GRIFFIN LEA JOSEPH GOBLE Y WR with BARRY BOWMAN O L S BY: MILE BY: APRIL 12-14, 2013 MCPHERSON PLAYHOUSE O T O PH WWW.KALEIDOSCOPE.BC.CA Directors' Notes Part Alfred Hitchcock and part Monty Python, The 39 Steps has been a treat to direct and will be, we hope, a treat for the audience. Allegedly, the deathbed statement of actor Edmund Kean was “Dying is easy; Comedy is hard.” The cast and crew of this production will undoubtedly agree with him! Onstage, backstage and in the booth, The 39 Steps is a technical monster with its innumerable changes of character, set, costumes, props, light and sound, and all involved have laboured mightily in an attempt to achieve the apparently effortless. We, the directors, have asked a lot of this amazingly focused company and we thank them for their boundless energy and wonderfully creative input. Perhaps there’s another quote that’s appropriately parallel; writer Nathaniel Hawthorne famously quipped: “Easy reading is damned hard writing!” Equally, comedy can only be achieved after seriously hard work! Enjoy! Cynthia and Keith Langham Court Theatre presents Head Scenic Carpenter BILL ADAMS The 39 Steps Carpenters JULIUS MASLOVAT, MIKE KUSS, GORDON ALEXANDER, BARRY GRIMSHaw, -
And the Author(S), Under Exclusive Licence to Springer Nature
INDEX A B Abbey Theatre, 205 Bakhtin, Mikhail, 37 Ackroyd, Peter, 2, 4, 11 Baldwin, James Adorno, Theodor W., 80 Blues for Mr. Charlie, 60, 71 Aeschylus Cross of Redemption, The, 45 Persians, The, 232 Devil Finds Work, The, 73 AIDS crisis, 2 Fire Next Time, The, 46, 110 Albany Empire Theatre, 187 Notes of a Native Son, 95 Albee, Edward, 47, 69, 237 Remember This House, 6 Aldwych Theatre, 71, 222 Bamber, David, 160 Ali, Tariq, 172 Barbados, 66 Allam, Roger, 59 Barker, Howard Almeida Theatre, 236 Arguments for a Theatre, 142, 196 Amoko, Apollo, 3, 70, 182 Brutopia, 196, 197 Anderson, Lindsay, 33 Castle, The, 48, 124, 138, 139, 141, Anderson, Sarah Pia, 193 142, 155, 157, 195, 198, 199, Arthur, King, 11, 89, 90, 95, 186 231 Arts Council, 8, 9, 26–28, 34, 36, 37, Crimes in Hot Countries, 138 39, 122, 154 Downchild, 138, 142 Aston, Elaine, 57, 58, 62, 160, 187 Gertrude, 198 Atlantic Theater Company, 48, 68 Poor Man’s Friend, The, 153 Austen, Jane, 44 Power of the Dog, The, 137, 138, 142 © The Editor(s) (if applicable) and The Author(s), under exclusive licence 241 to Springer Nature Switzerland AG 2018 A. P. Pennino, Staging the Past in the Age of Thatcher, Palgrave Studies in Theatre and Performance History, https://doi.org/10.1007/978-3-319-96686-1 242 INDEX Seven Lears, 196–199 Bond, Edward Theatre of Catastrophe, 139, 156, Bingo, 31, 33, 97, 98 196 Fool, The, 97 Victory, 110, 114, 136, 138, 139, Lear, 97, 141 142, 155, 156, 199, 222, 231 Restoration, 35, 47, 96, 101, 122, Women Beware Women, 154–159, 144, 166, 172, 180, 207 167, 196, 197, -
Annual Dinner Invitation 2015 Spread Set Up.Pages
Richard Chartres became the 132nd! Bishop of London in November 1995. ! He was educated at Trinity College ! Cambridge and ordained in 1973. He served as Chaplain to the Bishop of ! ! St Albans, and as the Archbishop's! Chaplain at Lambeth and Canterbury. ! He was consecrated Bishop of Stepney on 22 May 1992. After his move to the ! see of London, he was appointed ! Dean of HM Chapels Royal in 1996 and a Privy Counsellor. This accounts ! for the curious fact that the Bishop of London is the only bishop who bears the title 'Right Honourable' in addition to the usual YOU AND YOUR GUESTS ! 'Right Reverend'. He is an ex officio member of the House of Lords. He deputises for the Archbishop of Canterbury as ARE CORDIALLY INVITED! Chairman of the Board of Governors of the Church Commissioners, TO THE ! and is responsible on behalf of the Archbishop for relations with ! the Orthodox Churches. He is founder and life president of ! NE UNDRED WENTY IGHTH ________________________________________________________St Ethelburgera’s Centre for Reconciliation and Peace.! ! O H T -E ! ! ANNUAL DINNER! THE CHURCH CLUB OF NEW YORK! OF! 2014-2015 OFFICERS! NANCY FISHER, President! THE CHURCH CLUB OF NEW YORK! DONALD V. ROMANIK, Vice President! HONORING! JEAN E. SAVAGE, Vice President! ! CHRISTOPHER C. STROMEE, Treasurer! HE T EV T ON NEVA RAE FOX, Secretary ! T R . R . & R . H . ! ! RICHARD CHARTRES KCVO DD FSA! BOARD OF TRUSTEES ! Lord Bishop of London! MICHAEL T. CAPPIELLO | MICHAEL H. CHARLES ! ! SCOTT EVENBECK | COLIN FERGUS ! STEPHEN P. FOLEY | JEAN C. GRAINGER ! WEDNESDAY, MAY 6, 2015! ROBERT H. -
The Report of the Archbishop of Canterbury's Commission
THE REPORT OF THE ARCHBISHOP OF CANTERBURY’S COMMISSION ON THE RELATIONSHIP OF THE CHANNEL ISLANDS TO THE WIDER CHURCH OF ENGLAND 30 September 2019 Letter from the Chair of the Archbishop of Canterbury’s Commission on the relationship of the Channel Islands to the wider Church of England, the Right Revd & Rt Hon the Lord Chartres, GCVO PC Dear Archbishop, At the beginning of the work of the Commission you insisted that we should not seek to pass judgement on the unhappy sequence of events which precipitated the breakdown of relations between the Diocese of Winchester and the Deaneries of Guernsey and Jersey. Rather we were to focus on the possibility and shape of a future relationship conducive to the mutual flourishing of the Church in the Islands and the wider Church of England. We were charged to consult with the ecclesiastical and secular authorities in the Islands, with the Bishop of Winchester, his staff and other interested parties. This we have endeavoured to do. In the Report which follows we have proposed a way forward which, I believe, honours the polity of the Church of England and in particular the enhanced level of accountability of its bishops in the light of recent legislation but which also recognises and respects the traditions, both legal and ecclesiastical, which obtain in the Channel Islands. Our recommendations for action are attached. I have been very fortunate to be joined in this Commission by Baroness Judith Wilcox and Sir Christopher Clarke. After a distinguished business and political career, Baroness Wilcox has been able to offer a shrewd analysis of the context for our work while Sir Christopher Clarke with his extensive experience as a former Judge of the Courts of Appeal in Guernsey and Jersey, and Lord Justice of Appeal, has contributed an invaluable legal perspective. -
January 3, 2016 the LIVING CHURCH CATHOLIC EVANGELICAL ECUMENICAL
Mission among Addicts Theologians on Future Ministry Teaching Children January 3, 2016 THE LIVING CHURCH CATHOLIC EVANGELICAL ECUMENICAL Baptized into his Name $5.50 livingchurch.org Parish Administration Journey through Lent with Church Publishing Under the Fig Tree Becoming Who I Am Visual Prayers and Poems for Lent Reections on Wholeness and ROGER HUTCHISON Embracing Our Divine Stories FOREWORD BY FLEMING RUTLEDGE BETH-SARAH WRIGHT “Under the Fig Tree is a chorus of words, These 40 spiritual reections are ideal pictures, poems, images, hymns, devotions for each day in Lent. NEW! dreams, lullabies, and waking kisses that will become a beloved book for paper | 9780819231796 | $14.00 the Lenten journey.” –– C. Andrew Doyle, Bishop of Texas, author of Unabashedly Episcopalian and A Generous Community. Pilgrim Road, Revised edition paper | 9780819232076 | $16.00 A Benedictine Journey through Lent In this best-selling, classic Lenten Love Life, Live Lent devotional, each reection holds a Be the Change! lesson for our inner spiritual journey. PAULA GOODER & PETER BABINGTON FOREWORD BY ROGER HUTCHISON “Holtz reminds us every step we Love Life, Live Lent offers forty take can be a pilgrimage should we NEW! age-appropriate actions—one for each choose to attend to the Spirit’s call day of Lent—to make the world a better on our lives.” place: locally, nationally, and globally. — Milton Brasher-Cunningham, The adult/youth version also includes a author of Keeping the Feast scripture quote and brief reection for each day. paper | 9780819229816 | $18.00 Adult booklet | 9780819232366 | $6.00 Pack of 15 | 9780819232403 | $33.00 Gather, Share, Remember Children’s booklet | 9780819232380 | $4.00 Lent 2016 Poster Pack of 25 | 9780819232410 | $55.00 IMAGES BY ROGER HUTCHISON Join artist and poet Roger Hutchison as he journeys through Lent, reecting Christ Walk upon the scriptures of Jesus’ life and A 40-Day Spiritual Fitness Program NEW! death in color, texture, and word. -
Faithfulcross
FAITHFUL CROSS A HISTORY OF HOLY CROSS CHURCH, CROMER STREET by Michael Farrer edited by William Young ii FAITHFUL CROSS A HISTORY OF HOLY CROSS CHURCH, CROMER STREET by Michael Farrer edited by William Young, with additional contributions by the Rev. Kenneth Leech, and others Published by Cromer Street Publications, Holy Cross Church, Cromer Street, London WC1 1999 © the authors Designed by Suzanne Gorman Print version printed by ADP, London. The publishers wish to acknowledge generous donations from the Catholic League and members of the Regency Dining Club, and other donors listed in the introduction, which have made this book possible. iii Contents Foreword ..................................................................................................... vi Introduction .................................................................................................. 1 The Anglo-Catholic Mission ........................................................................ 5 Late Victorian Cromer Street ..................................................................... 17 Holy Cross and its Architect ...................................................................... 23 The Consecration ........................................................................................ 28 The Rev. and Hon. Algernon Stanley ........................................................ 33 The Rev. Albert Moore .............................................................................. 37 The Rev. John Roffey ................................................................................ -
A Level Drama and Theatre Studies
A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination. -
English Literature OCR Recommended Reading List American Literature: Gothic: Dystopia: Women in Literature
English Literature Cormac McCarthy: Outer Dark Iain Banks: The Wasp Factory OCR Recommended Reading Toni Morrison: Beloved List Dystopia: American Literature: Margaret Atwood – The Handmaid’s Tale F Scott Fitzgerald – The Great Gatsby George Orwell – Nineteen Eighty-Four John Steinbeck – The Grapes of Wrath H G Wells: The Time Machine Henry James: The Portrait of a Lady Aldous Huxley: Brave New World Mark Twain: Adventures of Huckleberry Finn Ray Bradbury: Fahrenheit 451 Theodore Dreiser: Sister Carrie Anthony Burgess: A Clockwork Orange Willa Cather: My Ántonia J G Ballard: The Drowned World Edith Wharton: The Age of Innocence Doris Lessing: Memoirs of a Survivor William Faulkner: The Sound and the Fury P.D. James: The Children of Men Ernest Hemingway: A Farewell to Arms Cormac McCarthy: The Road Richard Wright: Native Son Women in Literature Gothic: Jane Austen – Sense and Sensibility Angela Carter – The Bloody Chamber and Virginia Woolf – Mrs Dalloway Other Stories Charlotte Brontë: Jane Eyre Bram Stoker – Dracula Dystopia George Eliot: The Mill on the Floss William Beckford: Vathek Thomas Hardy: Tess of the D’Urbervilles Ann Radcliffe: The Italian D H Lawrence: Women in Love Mary Shelley: Frankenstein Zora Neale Hurston: Their Eyes Were Oscar Wilde: The Picture of Dorian Gray Watching God William Faulkner: Light in August Sylvia Plath: The Bell Jar Toni Morrison: The Bluest Eye Omeros – Derek Walcott Jeanette Winterson: Oranges Are Not the Of Mutability – Jo Shapcott Only Fruit Poems of 1912-1913 – Thomas Hardy The Immigrant Experience